|
1
|
A Bridal Song
|
33
|
48%
|
0
|
0%
|
|
2
|
A Dialogue
|
11
|
16%
|
0
|
0%
|
|
3
|
A Dirge
|
17
|
25%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
18
|
26%
|
0
|
0%
|
|
5
|
A Hate-Song
|
26
|
38%
|
0
|
0%
|
|
6
|
A Lament
|
25
|
36%
|
0
|
0%
|
|
7
|
A New National Anthem
|
18
|
26%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
12
|
17%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
12
|
17%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
13
|
19%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
5
|
7%
|
0
|
0%
|
|
12
|
Adonais
|
9
|
13%
|
0
|
0%
|
|
13
|
Alas! This Is Not What I Thought Life Was
|
16
|
23%
|
0
|
0%
|
|
14
|
Alastor: or, the Spirit of Solitude
|
10
|
14%
|
0
|
0%
|
|
15
|
An Allegory
|
12
|
17%
|
0
|
0%
|
|
16
|
An Exhortation
|
6
|
8%
|
0
|
0%
|
|
17
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
5
|
7%
|
0
|
0%
|
|
18
|
And like a Dying Lady, Lean and Pale
|
10
|
14%
|
0
|
0%
|
|
19
|
And That I Walk Thus Proudly Crowned Withal
|
5
|
7%
|
0
|
0%
|
|
20
|
Another Fragment to Music
|
8
|
11%
|
0
|
0%
|
|
21
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
2
|
2%
|
0
|
0%
|
|
22
|
Arethusa
|
6
|
8%
|
0
|
0%
|
|
23
|
Art Thou Pale For Weariness
|
4
|
5%
|
0
|
0%
|
|
24
|
Asia: From Prometheus Unbound
|
1
|
1%
|
0
|
0%
|
|
25
|
Autumn: A Dirge
|
9
|
13%
|
0
|
0%
|
|
26
|
Beauty's Halo
|
5
|
7%
|
0
|
0%
|
|
27
|
Bereavement
|
8
|
11%
|
0
|
0%
|
|
28
|
Bigotry's Victim
|
1
|
1%
|
0
|
0%
|
|
29
|
Buona Notte
|
1
|
1%
|
0
|
0%
|
|
30
|
Chorus from Hellas
|
1
|
1%
|
0
|
0%
|
|
31
|
Death
|
10
|
14%
|
0
|
0%
|
|
32
|
Death In Life
|
4
|
5%
|
0
|
0%
|
|
33
|
Death Is Here And Death Is There
|
4
|
5%
|
0
|
0%
|
|
34
|
Despair
|
1
|
1%
|
0
|
0%
|
|
35
|
England in 1819
|
28
|
41%
|
0
|
0%
|
|
36
|
Epigram II: Kissing Helena
|
2
|
2%
|
0
|
0%
|
|
37
|
Epigram III: Spirit of Plato
|
1
|
1%
|
0
|
0%
|
|
38
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
2
|
2%
|
0
|
0%
|
|
39
|
Epitaph
|
3
|
4%
|
0
|
0%
|
|
40
|
Fragment, Or The Triumph Of Conscience
|
1
|
1%
|
0
|
0%
|
|
41
|
fragment: "To the Moon"
|
7
|
10%
|
0
|
0%
|
|
42
|
Fragment: Follow To The Deep Wood's Weeds
|
1
|
1%
|
0
|
0%
|
|
43
|
Fragment: Love The Universe To-Day
|
2
|
2%
|
0
|
0%
|
|
44
|
Fragment: Milton's Spirit
|
2
|
2%
|
0
|
0%
|
|
45
|
Fragment: My Head Is Wild With Weeping
|
2
|
2%
|
0
|
0%
|
|
46
|
Fragment: Sufficient Unto The Day
|
1
|
1%
|
0
|
0%
|
|
47
|
Fragment: To A Friend Released From Prison
|
1
|
1%
|
0
|
0%
|
|
48
|
Fragments Of An Unfinished Drama
|
1
|
1%
|
0
|
0%
|
|
49
|
From "Adonais," 49-52
|
2
|
2%
|
0
|
0%
|
|
50
|
From The Original Draft Of The Poem To William Shelley
|
1
|
1%
|
0
|
0%
|
|
51
|
FromThe Arabic: An Imitation
|
2
|
2%
|
0
|
0%
|
|
52
|
Ghasta Or, The Avenging Demon!!!
