|
1
|
A Bridal Song
|
44
|
51%
|
0
|
0%
|
|
2
|
A Dialogue
|
22
|
25%
|
0
|
0%
|
|
3
|
A Dirge
|
26
|
30%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
14
|
16%
|
0
|
0%
|
|
5
|
A Hate-Song
|
26
|
30%
|
0
|
0%
|
|
6
|
A Lament
|
25
|
29%
|
0
|
0%
|
|
7
|
A New National Anthem
|
13
|
15%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
18
|
20%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
11
|
12%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
9
|
10%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
7
|
8%
|
0
|
0%
|
|
12
|
A Widow Bird Sate Mourning For Her Love
|
16
|
18%
|
0
|
0%
|
|
13
|
Adonais
|
19
|
22%
|
0
|
0%
|
|
14
|
Adonais: An Elegy on the Death of John Keats
|
8
|
9%
|
0
|
0%
|
|
15
|
Alastor: or, the Spirit of Solitude
|
11
|
12%
|
0
|
0%
|
|
16
|
An Allegory
|
16
|
18%
|
0
|
0%
|
|
17
|
An Exhortation
|
6
|
6%
|
0
|
0%
|
|
18
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
6
|
6%
|
0
|
0%
|
|
19
|
And like a Dying Lady, Lean and Pale
|
12
|
13%
|
0
|
0%
|
|
20
|
And That I Walk Thus Proudly Crowned Withal
|
2
|
2%
|
0
|
0%
|
|
21
|
Arethusa
|
3
|
3%
|
0
|
0%
|
|
22
|
Art Thou Pale For Weariness
|
1
|
1%
|
0
|
0%
|
|
23
|
Asia: From Prometheus Unbound
|
4
|
4%
|
0
|
0%
|
|
24
|
Autumn: A Dirge
|
6
|
6%
|
0
|
0%
|
|
25
|
Beauty's Halo
|
9
|
10%
|
0
|
0%
|
|
26
|
Bereavement
|
1
|
1%
|
0
|
0%
|
|
27
|
Bigotry's Victim
|
2
|
2%
|
0
|
0%
|
|
28
|
Buona Notte
|
1
|
1%
|
0
|
0%
|
|
29
|
Chorus from Hellas
|
2
|
2%
|
0
|
0%
|
|
30
|
Death
|
11
|
12%
|
0
|
0%
|
|
31
|
Death In Life
|
8
|
9%
|
0
|
0%
|
|
32
|
Death Is Here And Death Is There
|
20
|
23%
|
0
|
0%
|
|
33
|
Despair
|
6
|
6%
|
0
|
0%
|
|
34
|
England in 1819
|
42
|
48%
|
0
|
0%
|
|
35
|
English In 1819
|
1
|
1%
|
0
|
0%
|
|
36
|
Epigram I: To Stella
|
1
|
1%
|
0
|
0%
|
|
37
|
Epigram III: Spirit of Plato
|
1
|
1%
|
0
|
0%
|
|
38
|
Epipsychidion (excerpt)
|
8
|
9%
|
0
|
0%
|
|
39
|
Epitaph
|
2
|
2%
|
0
|
0%
|
|
40
|
Evening. To Harriet
|
3
|
3%
|
0
|
0%
|
|
41
|
Eyes : A Fragment
|
3
|
3%
|
0
|
0%
|
|
42
|
Faint With Love, The Lady Of The South
|
2
|
2%
|
0
|
0%
|
|
43
|
Feelings Of A Republican On The Fall Of Bonaparte
|
4
|
4%
|
0
|
0%
|
|
44
|
Fiordispina
|
1
|
1%
|
0
|
0%
|
|
45
|
Fragment Of A Ghost Story
|
1
|
1%
|
0
|
0%
|
|
46
|
Fragment Of A Satire On Satire
|
1
|
1%
|
0
|
0%
|
|
47
|
fragment: "To the Moon"
|
6
|
6%
|
0
|
0%
|
|
48
|
Fragment: A Gentle Story Of Two Lovers Young
