|
1
|
A Bridal Song
|
57
|
31%
|
0
|
0%
|
|
2
|
A Dialogue
|
27
|
14%
|
0
|
0%
|
|
3
|
A Dirge
|
20
|
11%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
21
|
11%
|
0
|
0%
|
|
5
|
A Hate-Song
|
48
|
26%
|
0
|
0%
|
|
6
|
A Lament
|
28
|
15%
|
0
|
0%
|
|
7
|
A New National Anthem
|
9
|
4%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
9
|
4%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
7
|
3%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
6
|
3%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
5
|
2%
|
0
|
0%
|
|
12
|
Adonais
|
7
|
3%
|
0
|
0%
|
|
13
|
Alas! This Is Not What I Thought Life Was
|
15
|
8%
|
0
|
0%
|
|
14
|
Alastor: or, the Spirit of Solitude
|
9
|
4%
|
0
|
0%
|
|
15
|
An Allegory
|
8
|
4%
|
0
|
0%
|
|
16
|
An Exhortation
|
5
|
2%
|
0
|
0%
|
|
17
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
1
|
0%
|
0
|
0%
|
|
18
|
And like a Dying Lady, Lean and Pale
|
7
|
3%
|
0
|
0%
|
|
19
|
And That I Walk Thus Proudly Crowned Withal
|
3
|
1%
|
0
|
0%
|
|
20
|
Another Fragment to Music
|
3
|
1%
|
0
|
0%
|
|
21
|
Arethusa
|
3
|
1%
|
0
|
0%
|
|
22
|
Asia: From Prometheus Unbound
|
4
|
2%
|
0
|
0%
|
|
23
|
Autumn: A Dirge
|
8
|
4%
|
0
|
0%
|
|
24
|
Beauty's Halo
|
3
|
1%
|
0
|
0%
|
|
25
|
Bereavement
|
2
|
1%
|
0
|
0%
|
|
26
|
Bigotry's Victim
|
2
|
1%
|
0
|
0%
|
|
27
|
Chorus from Hellas
|
4
|
2%
|
0
|
0%
|
|
28
|
Death
|
1
|
0%
|
0
|
0%
|
|
29
|
Death In Life
|
2
|
1%
|
0
|
0%
|
|
30
|
Death Is Here And Death Is There
|
5
|
2%
|
0
|
0%
|
|
31
|
Despair
|
5
|
2%
|
0
|
0%
|
|
32
|
England in 1819
|
29
|
16%
|
0
|
0%
|
|
33
|
Epigram I: To Stella
|
1
|
0%
|
0
|
0%
|
|
34
|
Evening: Ponte Al Mare, Pisa
|
18
|
9%
|
0
|
0%
|
|
35
|
Faint With Love, The Lady Of The South
|
3
|
1%
|
0
|
0%
|
|
36
|
Fiordispina
|
1
|
0%
|
0
|
0%
|
|
37
|
Fragment : What Mary Is When She A Little Smiles
|
2
|
1%
|
0
|
0%
|
|
38
|
Fragment From The Wandering Jew
|
2
|
1%
|
0
|
0%
|
|
39
|
Fragment Of A Ghost Story
|
2
|
1%
|
0
|
0%
|
|
40
|
Fragment Of A Satire On Satire
|
1
|
0%
|
0
|
0%
|
|
41
|
Fragment, Or The Triumph Of Conscience
|
3
|
1%
|
0
|
0%
|
|
42
|
fragment: "To the Moon"
|
3
|
1%
|
0
|
0%
|
|
43
|
Fragment: A Gentle Story Of Two Lovers Young
|
3
|
1%
|
0
|
0%
|
|
44
|
Fragment: A Wanderer
|
4
|
2%
|
0
|
0%
|
|
45
|
Fragment: Apostrophe To Silence
|
1
|
0%
|
0
|
0%
|
|
46
|
Fragment: Follow To The Deep Wood's Weeds
|
2
|
1%
|
0
|
0%
|
|
47
|
Fragment: Great Spirit
|
2
|
1%
|
0
|
0%
|
|
48
|
Fragment: Such Hope, As Is The Sick Despair Of Good
|
2
|
1%
|
0
|
0%
|
|
49
|
Fragment: To Byron
|
1
|
0%
|
0
|
0%
|
|
50
|
Fragment: Wedded Souls
|
3
|
1%
|
0
|
0%
|
|
51
|
Fragment: Yes! All Is Past
|
3
|
1%
|
0
|
0%
|
|
52
|
From The Greek Of Moschus
|
1
|
0%
|
0
|
0%
|
|
53
|
From The Greek Of Moschus : Pan Loved His Neighbour Echo
|
2
|
1%
|
0
|
0%
|
|
54
|
Ghasta Or, The Avenging Demon!!!
