|
1
|
A Bridal Song
|
71
|
73%
|
0
|
0%
|
|
2
|
A Dialogue
|
37
|
38%
|
0
|
0%
|
|
3
|
A Dirge
|
35
|
36%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
24
|
25%
|
0
|
0%
|
|
5
|
A Hate-Song
|
54
|
56%
|
0
|
0%
|
|
6
|
A Lament
|
10
|
10%
|
0
|
0%
|
|
7
|
A New National Anthem
|
1
|
1%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
1
|
1%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
1
|
1%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
4
|
4%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
2
|
2%
|
0
|
0%
|
|
12
|
Adonais
|
5
|
5%
|
0
|
0%
|
|
13
|
Alastor: or, the Spirit of Solitude
|
4
|
4%
|
0
|
0%
|
|
14
|
An Allegory
|
1
|
1%
|
0
|
0%
|
|
15
|
And like a Dying Lady, Lean and Pale
|
1
|
1%
|
0
|
0%
|
|
16
|
And That I Walk Thus Proudly Crowned Withal
|
3
|
3%
|
0
|
0%
|
|
17
|
Another Fragment to Music
|
1
|
1%
|
0
|
0%
|
|
18
|
Arethusa
|
2
|
2%
|
0
|
0%
|
|
19
|
Art Thou Pale For Weariness
|
1
|
1%
|
0
|
0%
|
|
20
|
Asia: From Prometheus Unbound
|
1
|
1%
|
0
|
0%
|
|
21
|
Autumn: A Dirge
|
4
|
4%
|
0
|
0%
|
|
22
|
Beauty's Halo
|
1
|
1%
|
0
|
0%
|
|
23
|
Death
|
2
|
2%
|
0
|
0%
|
|
24
|
Death In Life
|
1
|
1%
|
0
|
0%
|
|
25
|
Death Is Here And Death Is There
|
1
|
1%
|
0
|
0%
|
|
26
|
Despair
|
2
|
2%
|
0
|
0%
|
|
27
|
Dirge For The Year
|
1
|
1%
|
0
|
0%
|
|
28
|
England in 1819
|
28
|
29%
|
0
|
0%
|
|
29
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
1
|
1%
|
0
|
0%
|
|
30
|
Evening. To Harriet
|
2
|
2%
|
0
|
0%
|
|
31
|
Evening: Ponte Al Mare, Pisa
|
1
|
1%
|
0
|
0%
|
|
32
|
Eyes : A Fragment
|
2
|
2%
|
0
|
0%
|
|
33
|
Feelings Of A Republican On The Fall Of Bonaparte
|
1
|
1%
|
0
|
0%
|
|
34
|
Fragment Of A Satire On Satire
|
2
|
2%
|
0
|
0%
|
|
35
|
Fragment Of A Sonnet : To Harriet
|
3
|
3%
|
0
|
0%
|
|
36
|
Fragment Of A Sonnet. Farewell To North Devon
|
3
|
3%
|
0
|
0%
|
|
37
|
Fragment Of The Elegy On The Death Of Bion
|
1
|
1%
|
0
|
0%
|
|
38
|
Fragment, Or The Triumph Of Conscience
|
1
|
1%
|
0
|
0%
|
|
39
|
fragment: "To the Moon"
|
2
|
2%
|
0
|
0%
|
|
40
|
Fragment: A Gentle Story Of Two Lovers Young
|
2
|
2%
|
0
|
0%
|
|
41
|
Fragment: A Wanderer
|
2
|
2%
|
0
|
0%
|
|
42
|
Fragment: Amor Aeternus
|
1
|
1%
|
0
|
0%
|
|
43
|
Fragment: Apostrophe To Silence
|
1
|
1%
|
0
|
0%
|
|
44
|
Fragment: Follow To The Deep Wood's Weeds
|
1
|
1%
|
0
|
0%
|
|
45
|
Fragment: Great Spirit
|
1
|
1%
|
0
|
0%
|
|
46
|