|
5
|
5%
|
0
|
0%
|
|
49
|
Fragment: A Wanderer
|
2
|
2%
|
0
|
0%
|
|
50
|
Fragment: Apostrophe To Silence
|
2
|
2%
|
0
|
0%
|
|
51
|
Fragment: Follow To The Deep Wood's Weeds
|
1
|
1%
|
0
|
0%
|
|
52
|
Fragment: Great Spirit
|
2
|
2%
|
0
|
0%
|
|
53
|
Fragment: Home
|
1
|
1%
|
0
|
0%
|
|
54
|
Fragment: Is It That In Some Brighter Sphere
|
2
|
2%
|
0
|
0%
|
|
55
|
Fragment: Love The Universe To-Day
|
1
|
1%
|
0
|
0%
|
|
56
|
Fragment: My Head Is Wild With Weeping
|
3
|
3%
|
0
|
0%
|
|
57
|
Fragment: Satan Broken Loose
|
2
|
2%
|
0
|
0%
|
|
58
|
Fragment: Such Hope, As Is The Sick Despair Of Good
|
3
|
3%
|
0
|
0%
|
|
59
|
Fragment: The Vine-Shroud
|
1
|
1%
|
0
|
0%
|
|
60
|
Fragment: There Is A Warm And Gentle Atmosphere
|
2
|
2%
|
0
|
0%
|
|
61
|
Fragment: To A Friend Released From Prison
|
2
|
2%
|
0
|
0%
|
|
62
|
Fragment: To Byron
|
6
|
6%
|
0
|
0%
|
|
63
|
Fragment: To One Singing
|
1
|
1%
|
0
|
0%
|
|
64
|
Fragment: To The People Of England
|
3
|
3%
|
0
|
0%
|
|
65
|
Fragment: Wedded Souls
|
1
|
1%
|
0
|
0%
|
|
66
|
From The Greek Of Moschus
|
1
|
1%
|
0
|
0%
|
|
67
|
From Vergil's Fourth Georgic
|
2
|
2%
|
0
|
0%
|
|
68
|
From Vergil's Tenth Eclogue
|
1
|
1%
|
0
|
0%
|
|
69
|
Good-Night
|
8
|
9%
|
0
|
0%
|
|
70
|
Here I sit with my paper…
|
2
|
2%
|
0
|
0%
|
|
71
|
Homer's Hymn To Minerva
|
1
|
1%
|
0
|
0%
|
|
72
|
Homer's Hymn To Venus
|
1
|
1%
|
0
|
0%
|
|
73
|
Hymn of Apollo
|
1
|
1%
|
0
|
0%
|
|
74
|
Hymn Of Pan
|
1
|
1%
|
0
|
0%
|
|
75
|
Hymn to Intellectual Beauty
|
3
|
3%
|
0
|
0%
|
|
76
|
I Arise from Dreams of Thee
|
1
|
1%
|
0
|
0%
|
|
77
|
I Faint, I Perish With My Love!
|
2
|
2%
|
0
|
0%
|
|
78
|
I Would Not Be A King
|
2
|
2%
|
0
|
0%
|
|
79
|
In Horologium
|
1
|
1%
|
0
|
0%
|
|
80
|
Invocation
|
1
|
1%
|
0
|
0%
|
|
81
|
Invocation To Misery
|
2
|
2%
|
0
|
0%
|
|
82
|
Letter To Maria Gisborne
|
1
|
1%
|
0
|
0%
|
|
83
|
Liberty
|
2
|
2%
|
0
|
0%
|
|
84
|
Life Rounded With Sleep
|
2
|
2%
|
0
|
0%
|
|
85
|
Lift Not The Painted Veil Which Those Who Live
|
2
|
2%
|
0
|
0%
|
|
86
|
Lines -- Far, Far Away, O Ye
|
1
|
1%
|
0
|
0%
|
|
87
|
Lines To A Critic
|
1
|
1%
|
0
|
0%
|
|
88
|
Lines To A Reviewer
|
2
|
2%
|
0
|
0%
|
|
89
|
Lines Written Among The Euganean Hills
|
1
|
1%
|
0
|
0%
|
|
90
|
Lines Written During The Castlereagh Administration
|
1
|
1%
|
0
|
0%
|
|
91
|
Lines Written in the Bay of Lerici
|
1
|
1%
|
0
|
0%
|
|
92
|
Lines: That time is dead for ever, child!
