|
1
|
A Bridal Song
|
29
|
20%
|
0
|
0%
|
|
2
|
A Dialogue
|
33
|
22%
|
0
|
0%
|
|
3
|
A Dirge
|
19
|
13%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
20
|
13%
|
0
|
0%
|
|
5
|
A Hate-Song
|
34
|
23%
|
0
|
0%
|
|
6
|
A Lament
|
16
|
11%
|
0
|
0%
|
|
7
|
A New National Anthem
|
11
|
7%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
6
|
4%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
9
|
6%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
11
|
7%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
10
|
6%
|
0
|
0%
|
|
12
|
Adonais
|
17
|
11%
|
0
|
0%
|
|
13
|
Alas! This Is Not What I Thought Life Was
|
11
|
7%
|
0
|
0%
|
|
14
|
Alastor: or, the Spirit of Solitude
|
9
|
6%
|
0
|
0%
|
|
15
|
An Allegory
|
4
|
2%
|
0
|
0%
|
|
16
|
An Exhortation
|
3
|
2%
|
0
|
0%
|
|
17
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
2
|
1%
|
0
|
0%
|
|
18
|
And like a Dying Lady, Lean and Pale
|
4
|
2%
|
0
|
0%
|
|
19
|
And That I Walk Thus Proudly Crowned Withal
|
7
|
4%
|
0
|
0%
|
|
20
|
Another Fragment to Music
|
7
|
4%
|
0
|
0%
|
|
21
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
4
|
2%
|
0
|
0%
|
|
22
|
Arethusa
|
4
|
2%
|
0
|
0%
|
|
23
|
Art Thou Pale For Weariness
|
3
|
2%
|
0
|
0%
|
|
24
|
Asia: From Prometheus Unbound
|
5
|
3%
|
0
|
0%
|
|
25
|
Autumn: A Dirge
|
6
|
4%
|
0
|
0%
|
|
26
|
Beauty's Halo
|
6
|
4%
|
0
|
0%
|
|
27
|
Bereavement
|
6
|
4%
|
0
|
0%
|
|
28
|
Bigotry's Victim
|
2
|
1%
|
0
|
0%
|
|
29
|
Buona Notte
|
2
|
1%
|
0
|
0%
|
|
30
|
Chorus from Hellas
|
4
|
2%
|
0
|
0%
|
|
31
|
Death
|
3
|
2%
|
0
|
0%
|
|
32
|
Death In Life
|
5
|
3%
|
0
|
0%
|
|
33
|
Death Is Here And Death Is There
|
3
|
2%
|
0
|
0%
|
|
34
|
Despair
|
7
|
4%
|
0
|
0%
|
|
35
|
Dirge For The Year
|
2
|
1%
|
0
|
0%
|
|
36
|
England in 1819
|
32
|
22%
|
0
|
0%
|
|
37
|
Epigram I: To Stella
|
1
|
0%
|
0
|
0%
|
|
38
|
Epigram II: Kissing Helena
|
2
|
1%
|
0
|
0%
|
|
39
|
Epigram III: Spirit of Plato
|
2
|
1%
|
0
|
0%
|
|
40
|
Epigram IV: Circumstance
|
2
|
1%
|
0
|
0%
|
|
41
|
Epipsychidion (excerpt)
|
2
|
1%
|
0
|
0%
|
|
42
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
2
|
1%
|
0
|
0%
|
|
43
|
Epitaph
|
3
|
2%
|
0
|
0%
|
|
44
|
Epithalamium
|
1
|
0%
|
0
|
0%
|
|
45
|
Evening: Ponte Al Mare, Pisa
|
2
|
1%
|
0
|
0%
|
|
46
|
Faint With Love, The Lady Of The South
|
1
|
0%
|
0
|
0%
|
|
47
|
Fiordispina
|
2
|
1%
|
0
|
0%
|
|
48
|
Fragment From The Wandering Jew
|
2
|
1%
|
0
|
0%
|
|
49
|
Fragment Of The Elegy On The Death Of Bion
|
2
|
1%
|
0
|
0%
|
|
50
|
fragment: "To the Moon"
|
6
|
4%
|
0
|
0%
|
|
51
|
Fragment: A Wanderer
|
1
|
0%
|
0
|
0%
|
|
52
|
Fragment: Igniculus Desiderii
|
2
|
1%
|
0
|
0%
|
|
53
|
Fragment: My Head Is Wild With Weeping
|
2
|
1%
|
0
|
0%
|
|
54
|
From "Adonais," 49-52
|
2
|
1%
|
0
|
0%
|
|
55
|
From The Greek Of Moschus : Pan Loved His Neighbour Echo
|
3
|
2%
|
0
|
0%
|
|
56
|
FromThe Arabic: An Imitation
|
2
|
1%
|
0
|
0%
|
|
57
|
Good-Night
|
29
|
20%