Fragment: Home
|
2
|
2%
|
0
|
0%
|
|
47
|
Fragment: Igniculus Desiderii
|
1
|
1%
|
0
|
0%
|
|
48
|
Fragment: Is It That In Some Brighter Sphere
|
1
|
1%
|
0
|
0%
|
|
49
|
Fragment: Love The Universe To-Day
|
1
|
1%
|
0
|
0%
|
|
50
|
Fragment: Milton's Spirit
|
1
|
1%
|
0
|
0%
|
|
51
|
Fragment: My Head Is Wild With Weeping
|
2
|
2%
|
0
|
0%
|
|
52
|
Fragment: Thoughts Come And Go In Solitude
|
1
|
1%
|
0
|
0%
|
|
53
|
Fragment: What Men Gain Fairly
|
1
|
1%
|
0
|
0%
|
|
54
|
Fragment: Yes! All Is Past
|
1
|
1%
|
0
|
0%
|
|
55
|
Fragments Of An Unfinished Drama
|
1
|
1%
|
0
|
0%
|
|
56
|
From "Adonais," 49-52
|
2
|
2%
|
0
|
0%
|
|
57
|
From Vergil's Fourth Georgic
|
2
|
2%
|
0
|
0%
|
|
58
|
FromThe Arabic: An Imitation
|
2
|
2%
|
0
|
0%
|
|
59
|
Good-Night
|
19
|
19%
|
0
|
0%
|
|
60
|
Hellas
|
1
|
1%
|
0
|
0%
|
|
61
|
Here I sit with my paper…
|
1
|
1%
|
0
|
0%
|
|
62
|
Homer's Hymn To The Earth: Mother Of All
|
1
|
1%
|
0
|
0%
|
|
63
|
Hymn to Intellectual Beauty
|
1
|
1%
|
0
|
0%
|
|
64
|
I Would Not Be A King
|
2
|
2%
|
0
|
0%
|
|
65
|
Liberty
|
3
|
3%
|
0
|
0%
|
|
66
|
Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
67
|
Lines
|
2
|
2%
|
0
|
0%
|
|
68
|
Lines -- Far, Far Away, O Ye
|
1
|
1%
|
0
|
0%
|
|
69
|
Lines To A Critic
|
1
|
1%
|
0
|
0%
|
|
70
|
Lines Written in the Bay of Lerici
|
1
|
1%
|
0
|
0%
|
|
71
|
Lines: The cold earth slept below
|
1
|
1%
|
0
|
0%
|
|
72
|
Love, Hope, Desire, And Fear
|
4
|
4%
|
0
|
0%
|
|
73
|
Love's Philosophy
|
73
|
76%
|
0
|
0%
|
|
74
|
Love's Rose
|
2
|
2%
|
0
|
0%
|
|
75
|
Mont Blanc: Lines Written in the Vale of Chamouni
|
2
|
2%
|
0
|
0%
|
|
76
|
Music, When Soft Voices Die
|
6
|
6%
|
0
|
0%
|
|
77
|
Music, when soft voices die
|
3
|
3%
|
0
|
0%
|
|
78
|
Mutability
|
51
|
53%
|
0
|
0%
|
|
79
|
Mutability - II.
|
2
|
2%
|
0
|
0%
|
|
80
|
Night
|
3
|
3%
|
0
|
0%
|
|
81
|
O Thou Immortal Deity
|
1
|
1%
|
0
|
0%
|
|
82
|
Ode To Liberty
|
3
|
3%
|
0
|
0%
|
|
83
|
Ode to the West Wind
|
24
|
25%
|
0
|
0%
|
|
84
|
On A Faded Violet
|
1
|
1%
|
0
|
0%
|
|
85
|
On The Medusa Of Leonardo da Vinci In The Florentine Gallery
|
1
|
1%
|
0
|
0%
|
|
86
|
One Word Is Too Often Profaned
|
3
|
3%
|
0
|
0%
|
|
87
|
Ozymandias
|
96
|
100%
|
0
|
0%
|
|
88
|
Passage Of The Apennines
|
4
|
4%
|
0
|
0%
|
|
89
|
Pater Omnipotens
|
2
|
2%
|
0
|
0%
|
|
90
|
Peter Bell The Third
|
2
|
2%
|
0
|
0%
|
|
91
|
Remembrance
|
3
|
3%
|
0
|
0%
|
|
92
