|
1
|
A Bridal Song
|
40
|
54%
|
0
|
0%
|
|
2
|
A Dialogue
|
26
|
35%
|
0
|
0%
|
|
3
|
A Dirge
|
14
|
18%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
15
|
20%
|
0
|
0%
|
|
5
|
A Hate-Song
|
32
|
43%
|
0
|
0%
|
|
6
|
A Lament
|
33
|
44%
|
0
|
0%
|
|
7
|
A New National Anthem
|
13
|
17%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
13
|
17%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
15
|
20%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
14
|
18%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
14
|
18%
|
0
|
0%
|
|
12
|
Adonais
|
13
|
17%
|
0
|
0%
|
|
13
|
Alas! This Is Not What I Thought Life Was
|
22
|
29%
|
0
|
0%
|
|
14
|
Alastor: or, the Spirit of Solitude
|
16
|
21%
|
0
|
0%
|
|
15
|
An Allegory
|
8
|
10%
|
0
|
0%
|
|
16
|
An Exhortation
|
2
|
2%
|
0
|
0%
|
|
17
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
3
|
4%
|
0
|
0%
|
|
18
|
And like a Dying Lady, Lean and Pale
|
3
|
4%
|
0
|
0%
|
|
19
|
And That I Walk Thus Proudly Crowned Withal
|
3
|
4%
|
0
|
0%
|
|
20
|
Another Fragment to Music
|
3
|
4%
|
0
|
0%
|
|
21
|
Arethusa
|
4
|
5%
|
0
|
0%
|
|
22
|
Art Thou Pale For Weariness
|
4
|
5%
|
0
|
0%
|
|
23
|
Asia: From Prometheus Unbound
|
3
|
4%
|
0
|
0%
|
|
24
|
Beauty's Halo
|
2
|
2%
|
0
|
0%
|
|
25
|
Bereavement
|
1
|
1%
|
0
|
0%
|
|
26
|
Buona Notte
|
1
|
1%
|
0
|
0%
|
|
27
|
Death
|
3
|
4%
|
0
|
0%
|
|
28
|
Death In Life
|
4
|
5%
|
0
|
0%
|
|
29
|
Death Is Here And Death Is There
|
6
|
8%
|
0
|
0%
|
|
30
|
Despair
|
2
|
2%
|
0
|
0%
|
|
31
|
England in 1819
|
10
|
13%
|
0
|
0%
|
|
32
|
Epipsychidion (excerpt)
|
1
|
1%
|
0
|
0%
|
|
33
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
1
|
1%
|
0
|
0%
|
|
34
|
Epitaph
|
4
|
5%
|
0
|
0%
|
|
35
|
Epithalamium
|
2
|
2%
|
0
|
0%
|
|
36
|
Evening. To Harriet
|
3
|
4%
|
0
|
0%
|
|
37
|
Evening: Ponte Al Mare, Pisa
|
2
|
2%
|
0
|
0%
|
|
38
|
Eyes : A Fragment
|
2
|
2%
|
0
|
0%
|
|
39
|
Feelings Of A Republican On The Fall Of Bonaparte
|
1
|
1%
|
0
|
0%
|
|
40
|
Fragment : What Mary Is When She A Little Smiles
|
2
|
2%
|
0
|
0%
|
|
41
|
Fragment Of A Ghost Story
|
2
|
2%
|
0
|
0%
|
|
42
|
Fragment Of A Satire On Satire
|
1
|
1%
|
0
|
0%
|
|
43
|
Fragment, Or The Triumph Of Conscience
|
2
|
2%
|
0
|
0%
|
|
44
|
fragment: "To the Moon"
|
8
|
10%
|
0
|
0%
|
|
45
|
Fragment: A Gentle Story Of Two Lovers Young
|
1
|
1%
|
0
|
0%
|
|
46
|
Fragment: Amor Aeternus
|
1
|
1%
|
0
|
0%
|
|
47
|
Fragment: Follow To The Deep Wood's Weeds
|
2
|
2%
|
0
|
0%
|
|
48
|
Fragment: Home
|
1
|
1%
|
0
|
0%
|
|
49
|
Fragment: Love The Universe To-Day
|
2
|
2%
|
0
|
0%
|
|
50
|
Fragment: Satan Broken Loose
|
1
|
1%
|
0
|
0%
|
|
51
|
Fragment: Such Hope, As Is The Sick Despair Of Good
|
1
|
1%
|
0
|
0%
|
|
52
|
Fragment: To Byron
|
2
|
2%
|
0
|
0%
|
|
53
|
Fragment: To The People Of England
|
1
|
1%
|
0
|
0%
|
|
54
|
Fragment: Wedded Souls
|
1
|
1%
|
0
|
0%
|
|
55
|
Fragment: What Men Gain Fairly
|
1
|
1%
|
0
|
0%
|
|
56
|
Fragment: Yes! All Is Past
|
1
|
1%
|
0
|
0%
|
|
57
|
Ghasta Or, The Avenging Demon!!!