|
1
|
1%
|
0
|
0%
|
|
93
|
Lines: We Meet Not As We Parted
|
1
|
1%
|
0
|
0%
|
|
94
|
Love
|
6
|
6%
|
0
|
0%
|
|
95
|
Love, Hope, Desire, And Fear
|
3
|
3%
|
0
|
0%
|
|
96
|
Love's Philosophy
|
33
|
38%
|
0
|
0%
|
|
97
|
Love's Rose
|
4
|
4%
|
0
|
0%
|
|
98
|
Melody To A Scene Of Former Times
|
1
|
1%
|
0
|
0%
|
|
99
|
Mighty Eagle
|
2
|
2%
|
0
|
0%
|
|
100
|
Music And Sweet Poetry
|
2
|
2%
|
0
|
0%
|
|
101
|
Music, When Soft Voices Die
|
3
|
3%
|
0
|
0%
|
|
102
|
Music, when soft voices die
|
1
|
1%
|
0
|
0%
|
|
103
|
Mutability
|
21
|
24%
|
0
|
0%
|
|
104
|
Mutability - II.
|
2
|
2%
|
0
|
0%
|
|
105
|
Night
|
6
|
6%
|
0
|
0%
|
|
106
|
Ode To Heaven
|
4
|
4%
|
0
|
0%
|
|
107
|
Ode To Liberty
|
8
|
9%
|
0
|
0%
|
|
108
|
Ode to the West Wind
|
16
|
18%
|
0
|
0%
|
|
109
|
On Death
|
4
|
4%
|
0
|
0%
|
|
110
|
On Keats, Who Desired That On His Tomb Should Be Inscribed--
|
2
|
2%
|
0
|
0%
|
|
111
|
On Robert Emmet's Grave
|
2
|
2%
|
0
|
0%
|
|
112
|
On The Medusa Of Leonardo da Vinci In The Florentine Gallery
|
1
|
1%
|
0
|
0%
|
|
113
|
One sung of thee who left the tale untold
|
1
|
1%
|
0
|
0%
|
|
114
|
One Word Is Too Often Profaned
|
1
|
1%
|
0
|
0%
|
|
115
|
Ozymandias
|
86
|
100%
|
0
|
0%
|
|
116
|
Passage Of The Apennines
|
12
|
13%
|
0
|
0%
|
|
117
|
Peter Bell The Third
|
6
|
6%
|
0
|
0%
|
|
118
|
Prince Athanase
|
1
|
1%
|
0
|
0%
|
|
119
|
Prometheus Unbound: Act I (excerpt)
|
2
|
2%
|
0
|
0%
|
|
120
|
Queen Mab: Part I.
|
1
|
1%
|
0
|
0%
|
|
121
|
Queen Mab: Part II.
|
1
|
1%
|
0
|
0%
|
|
122
|
Remembrance
|
3
|
3%
|
0
|
0%
|
|
123
|
Remorse
|
5
|
5%
|
0
|
0%
|
|
124
|
Revenge
|
1
|
1%
|
0
|
0%
|
|
125
|
Rome And Nature
|
1
|
1%
|
0
|
0%
|
|
126
|
Rosalind and Helen: a Modern Eclogue
|
1
|
1%
|
0
|
0%
|
|
127
|
Similes For Two Political Characters of 1819
|
5
|
5%
|
0
|
0%
|
|
128
|
Sister Rosa: A Ballad
|
1
|
1%
|
0
|
0%
|
|
129
|
Song
|
11
|
12%
|
0
|
0%
|
|
130
|
Song Of Proserpine While Gathering Flowers On The Plain Of Enna
|
5
|
5%
|
0
|
0%
|
|
131
|
Song. Despair
|
1
|
1%
|
0
|
0%
|
|
132
|
Song. Hope
|
2
|
2%
|
0
|
0%
|
|
133
|
Sonnet To Byron
|
1
|
1%
|
0
|
0%
|
|
134
|
Sonnet: England in 1819
|
1
|
1%
|
0
|
0%
|
|
135
|
Stanza
|
1
|
