|
1
|
A Bridal Song
|
17
|
56%
|
0
|
0%
|
|
2
|
A Dialogue
|
9
|
30%
|
0
|
0%
|
|
3
|
A Dirge
|
12
|
40%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
6
|
20%
|
0
|
0%
|
|
5
|
A Hate-Song
|
6
|
20%
|
0
|
0%
|
|
6
|
A Lament
|
15
|
50%
|
0
|
0%
|
|
7
|
A New National Anthem
|
2
|
6%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
2
|
6%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
6
|
20%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
12
|
40%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
3
|
10%
|
0
|
0%
|
|
12
|
A Widow Bird Sate Mourning For Her Love
|
5
|
16%
|
0
|
0%
|
|
13
|
Adonais
|
3
|
10%
|
0
|
0%
|
|
14
|
Adonais: An Elegy on the Death of John Keats
|
2
|
6%
|
0
|
0%
|
|
15
|
Alastor: or, the Spirit of Solitude
|
4
|
13%
|
0
|
0%
|
|
16
|
An Allegory
|
3
|
10%
|
0
|
0%
|
|
17
|
An Exhortation
|
1
|
3%
|
0
|
0%
|
|
18
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
3
|
10%
|
0
|
0%
|
|
19
|
And like a Dying Lady, Lean and Pale
|
13
|
43%
|
0
|
0%
|
|
20
|
And That I Walk Thus Proudly Crowned Withal
|
4
|
13%
|
0
|
0%
|
|
21
|
Another Fragment to Music
|
3
|
10%
|
0
|
0%
|
|
22
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
1
|
3%
|
0
|
0%
|
|
23
|
Arethusa
|
2
|
6%
|
0
|
0%
|
|
24
|
Art Thou Pale For Weariness
|
1
|
3%
|
0
|
0%
|
|
25
|
Asia: From Prometheus Unbound
|
1
|
3%
|
0
|
0%
|
|
26
|
Autumn: A Dirge
|
2
|
6%
|
0
|
0%
|
|
27
|
Beauty's Halo
|
3
|
10%
|
0
|
0%
|
|
28
|
Bereavement
|
3
|
10%
|
0
|
0%
|
|
29
|
Death
|
3
|
10%
|
0
|
0%
|
|
30
|
Death In Life
|
4
|
13%
|
0
|
0%
|
|
31
|
Death Is Here And Death Is There
|
9
|
30%
|
0
|
0%
|
|
32
|
Despair
|
4
|
13%
|
0
|
0%
|
|
33
|
Dirge For The Year
|
1
|
3%
|
0
|
0%
|
|
34
|
England in 1819
|
8
|
26%
|
0
|
0%
|
|
35
|
English In 1819
|
2
|
6%
|
0
|
0%
|
|
36
|
Epigram I: To Stella
|
3
|
10%
|
0
|
0%
|
|
37
|
Epigram II: Kissing Helena
|
3
|
10%
|
0
|
0%
|
|
38
|
Epigram III: Spirit of Plato
|
2
|
6%
|
0
|
0%
|
|
39
|
Epigram IV: Circumstance
|
2
|
6%
|
0
|
0%
|
|
40
|
Epipsychidion (excerpt)
|
5
|
16%
|
0
|
0%
|
|
41
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
2
|
6%
|
0
|
0%
|
|
42
|
Epitaph
|
2
|
6%
|
0
|
0%
|
|
43
|
Evening. To Harriet
|
2
|
6%
|
0
|
0%
|
|
44
|
Eyes : A Fragment
|
7
|
23%
|
0
|
0%
|
|
45
|
Faint With Love, The Lady Of The South
|
2
|
6%
|
0
|
0%
|
|
46
|
Feelings Of A Republican On The Fall Of Bonaparte
|
1
|
3%
|
0
|
0%
|
|
47
|
Fiordispina
|
2
|
6%
|
