|
1
|
A Bridal Song
|
7
|
7%
|
0
|
0%
|
|
2
|
A Bridal Song
|
76
|
80%
|
0
|
0%
|
|
3
|
A Bridal Song
|
6
|
6%
|
0
|
0%
|
|
4
|
A Bridal Song
|
8
|
8%
|
0
|
0%
|
|
5
|
A Bridal Song
|
46
|
48%
|
0
|
0%
|
|
6
|
A Bridal Song
|
7
|
7%
|
0
|
0%
|
|
7
|
A Dialogue
|
4
|
4%
|
0
|
0%
|
|
8
|
A Dialogue
|
36
|
38%
|
0
|
0%
|
|
9
|
A Dialogue
|
4
|
4%
|
0
|
0%
|
|
10
|
A Dialogue
|
4
|
4%
|
0
|
0%
|
|
11
|
A Dialogue
|
19
|
20%
|
0
|
0%
|
|
12
|
A Dialogue
|
4
|
4%
|
0
|
0%
|
|
13
|
A Dirge
|
5
|
5%
|
0
|
0%
|
|
14
|
A Dirge
|
34
|
36%
|
0
|
0%
|
|
15
|
A Dirge
|
5
|
5%
|
0
|
0%
|
|
16
|
A Dirge
|
5
|
5%
|
0
|
0%
|
|
17
|
A Dirge
|
23
|
24%
|
0
|
0%
|
|
18
|
A Dirge
|
5
|
5%
|
0
|
0%
|
|
19
|
A Fragment: To Music
|
2
|
2%
|
0
|
0%
|
|
20
|
A Fragment: To Music
|
28
|
29%
|
0
|
0%
|
|
21
|
A Fragment: To Music
|
2
|
2%
|
0
|
0%
|
|
22
|
A Fragment: To Music
|
2
|
2%
|
0
|
0%
|
|
23
|
A Fragment: To Music
|
15
|
15%
|
0
|
0%
|
|
24
|
A Fragment: To Music
|
2
|
2%
|
0
|
0%
|
|
25
|
A Hate-Song
|
8
|
8%
|
0
|
0%
|
|
26
|
A Hate-Song
|
43
|
45%
|
0
|
0%
|
|
27
|
A Hate-Song
|
8
|
8%
|
0
|
0%
|
|
28
|
A Hate-Song
|
8
|
8%
|
0
|
0%
|
|
29
|
A Hate-Song
|
48
|
51%
|
0
|
0%
|
|
30
|
A Hate-Song
|
8
|
8%
|
0
|
0%
|
|
31
|
A Lament
|
1
|
1%
|
0
|
0%
|
|
32
|
A Lament
|
1
|
1%
|
0
|
0%
|
|
33
|
A Lament
|
1
|
1%
|
0
|
0%
|
|
34
|
A Lament
|
1
|
1%
|
0
|
0%
|
|
35
|
A Lament
|
28
|
29%
|
0
|
0%
|
|
36
|
A Lament
|
33
|
35%
|
0
|
0%
|
|
37
|
A New National Anthem
|
5
|
5%
|
0
|
0%
|
|
38
|
A New National Anthem
|
45
|
47%
|
0
|
0%
|
|
39
|
A New National Anthem
|
5
|
5%
|
0
|
0%
|
|
40
|
A New National Anthem
|
5
|
5%
|
0
|
0%
|
|
41
|
A New National Anthem
|
19
|
20%
|
0
|
0%
|
|
42
|
A New National Anthem
|
5
|
5%
|
0
|
0%
|
|
43
|
A Roman's Chamber
|
1
|
1%
|
0
|
0%
|
|
44
|
A Roman's Chamber
|
27
|
28%
|
0
|
0%
|
|
45
|
A Roman's Chamber
|
1
|
1%
|
0
|
0%
|
|
46
|
A Roman's Chamber
|
1
|
1%
|
0
|
0%
|
|
47
|
A Roman's Chamber
|
12
|
12%
|
0
|
0%
|
|
48
|
A Roman's Chamber
|
1
|
1%
|
0
|
0%
|
|
49
|
A Serpent-Face
|
2
|
2%
|
0
|
0%
|
|
50
|
A Serpent-Face
|
27
|
28%
|
0
|
0%
|
|
51
|
A Serpent-Face
|
2
|
2%
|
0
|
0%
|
|
52
|
A Serpent-Face
|
2
|
2%
|
0
|
0%
|
|
53
|
A Serpent-Face
|
17
|
18%
|
0
|
0%
|
|
54
|
A Serpent-Face
|
2
|
2%
|
0
|
0%
|
|
55
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
32
|
34%
|
0
|
0%
|
|
56
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
1
|
1%
|
0
|
0%
|
|
57
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
1
|
1%
|
0
|
0%
|
|
58
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
1
|
1%
|
0
|
0%
|
|
59
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
1
|
1%
|
0
|
0%
|
|
60
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
11
|
11%
|
0
|
0%
|
|
61
|
A Tale Of Society As It Is: From Facts, 1811
|
23
|
24%
|
0
|
0%
|
|
62
|
A Tale Of Society As It Is: From Facts, 1811
|
9
|
9%
|
0
|
0%
|
|
63
|
Adonais
|
20
|
21%
|
0
|
0%
|
|
64
|
Adonais
|
6
|
6%
|
0
|
0%
|
|
65
|
Adonais
|
6
|
6%
|
0
|
0%
|
|
66
|
Adonais
|
6
|
6%
|
0
|
0%
|
|
67
|
Adonais
|
6
|
6%
|
0
|
0%
|
|
68
|
Adonais
|
38
|
40%
|
0
|
0%
|
|
69
|
Alas! This Is Not What I Thought Life Was
|
5
|
5%
|
0
|
0%
|
|
70
|
Alas! This Is Not What I Thought Life Was
|
5
|
5%
|
0
|
0%
|
|
71
|
Alas! This Is Not What I Thought Life Was
|
5
|
5%
|
0
|
0%
|
|
72
|
Alas! This Is Not What I Thought Life Was
|
29
|
30%
|
0
|
0%
|
|
73
|