|
Revenge
|
1
|
1%
|
0
|
0%
|
|
93
|
Rome And Nature
|
2
|
2%
|
0
|
0%
|
|
94
|
Similes For Two Political Characters of 1819
|
4
|
4%
|
0
|
0%
|
|
95
|
Sister Rosa: A Ballad
|
1
|
1%
|
0
|
0%
|
|
96
|
Song
|
3
|
3%
|
0
|
0%
|
|
97
|
Song. -- Fierce Roars The Midnight Storm
|
2
|
2%
|
0
|
0%
|
|
98
|
Song. To -- [Harriet]
|
1
|
1%
|
0
|
0%
|
|
99
|
Song. Despair
|
2
|
2%
|
0
|
0%
|
|
100
|
Song. Hope
|
4
|
4%
|
0
|
0%
|
|
101
|
Song. Sorrow
|
2
|
2%
|
0
|
0%
|
|
102
|
Song. To [Harriet]
|
1
|
1%
|
0
|
0%
|
|
103
|
Sonnet : From The Italian Of Cavalcanti
|
1
|
1%
|
0
|
0%
|
|
104
|
Sonnet : From The Italian Of Dante
|
1
|
1%
|
0
|
0%
|
|
105
|
Sonnet : On Launching Some Bottles Filled With Knowledge Into The Bristol Channel
|
1
|
1%
|
0
|
0%
|
|
106
|
Sonnet: England in 1819
|
1
|
1%
|
0
|
0%
|
|
107
|
Sonnet: Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
108
|
Stanza
|
3
|
3%
|
0
|
0%
|
|
109
|
Stanzas. -- April, 1814
|
1
|
1%
|
0
|
0%
|
|
110
|
Summer And Winter
|
2
|
2%
|
0
|
0%
|
|
111
|
The Cenci : A Tragedy In Five Acts
|
1
|
1%
|
0
|
0%
|
|
112
|
The Cloud
|
26
|
27%
|
0
|
0%
|
|
113
|
The Cyclops
|
1
|
1%
|
0
|
0%
|
|
114
|
The Deserts Of Dim Sleep
|
1
|
1%
|
0
|
0%
|
|
115
|
The Devil's Walk. A Ballad
|
1
|
1%
|
0
|
0%
|
|
116
|
The Drowned Lover
|
4
|
4%
|
0
|
0%
|
|
117
|
The False Laurel And The True
|
1
|
1%
|
0
|
0%
|
|
118
|
The First Canzone Of The Convito
|
1
|
1%
|
0
|
0%
|
|
119
|
The Indian Serenade
|
1
|
1%
|
0
|
0%
|
|
120
|
The Invitation
|
1
|
1%
|
0
|
0%
|
|
121
|
The Irishman's Song
|
4
|
4%
|
0
|
0%
|
|
122
|
The Isle
|
1
|
1%
|
0
|
0%
|
|
123
|
The Magnetic Lady To Her Patient
|
1
|
1%
|
0
|
0%
|
|
124
|
The Mask Of Anarchy
|
6
|
6%
|
0
|
0%
|
|
125
|
The Moon
|
2
|
2%
|
0
|
0%
|
|
126
|
The Past
|
1
|
1%
|
0
|
0%
|
|
127
|
The Pine Forest Of The Cascine Near Pisa
|
1
|
1%
|
0
|
0%
|
|
128
|
The Question
|
3
|
3%
|
0
|
0%
|
|
129
|
The Retrospect: CWM Elan, 1812
|
1
|
1%
|
0
|
0%
|
|
130
|
The Rude Wind Is Singing
|
1
|
1%
|
0
|
0%
|
|
131
|
The Sensitive Plant
|
1
|
1%
|
0
|
0%
|
|
132
|
The Solitary
|
3
|
3%
|
0
|
0%
|
|
133
|
The Spectral Horseman
|
1
|
1%
|
0
|
0%
|
|
134
|
The Sunset
|
8
|
8%
|
0
|
0%
|
|
135
|
The Triumph of Life
|
8
|
8%
|
0
|
0%
|
|
136
|
The Two Spirits: An Allegory
|
2
|
2%
|
0
|
0%
|
|
137
|
The Waning Moon
|
6
|
6%
|
0
|
0%
|
|
138
|
The Witch Of Atlas
|
3
|
3%
|
0
|
0%
|
|
139
|
The Woodman And The Nightingale