0
|
0%
|
|
48
|
Fragment : What Mary Is When She A Little Smiles
|
2
|
6%
|
0
|
0%
|
|
49
|
Fragment From The Wandering Jew
|
1
|
3%
|
0
|
0%
|
|
50
|
Fragment Of A Ghost Story
|
3
|
10%
|
0
|
0%
|
|
51
|
Fragment Of A Sonnet : To Harriet
|
2
|
6%
|
0
|
0%
|
|
52
|
fragment: "To the Moon"
|
3
|
10%
|
0
|
0%
|
|
53
|
Fragment: A Gentle Story Of Two Lovers Young
|
1
|
3%
|
0
|
0%
|
|
54
|
Fragment: A Wanderer
|
2
|
6%
|
0
|
0%
|
|
55
|
Fragment: Amor Aeternus
|
2
|
6%
|
0
|
0%
|
|
56
|
Fragment: Apostrophe To Silence
|
1
|
3%
|
0
|
0%
|
|
57
|
Fragment: Milton's Spirit
|
1
|
3%
|
0
|
0%
|
|
58
|
Fragment: My Head Is Wild With Weeping
|
3
|
10%
|
0
|
0%
|
|
59
|
Fragment: There Is A Warm And Gentle Atmosphere
|
1
|
3%
|
0
|
0%
|
|
60
|
Fragment: Thoughts Come And Go In Solitude
|
3
|
10%
|
0
|
0%
|
|
61
|
Fragment: To Byron
|
1
|
3%
|
0
|
0%
|
|
62
|
Fragment: Wedded Souls
|
4
|
13%
|
0
|
0%
|
|
63
|
From The Greek Of Moschus : Pan Loved His Neighbour Echo
|
2
|
6%
|
0
|
0%
|
|
64
|
Ginevra
|
1
|
3%
|
0
|
0%
|
|
65
|
Good-Night
|
9
|
30%
|
0
|
0%
|
|
66
|
Hymn of Apollo
|
2
|
6%
|
0
|
0%
|
|
67
|
Hymn Of Pan
|
2
|
6%
|
0
|
0%
|
|
68
|
Hymn to Intellectual Beauty
|
1
|
3%
|
0
|
0%
|
|
69
|
I Faint, I Perish With My Love!
|
2
|
6%
|
0
|
0%
|
|
70
|
I Would Not Be A King
|
1
|
3%
|
0
|
0%
|
|
71
|
Liberty
|
1
|
3%
|
0
|
0%
|
|
72
|
Lift Not The Painted Veil Which Those Who Live
|
1
|
3%
|
0
|
0%
|
|
73
|
Lines: The cold earth slept below
|
2
|
6%
|
0
|
0%
|
|
74
|
Love
|
5
|
16%
|
0
|
0%
|
|
75
|
Love, Hope, Desire, And Fear
|
2
|
6%
|
0
|
0%
|
|
76
|
Love's Philosophy
|
26
|
86%
|
0
|
0%
|
|
77
|
Love's Rose
|
2
|
6%
|
0
|
0%
|
|
78
|
Matilda Gathering Flowers
|
1
|
3%
|
0
|
0%
|
|
79
|
Mont Blanc
|
1
|
3%
|
0
|
0%
|
|
80
|
Music, When Soft Voices Die
|
1
|
3%
|
0
|
0%
|
|
81
|
Mutability
|
13
|
43%
|
0
|
0%
|
|
82
|
Ode To Heaven
|
2
|
6%
|
0
|
0%
|
|
83
|
Ode To Liberty
|
1
|
3%
|
0
|
0%
|
|
84
|
Ode to the West Wind
|
9
|
30%
|
0
|
0%
|
|
85
|
On A Faded Violet
|
1
|
3%
|
0
|
0%
|
|
86
|
On Fanny Godwin
|
1
|
3%
|
0
|
0%
|
|
87
|
On Keats, Who Desired That On His Tomb Should Be Inscribed--
|
1
|
3%
|
0
|
0%
|
|
88
|
On The Medusa Of Leonardo da Vinci In The Florentine Gallery
|
3
|
10%
|
0
|
0%
|
|
89
|
One sung of thee who left the tale untold
|
1
|
3%
|
0
|
0%
|
|
90
|
Ozymandias
|
30
|
100%
|
0
|
0%
|
|
91
|
Prometheus Unbound: Act I (excerpt)
|
2
|
6%
|
0
|
0%
|
|
92
|
Queen Mab: Part III.