Alas! This Is Not What I Thought Life Was
|
22
|
23%
|
0
|
0%
|
|
74
|
Alas! This Is Not What I Thought Life Was
|
5
|
5%
|
0
|
0%
|
|
75
|
Alastor: or, the Spirit of Solitude
|
17
|
18%
|
0
|
0%
|
|
76
|
Alastor: or, the Spirit of Solitude
|
3
|
3%
|
0
|
0%
|
|
77
|
Alastor: or, the Spirit of Solitude
|
3
|
3%
|
0
|
0%
|
|
78
|
Alastor: or, the Spirit of Solitude
|
3
|
3%
|
0
|
0%
|
|
79
|
Alastor: or, the Spirit of Solitude
|
3
|
3%
|
0
|
0%
|
|
80
|
Alastor: or, the Spirit of Solitude
|
19
|
20%
|
0
|
0%
|
|
81
|
An Allegory
|
4
|
4%
|
0
|
0%
|
|
82
|
An Allegory
|
18
|
19%
|
0
|
0%
|
|
83
|
An Allegory
|
4
|
4%
|
0
|
0%
|
|
84
|
An Allegory
|
4
|
4%
|
0
|
0%
|
|
85
|
An Allegory
|
14
|
14%
|
0
|
0%
|
|
86
|
An Allegory
|
4
|
4%
|
0
|
0%
|
|
87
|
An Exhortation
|
20
|
21%
|
0
|
0%
|
|
88
|
An Exhortation
|
1
|
1%
|
0
|
0%
|
|
89
|
An Exhortation
|
1
|
1%
|
0
|
0%
|
|
90
|
An Exhortation
|
1
|
1%
|
0
|
0%
|
|
91
|
An Exhortation
|
1
|
1%
|
0
|
0%
|
|
92
|
An Exhortation
|
15
|
15%
|
0
|
0%
|
|
93
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
11
|
11%
|
0
|
0%
|
|
94
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
7
|
7%
|
0
|
0%
|
|
95
|
And like a Dying Lady, Lean and Pale
|
17
|
18%
|
0
|
0%
|
|
96
|
And like a Dying Lady, Lean and Pale
|
1
|
1%
|
0
|
0%
|
|
97
|
And like a Dying Lady, Lean and Pale
|
1
|
1%
|
0
|
0%
|
|
98
|
And like a Dying Lady, Lean and Pale
|
1
|
1%
|
0
|
0%
|
|
99
|
And like a Dying Lady, Lean and Pale
|
1
|
1%
|
0
|
0%
|
|
100
|
And like a Dying Lady, Lean and Pale
|
15
|
15%
|
0
|
0%
|
|
101
|
And That I Walk Thus Proudly Crowned Withal
|
11
|
11%
|
0
|
0%
|
|
102
|
And That I Walk Thus Proudly Crowned Withal
|
6
|
6%
|
0
|
0%
|
|
103
|
Another Fragment to Music
|
20
|
21%
|
0
|
0%
|
|
104
|
Another Fragment to Music
|
11
|
11%
|
0
|
0%
|
|
105
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
5
|
5%
|
0
|
0%
|
|
106
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
6
|
6%
|
0
|
0%
|
|
107
|
Arethusa
|
5
|
5%
|
0
|
0%
|
|
108
|
Arethusa
|
3
|
3%
|
0
|
0%
|
|
109
|
Art Thou Pale For Weariness
|
12
|
12%
|
0
|
0%
|
|
110
|
Art Thou Pale For Weariness
|
6
|
6%
|
0
|
0%
|
|
111
|
Asia: From Prometheus Unbound
|
4
|
4%
|
0
|
0%
|
|
112
|
Autumn: A Dirge
|
7
|
7%
|
0
|
0%
|
|
113
|
Autumn: A Dirge
|
6
|
6%
|
0
|
0%
|
|
114
|
Beauty's Halo
|
1
|
1%
|
0
|
0%
|
|
115
|
Beauty's Halo
|
15
|
15%
|
0
|
0%
|
|
116
|
Beauty's Halo
|
1
|
1%
|
0
|
0%
|
|
117
|
Beauty's Halo
|
5
|
5%
|
0
|
0%
|
|
118
|
Beauty's Halo
|
1
|
1%
|
0
|
0%
|
|
119
|
Bereavement
|
3
|
3%
|
0
|
0%
|
|
120
|
Bereavement
|
6
|
6%
|
0
|
0%
|
|
121
|
Bigotry's Victim
|
1
|
1%
|
0
|
0%
|
|
122
|
Bigotry's Victim
|
4
|
4%
|
0
|
0%
|
|
123
|
Bigotry's Victim
|
1
|
1%
|
0
|
0%
|
|
124
|
Bigotry's Victim
|
1
|
1%
|
0
|
0%
|
|
125
|
Bigotry's Victim
|
6
|
6%
|
0
|
0%
|
|
126
|
Bigotry's Victim
|
1
|
1%
|
0
|
0%
|
|
127
|
Buona Notte
|
4
|
4%
|
0
|
0%
|
|
128
|
Buona Notte
|
5
|
5%
|
0
|
0%
|
|
129
|
Chorus from Hellas
|
1
|
1%
|
0
|
0%
|
|
130
|
Chorus from Hellas
|
1
|
1%
|
0
|
0%
|
|
131
|
Chorus from Hellas
|
1
|
1%
|
0
|
0%
|
|
132
|
Chorus from Hellas
|
1
|
1%
|
0
|
0%
|
|
133
|
Chorus from Hellas
|
2
|
2%
|
0
|
0%
|
|
134
|
Chorus from Hellas
|
3
|
3%
|
0
|
0%
|
|
135
|
Death
|
1
|
1%
|
0
|
0%
|
|
136
|
Death
|
14
|
14%
|
0
|
0%
|
|
137
|
Death
|
1
|
1%
|
0
|
0%
|
|
138
|
Death
|
1
|
1%
|
0
|
0%
|
|
139
|
Death
|
22
|
23%
|
0
|
0%
|
|
140
|