|
0
|
0%
|
|
58
|
Hellas
|
3
|
2%
|
0
|
0%
|
|
59
|
Here I sit with my paper…
|
2
|
1%
|
0
|
0%
|
|
60
|
Homer's Hymn To Castor And Pollux
|
2
|
1%
|
0
|
0%
|
|
61
|
Hymn of Apollo
|
2
|
1%
|
0
|
0%
|
|
62
|
Hymn to Intellectual Beauty
|
3
|
2%
|
0
|
0%
|
|
63
|
I Arise from Dreams of Thee
|
1
|
0%
|
0
|
0%
|
|
64
|
I Stood Upon A Heaven-cleaving Turret
|
2
|
1%
|
0
|
0%
|
|
65
|
I Would Not Be A King
|
2
|
1%
|
0
|
0%
|
|
66
|
Invocation To Misery
|
3
|
2%
|
0
|
0%
|
|
67
|
Liberty
|
1
|
0%
|
0
|
0%
|
|
68
|
Life Rounded With Sleep
|
1
|
0%
|
0
|
0%
|
|
69
|
Lines -- Far, Far Away, O Ye
|
2
|
1%
|
0
|
0%
|
|
70
|
Lines Written Among The Euganean Hills
|
1
|
0%
|
0
|
0%
|
|
71
|
Lines: The cold earth slept below
|
1
|
0%
|
0
|
0%
|
|
72
|
Love, Hope, Desire, And Fear
|
2
|
1%
|
0
|
0%
|
|
73
|
Love's Philosophy
|
35
|
24%
|
0
|
0%
|
|
74
|
Love's Rose
|
2
|
1%
|
0
|
0%
|
|
75
|
Marenghi
|
3
|
2%
|
0
|
0%
|
|
76
|
Marianne's Dream
|
3
|
2%
|
0
|
0%
|
|
77
|
Matilda Gathering Flowers
|
3
|
2%
|
0
|
0%
|
|
78
|
May The Limner
|
2
|
1%
|
0
|
0%
|
|
79
|
Mutability
|
21
|
14%
|
0
|
0%
|
|
80
|
Night
|
1
|
0%
|
0
|
0%
|
|
81
|
Ode to the West Wind
|
9
|
6%
|
0
|
0%
|
|
82
|
On Robert Emmet's Grave
|
1
|
0%
|
0
|
0%
|
|
83
|
One Word Is Too Often Profaned
|
2
|
1%
|
0
|
0%
|
|
84
|
Ozymandias
|
145
|
100%
|
0
|
0%
|
|
85
|
Prometheus Unbound: Act I (excerpt)
|
1
|
0%
|
0
|
0%
|
|
86
|
Queen Mab: Part I.
|
7
|
4%
|
0
|
0%
|
|
87
|
Remembrance
|
1
|
0%
|
0
|
0%
|
|
88
|
Remorse
|
2
|
1%
|
0
|
0%
|
|
89
|
Similes For Two Political Characters of 1819
|
1
|
0%
|
0
|
0%
|
|
90
|
Song
|
2
|
1%
|
0
|
0%
|
|
91
|
Stanza
|
2
|
1%
|
0
|
0%
|
|
92
|
The Cloud
|
19
|
13%
|
0
|
0%
|
|
93
|
The Cyclops
|
2
|
1%
|
0
|
0%
|
|
94
|
The Indian Serenade
|
2
|
1%
|
0
|
0%
|
|
95
|
The Mask Of Anarchy
|
2
|
1%
|
0
|
0%
|
|
96
|
The Moon
|
1
|
0%
|
0
|
0%
|
|
97
|
The Question
|
5
|
3%
|
0
|
0%
|
|
98
|
The Retrospect: CWM Elan, 1812
|
2
|
1%
|
0
|
0%
|
|
99
|
The Sensitive Plant
|
9
|
6%
|
0
|
0%
|
|
100
|
The Sepulchre Of Memory
|
1
|
0%
|
0
|
0%
|
|
101
|
The Spectral Horseman
|
1
|
0%
|
0
|
0%
|
|
102
|
The Triumph of Life
|
3
|
2%
|
0
|
0%
|
|
103
|
Time
|
7
|
4%
|
0
|
0%
|
|
104
|
To A Skylark
|
8
|
5%
|
0
|
0%
|
|
105
|
To A Star
|
2
|
1%
|
0
|
0%
|
|
106
|
To Death
|
2
|
1%
|
0
|
0%
|
|
107
|
To Edward Williams
|
1
|
0%
|
0
|
0%
|
|
108
|
To Ianthe
|
2
|
1%
|
0
|
0%
|
|
109
|
To Jane: The Recollection
|
2
|
1%
|
0
|
0%
|
|
110
|
To Mary Shelley
|
1
|
0%
|
0
|
0%
|
|
111
|
To Mary Wollstonecraft Godwin
|
1
|
0%
|
0
|
0%
|
|
112
|
To-- Music, when soft voices die
|
1
|
0%
|
0
|
0%
|
|
113
|
To The Men Of England
|
4
|
2%
|
0
|
0%
|
|
114
|
To the Moon
|
1
|
0%
|
0
|
0%
|
|
115
|
To The Nile
|
1
|
0%
|
0
|
0%
|
|
116
|
To The Queen Of My Heart
|
1
|
0%
|
0
|
0%
|
|
117
|
To-morrow
|
1
|
0%
|
0
|
0%
|
|
118
|
When Soft Winds And Sunny Skies
|
1
|
0%
|
0
|
0%
|
|
119
|
When The Lamp Is Shattered
|
2
|
1%
|
0
|
0%
|