|
1
|
A Bridal Song
|
34
|
60%
|
0
|
0%
|
|
2
|
A Dialogue
|
28
|
50%
|
0
|
0%
|
|
3
|
A Dirge
|
24
|
42%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
23
|
41%
|
0
|
0%
|
|
5
|
A Hate-Song
|
26
|
46%
|
0
|
0%
|
|
6
|
A Lament
|
19
|
33%
|
0
|
0%
|
|
7
|
A New National Anthem
|
8
|
14%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
3
|
5%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
3
|
5%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
6
|
10%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
9
|
16%
|
0
|
0%
|
|
12
|
Adonais
|
8
|
14%
|
0
|
0%
|
|
13
|
Alas! This Is Not What I Thought Life Was
|
5
|
8%
|
0
|
0%
|
|
14
|
Alastor: or, the Spirit of Solitude
|
4
|
7%
|
0
|
0%
|
|
15
|
An Allegory
|
8
|
14%
|
0
|
0%
|
|
16
|
An Exhortation
|
4
|
7%
|
0
|
0%
|
|
17
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
4
|
7%
|
0
|
0%
|
|
18
|
And like a Dying Lady, Lean and Pale
|
6
|
10%
|
0
|
0%
|
|
19
|
And That I Walk Thus Proudly Crowned Withal
|
6
|
10%
|
0
|
0%
|
|
20
|
Another Fragment to Music
|
9
|
16%
|
0
|
0%
|
|
21
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
1
|
1%
|
0
|
0%
|
|
22
|
Asia: From Prometheus Unbound
|
2
|
3%
|
0
|
0%
|
|
23
|
Autumn: A Dirge
|
7
|
12%
|
0
|
0%
|
|
24
|
Beauty's Halo
|
3
|
5%
|
0
|
0%
|
|
25
|
Bereavement
|
3
|
5%
|
0
|
0%
|
|
26
|
Bigotry's Victim
|
3
|
5%
|
0
|
0%
|
|
27
|
Buona Notte
|
3
|
5%
|
0
|
0%
|
|
28
|
Death
|
2
|
3%
|
0
|
0%
|
|
29
|
Death Is Here And Death Is There
|
1
|
1%
|
0
|
0%
|
|
30
|
Despair
|
3
|
5%
|
0
|
0%
|
|
31
|
England in 1819
|
18
|
32%
|
0
|
0%
|
|
32
|
Epigram II: Kissing Helena
|
1
|
1%
|
0
|
0%
|
|
33
|
Epithalamium
|
1
|
1%
|
0
|
0%
|
|
34
|
Evening. To Harriet
|
1
|
1%
|
0
|
0%
|
|
35
|
Eyes : A Fragment
|
1
|
1%
|
0
|
0%
|
|
36
|
Faint With Love, The Lady Of The South
|
1
|
1%
|
0
|
0%
|
|
37
|
Fragment : What Mary Is When She A Little Smiles
|
1
|
1%
|
0
|
0%
|
|
38
|
Fragment From The Wandering Jew
|
1
|
1%
|
0
|
0%
|
|
39
|
Fragment: A Wanderer
|
1
|
1%
|
0
|
0%
|
|
40
|
Fragment: Amor Aeternus
|
5
|
8%
|
0
|
0%
|
|
41
|
Fragment: Apostrophe To Silence
|
1
|
1%
|
0
|
0%
|
|
42
|
Fragment: Love The Universe To-Day
|
1
|
1%
|
0
|
0%
|
|
43
|
Good-Night
|
28
|
50%
|
0
|
0%
|
|
44
|
Homer's Hymn To Minerva
|
3
|
5%
|
0
|
0%
|
|
45
|
Homer's Hymn To The Sun
|
1
|
1%
|
0
|
0%
|
|
46
|
Hymn of Apollo
|
1
|
1%
|
0
|
0%
|
|
47
|
I Arise from Dreams of Thee
|
2
|
3%
|
0
|
0%
|
|