Death
|
1
|
1%
|
0
|
0%
|
|
141
|
Death In Life
|
6
|
6%
|
0
|
0%
|
|
142
|
Death In Life
|
10
|
10%
|
0
|
0%
|
|
143
|
Death Is Here And Death Is There
|
17
|
18%
|
0
|
0%
|
|
144
|
Death Is Here And Death Is There
|
9
|
9%
|
0
|
0%
|
|
145
|
Despair
|
1
|
1%
|
0
|
0%
|
|
146
|
Despair
|
11
|
11%
|
0
|
0%
|
|
147
|
Despair
|
1
|
1%
|
0
|
0%
|
|
148
|
Despair
|
1
|
1%
|
0
|
0%
|
|
149
|
Despair
|
12
|
12%
|
0
|
0%
|
|
150
|
Despair
|
1
|
1%
|
0
|
0%
|
|
151
|
Dirge For The Year
|
3
|
3%
|
0
|
0%
|
|
152
|
Dirge For The Year
|
3
|
3%
|
0
|
0%
|
|
153
|
England in 1819
|
22
|
23%
|
0
|
0%
|
|
154
|
England in 1819
|
2
|
2%
|
0
|
0%
|
|
155
|
England in 1819
|
1
|
1%
|
0
|
0%
|
|
156
|
England in 1819
|
2
|
2%
|
0
|
0%
|
|
157
|
England in 1819
|
2
|
2%
|
0
|
0%
|
|
158
|
England in 1819
|
38
|
40%
|
0
|
0%
|
|
159
|
Epigram I: To Stella
|
2
|
2%
|
0
|
0%
|
|
160
|
Epigram II: Kissing Helena
|
4
|
4%
|
0
|
0%
|
|
161
|
Epigram II: Kissing Helena
|
5
|
5%
|
0
|
0%
|
|
162
|
Epigram III: Spirit of Plato
|
2
|
2%
|
0
|
0%
|
|
163
|
Epigram IV: Circumstance
|
5
|
5%
|
0
|
0%
|
|
164
|
Epipsychidion (excerpt)
|
3
|
3%
|
0
|
0%
|
|
165
|
Epipsychidion (excerpt)
|
3
|
3%
|
0
|
0%
|
|
166
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
1
|
1%
|
0
|
0%
|
|
167
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
2
|
2%
|
0
|
0%
|
|
168
|
Epitaph
|
2
|
2%
|
0
|
0%
|
|
169
|
Epitaph
|
3
|
3%
|
0
|
0%
|
|
170
|
Epithalamium
|
1
|
1%
|
0
|
0%
|
|
171
|
Epithalamium
|
1
|
1%
|
0
|
0%
|
|
172
|
Epithalamium : Another Version
|
2
|
2%
|
0
|
0%
|
|
173
|
Evening. To Harriet
|
3
|
3%
|
0
|
0%
|
|
174
|
Eyes : A Fragment
|
8
|
8%
|
0
|
0%
|
|
175
|
Eyes : A Fragment
|
8
|
8%
|
0
|
0%
|
|
176
|
Faint With Love, The Lady Of The South
|
1
|
1%
|
0
|
0%
|
|
177
|
Faint With Love, The Lady Of The South
|
7
|
7%
|
0
|
0%
|
|
178
|
Faint With Love, The Lady Of The South
|
1
|
1%
|
0
|
0%
|
|
179
|
Faint With Love, The Lady Of The South
|
6
|
6%
|
0
|
0%
|
|
180
|
Faint With Love, The Lady Of The South
|
1
|
1%
|
0
|
0%
|
|
181
|
Fiordispina
|
1
|
1%
|
0
|
0%
|
|
182
|
Fragment : What Mary Is When She A Little Smiles
|
1
|
1%
|
0
|
0%
|
|
183
|
Fragment : What Mary Is When She A Little Smiles
|
1
|
1%
|
0
|
0%
|
|
184
|
Fragment From The Wandering Jew
|
1
|
1%
|
0
|
0%
|
|
185
|
Fragment Of A Ghost Story
|
1
|
1%
|
0
|
0%
|
|
186
|
Fragment Of A Ghost Story
|
1
|
1%
|
0
|
0%
|
|
187
|
Fragment Of A Ghost Story
|
1
|
1%
|
0
|
0%
|
|
188
|
Fragment Of A Ghost Story
|
1
|
1%
|
0
|
0%
|
|
189
|
Fragment Of A Ghost Story
|
3
|
3%
|
0
|
0%
|
|
190
|
Fragment Of A Ghost Story
|
1
|
1%
|
0
|
0%
|
|
191
|
Fragment Of A Sonnet : To Harriet
|
1
|
1%
|
0
|
0%
|
|
192
|
Fragment Of A Sonnet : To Harriet
|
3
|
3%
|
0
|
0%
|
|
193
|
Fragment Of A Sonnet. Farewell To North Devon
|
1
|
1%
|
0
|
0%
|
|
194
|
fragment: "To the Moon"
|
8
|
8%
|
0
|
0%
|
|
195
|
fragment: "To the Moon"
|
1
|
1%
|
0
|
0%
|
|
196
|
fragment: "To the Moon"
|
1
|
1%
|
0
|
0%
|
|
197
|
fragment: "To the Moon"
|
1
|
1%
|
0
|
0%
|
|
198
|
fragment: "To the Moon"
|
1
|
1%
|
0
|
0%
|
|
199
|
fragment: "To the Moon"
|
14
|
14%
|
0
|
0%
|
|
200
|
Fragment: A Gentle Story Of Two Lovers Young
|
2
|
2%
|
0
|
0%
|
|
201
|
Fragment: A Gentle Story Of Two Lovers Young
|
3
|
3%
|
0
|
0%
|
|
202
|
Fragment: A Wanderer
|
4
|
4%
|
0
|
0%
|
|
203
|
Fragment: A Wanderer
|
2
|
2%
|
0
|
0%
|
|
204
|
Fragment: Amor Aeternus