|
1
|
1%
|
0
|
0%
|
|
53
|
Good-Night
|
35
|
51%
|
0
|
0%
|
|
54
|
Here I sit with my paper…
|
1
|
1%
|
0
|
0%
|
|
55
|
Homer's Hymn To The Moon
|
2
|
2%
|
0
|
0%
|
|
56
|
Homer's Hymn To Venus
|
2
|
2%
|
0
|
0%
|
|
57
|
Hymn of Apollo
|
1
|
1%
|
0
|
0%
|
|
58
|
Hymn to Intellectual Beauty
|
1
|
1%
|
0
|
0%
|
|
59
|
I Arise from Dreams of Thee
|
4
|
5%
|
0
|
0%
|
|
60
|
Invocation
|
1
|
1%
|
0
|
0%
|
|
61
|
Invocation To Misery
|
1
|
1%
|
0
|
0%
|
|
62
|
Julian and Maddalo (excerpt)
|
7
|
10%
|
0
|
0%
|
|
63
|
Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
64
|
Lines Written Among The Euganean Hills
|
1
|
1%
|
0
|
0%
|
|
65
|
Lines Written On Hearing The News Of The Death Of Napoleon
|
2
|
2%
|
0
|
0%
|
|
66
|
Lines: The cold earth slept below
|
5
|
7%
|
0
|
0%
|
|
67
|
Lines: We Meet Not As We Parted
|
2
|
2%
|
0
|
0%
|
|
68
|
Love
|
4
|
5%
|
0
|
0%
|
|
69
|
Love, Hope, Desire, And Fear
|
1
|
1%
|
0
|
0%
|
|
70
|
Love's Philosophy
|
33
|
48%
|
0
|
0%
|
|
71
|
Love's Rose
|
2
|
2%
|
0
|
0%
|
|
72
|
Music And Sweet Poetry
|
2
|
2%
|
0
|
0%
|
|
73
|
Music, When Soft Voices Die
|
4
|
5%
|
0
|
0%
|
|
74
|
Music, when soft voices die
|
3
|
4%
|
0
|
0%
|
|
75
|
Mutability
|
11
|
16%
|
0
|
0%
|
|
76
|
Night
|
2
|
2%
|
0
|
0%
|
|
77
|
Ode to Naples
|
5
|
7%
|
0
|
0%
|
|
78
|
Ode to the West Wind
|
14
|
20%
|
0
|
0%
|
|
79
|
On A Faded Violet
|
3
|
4%
|
0
|
0%
|
|
80
|
On A Fete At Carlton House: Fragment
|
1
|
1%
|
0
|
0%
|
|
81
|
On An Icicle That Clung To The Grass Of A Grave
|
1
|
1%
|
0
|
0%
|
|
82
|
On Death
|
1
|
1%
|
0
|
0%
|
|
83
|
On Fanny Godwin
|
1
|
1%
|
0
|
0%
|
|
84
|
On Keats, Who Desired That On His Tomb Should Be Inscribed--
|
2
|
2%
|
0
|
0%
|
|
85
|
On The Dark Height of Jura
|
2
|
2%
|
0
|
0%
|
|
86
|
On The Medusa Of Leonardo da Vinci In The Florentine Gallery
|
1
|
1%
|
0
|
0%
|
|
87
|
One sung of thee who left the tale untold
|
2
|
2%
|
0
|
0%
|
|
88
|
One Word Is Too Often Profaned
|
2
|
2%
|
0
|
0%
|
|
89
|
Orpheus
|
1
|
1%
|
0
|
0%
|
|
90
|
Otho
|
3
|
4%
|
0
|
0%
|
|
91
|
Ozymandias
|
68
|
100%
|
0
|
0%
|
|
92
|
Prometheus Unbound: Act I (excerpt)
|
1
|
1%
|
0
|
0%
|
|
93
|
Queen Mab: Part I.
