|
1
|
A Bridal Song
|
36
|
48%
|
0
|
0%
|
|
2
|
A Dialogue
|
13
|
17%
|
0
|
0%
|
|
3
|
A Dirge
|
20
|
26%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
12
|
16%
|
0
|
0%
|
|
5
|
A Hate-Song
|
18
|
24%
|
0
|
0%
|
|
6
|
A Lament
|
34
|
45%
|
0
|
0%
|
|
7
|
A New National Anthem
|
13
|
17%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
5
|
6%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
11
|
14%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
9
|
12%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
4
|
5%
|
0
|
0%
|
|
12
|
Adonais
|
9
|
12%
|
0
|
0%
|
|
13
|
Alas! This Is Not What I Thought Life Was
|
16
|
21%
|
0
|
0%
|
|
14
|
Alastor: or, the Spirit of Solitude
|
10
|
13%
|
0
|
0%
|
|
15
|
An Allegory
|
5
|
6%
|
0
|
0%
|
|
16
|
An Exhortation
|
5
|
6%
|
0
|
0%
|
|
17
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
2
|
2%
|
0
|
0%
|
|
18
|
And like a Dying Lady, Lean and Pale
|
2
|
2%
|
0
|
0%
|
|
19
|
And That I Walk Thus Proudly Crowned Withal
|
2
|
2%
|
0
|
0%
|
|
20
|
Another Fragment to Music
|
2
|
2%
|
0
|
0%
|
|
21
|
Arethusa
|
1
|
1%
|
0
|
0%
|
|
22
|
Art Thou Pale For Weariness
|
5
|
6%
|
0
|
0%
|
|
23
|
Asia: From Prometheus Unbound
|
1
|
1%
|
0
|
0%
|
|
24
|
Autumn: A Dirge
|
5
|
6%
|
0
|
0%
|
|
25
|
Beauty's Halo
|
3
|
4%
|
0
|
0%
|
|
26
|
Bereavement
|
1
|
1%
|
0
|
0%
|
|
27
|
Buona Notte
|
5
|
6%
|
0
|
0%
|
|
28
|
Death
|
1
|
1%
|
0
|
0%
|
|
29
|
Death In Life
|
3
|
4%
|
0
|
0%
|
|
30
|
Death Is Here And Death Is There
|
6
|
8%
|
0
|
0%
|
|
31
|
Despair
|
1
|
1%
|
0
|
0%
|
|
32
|
Dirge For The Year
|
1
|
1%
|
0
|
0%
|
|
33
|
England in 1819
|
5
|
6%
|
0
|
0%
|
|
34
|
Epigram I: To Stella
|
1
|
1%
|
0
|
0%
|
|
35
|
Epipsychidion (excerpt)
|
2
|
2%
|
0
|
0%
|
|
36
|
Epitaph
|
1
|
1%
|
0
|
0%
|
|
37
|
Evening. To Harriet
|
2
|
2%
|
0
|
0%
|
|
38
|
Evening: Ponte Al Mare, Pisa
|
2
|
2%
|
0
|
0%
|
|
39
|
Eyes : A Fragment
|
1
|
1%
|
0
|
0%
|
|
40
|
Faint With Love, The Lady Of The South
|
1
|
1%
|
0
|
0%
|
|
41
|
Fiordispina
|
1
|
1%
|
0
|
0%
|
|
42
|
Fragment : What Mary Is When She A Little Smiles
|
1
|
1%
|
0
|
0%
|
|
43
|
Fragment Of A Ghost Story
|
2
|
2%
|
0
|
0%
|
|
44
|
fragment: "To the Moon"
|
3
|
4%
|
0
|
0%
|
|
45
|
Fragment: A Gentle Story Of Two Lovers Young
|
1
|
1%
|
0
|
0%
|
|
46
|
Fragment: A Wanderer
|
1
|
1%
|
0
|
0%
|
|
47
|
Fragment: Amor Aeternus
|
1
|
1%
|
0
|
0%
|
|
48
|
Fragment: Thoughts Come And Go In Solitude
|
2
|
2%
|
0
|
0%
|
|
49
|
Fragment: To Byron
|
1
|
1%
|
0
|
0%
|
|
50
|
Fragment: Yes! All Is Past
|
1
|
1%
|
0
|
0%
|
|
51
|
FromThe Arabic: An Imitation
|
1
|
1%
|
0
|
0%
|
|
52
|
Ginevra
|
3
|
4%
|
0
|
0%
|
|
53