|
1
|
1%
|
0
|
0%
|
|
205
|
Fragment: Apostrophe To Silence
|
1
|
1%
|
0
|
0%
|
|
206
|
Fragment: Great Spirit
|
2
|
2%
|
0
|
0%
|
|
207
|
Fragment: Great Spirit
|
2
|
2%
|
0
|
0%
|
|
208
|
Fragment: Home
|
3
|
3%
|
0
|
0%
|
|
209
|
Fragment: Home
|
2
|
2%
|
0
|
0%
|
|
210
|
Fragment: Igniculus Desiderii
|
2
|
2%
|
0
|
0%
|
|
211
|
Fragment: Is It That In Some Brighter Sphere
|
2
|
2%
|
0
|
0%
|
|
212
|
Fragment: Love The Universe To-Day
|
2
|
2%
|
0
|
0%
|
|
213
|
Fragment: Love The Universe To-Day
|
1
|
1%
|
0
|
0%
|
|
214
|
Fragment: Milton's Spirit
|
1
|
1%
|
0
|
0%
|
|
215
|
Fragment: Omens
|
1
|
1%
|
0
|
0%
|
|
216
|
Fragment: Satan Broken Loose
|
1
|
1%
|
0
|
0%
|
|
217
|
Fragment: Satan Broken Loose
|
3
|
3%
|
0
|
0%
|
|
218
|
Fragment: There Is A Warm And Gentle Atmosphere
|
5
|
5%
|
0
|
0%
|
|
219
|
Fragment: There Is A Warm And Gentle Atmosphere
|
1
|
1%
|
0
|
0%
|
|
220
|
Fragment: Thoughts Come And Go In Solitude
|
4
|
4%
|
0
|
0%
|
|
221
|
Fragment: To A Friend Released From Prison
|
2
|
2%
|
0
|
0%
|
|
222
|
Fragment: To Byron
|
2
|
2%
|
0
|
0%
|
|
223
|
Fragment: Wedded Souls
|
3
|
3%
|
0
|
0%
|
|
224
|
Fragment: Wedded Souls
|
6
|
6%
|
0
|
0%
|
|
225
|
Fragment: Yes! All Is Past
|
2
|
2%
|
0
|
0%
|
|
226
|
From the Arabic, an Imitation
|
1
|
1%
|
0
|
0%
|
|
227
|
From The Greek Of Moschus : Pan Loved His Neighbour Echo
|
1
|
1%
|
0
|
0%
|
|
228
|
From Vergil's Tenth Eclogue
|
2
|
2%
|
0
|
0%
|
|
229
|
Ginevra
|
2
|
2%
|
0
|
0%
|
|
230
|
Good-Night
|
11
|
11%
|
0
|
0%
|
|
231
|
Good-Night
|
11
|
11%
|
0
|
0%
|
|
232
|
Good-Night
|
11
|
11%
|
0
|
0%
|
|
233
|
Good-Night
|
11
|
11%
|
0
|
0%
|
|
234
|
Good-Night
|
75
|
79%
|
0
|
0%
|
|
235
|
Good-Night
|
47
|
50%
|
0
|
0%
|
|
236
|
Hellas
|
3
|
3%
|
0
|
0%
|
|
237
|
Hellas
|
1
|
1%
|
0
|
0%
|
|
238
|
Hellas
|
1
|
1%
|
0
|
0%
|
|
239
|
Hellas
|
1
|
1%
|
0
|
0%
|
|
240
|
Hellas
|
1
|
1%
|
0
|
0%
|
|
241
|
Hellas
|
1
|
1%
|
0
|
0%
|
|
242
|
Here I sit with my paper…
|
4
|
4%
|
0
|
0%
|
|
243
|
Homer's Hymn To Castor And Pollux
|
1
|
1%
|
0
|
0%
|
|
244
|
Homer's Hymn To Minerva
|
4
|
4%
|
0
|
0%
|
|
245
|
Homer's Hymn To The Earth: Mother Of All
|
2
|
2%
|
0
|
0%
|
|
246
|
Homer's Hymn To The Earth: Mother Of All
|
6
|
6%
|
0
|
0%
|
|
247
|
Homer's Hymn To The Moon
|
2
|
2%
|
0
|
0%
|
|
248
|
Homer's Hymn To The Moon
|
1
|
1%
|
0
|
0%
|
|
249
|
Homer's Hymn To The Sun
|
4
|
4%
|
0
|
0%
|
|
250
|
Homer's Hymn To The Sun
|
1
|
1%
|
0
|
0%
|
|
251
|
Homer's Hymn To Venus
|
1
|
1%
|
0
|
0%
|
|
252
|
Hymn of Apollo
|
1
|
1%
|
0
|
0%
|
|
253
|
Hymn Of Pan
|
3
|
3%
|
0
|
0%
|
|
254
|
Hymn Of Pan
|
1
|
1%
|
0
|
0%
|
|
255
|
Hymn to Intellectual Beauty
|
1
|
1%
|
0
|
0%
|
|
256
|
Hymn to Intellectual Beauty
|
1
|
1%
|
0
|
0%
|
|
257
|
Hymn to Intellectual Beauty
|
1
|
1%
|
0
|
0%
|
|
258
|
Hymn to Intellectual Beauty
|
3
|
3%
|
0
|
0%
|
|
259
|
Hymn to Intellectual Beauty
|
4
|
4%
|
0
|
0%
|
|
260
|
Hymn to Intellectual Beauty
|
2
|
2%
|
0
|
0%
|
|
261
|
Hymn to Intellectual Beauty
|
1
|
1%
|
0
|
0%
|
|
262
|
I Arise from Dreams of Thee
|
3
|
3%
|
0
|
0%
|
|
263
|
I Arise from Dreams of Thee
|
1
|
1%
|
0
|
0%
|
|
264
|
I Arise from Dreams of Thee
|
1
|
1%
|
0
|
0%
|
|
265
|
I Arise from Dreams of Thee
|
1
|
1%
|
0
|
0%
|
|
266
|
I Arise from Dreams of Thee
|
1
|
1%
|
0
|
0%
|
|
267
|
I Arise from Dreams of Thee
|
6
|
6%
|
0
|
0%
|
|
268
|
I Faint, I Perish With My Love!
