|
1
|
A Bridal Song
|
28
|
52%
|
0
|
0%
|
|
2
|
A Dialogue
|
12
|
22%
|
0
|
0%
|
|
3
|
A Dirge
|
8
|
15%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
14
|
26%
|
0
|
0%
|
|
5
|
A Hate-Song
|
7
|
13%
|
0
|
0%
|
|
6
|
A Lament
|
15
|
28%
|
0
|
0%
|
|
7
|
A New National Anthem
|
4
|
7%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
3
|
5%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
14
|
26%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
14
|
26%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
9
|
16%
|
0
|
0%
|
|
12
|
A Widow Bird Sate Mourning For Her Love
|
16
|
30%
|
0
|
0%
|
|
13
|
Adonais
|
14
|
26%
|
0
|
0%
|
|
14
|
Adonais: An Elegy on the Death of John Keats
|
4
|
7%
|
0
|
0%
|
|
15
|
Alastor: or, the Spirit of Solitude
|
6
|
11%
|
0
|
0%
|
|
16
|
An Allegory
|
3
|
5%
|
0
|
0%
|
|
17
|
An Exhortation
|
4
|
7%
|
0
|
0%
|
|
18
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
6
|
11%
|
0
|
0%
|
|
19
|
And like a Dying Lady, Lean and Pale
|
7
|
13%
|
0
|
0%
|
|
20
|
And That I Walk Thus Proudly Crowned Withal
|
1
|
1%
|
0
|
0%
|
|
21
|
Another Fragment to Music
|
2
|
3%
|
0
|
0%
|
|
22
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
2
|
3%
|
0
|
0%
|
|
23
|
Arethusa
|
7
|
13%
|
0
|
0%
|
|
24
|
Art Thou Pale For Weariness
|
1
|
1%
|
0
|
0%
|
|
25
|
Autumn: A Dirge
|
13
|
24%
|
0
|
0%
|
|
26
|
Beauty's Halo
|
7
|
13%
|
0
|
0%
|
|
27
|
Bereavement
|
4
|
7%
|
0
|
0%
|
|
28
|
Bigotry's Victim
|
1
|
1%
|
0
|
0%
|
|
29
|
Buona Notte
|
1
|
1%
|
0
|
0%
|
|
30
|
Death
|
7
|
13%
|
0
|
0%
|
|
31
|
Death In Life
|
7
|
13%
|
0
|
0%
|
|
32
|
Death Is Here And Death Is There
|
5
|
9%
|
0
|
0%
|
|
33
|
Despair
|
1
|
1%
|
0
|
0%
|
|
34
|
England in 1819
|
53
|
100%
|
0
|
0%
|
|
35
|
Epitaph
|
1
|
1%
|
0
|
0%
|
|
36
|
Epithalamium
|
1
|
1%
|
0
|
0%
|
|
37
|
Eyes : A Fragment
|
4
|
7%
|
0
|
0%
|
|
38
|
Faint With Love, The Lady Of The South
|
1
|
1%
|
0
|
0%
|
|
39
|
Feelings Of A Republican On The Fall Of Bonaparte
|
2
|
3%
|
0
|
0%
|
|
40
|
Fiordispina
|
1
|
1%
|
0
|
0%
|
|
41
|
Fragment Of A Ghost Story
|
1
|
1%
|
0
|
0%
|
|
42
|
Fragment Of The Elegy On The Death Of Bion
|
1
|
1%
|
0
|
0%
|
|
43
|
fragment: "To the Moon"
|
5
|
9%
|
0
|
0%
|
|
44
|
Fragment: A Gentle Story Of Two Lovers Young
|
2
|
3%
|
0
|
0%
|
|
45
|
Fragment: Follow To The Deep Wood's Weeds
|
1
|
1%
|
0
|
0%
|
|
46
|
Fragment: Great Spirit
|
2
|
3%
|
0
|
0%
|
|
47
|
Fragment: Home
|
1
|
1%
|
0
|
0%
|
|
48
|
Fragment: Love The Universe To-Day
|
3
|
5%
|
0
|
0%
|
|
49
|
Fragment: My Head Is Wild With Weeping
|
2
|
3%
|
0
|
0%
|
|
50
|
Fragment: Thoughts Come And Go In Solitude
|
2
|
3%
|
0
|
0%
|
|
51
|
From The Greek Of Moschus
|
1
|
1%
|
0
|
0%
|
|
52
|
Ginevra
|
1
|
1%
|
0
|
0%
|
|
53
|
Good-Night
|
13
|
24%
|
0
|
0%
|
|
54
|
Homer's Hymn To Castor And Pollux
|
1
|
1%
|
0
|
0%
|
|
55
|
Homer's Hymn To The Moon
|
1
|
1%
|
0
|
0%
|
|
56
|
Homer's Hymn To Venus
|
1
|
1%
|
0
|
0%
|
|
57
|
Hymn Of Pan
|
1
|
1%
|
0
|
0%
|
|
58
|
Hymn to Intellectual Beauty
|
1
|
1%
|
0
|
0%
|
|
59
|
I Arise from Dreams of Thee
|
3
|
5%
|
0
|
0%
|
|
60
|
I Faint, I Perish With My Love!