|
1
|
3%
|
0
|
0%
|
|
93
|
Remembrance
|
2
|
6%
|
0
|
0%
|
|
94
|
Revenge
|
1
|
3%
|
0
|
0%
|
|
95
|
Sister Rosa: A Ballad
|
3
|
10%
|
0
|
0%
|
|
96
|
Song
|
2
|
6%
|
0
|
0%
|
|
97
|
Song Of Proserpine While Gathering Flowers On The Plain Of Enna
|
1
|
3%
|
0
|
0%
|
|
98
|
Song. Come Harriet! Sweet Is The Hour
|
1
|
3%
|
0
|
0%
|
|
99
|
Song. Sorrow
|
3
|
10%
|
0
|
0%
|
|
100
|
Song: Rarely, rarely, comest thou
|
1
|
3%
|
0
|
0%
|
|
101
|
Sonnet: Political Greatness
|
1
|
3%
|
0
|
0%
|
|
102
|
Summer And Winter
|
1
|
3%
|
0
|
0%
|
|
103
|
The Boat On The Serchio
|
2
|
6%
|
0
|
0%
|
|
104
|
The Cloud
|
12
|
40%
|
0
|
0%
|
|
105
|
The False Laurel And The True
|
1
|
3%
|
0
|
0%
|
|
106
|
The Past
|
1
|
3%
|
0
|
0%
|
|
107
|
The Sunset
|
2
|
6%
|
0
|
0%
|
|
108
|
The Triumph of Life
|
5
|
16%
|
0
|
0%
|
|
109
|
The Two Spirits: An Allegory
|
1
|
3%
|
0
|
0%
|
|
110
|
The Wandering Jew's Soliloquy
|
4
|
13%
|
0
|
0%
|
|
111
|
The Waning Moon
|
4
|
13%
|
0
|
0%
|
|
112
|
The Woodman And The Nightingale
|
1
|
3%
|
0
|
0%
|
|
113
|
To A Skylark
|
1
|
3%
|
0
|
0%
|
|
114
|
To A Star
|
3
|
10%
|
0
|
0%
|
|
115
|
To Coleridge
|
2
|
6%
|
0
|
0%
|
|
116
|
To Constantia
|
1
|
3%
|
0
|
0%
|
|
117
|
To Emilia Viviani
|
1
|
3%
|
0
|
0%
|
|
118
|
To Jane: The Keen Stars Were Twinkling
|
1
|
3%
|
0
|
0%
|
|
119
|
To Mary Shelley
|
1
|
3%
|
0
|
0%
|
|
120
|
To Mary Wollstonecraft Godwin
|
4
|
13%
|
0
|
0%
|
|
121
|
To The Men Of England
|
2
|
6%
|
0
|
0%
|
|
122
|
To the Moon
|
4
|
13%
|
0
|
0%
|
|
123
|
To The Queen Of My Heart
|
1
|
3%
|
0
|
0%
|
|
124
|
To William Shelley.
|
1
|
3%
|
0
|
0%
|
|
125
|
To..
|
1
|
3%
|
0
|
0%
|
|
126
|
To...
|
1
|
3%
|
0
|
0%
|
|
127
|
To-morrow
|
1
|
3%
|
0
|
0%
|
|
128
|
Verses On A Cat
|
2
|
6%
|
0
|
0%
|
|
129
|
Wake The Serpent Not
|
1
|
3%
|
0
|
0%
|
|
130
|
War
|
1
|
3%
|
0
|
0%
|
|
131
|
When A Lover Clasps His Fairest
|
1
|
3%
|
0
|
0%
|
|
132
|
Wine Of The Fairies
|
1
|
3%
|
0
|
0%
|