|
1
|
1%
|
0
|
0%
|
|
269
|
I Stood Upon A Heaven-cleaving Turret
|
1
|
1%
|
0
|
0%
|
|
270
|
I Stood Upon A Heaven-cleaving Turret
|
2
|
2%
|
0
|
0%
|
|
271
|
I Would Not Be A King
|
1
|
1%
|
0
|
0%
|
|
272
|
In Horologium
|
1
|
1%
|
0
|
0%
|
|
273
|
Invocation
|
3
|
3%
|
0
|
0%
|
|
274
|
Invocation
|
2
|
2%
|
0
|
0%
|
|
275
|
Invocation To Misery
|
3
|
3%
|
0
|
0%
|
|
276
|
Invocation To Misery
|
3
|
3%
|
0
|
0%
|
|
277
|
Julian and Maddalo (excerpt)
|
3
|
3%
|
0
|
0%
|
|
278
|
Letter To Maria Gisborne
|
2
|
2%
|
0
|
0%
|
|
279
|
Liberty
|
8
|
8%
|
0
|
0%
|
|
280
|
Liberty
|
1
|
1%
|
0
|
0%
|
|
281
|
Life Rounded With Sleep
|
2
|
2%
|
0
|
0%
|
|
282
|
Lift Not The Painted Veil Which Those Who Live
|
8
|
8%
|
0
|
0%
|
|
283
|
Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
284
|
Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
285
|
Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
286
|
Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
287
|
Lines
|
3
|
3%
|
0
|
0%
|
|
288
|
Lines
|
1
|
1%
|
0
|
0%
|
|
289
|
Lines To A Critic
|
3
|
3%
|
0
|
0%
|
|
290
|
Lines Written in the Bay of Lerici
|
3
|
3%
|
0
|
0%
|
|
291
|
Lines Written On Hearing The News Of The Death Of Napoleon
|
1
|
1%
|
0
|
0%
|
|
292
|
Lines: The cold earth slept below
|
1
|
1%
|
0
|
0%
|
|
293
|
Lines: The cold earth slept below
|
1
|
1%
|
0
|
0%
|
|
294
|
Lines: We Meet Not As We Parted
|
1
|
1%
|
0
|
0%
|
|
295
|
Love
|
3
|
3%
|
0
|
0%
|
|
296
|
Love
|
11
|
11%
|
0
|
0%
|
|
297
|
Love
|
3
|
3%
|
0
|
0%
|
|
298
|
Love
|
3
|
3%
|
0
|
0%
|
|
299
|
Love
|
16
|
17%
|
0
|
0%
|
|
300
|
Love
|
3
|
3%
|
0
|
0%
|
|
301
|
Love, Hope, Desire, And Fear
|
13
|
13%
|
0
|
0%
|
|
302
|
Love, Hope, Desire, And Fear
|
12
|
12%
|
0
|
0%
|
|
303
|
Love's Philosophy
|
36
|
38%
|
0
|
0%
|
|
304
|
Love's Philosophy
|
8
|
8%
|
0
|
0%
|
|
305
|
Love's Philosophy
|
8
|
8%
|
0
|
0%
|
|
306
|
Love's Philosophy
|
8
|
8%
|
0
|
0%
|
|
307
|
Love's Philosophy
|
8
|
8%
|
0
|
0%
|
|
308
|
Love's Philosophy
|
30
|
31%
|
0
|
0%
|
|
309
|
Love's Rose
|
1
|
1%
|
0
|
0%
|
|
310
|
Love's Rose
|
6
|
6%
|
0
|
0%
|
|
311
|
Love's Rose
|
1
|
1%
|
0
|
0%
|
|
312
|
Love's Rose
|
1
|
1%
|
0
|
0%
|
|
313
|
Love's Rose
|
2
|
2%
|
0
|
0%
|
|
314
|
Love's Rose
|
1
|
1%
|
0
|
0%
|
|
315
|
Marenghi
|
1
|
1%
|
0
|
0%
|
|
316
|
Marianne's Dream
|
2
|
2%
|
0
|
0%
|
|
317
|
Marianne's Dream
|
1
|
1%
|
0
|
0%
|
|
318
|
Matilda Gathering Flowers
|
3
|
3%
|
0
|
0%
|
|
319
|
Matilda Gathering Flowers
|
2
|
2%
|
0
|
0%
|
|
320
|
Matilda Gathering Flowers
|
3
|
3%
|
0
|
0%
|
|
321
|
Matilda Gathering Flowers
|
3
|
3%
|
0
|
0%
|
|
322
|
Matilda Gathering Flowers
|
3
|
3%
|
0
|
0%
|
|
323
|
Matilda Gathering Flowers
|
3
|
3%
|
0
|
0%
|
|
324
|
May The Limner
|
1
|
1%
|
0
|
0%
|
|
325
|
May The Limner
|
1
|
1%
|
0
|
0%
|
|
326
|
May The Limner
|
1
|
1%
|
0
|
0%
|
|
327
|
May The Limner
|
1
|
1%
|
0
|
0%
|
|
328
|
May The Limner
|
1
|
1%
|
0
|
0%
|
|
329
|
Mighty Eagle
|
1
|
1%
|
0
|
0%
|
|
330
|
Mont Blanc: Lines Written in the Vale of Chamouni
|
1
|
1%
|
0
|
0%
|
|
331
|
Music And Sweet Poetry
|
1
|
1%
|
0
|
0%
|
|
332
|
Music, When Soft Voices Die
|
7
|
7%
|
0
|
0%
|
|
333
|
Music, When Soft Voices Die
|
7
|
7%
|
0
|
0%
|
|
334
|
Mutability
|
22
|
23%
|
0
|
0%
|
|
335
|
Mutability
|
2
|
2%
|
0
|
0%
|
|
336
|
Mutability
|
2
|
2%
|
0
|
0%
|
|
337
|
Mutability
|
2
|
2%
|
0
|
0%
|
|
338
|
Mutability
|
21
|
22%
|
0
|
0%
|
|
339
|
Mutability - II.
|
2
|
2%
|
0
|
0%
|
|
340
|
Night
|
6
|
6%
|
0
|
0%
|
|
341
|
Night
|
3
|
3%
|
0
|
0%
|
|
342
|
O That A Chariot Of Cloud Were Mine!