|
1
|
1%
|
0
|
0%
|
|
61
|
I Stood Upon A Heaven-cleaving Turret
|
1
|
1%
|
0
|
0%
|
|
62
|
Invocation
|
1
|
1%
|
0
|
0%
|
|
63
|
Invocation To Misery
|
1
|
1%
|
0
|
0%
|
|
64
|
Liberty
|
2
|
3%
|
0
|
0%
|
|
65
|
Life Rounded With Sleep
|
2
|
3%
|
0
|
0%
|
|
66
|
Lift Not The Painted Veil Which Those Who Live
|
7
|
13%
|
0
|
0%
|
|
67
|
Lines
|
1
|
1%
|
0
|
0%
|
|
68
|
Lines -- Far, Far Away, O Ye
|
1
|
1%
|
0
|
0%
|
|
69
|
Lines To A Critic
|
1
|
1%
|
0
|
0%
|
|
70
|
Lines To A Reviewer
|
1
|
1%
|
0
|
0%
|
|
71
|
Lines Written During The Castlereagh Administration
|
2
|
3%
|
0
|
0%
|
|
72
|
Lines Written in the Bay of Lerici
|
1
|
1%
|
0
|
0%
|
|
73
|
Love
|
7
|
13%
|
0
|
0%
|
|
74
|
Love, Hope, Desire, And Fear
|
3
|
5%
|
0
|
0%
|
|
75
|
Love's Philosophy
|
28
|
52%
|
0
|
0%
|
|
76
|
Love's Rose
|
3
|
5%
|
0
|
0%
|
|
77
|
Marianne's Dream
|
1
|
1%
|
0
|
0%
|
|
78
|
Matilda Gathering Flowers
|
1
|
1%
|
0
|
0%
|
|
79
|
May The Limner
|
1
|
1%
|
0
|
0%
|
|
80
|
Mighty Eagle
|
1
|
1%
|
0
|
0%
|
|
81
|
Music And Sweet Poetry
|
3
|
5%
|
0
|
0%
|
|
82
|
Music, When Soft Voices Die
|
4
|
7%
|
0
|
0%
|
|
83
|
Mutability
|
16
|
30%
|
0
|
0%
|
|
84
|
Night
|
2
|
3%
|
0
|
0%
|
|
85
|
O That A Chariot Of Cloud Were Mine!