|
1
|
1%
|
0
|
0%
|
|
94
|
Queen Mab: Part IV.
|
2
|
2%
|
0
|
0%
|
|
95
|
Remembrance
|
3
|
4%
|
0
|
0%
|
|
96
|
Rome And Nature
|
1
|
1%
|
0
|
0%
|
|
97
|
Song
|
6
|
8%
|
0
|
0%
|
|
98
|
Song For 'Tasso'
|
1
|
1%
|
0
|
0%
|
|
99
|
Song From The Wandering Jew
|
2
|
2%
|
0
|
0%
|
|
100
|
Song Of Proserpine While Gathering Flowers On The Plain Of Enna
|
1
|
1%
|
0
|
0%
|
|
101
|
Song. Hope
|
2
|
2%
|
0
|
0%
|
|
102
|
Song. Sorrow
|
3
|
4%
|
0
|
0%
|
|
103
|
Song: Rarely, rarely, comest thou
|
2
|
2%
|
0
|
0%
|
|
104
|
Sonnet : From The Italian Of Dante
|
1
|
1%
|
0
|
0%
|
|
105
|
Sonnet To Byron
|
1
|
1%
|
0
|
0%
|
|
106
|
Stanza
|
1
|
1%
|
0
|
0%
|
|
107
|
Stanzas Written in Dejection, Near Naples
|
3
|
4%
|
0
|
0%
|
|
108
|
Summer And Winter
|
3
|
4%
|
0
|
0%
|
|
109
|
The Cloud
|
18
|
26%
|
0
|
0%
|
|
110
|
The Deserts Of Dim Sleep
|
1
|
1%
|
0
|
0%
|
|
111
|
The Devil's Walk. A Ballad
|
6
|
8%
|
0
|
0%
|
|
112
|
The Indian Serenade
|
2
|
2%
|
0
|
0%
|
|
113
|
The Mask Of Anarchy
|
2
|
2%
|
0
|
0%
|
|
114
|
The Past
|
2
|
2%
|
0
|
0%
|
|
115
|
The Question
|
3
|
4%
|
0
|
0%
|
|
116
|
The Sensitive Plant
|
2
|
2%
|
0
|
0%
|
|
117
|
The Solitary
|
2
|
2%
|
0
|
0%
|
|
118
|
The Sunset
|
5
|
7%
|
0
|
0%
|
|
119
|
The Triumph of Life
|
1
|
1%
|
0
|
0%
|
|
120
|
The Two Spirits: An Allegory
|
2
|
2%
|
0
|
0%
|
|
121
|
The Waning Moon
|
3
|
4%
|
0
|
0%
|
|
122
|
Time
|
1
|
1%
|
0
|
0%
|
|
123
|
Time Long Past
|
2
|
2%
|
0
|
0%
|
|
124
|
To A Skylark
|
6
|
8%
|
0
|
0%
|
|
125
|
To A Star
|
2
|
2%
|
0
|
0%
|
|
126
|
To Coleridge
|
2
|
2%
|
0
|
0%
|
|
127
|
To Mary
|
2
|
2%
|
0
|
0%
|
|
128
|
To Night
|
1
|
1%
|
0
|
0%
|
|
129
|
To-- One word is too often profaned
|
1
|
1%
|
0
|
0%
|
|
130
|
To The Men Of England
|
4
|
5%
|
0
|
0%
|
|
131
|
To the Moon
|
1
|
1%
|
0
|
0%
|
|
132
|
To The Moonbeam
|
1
|
1%
|
0
|
0%
|
|
133
|
To The Nile
|
1
|
1%
|
0
|
0%
|
|
134
|
To William Shelley
|
1
|
1%
|
0
|
0%
|
|
135
|
To William Shelley.
|
1
|
1%
|
0
|
0%
|
|
136
|
Verses On A Cat
|
3
|
4%
|
0
|
0%
|
|
137
|
With A Guitar, To Jane
|
1
|
1%
|
0
|
0%
|
|
138
|
Written At Bracknell
|
1
|
1%
|
0
|
0%
|