|
2
|
2%
|
0
|
0%
|
|
343
|
Ode To Heaven
|
1
|
1%
|
0
|
0%
|
|
344
|
Ode To Heaven
|
3
|
3%
|
0
|
0%
|
|
345
|
Ode To Liberty
|
6
|
6%
|
0
|
0%
|
|
346
|
Ode to Naples
|
1
|
1%
|
0
|
0%
|
|
347
|
Ode to Naples
|
2
|
2%
|
0
|
0%
|
|
348
|
Ode to the West Wind
|
1
|
1%
|
0
|
0%
|
|
349
|
Ode to the West Wind
|
1
|
1%
|
0
|
0%
|
|
350
|
Ode to the West Wind
|
2
|
2%
|
0
|
0%
|
|
351
|
Ode to the West Wind
|
1
|
1%
|
0
|
0%
|
|
352
|
Ode to the West Wind
|
8
|
8%
|
0
|
0%
|
|
353
|
Ode to the West Wind
|
14
|
14%
|
0
|
0%
|
|
354
|
On A Faded Violet
|
4
|
4%
|
0
|
0%
|
|
355
|
On Death
|
2
|
2%
|
0
|
0%
|
|
356
|
On Death
|
2
|
2%
|
0
|
0%
|
|
357
|
On Death
|
2
|
2%
|
0
|
0%
|
|
358
|
On Death
|
2
|
2%
|
0
|
0%
|
|
359
|
On Death
|
4
|
4%
|
0
|
0%
|
|
360
|
On Death
|
8
|
8%
|
0
|
0%
|
|
361
|
On Keats, Who Desired That On His Tomb Should Be Inscribed--
|
1
|
1%
|
0
|
0%
|
|
362
|
On Keats, Who Desired That On His Tomb Should Be Inscribed--
|
2
|
2%
|
0
|
0%
|
|
363
|
On The Medusa Of Leonardo da Vinci In The Florentine Gallery
|
2
|
2%
|
0
|
0%
|
|
364
|
One sung of thee who left the tale untold
|
2
|
2%
|
0
|
0%
|
|
365
|
Orpheus
|
6
|
6%
|
0
|
0%
|
|
366
|
Orpheus
|
2
|
2%
|
0
|
0%
|
|
367
|
Ozymandias
|
94
|
100%
|
0
|
0%
|
|
368
|
Ozymandias
|
8
|
8%
|
0
|
0%
|
|
369
|
Ozymandias
|
8
|
8%
|
0
|
0%
|
|
370
|
Ozymandias
|
8
|
8%
|
0
|
0%
|
|
371
|
Ozymandias
|
8
|
8%
|
0
|
0%
|
|
372
|
Ozymandias
|
88
|
93%
|
0
|
0%
|
|
373
|
Passage Of The Apennines
|
1
|
1%
|
0
|
0%
|
|
374
|
Peter Bell The Third
|
1
|
1%
|
0
|
0%
|
|
375
|
Prometheus Unbound: Act I (excerpt)
|
3
|
3%
|
0
|
0%
|
|
376
|
Prometheus Unbound: Act I (excerpt)
|
14
|
14%
|
0
|
0%
|
|
377
|
Queen Mab: Part I.
|
1
|
1%
|
0
|
0%
|
|
378
|
Queen Mab: Part I.
|
4
|
4%
|
0
|
0%
|
|
379
|
Queen Mab: Part II.
|
1
|
1%
|
0
|
0%
|
|
380
|
Queen Mab: Part III.
|
1
|
1%
|
0
|
0%
|
|
381
|
Remembrance
|
3
|
3%
|
0
|
0%
|
|
382
|
Remembrance
|
4
|
4%
|
0
|
0%
|
|
383
|
Remorse
|
8
|
8%
|
0
|
0%
|
|
384
|
Remorse
|
2
|
2%
|
0
|
0%
|
|
385
|
Remorse
|
2
|
2%
|
0
|
0%
|
|
386
|
Remorse
|
2
|
2%
|
0
|
0%
|
|
387
|
Remorse
|
2
|
2%
|
0
|
0%
|
|
388
|
Remorse
|
6
|
6%
|
0
|
0%
|
|
389
|
Revenge
|
1
|
1%
|
0
|
0%
|
|
390
|
Revenge
|
2
|
2%
|
0
|
0%
|
|
391
|
Revenge
|
1
|
1%
|
0
|
0%
|
|
392
|
Revenge
|
1
|
1%
|
0
|
0%
|
|
393
|
Revenge
|
5
|
5%
|
0
|
0%
|
|
394
|
Revenge
|
1
|
1%
|
0
|
0%
|
|
395
|
Rome And Nature
|
1
|
1%
|
0
|
0%
|
|
396
|
Rome And Nature
|
2
|
2%
|
0
|
0%
|
|
397
|
Saint Edmond's Eve
|
1
|
1%
|
0
|
0%
|
|
398
|
Similes For Two Political Characters of 1819
|
2
|
2%
|
0
|
0%
|
|
399
|
Similes For Two Political Characters of 1819
|
2
|
2%
|
0
|
0%
|
|
400
|
Sister Rosa: A Ballad
|
1
|
1%
|
0
|
0%
|
|
401
|
Song
|
1
|
1%
|
0
|
0%
|
|
402
|
Song
|
6
|
6%
|
0
|
0%
|
|
403
|
Song For 'Tasso'
|
2
|
2%
|
0
|
0%
|
|
404
|
Song From The Wandering Jew
|
1
|
1%
|
0
|
0%
|
|
405
|
Song Of Proserpine While Gathering Flowers On The Plain Of Enna
|
1
|
1%
|
0
|
0%
|
|
406
|
Song Of Proserpine While Gathering Flowers On The Plain Of Enna
|
1
|
1%
|
0
|
0%
|
|
407
|
Song Of Proserpine While Gathering Flowers On The Plain Of Enna
|
1
|
1%
|
0
|
0%
|
|
408
|
Song Of Proserpine While Gathering Flowers On The Plain Of Enna
|
1
|
1%
|
0
|
0%
|
|
409
|
Song Of Proserpine While Gathering Flowers On The Plain Of Enna
|
2
|
2%
|
0
|
0%
|
|
410
|
Song To The Men Of England
|
1
|
1%
|
0
|
0%
|
|
411
|
Song. Cold, Cold Is The Blast When December Is Howling
|
2
|
2%
|
0
|
0%
|
|
412
|
Song. Come Harriet! Sweet Is The Hour
|
2
|
2%
|
0
|
0%
|
|
413
|
Song. -- Fierce Roars The Midnight Storm
|
2
|
2%
|
0
|
0%
|
|
414
|
Song. Hope
|
7
|
7%
|
0
|
0%
|
|
415
|
Song. Sorrow
|
4
|
4%
|
0
|
0%
|
|
416
|
Song. Sorrow
|
2
|
2%
|
0
|
0%
|
|
417
|
Song: Rarely, rarely, comest thou
|
1
|
1%
|
0
|
0%
|
|
418
|
Sonnet -- Ye Hasten To The Grave!