|
1
|
0%
|
0
|
0%
|
|
55
|
Good-Night
|
35
|
19%
|
0
|
0%
|
|
56
|
Hellas
|
1
|
0%
|
0
|
0%
|
|
57
|
Here I sit with my paper…
|
3
|
1%
|
0
|
0%
|
|
58
|
Homer's Hymn To The Earth: Mother Of All
|
1
|
0%
|
0
|
0%
|
|
59
|
Homer's Hymn To The Sun
|
3
|
1%
|
0
|
0%
|
|
60
|
I Faint, I Perish With My Love!
|
2
|
1%
|
0
|
0%
|
|
61
|
I Would Not Be A King
|
1
|
0%
|
0
|
0%
|
|
62
|
Invocation To Misery
|
4
|
2%
|
0
|
0%
|
|
63
|
Liberty
|
12
|
6%
|
0
|
0%
|
|
64
|
Life Rounded With Sleep
|
2
|
1%
|
0
|
0%
|
|
65
|
Lift Not The Painted Veil Which Those Who Live
|
5
|
2%
|
0
|
0%
|
|
66
|
Lines -- Far, Far Away, O Ye
|
2
|
1%
|
0
|
0%
|
|
67
|
Lines Written Among The Euganean Hills
|
1
|
0%
|
0
|
0%
|
|
68
|
Lines: That time is dead for ever, child!
|
1
|
0%
|
0
|
0%
|
|
69
|
Lines: We Meet Not As We Parted
|
4
|
2%
|
0
|
0%
|
|
70
|
Love
|
8
|
4%
|
0
|
0%
|
|
71
|
Love, Hope, Desire, And Fear
|
10
|
5%
|
0
|
0%
|
|
72
|
Love's Philosophy
|
55
|
30%
|
0
|
0%
|
|
73
|
Love's Rose
|
4
|
2%
|
0
|
0%
|
|
74
|
Marianne's Dream
|
2
|
1%
|
0
|
0%
|
|
75
|
Mont Blanc: Lines Written in the Vale of Chamouni
|
4
|
2%
|
0
|
0%
|
|
76
|
Music, When Soft Voices Die
|
5
|
2%
|
0
|
0%
|
|
77
|
Music, when soft voices die
|
1
|
0%
|
0
|
0%
|
|
78
|
Mutability
|
42
|
23%
|
0
|
0%
|
|
79
|
Night
|
3
|
1%
|
0
|
0%
|
|
80
|
O Thou Immortal Deity
|
1
|
0%
|
0
|
0%
|
|
81
|
Ode To Liberty
|
4
|
2%
|
0
|
0%
|
|
82
|
Ode to the West Wind
|
16
|
8%
|
0
|
0%
|
|
83
|
On The Dark Height of Jura
|
2
|
1%
|
0
|
0%
|
|
84
|
On The Medusa Of Leonardo da Vinci In The Florentine Gallery
|
3
|
1%
|
0
|
0%
|
|
85
|
Orpheus
|
1
|
0%
|
0
|
0%
|
|
86
|
Otho
|
2
|
1%
|
0
|
0%
|
|
87
|
Ozymandias
|
181
|
100%
|
0
|
0%
|
|
88
|
Peter Bell The Third
|
3
|
1%
|
0
|
0%
|
|
89
|
Prometheus Unbound: Act I (excerpt)
|
1
|
0%
|
0
|
0%
|
|
90
|
Queen Mab: Part I.