|
Good-Night
|
5
|
6%
|
0
|
0%
|
|
54
|
Hellas
|
1
|
1%
|
0
|
0%
|
|
55
|
Hymn of Apollo
|
1
|
1%
|
0
|
0%
|
|
56
|
Hymn to Intellectual Beauty
|
1
|
1%
|
0
|
0%
|
|
57
|
I Arise from Dreams of Thee
|
1
|
1%
|
0
|
0%
|
|
58
|
I Would Not Be A King
|
1
|
1%
|
0
|
0%
|
|
59
|
Invocation To Misery
|
3
|
4%
|
0
|
0%
|
|
60
|
Liberty
|
1
|
1%
|
0
|
0%
|
|
61
|
Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
62
|
Lines To A Critic
|
1
|
1%
|
0
|
0%
|
|
63
|
Love
|
1
|
1%
|
0
|
0%
|
|
64
|
Love, Hope, Desire, And Fear
|
3
|
4%
|
0
|
0%
|
|
65
|
Love's Philosophy
|
65
|
86%
|
0
|
0%
|
|
66
|
Love's Rose
|
1
|
1%
|
0
|
0%
|
|
67
|
Marenghi
|
1
|
1%
|
0
|
0%
|
|
68
|
Mighty Eagle
|
2
|
2%
|
0
|
0%
|
|
69
|
Music, When Soft Voices Die
|
1
|
1%
|
0
|
0%
|
|
70
|
Mutability
|
33
|
44%
|
0
|
0%
|
|
71
|
Night
|
1
|
1%
|
0
|
0%
|
|
72
|
O Thou Immortal Deity
|
1
|
1%
|
0
|
0%
|
|
73
|
Ode To Liberty
|
3
|
4%
|
0
|
0%
|
|
74
|
Ode to the West Wind
|
13
|
17%
|
0
|
0%
|
|
75
|
Ozymandias
|
75
|
100%
|
0
|
0%
|
|
76
|
Poetical Essay
|
1
|
1%
|
0
|
0%
|
|
77
|
Prometheus Unbound: Act I (excerpt)
|
2
|
2%
|
0
|
0%
|
|
78
|
Queen Mab: Part I.
|
1
|
1%
|
0
|
0%
|
|
79
|
Queen Mab: Part IX.
|
1
|
1%
|
0
|
0%
|
|
80
|
Remembrance
|
2
|
2%
|
0
|
0%
|
|
81
|
Remorse
|
1
|
1%
|
0
|
0%
|
|
82
|
Song
|
1
|
1%
|
0
|
0%
|
|
83
|
Song For 'Tasso'
|
1
|
1%
|
0
|
0%
|
|
84
|
Stanzas. -- April, 1814
|
1
|
1%
|
0
|
0%
|
|
85
|
Summer And Winter
|
4
|
5%
|
0
|
0%
|
|
86
|
The Birth Place of Pleasure
|
1
|
1%
|
0
|
0%
|
|
87
|
The Cloud
|
11
|
14%
|
0
|
0%
|
|
88
|
The Death Knell Is Ringing
|
2
|
2%
|
0
|
0%
|
|
89
|
The Mask Of Anarchy
|
1
|
1%
|
0
|
0%
|
|
90
|
The Moon
|
4
|
5%
|
0
|
0%
|
|
91
|
The Question
|
2
|
2%
|
0
|
0%
|
|
92
|
The Sunset
|
2
|
2%
|
0
|
0%
|
|
93
|
The Triumph of Life
|
1
|
1%
|
0
|
0%
|
|
94
|
To ----
|
3
|
4%
|
0
|
0%
|
|
95
|
To A Skylark
|
2
|
2%
|
0
|
0%
|
|
96
|
To Harriet -- It Is Not Blasphemy To Hope That Heaven
|
2
|
2%
|
0
|
0%
|
|
97
|
To-- I Fear Thy Kisses, Gentle Maiden
|
2
|
2%
|
0
|
0%
|
|
98
|
To Jane: The Recollection
|
1
|
1%
|
0
|
0%
|
|
99
|
To-- Oh! there are spirits of the air
|
2
|
2%
|
0
|
0%
|
|
100
|
To The Men Of England
|
1
|
1%
|
0
|
0%
|
|
101
|
To The Moonbeam
|
1
|
1%
|
0
|
0%
|
|
102
|
To The Nile
|
1
|
1%
|
0
|
0%
|
|
103
|
To The Queen Of My Heart
|
1
|
1%
|
0
|
0%
|
|
104
|
To William Shelley.
|
1
|
1%
|
0
|
0%
|
|
105
|
To William Shelley. Thy Little Footsteps On The Sands
|
1
|
1%
|
0
|
0%
|
|
106
|
Wake The Serpent Not
|
1
|
1%
|
0
|
0%
|
|
107
|
When A Lover Clasps His Fairest
|
1
|
1%
|
0
|
0%
|
|
108
|
When Soft Winds And Sunny Skies
|
1
|
1%
|
0
|
0%
|