|
1
|
1%
|
0
|
0%
|
|
58
|
Good-Night
|
9
|
12%
|
0
|
0%
|
|
59
|
Hellas
|
1
|
1%
|
0
|
0%
|
|
60
|
Here I sit with my paper…
|
2
|
2%
|
0
|
0%
|
|
61
|
Homer's Hymn To Minerva
|
1
|
1%
|
0
|
0%
|
|
62
|
Hymn of Apollo
|
1
|
1%
|
0
|
0%
|
|
63
|
Hymn to Intellectual Beauty
|
4
|
5%
|
0
|
0%
|
|
64
|
I Arise from Dreams of Thee
|
2
|
2%
|
0
|
0%
|
|
65
|
I Faint, I Perish With My Love!
|
1
|
1%
|
0
|
0%
|
|
66
|
I Stood Upon A Heaven-cleaving Turret
|
1
|
1%
|
0
|
0%
|
|
67
|
Invocation To Misery
|
1
|
1%
|
0
|
0%
|
|
68
|
Julian and Maddalo (excerpt)
|
2
|
2%
|
0
|
0%
|
|
69
|
Letter To Maria Gisborne
|
1
|
1%
|
0
|
0%
|
|
70
|
Lines Written During The Castlereagh Administration
|
1
|
1%
|
0
|
0%
|
|
71
|
Love
|
3
|
4%
|
0
|
0%
|
|
72
|
Love, Hope, Desire, And Fear
|
7
|
9%
|
0
|
0%
|
|
73
|
Love's Philosophy
|
68
|
91%
|
0
|
0%
|
|
74
|
Love's Rose
|
2
|
2%
|
0
|
0%
|
|
75
|
Mont Blanc: Lines Written in the Vale of Chamouni
|
7
|
9%
|
0
|
0%
|
|
76
|
Music And Sweet Poetry
|
1
|
1%
|
0
|
0%
|
|
77
|
Music, When Soft Voices Die
|
4
|
5%
|
0
|
0%
|
|
78
|
Mutability
|
14
|
18%
|
0
|
0%
|
|
79
|
Night
|
2
|
2%
|
0
|
0%
|
|
80
|
O That A Chariot Of Cloud Were Mine!
|
1
|
1%
|
0
|
0%
|
|
81
|
Ode To Heaven
|
2
|
2%
|
0
|
0%
|
|
82
|
Ode To Liberty
|
1
|
1%
|
0
|
0%
|
|
83
|
Ode to the West Wind
|
15
|
20%
|
0
|
0%
|
|
84
|
On Death
|
1
|
1%
|
0
|
0%
|
|
85
|
On Keats, Who Desired That On His Tomb Should Be Inscribed--
|
1
|
1%
|
0
|
0%
|
|
86
|
Ozymandias
|
74
|
100%
|
0
|
0%
|
|
87
|
Prometheus Unbound: Act I (excerpt)
|
1
|
1%
|
0
|
0%
|
|
88
|
Queen Mab: Part I.
|
1
|
1%
|
0
|
0%
|
|
89
|
Queen Mab: Part IX.
|
1
|
1%
|
0
|
0%
|
|
90
|
Remorse
|
1
|
1%
|
0
|
0%
|
|
91
|
Revenge
|
3
|
4%
|
0
|
0%
|
|
92
|
Rosalind and Helen: a Modern Eclogue
|
1
|
1%
|
0
|
0%
|
|
93
|
Song
|
1
|
1%
|
0
|
0%
|
|
94
|
Song For 'Tasso'
|
1
|
1%
|
0
|
0%
|
|
95
|
Song To The Men Of England
|
1
|
1%
|
0
|
0%
|
|
96
|
Song. Come Harriet! Sweet Is The Hour
|
1
|
1%
|
0
|
0%
|
|
97
|
Song. Despair
|
1
|
1%
|
0
|
0%
|
|
98
|
Song. Hope
|
1
|
1%
|
0
|
0%
|
|
99
|
Sonnet -- Ye Hasten To The Grave!