|
1
|
1%
|
0
|
0%
|
|
419
|
Sonnet : On Launching Some Bottles Filled With Knowledge Into The Bristol Channel
|
1
|
1%
|
0
|
0%
|
|
420
|
Sonnet : To A Balloon Laden With Knowledge
|
1
|
1%
|
0
|
0%
|
|
421
|
Sonnet: England in 1819
|
1
|
1%
|
0
|
0%
|
|
422
|
Sonnet: Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
423
|
Sonnet: Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
424
|
Sonnet: Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
425
|
Sonnet: Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
426
|
Sonnet: Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
427
|
Sonnet: Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
428
|
Stanza
|
9
|
9%
|
0
|
0%
|
|
429
|
Stanza
|
9
|
9%
|
0
|
0%
|
|
430
|
Summer And Winter
|
2
|
2%
|
0
|
0%
|
|
431
|
Summer And Winter
|
1
|
1%
|
0
|
0%
|
|
432
|
The Birth Place of Pleasure
|
1
|
1%
|
0
|
0%
|
|
433
|
The Birth Place of Pleasure
|
2
|
2%
|
0
|
0%
|
|
434
|
The Boat On The Serchio
|
2
|
2%
|
0
|
0%
|
|
435
|
The Cenci : A Tragedy In Five Acts
|
2
|
2%
|
0
|
0%
|
|
436
|
The Cloud
|
50
|
53%
|
0
|
0%
|
|
437
|
The Cloud
|
3
|
3%
|
0
|
0%
|
|
438
|
The Cloud
|
5
|
5%
|
0
|
0%
|
|
439
|
The Cloud
|
3
|
3%
|
0
|
0%
|
|
440
|
The Cloud
|
2
|
2%
|
0
|
0%
|
|
441
|
The Cloud
|
38
|
40%
|
0
|
0%
|
|
442
|
The Cyclops
|
1
|
1%
|
0
|
0%
|
|
443
|
The Cyclops
|
3
|
3%
|
0
|
0%
|
|
444
|
The Death Knell Is Ringing
|
1
|
1%
|
0
|
0%
|
|
445
|
The Death Knell Is Ringing
|
1
|
1%
|
0
|
0%
|
|
446
|
The Death Knell Is Ringing
|
5
|
5%
|
0
|
0%
|
|
447
|
The Deserts Of Dim Sleep
|
2
|
2%
|
0
|
0%
|
|
448
|
The Deserts Of Dim Sleep
|
1
|
1%
|
0
|
0%
|
|
449
|
The Devil's Walk. A Ballad
|
3
|
3%
|
0
|
0%
|
|
450
|
The Devil's Walk. A Ballad
|
5
|
5%
|
0
|
0%
|
|
451
|
The Drowned Lover
|
4
|
4%
|
0
|
0%
|
|
452
|
The Drowned Lover
|
2
|
2%
|
0
|
0%
|
|
453
|
The Invitation
|
2
|
2%
|
0
|
0%
|
|
454
|
The Invitation
|
3
|
3%
|
0
|
0%
|
|
455
|
The Irishman's Song
|
1
|
1%
|
0
|
0%
|
|
456
|
The Isle
|
1
|
1%
|
0
|
0%
|
|
457
|
The Isle
|
2
|
2%
|
0
|
0%
|
|
458
|
The Magnetic Lady To Her Patient
|
1
|
1%
|
0
|
0%
|
|
459
|
The Magnetic Lady To Her Patient
|
5
|
5%
|
0
|
0%
|
|
460
|
The Mask Of Anarchy
|
3
|
3%
|
0
|
0%
|
|
461
|
The Moon
|
7
|
7%
|
0
|
0%
|
|
462
|
The Moon
|
1
|
1%
|
0
|
0%
|
|
463
|
The Moon
|
1
|
1%
|
0
|
0%
|
|
464
|
The Moon
|
1
|
1%
|
0
|
0%
|
|
465
|
The Moon
|
1
|
1%
|
0
|
0%
|
|
466
|
The Moon
|
4
|
4%
|
0
|
0%
|
|
467
|
The Past
|
2
|
2%
|
0
|
0%
|
|
468
|
The Past
|
2
|
2%
|
0
|
0%
|
|
469
|
The Pine Forest Of The Cascine Near Pisa
|
4
|
4%
|
0
|
0%
|
|
470
|
The Question
|
2
|
2%
|
0
|
0%
|
|
471
|
The Retrospect: CWM Elan, 1812
|
5
|
5%
|
0
|
0%
|
|
472
|
The Rude Wind Is Singing
|
1
|
1%
|
0
|
0%
|
|
473
|
The Sensitive Plant
|
2
|
2%
|
0
|
0%
|
|
474
|
The Sensitive Plant
|
20
|
21%
|
0
|
0%
|
|
475
|
The Sensitive Plant
|
2
|
2%
|
0
|
0%
|
|
476
|
The Sensitive Plant
|
2
|
2%
|
0
|
0%
|
|
477
|
The Sensitive Plant
|
3
|
3%
|
0
|
0%
|
|
478
|
The Sensitive Plant
|
2
|
2%
|
0
|
0%
|
|
479
|
The Sepulchre Of Memory
|
5
|
5%
|
0
|
0%
|
|
480
|
The Solitary
|
3
|
3%
|
0
|
0%
|
|
481
|
The Solitary
|
2
|
2%
|
0
|
0%
|
|
482
|
The Sunset
|
1
|
1%
|
0
|
0%
|
|
483
|
The Sunset
|
2
|
2%
|
0
|
0%
|
|
484
|
The Sunset
|
1
|
1%
|
0
|
0%
|
|
485
|
The Sunset
|
1
|
1%
|
0
|
0%
|
|
486
|
The Sunset
|
9
|
9%
|
0
|
0%
|
|
487
|
The Sunset
|
1
|
1%
|
0
|
0%
|
|
488
|
The Tower Of Famine
|
1
|
1%
|
0
|
0%
|
|
489
|
The Triumph of Life
|
10
|
10%
|
0
|
0%
|
|
490
|
The Triumph of Life
|
2
|
2%
|
0
|
0%
|
|
491
|
The Triumph of Life