1%
|
0
|
0%
|
|
136
|
Summer And Winter
|
3
|
3%
|
0
|
0%
|
|
137
|
The Boat On The Serchio
|
1
|
1%
|
0
|
0%
|
|
138
|
The Cenci : A Tragedy In Five Acts
|
1
|
1%
|
0
|
0%
|
|
139
|
The Cloud
|
12
|
13%
|
0
|
0%
|
|
140
|
The Death Knell Is Ringing
|
2
|
2%
|
0
|
0%
|
|
141
|
The Fugitives
|
1
|
1%
|
0
|
0%
|
|
142
|
The Indian Serenade
|
2
|
2%
|
0
|
0%
|
|
143
|
The Invitation
|
2
|
2%
|
0
|
0%
|
|
144
|
The Irishman's Song
|
1
|
1%
|
0
|
0%
|
|
145
|
The Mask Of Anarchy
|
2
|
2%
|
0
|
0%
|
|
146
|
The Moon
|
6
|
6%
|
0
|
0%
|
|
147
|
The Question
|
3
|
3%
|
0
|
0%
|
|
148
|
The Rude Wind Is Singing
|
1
|
1%
|
0
|
0%
|
|
149
|
The Sensitive Plant
|
1
|
1%
|
0
|
0%
|
|
150
|
The Solitary
|
2
|
2%
|
0
|
0%
|
|
151
|
The Sunset
|
5
|
5%
|
0
|
0%
|
|
152
|
The Tower Of Famine
|
1
|
1%
|
0
|
0%
|
|
153
|
The Triumph of Life
|
6
|
6%
|
0
|
0%
|
|
154
|
The Waning Moon
|
2
|
2%
|
0
|
0%
|
|
155
|
Time
|
1
|
1%
|
0
|
0%
|
|
156
|
To ----
|
1
|
1%
|
0
|
0%
|
|
157
|
To A Lady, With A Guitar
|
2
|
2%
|
0
|
0%
|
|
158
|
To A Skylark
|
6
|
6%
|
0
|
0%
|
|
159
|
To A Star
|
2
|
2%
|
0
|
0%
|
|
160
|
To Jane
|
1
|
1%
|
0
|
0%
|
|
161
|
To Jane: The Keen Stars Were Twinkling
|
1
|
1%
|
0
|
0%
|
|
162
|
To Mary
|
1
|
1%
|
0
|
0%
|
|
163
|
To Mary Shelley
|
1
|
1%
|
0
|
0%
|
|
164
|
To Mary Wollstonecraft Godwin
|
1
|
1%
|
0
|
0%
|
|
165
|
To-- Oh! there are spirits of the air
|
2
|
2%
|
0
|
0%
|
|
166
|
To-- One word is too often profaned
|
2
|
2%
|
0
|
0%
|
|
167
|
To The Men Of England
|
5
|
5%
|
0
|
0%
|
|
168
|
To The Mind Of Man
|
1
|
1%
|
0
|
0%
|
|
169
|
To the Moon
|
4
|
4%
|
0
|
0%
|
|
170
|
To William Shelley. Thy Little Footsteps On The Sands
|
1
|
1%
|
0
|
0%
|
|
171
|
To Wordsworth
|
2
|
2%
|
0
|
0%
|
|
172
|
To..
|
1
|
1%
|
0
|
0%
|
|
173
|
To...
|
1
|
1%
|
0
|
0%
|
|
174
|
To-morrow
|
2
|
2%
|
0
|
0%
|
|
175
|
Ugolino
|
1
|
1%
|
0
|
0%
|
|
176
|
Verses On A Cat
|
4
|
4%
|
0
|
0%
|
|
177
|
When A Lover Clasps His Fairest
|
1
|
1%
|
0
|
0%
|
|
178
|
When Soft Winds And Sunny Skies
|
1
|
1%
|
0
|
0%
|
|
179
|
When The Lamp Is Shattered
|
2
|
2%
|
0
|
0%
|
|
180
|
Wine Of The Fairies
|
3
|
3%
|
0
|
0%
|
|
181
|
Zephyrus The Awakener
|
1
|
1%
|
0
|
0%
|