|
1
|
1%
|
0
|
0%
|
|
100
|
Sonnet : On Launching Some Bottles Filled With Knowledge Into The Bristol Channel
|
1
|
1%
|
0
|
0%
|
|
101
|
Sonnet To Byron
|
1
|
1%
|
0
|
0%
|
|
102
|
Sonnet: England in 1819
|
1
|
1%
|
0
|
0%
|
|
103
|
Summer And Winter
|
2
|
2%
|
0
|
0%
|
|
104
|
The Boat On The Serchio
|
1
|
1%
|
0
|
0%
|
|
105
|
The Cloud
|
22
|
29%
|
0
|
0%
|
|
106
|
The Devil's Walk. A Ballad
|
1
|
1%
|
0
|
0%
|
|
107
|
The Drowned Lover
|
1
|
1%
|
0
|
0%
|
|
108
|
The Indian Serenade
|
1
|
1%
|
0
|
0%
|
|
109
|
The Mask Of Anarchy
|
4
|
5%
|
0
|
0%
|
|
110
|
The Question
|
1
|
1%
|
0
|
0%
|
|
111
|
The Sensitive Plant
|
1
|
1%
|
0
|
0%
|
|
112
|
The Solitary
|
1
|
1%
|
0
|
0%
|
|
113
|
The Spectral Horseman
|
1
|
1%
|
0
|
0%
|
|
114
|
The Sunset
|
1
|
1%
|
0
|
0%
|
|
115
|
The Triumph of Life
|
2
|
2%
|
0
|
0%
|
|
116
|
The Two Spirits: An Allegory
|
1
|
1%
|
0
|
0%
|
|
117
|
The Waning Moon
|
2
|
2%
|
0
|
0%
|
|
118
|
The Woodman And The Nightingale
|
1
|
1%
|
0
|
0%
|
|
119
|
Time
|
8
|
10%
|
0
|
0%
|
|
120
|
To A Skylark
|
6
|
8%
|
0
|
0%
|
|
121
|
To A Star
|
1
|
1%
|
0
|
0%
|
|
122
|
To Death
|
1
|
1%
|
0
|
0%
|
|
123
|
To Harriet -- It Is Not Blasphemy To Hope That Heaven
|
1
|
1%
|
0
|
0%
|
|
124
|
To-- I Fear Thy Kisses, Gentle Maiden
|
2
|
2%
|
0
|
0%
|
|
125
|
To Jane: The Keen Stars Were Twinkling
|
1
|
1%
|
0
|
0%
|
|
126
|
To Mary Who Died In This Opinion
|
1
|
1%
|
0
|
0%
|
|
127
|
To-- Music, when soft voices die
|
1
|
1%
|
0
|
0%
|
|
128
|
To Night
|
2
|
2%
|
0
|
0%
|
|
129
|
To-- One word is too often profaned
|
1
|
1%
|
0
|
0%
|
|
130
|
To The Men Of England
|
4
|
5%
|
0
|
0%
|
|
131
|
To The Mind Of Man
|
1
|
1%
|
0
|
0%
|
|
132
|
To the Moon
|
1
|
1%
|
0
|
0%
|
|
133
|
To The Moonbeam
|
1
|
1%
|
0
|
0%
|
|
134
|
To Wordsworth
|
1
|
1%
|
0
|
0%
|
|
135
|
To-- Yet look on me
|
3
|
4%
|
0
|
0%
|
|
136
|
To-morrow
|
1
|
1%
|
0
|
0%
|
|
137
|
Verses On A Cat
|
1
|
1%
|
0
|
0%
|
|
138
|
War
|
2
|
2%
|
0
|
0%
|
|
139
|
When A Lover Clasps His Fairest
|
1
|
1%
|
0
|
0%
|
|
140
|
When The Lamp Is Shattered
|
2
|
2%
|
0
|
0%
|
|
141
|
Wine Of The Fairies
|
2
|
2%
|
0
|
0%
|
|
142
|
Written At Bracknell
|
1
|
1%
|
0
|
0%
|