|
7
|
7%
|
0
|
0%
|
|
140
|
The World's Wanderers
|
2
|
2%
|
0
|
0%
|
|
141
|
The Zucca
|
1
|
1%
|
0
|
0%
|
|
142
|
Time
|
8
|
8%
|
0
|
0%
|
|
143
|
Time Long Past
|
6
|
6%
|
0
|
0%
|
|
144
|
To ----
|
1
|
1%
|
0
|
0%
|
|
145
|
To A Skylark
|
14
|
14%
|
0
|
0%
|
|
146
|
To A Star
|
6
|
6%
|
0
|
0%
|
|
147
|
To Coleridge
|
3
|
3%
|
0
|
0%
|
|
148
|
To Death
|
4
|
4%
|
0
|
0%
|
|
149
|
To Harriet
|
3
|
3%
|
0
|
0%
|
|
150
|
To Harriet -- It Is Not Blasphemy To Hope That Heaven
|
2
|
2%
|
0
|
0%
|
|
151
|
To-- I Fear Thy Kisses, Gentle Maiden
|
7
|
7%
|
0
|
0%
|
|
152
|
To Ireland
|
3
|
3%
|
0
|
0%
|
|
153
|
To Italy
|
1
|
1%
|
0
|
0%
|
|
154
|
To Jane: The Keen Stars Were Twinkling
|
6
|
6%
|
0
|
0%
|
|
155
|
To Jane: The Recollection
|
1
|
1%
|
0
|
0%
|
|
156
|
To Mary
|
6
|
6%
|
0
|
0%
|
|
157
|
To Mary ----
|
4
|
4%
|
0
|
0%
|
|
158
|
To Mary Shelley
|
5
|
5%
|
0
|
0%
|
|
159
|
To Mary Who Died In This Opinion
|
1
|
1%
|
0
|
0%
|
|
160
|
To Mary Wollstonecraft Godwin
|
4
|
4%
|
0
|
0%
|
|
161
|
To-- Music, when soft voices die
|
6
|
6%
|
0
|
0%
|
|
162
|
To Night
|
9
|
9%
|
0
|
0%
|
|
163
|
To-- One word is too often profaned
|
1
|
1%
|
0
|
0%
|
|
164
|
To The Men Of England
|
18
|
18%
|
0
|
0%
|
|
165
|
To The Mind Of Man
|
7
|
7%
|
0
|
0%
|
|
166
|
To the Moon
|
11
|
11%
|
0
|
0%
|
|
167
|
To The Moonbeam
|
5
|
5%
|
0
|
0%
|
|
168
|
To The Nile
|
3
|
3%
|
0
|
0%
|
|
169
|
To The Queen Of My Heart
|
24
|
25%
|
0
|
0%
|
|
170
|
To The Republicans Of North America
|
12
|
12%
|
0
|
0%
|
|
171
|
To William Shelley.
|
1
|
1%
|
0
|
0%
|
|
172
|
To William Shelley. Thy Little Footsteps On The Sands
|
3
|
3%
|
0
|
0%
|
|
173
|
To Wordsworth
|
6
|
6%
|
0
|
0%
|
|
174
|
To-- Yet look on me
|
7
|
7%
|
0
|
0%
|
|
175
|
To-morrow
|
14
|
14%
|
0
|
0%
|
|
176
|
Ugolino
|
6
|
6%
|
0
|
0%
|
|
177
|
Unrisen Splendour Of The Brightest Sun
|
4
|
4%
|
0
|
0%
|
|
178
|
Verses On A Cat
|
10
|
10%
|
0
|
0%
|
|
179
|
Wake The Serpent Not
|
10
|
10%
|
0
|
0%
|
|
180
|
War
|
21
|
21%
|
0
|
0%
|
|
181
|
When A Lover Clasps His Fairest
|
13
|
13%
|
0
|
0%
|
|
182
|
When Soft Winds And Sunny Skies
|
13
|
13%
|
0
|
0%
|
|
183
|
When The Lamp Is Shattered
|
11
|
11%
|
0
|
0%
|
|
184
|
Wine Of The Fairies
|
16
|
16%
|
0
|
0%
|
|
185
|
With A Guitar, To Jane
|
12
|
12%
|
0
|
0%
|
|
186
|
Written At Bracknell
|
6
|
6%
|
0
|
0%
|
|
187
|
Zephyrus The Awakener
|
15
|
15%
|
0
|
0%
|