|
2
|
1%
|
0
|
0%
|
|
91
|
Remembrance
|
2
|
1%
|
0
|
0%
|
|
92
|
Remorse
|
3
|
1%
|
0
|
0%
|
|
93
|
Revenge
|
5
|
2%
|
0
|
0%
|
|
94
|
Similes For Two Political Characters of 1819
|
2
|
1%
|
0
|
0%
|
|
95
|
Song
|
6
|
3%
|
0
|
0%
|
|
96
|
Song To The Men Of England
|
5
|
2%
|
0
|
0%
|
|
97
|
Song. Cold, Cold Is The Blast When December Is Howling
|
2
|
1%
|
0
|
0%
|
|
98
|
Song. Despair
|
3
|
1%
|
0
|
0%
|
|
99
|
Song. Hope
|
2
|
1%
|
0
|
0%
|
|
100
|
Song. Sorrow
|
1
|
0%
|
0
|
0%
|
|
101
|
Sonnet To Byron
|
3
|
1%
|
0
|
0%
|
|
102
|
Sonnet: England in 1819
|
3
|
1%
|
0
|
0%
|
|
103
|
Stanza
|
6
|
3%
|
0
|
0%
|
|
104
|
The Cloud
|
14
|
7%
|
0
|
0%
|
|
105
|
The Devil's Walk. A Ballad
|
2
|
1%
|
0
|
0%
|
|
106
|
The Indian Serenade
|
2
|
1%
|
0
|
0%
|
|
107
|
The Invitation
|
1
|
0%
|
0
|
0%
|
|
108
|
The Irishman's Song
|
3
|
1%
|
0
|
0%
|
|
109
|
The Mask Of Anarchy
|
6
|
3%
|
0
|
0%
|
|
110
|
The Moon
|
2
|
1%
|
0
|
0%
|
|
111
|
The Question
|
3
|
1%
|
0
|
0%
|
|
112
|
The Rude Wind Is Singing
|
2
|
1%
|
0
|
0%
|
|
113
|
The Sensitive Plant
|
5
|
2%
|
0
|
0%
|
|
114
|
The Solitary
|
3
|
1%
|
0
|
0%
|
|
115
|
The Triumph of Life
|
10
|
5%
|
0
|
0%
|
|
116
|
The Two Spirits: An Allegory
|
3
|
1%
|
0
|
0%
|
|
117
|
Time Long Past
|
5
|
2%
|
0
|
0%
|
|
118
|
To A Skylark
|
2
|
1%
|
0
|
0%
|
|
119
|
To Coleridge
|
3
|
1%
|
0
|
0%
|
|
120
|
To-- I Fear Thy Kisses, Gentle Maiden
|
2
|
1%
|
0
|
0%
|
|
121
|
To Ireland
|
2
|
1%
|
0
|
0%
|
|
122
|
To Jane: The Recollection
|
2
|
1%
|
0
|
0%
|
|
123
|
To Mary
|
3
|
1%
|
0
|
0%
|
|
124
|
To Mary ----
|
3
|
1%
|
0
|
0%
|
|
125
|
To Mary Shelley
|
4
|
2%
|
0
|
0%
|
|
126
|
To Mary Wollstonecraft Godwin
|
3
|
1%
|
0
|
0%
|
|
127
|
To-- Music, when soft voices die
|
3
|
1%
|
0
|
0%
|
|
128
|
To Night
|
3
|
1%
|
0
|
0%
|
|
129
|
To The Men Of England
|
1
|
0%
|
0
|
0%
|
|
130
|
To The Mind Of Man
|
2
|
1%
|
0
|
0%
|
|
131
|
To the Moon
|
1
|
0%
|
0
|
0%
|
|
132
|
To The Nile
|
2
|
1%
|
0
|
0%
|
|
133
|
To The Queen Of My Heart
|
4
|
2%
|
0
|
0%
|
|
134
|
To The Republicans Of North America
|
3
|
1%
|
0
|
0%
|
|
135
|
To Wordsworth
|
3
|
1%
|
0
|
0%
|
|
136
|
To-- Yet look on me
|
2
|
1%
|
0
|
0%
|
|
137
|
When A Lover Clasps His Fairest
|
4
|
2%
|
0
|
0%
|
|
138
|
When Soft Winds And Sunny Skies
|
2
|
1%
|
0
|
0%
|
|
139
|
Wine Of The Fairies
|
1
|
0%
|
0
|
0%
|