48
|
I Would Not Be A King
|
3
|
5%
|
0
|
0%
|
|
49
|
Invocation
|
2
|
3%
|
0
|
0%
|
|
50
|
Letter To Maria Gisborne
|
1
|
1%
|
0
|
0%
|
|
51
|
Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
52
|
Lines -- Far, Far Away, O Ye
|
2
|
3%
|
0
|
0%
|
|
53
|
Lines Written Among The Euganean Hills
|
2
|
3%
|
0
|
0%
|
|
54
|
Lines Written During The Castlereagh Administration
|
2
|
3%
|
0
|
0%
|
|
55
|
Lines: The cold earth slept below
|
1
|
1%
|
0
|
0%
|
|
56
|
Lines: We Meet Not As We Parted
|
2
|
3%
|
0
|
0%
|
|
57
|
Love
|
8
|
14%
|
0
|
0%
|
|
58
|
Love, Hope, Desire, And Fear
|
2
|
3%
|
0
|
0%
|
|
59
|
Love's Philosophy
|
32
|
57%
|
0
|
0%
|
|
60
|
Love's Rose
|
1
|
1%
|
0
|
0%
|
|
61
|
Marenghi
|
1
|
1%
|
0
|
0%
|
|
62
|
Marianne's Dream
|
1
|
1%
|
0
|
0%
|
|
63
|
Matilda Gathering Flowers
|
2
|
3%
|
0
|
0%
|
|
64
|
May The Limner
|
1
|
1%
|
0
|
0%
|
|
65
|
Melody To A Scene Of Former Times
|
1
|
1%
|
0
|
0%
|
|
66
|
Methought I Was A Billow In The Crowd
|
1
|
1%
|
0
|
0%
|
|
67
|
Mighty Eagle
|
1
|
1%
|
0
|
0%
|
|
68
|
Mont Blanc: Lines Written in the Vale of Chamouni
|
3
|
5%
|
0
|
0%
|
|
69
|
Mutability
|
10
|
17%
|
0
|
0%
|
|
70
|
Night
|
2
|
3%
|
0
|
0%
|
|
71
|
Ode To Liberty
|
3
|
5%
|
0
|
0%
|
|
72
|
Ode to the West Wind
|
14
|
25%
|
0
|
0%
|
|
73
|
On A Faded Violet
|
4
|
7%
|
0
|
0%
|
|
74
|
On A Fete At Carlton House: Fragment
|
2
|
3%
|
0
|
0%
|
|
75
|
On An Icicle That Clung To The Grass Of A Grave
|
2
|
3%
|
0
|
0%
|
|
76
|
On Death
|
2
|
3%
|
0
|
0%
|
|
77
|
On Fanny Godwin
|
2
|
3%
|
0
|
0%
|
|
78
|
On Keats, Who Desired That On His Tomb Should Be Inscribed--
|
2
|
3%
|
0
|
0%
|
|
79
|
On Leaving London For Wales
|
2
|
3%
|
0
|
0%
|
|
80
|
On Robert Emmet's Grave
|
2
|
3%
|
0
|
0%
|
|
81
|
On The Dark Height of Jura
|
2
|
3%
|
0
|
0%
|
|
82
|
On The Medusa Of Leonardo da Vinci In The Florentine Gallery
|
4
|
7%
|
0
|
0%
|
|
83
|
One sung of thee who left the tale untold
|
2
|
3%
|
0
|
0%
|
|
84
|
One Word Is Too Often Profaned
|
2
|
3%
|
0
|
0%
|
|
85
|
Orpheus
|
1
|
1%
|
0
|
0%
|
|
86
|
Otho
|
2
|
3%
|
0
|
0%
|
|
87
|
Ozymandias
|
56
|
100%
|
0
|
0%
|
|
88
|
Passage Of The Apennines
|
8
|
14%
|
0
|
0%
|
|
89
|
Pater Omnipotens
|
3
|
5%
|
0
|
0%
|
|
90
|
Peter Bell The Third
|
3
|
5%
|
0
|
0%
|
|
91
|
Poetical Essay
|
2
|
3%
|
0
|
0%
|
|
92
|
Prince Athanase
|
2
|
3%
|
0
|
0%
|
|
93
|
Prometheus Unbound: Act I (excerpt)
|
4
|
7%
|
0
|
0%
|
|
94
|
Queen Mab: Part I.