|
2
|
2%
|
0
|
0%
|
|
492
|
The Triumph of Life
|
2
|
2%
|
0
|
0%
|
|
493
|
The Triumph of Life
|
2
|
2%
|
0
|
0%
|
|
494
|
The Triumph of Life
|
9
|
9%
|
0
|
0%
|
|
495
|
The Two Spirits: An Allegory
|
9
|
9%
|
0
|
0%
|
|
496
|
The Waning Moon
|
3
|
3%
|
0
|
0%
|
|
497
|
The Waning Moon
|
6
|
6%
|
0
|
0%
|
|
498
|
The Woodman And The Nightingale
|
2
|
2%
|
0
|
0%
|
|
499
|
The Woodman And The Nightingale
|
1
|
1%
|
0
|
0%
|
|
500
|
Time
|
5
|
5%
|
0
|
0%
|
|
501
|
Time
|
5
|
5%
|
0
|
0%
|
|
502
|
Time
|
5
|
5%
|
0
|
0%
|
|
503
|
Time
|
5
|
5%
|
0
|
0%
|
|
504
|
Time
|
17
|
18%
|
0
|
0%
|
|
505
|
Time
|
8
|
8%
|
0
|
0%
|
|
506
|
Time Long Past
|
1
|
1%
|
0
|
0%
|
|
507
|
To ----
|
1
|
1%
|
0
|
0%
|
|
508
|
To A Skylark
|
14
|
14%
|
0
|
0%
|
|
509
|
To A Skylark
|
2
|
2%
|
0
|
0%
|
|
510
|
To A Star
|
3
|
3%
|
0
|
0%
|
|
511
|
To A Star
|
2
|
2%
|
0
|
0%
|
|
512
|
To Coleridge
|
1
|
1%
|
0
|
0%
|
|
513
|
To Coleridge
|
2
|
2%
|
0
|
0%
|
|
514
|
To Constantia
|
1
|
1%
|
0
|
0%
|
|
515
|
To Death
|
2
|
2%
|
0
|
0%
|
|
516
|
To Death
|
2
|
2%
|
0
|
0%
|
|
517
|
To Emilia Viviani
|
1
|
1%
|
0
|
0%
|
|
518
|
To Harriet
|
1
|
1%
|
0
|
0%
|
|
519
|
To Harriet -- It Is Not Blasphemy To Hope That Heaven
|
2
|
2%
|
0
|
0%
|
|
520
|
To Harriet -- It Is Not Blasphemy To Hope That Heaven
|
1
|
1%
|
0
|
0%
|
|
521
|
To-- I Fear Thy Kisses, Gentle Maiden
|
2
|
2%
|
0
|
0%
|
|
522
|
To Italy
|
1
|
1%
|
0
|
0%
|
|
523
|
To Italy
|
1
|
1%
|
0
|
0%
|
|
524
|
To Italy
|
1
|
1%
|
0
|
0%
|
|
525
|
To Italy
|
1
|
1%
|
0
|
0%
|
|
526
|
To Italy
|
1
|
1%
|
0
|
0%
|
|
527
|
To Italy
|
1
|
1%
|
0
|
0%
|
|
528
|
To Jane: The Keen Stars Were Twinkling
|
2
|
2%
|
0
|
0%
|
|
529
|
To Jane: The Keen Stars Were Twinkling
|
1
|
1%
|
0
|
0%
|
|
530
|
To Jane: The Keen Stars Were Twinkling
|
2
|
2%
|
0
|
0%
|
|
531
|
To Jane: The Keen Stars Were Twinkling
|
2
|
2%
|
0
|
0%
|
|
532
|
To Jane: The Keen Stars Were Twinkling
|
2
|
2%
|
0
|
0%
|
|
533
|
To Jane: The Keen Stars Were Twinkling
|
2
|
2%
|
0
|
0%
|
|
534
|
To Jane: The Recollection
|
5
|
5%
|
0
|
0%
|
|
535
|
To Mary
|
1
|
1%
|
0
|
0%
|
|
536
|
To Mary ----
|
1
|
1%
|
0
|
0%
|
|
537
|
To Mary Shelley
|
1
|
1%
|
0
|
0%
|
|
538
|
To Mary Shelley
|
1
|
1%
|
0
|
0%
|
|
539
|
To Mary Who Died In This Opinion
|
1
|
1%
|
0
|
0%
|
|
540
|
To Mary Wollstonecraft Godwin
|
3
|
3%
|
0
|
0%
|
|
541
|
To Night
|
1
|
1%
|
0
|
0%
|
|
542
|
To Night
|
6
|
6%
|
0
|
0%
|
|
543
|
To The Men Of England
|
3
|
3%
|
0
|
0%
|
|
544
|
To the Moon
|
1
|
1%
|
0
|
0%
|
|
545
|
To the Moon
|
2
|
2%
|
0
|
0%
|
|
546
|
To The Moonbeam
|
1
|
1%
|
0
|
0%
|
|
547
|
To The Nile
|
1
|
1%
|
0
|
0%
|
|
548
|
To The Queen Of My Heart
|
1
|
1%
|
0
|
0%
|
|
549
|
To The Queen Of My Heart
|
3
|
3%
|
0
|
0%
|
|
550
|
To The Republicans Of North America
|
2
|
2%
|
0
|
0%
|
|
551
|
To William Shelley.
|
1
|
1%
|
0
|
0%
|
|
552
|
To Wordsworth
|
11
|
11%
|
0
|
0%
|
|
553
|
To-morrow
|
1
|
1%
|
0
|
0%
|
|
554
|
Verses On A Cat
|
2
|
2%
|
0
|
0%
|
|
555
|
Wake The Serpent Not
|
2
|
2%
|
0
|
0%
|
|
556
|
War
|
2
|
2%
|
0
|
0%
|
|
557
|
When A Lover Clasps His Fairest
|
2
|
2%
|
0
|
0%
|
|
558
|
When Soft Winds And Sunny Skies
|
3
|
3%
|
0
|
0%
|
|
559
|
When Soft Winds And Sunny Skies
|
4
|
4%
|
0
|
0%
|
|
560
|
When The Lamp Is Shattered
|
1
|
1%
|
0
|
0%
|
|
561
|
When The Lamp Is Shattered
|
2
|
2%
|
0
|
0%
|
|
562
|
Wine Of The Fairies
|
1
|
1%
|
0
|
0%
|
|
563
|
Wine Of The Fairies
|
2
|
2%
|
0
|
0%
|
|
564
|
With A Guitar, To Jane
|
3
|
3%
|
0
|
0%
|
|
565
|
Zephyrus The Awakener
|
1
|
1%
|
0
|
0%
|