|
2
|
3%
|
0
|
0%
|
|
86
|
O Thou Immortal Deity
|
2
|
3%
|
0
|
0%
|
|
87
|
Ode To Heaven
|
5
|
9%
|
0
|
0%
|
|
88
|
Ode To Liberty
|
2
|
3%
|
0
|
0%
|
|
89
|
Ode to the West Wind
|
14
|
26%
|
0
|
0%
|
|
90
|
On A Dead Violet
|
3
|
5%
|
0
|
0%
|
|
91
|
On A Faded Violet
|
1
|
1%
|
0
|
0%
|
|
92
|
On A Fete At Carlton House: Fragment
|
1
|
1%
|
0
|
0%
|
|
93
|
On An Icicle That Clung To The Grass Of A Grave
|
1
|
1%
|
0
|
0%
|
|
94
|
On Death
|
5
|
9%
|
0
|
0%
|
|
95
|
On Robert Emmet's Grave
|
2
|
3%
|
0
|
0%
|
|
96
|
On The Dark Height of Jura
|
1
|
1%
|
0
|
0%
|
|
97
|
One Word Is Too Often Profaned
|
2
|
3%
|
0
|
0%
|
|
98
|
Orpheus
|
1
|
1%
|
0
|
0%
|
|
99
|
Otho
|
1
|
1%
|
0
|
0%
|
|
100
|
Ozymandias
|
32
|
60%
|
0
|
0%
|
|
101
|
Passage Of The Apennines
|
1
|
1%
|
0
|
0%
|
|
102
|
Poetical Essay
|
2
|
3%
|
0
|
0%
|
|
103
|
Prometheus Unbound: Act I (excerpt)
|
1
|
1%
|
0
|
0%
|
|
104
|
Remembrance
|
5
|
9%
|
0
|
0%
|
|
105
|
Revenge
|
1
|
1%
|
0
|
0%
|
|
106
|
Song
|
1
|
1%
|
0
|
0%
|
|
107
|
Song Of Proserpine While Gathering Flowers On The Plain Of Enna
|
1
|
1%
|
0
|
0%
|
|
108
|
Song. Come Harriet! Sweet Is The Hour
|
2
|
3%
|
0
|
0%
|
|
109
|
Song. Hope
|
2
|
3%
|
0
|
0%
|
|
110
|
Song. Sorrow
|
1
|
1%
|
0
|
0%
|
|
111
|
Song: Rarely, rarely, comest thou
|
2
|
3%
|
0
|
0%
|
|
112
|
Sonnet -- Ye Hasten To The Grave!
|
1
|
1%
|
0
|
0%
|
|
113
|
Sonnet : From The Italian Of Dante
|
2
|
3%
|
0
|
0%
|
|
114
|
Sonnet To Byron
|
1
|
1%
|
0
|
0%
|
|
115
|
Sonnet: Political Greatness
|
1
|
1%
|
0
|
0%
|
|
116
|
Stanza
|
2
|
3%
|
0
|
0%
|
|
117
|
Stanzas Written In Dejection Near Naples
|
2
|
3%
|
0
|
0%
|
|
118
|
Summer And Winter
|
4
|
7%
|
0
|
0%
|
|
119
|
The Birth Place of Pleasure
|
2
|
3%
|
0
|
0%
|
|
120
|
The Cloud
|
6
|
11%
|
0
|
0%
|
|
121
|
The Drowned Lover
|
2
|
3%
|
0
|
0%
|
|
122
|
The Fitful Alternations of the Rain
|
1
|
1%
|
0
|
0%
|
|
123
|
The Fugitives
|
1
|
1%
|
0
|
0%
|
|
124
|
The Indian Serenade
|
1
|
1%
|
0
|
0%
|
|
125
|
The Invitation
|
1
|
1%
|
0
|
0%
|
|
126
|
The Magnetic Lady To Her Patient
|
1
|
1%
|
0
|
0%
|
|
127
|
The Mask Of Anarchy
|
6
|
11%
|
0
|
0%
|
|
128
|
The Sunset
|
2
|
3%
|
0
|
0%
|
|
129
|
The Triumph of Life
|
5
|
9%
|
0
|
0%
|
|
130
|
The Two Spirits: An Allegory
|
5
|
9%
|
0
|
0%
|
|
131
|
To A Lady, With A Guitar
|
1
|
1%
|
0
|
0%
|
|
132
|
To A Skylark
|
2
|
3%
|
0
|
0%
|
|
133
|
To Death
|
3
|
5%
|
0
|
0%
|
|
134
|
To-- I Fear Thy Kisses, Gentle Maiden
|
1
|
1%
|
0
|
0%
|
|
135
|
To Mary
|
1
|
1%
|
0
|
0%
|
|
136
|
To Night
|
1
|
1%
|
0
|
0%
|
|
137
|
To The Men Of England
|
3
|
5%
|
0
|
0%
|
|
138
|
To The Queen Of My Heart
|
1
|
1%
|
0
|
0%
|
|
139
|
To William Shelley.
|
2
|
3%
|
0
|
0%
|
|
140
|
To-- Yet look on me
|
1
|
1%
|
0
|
0%
|
|
141
|
When A Lover Clasps His Fairest
|
2
|
3%
|
0
|
0%
|
|
142
|
When The Lamp Is Shattered
|
1
|
1%
|
0
|
0%
|
|
143
|
Zephyrus The Awakener
|
1
|
1%
|
0
|
0%
|