|
1
|
1%
|
0
|
0%
|
|
95
|
Queen Mab: Part II.
|
1
|
1%
|
0
|
0%
|
|
96
|
Queen Mab: Part III.
|
1
|
1%
|
0
|
0%
|
|
97
|
Queen Mab: Part IV.
|
2
|
3%
|
0
|
0%
|
|
98
|
Queen Mab: Part IX.
|
1
|
1%
|
0
|
0%
|
|
99
|
Queen Mab: Part V.
|
2
|
3%
|
0
|
0%
|
|
100
|
Queen Mab: Part VI (excerpts)
|
2
|
3%
|
0
|
0%
|
|
101
|
Queen Mab: Part VII.
|
2
|
3%
|
0
|
0%
|
|
102
|
Remembrance
|
4
|
7%
|
0
|
0%
|
|
103
|
Remorse
|
1
|
1%
|
0
|
0%
|
|
104
|
Revenge
|
2
|
3%
|
0
|
0%
|
|
105
|
Rome And Nature
|
2
|
3%
|
0
|
0%
|
|
106
|
Rosalind and Helen: a Modern Eclogue
|
3
|
5%
|
0
|
0%
|
|
107
|
Saint Edmond's Eve
|
2
|
3%
|
0
|
0%
|
|
108
|
Similes For Two Political Characters of 1819
|
2
|
3%
|
0
|
0%
|
|
109
|
Sister Rosa: A Ballad
|
2
|
3%
|
0
|
0%
|
|
110
|
Song
|
1
|
1%
|
0
|
0%
|
|
111
|
Song. Hope
|
1
|
1%
|
0
|
0%
|
|
112
|
Song: Rarely, rarely, comest thou
|
2
|
3%
|
0
|
0%
|
|
113
|
Sonnet : To A Balloon Laden With Knowledge
|
2
|
3%
|
0
|
0%
|
|
114
|
Sonnet: Political Greatness
|
1
|
1%
|
0
|
0%
|
|
115
|
Summer And Winter
|
2
|
3%
|
0
|
0%
|
|
116
|
The Cloud
|
15
|
26%
|
0
|
0%
|
|
117
|
The Devil's Walk. A Ballad
|
3
|
5%
|
0
|
0%
|
|
118
|
The Indian Serenade
|
1
|
1%
|
0
|
0%
|
|
119
|
The Sepulchre Of Memory
|
1
|
1%
|
0
|
0%
|
|
120
|
The Triumph of Life
|
6
|
10%
|
0
|
0%
|
|
121
|
The Two Spirits: An Allegory
|
1
|
1%
|
0
|
0%
|
|
122
|
Time
|
2
|
3%
|
0
|
0%
|
|
123
|
To A Skylark
|
1
|
1%
|
0
|
0%
|
|
124
|
To A Star
|
2
|
3%
|
0
|
0%
|
|
125
|
To Coleridge
|
1
|
1%
|
0
|
0%
|
|
126
|
To Jane: The Keen Stars Were Twinkling
|
2
|
3%
|
0
|
0%
|
|
127
|
To Mary Wollstonecraft Godwin
|
1
|
1%
|
0
|
0%
|
|
128
|
To The Men Of England
|
1
|
1%
|
0
|
0%
|
|
129
|
To The Queen Of My Heart
|
1
|
1%
|
0
|
0%
|
|
130
|
To William Shelley.
|
5
|
8%
|
0
|
0%
|
|
131
|
To William Shelley. Thy Little Footsteps On The Sands
|
2
|
3%
|
0
|
0%
|
|
132
|
To Wordsworth
|
1
|
1%
|
0
|
0%
|
|
133
|
When The Lamp Is Shattered
|
2
|
3%
|
0
|
0%
|
|
134
|
Zephyrus The Awakener
|
1
|
1%
|
0
|
0%
|