|
1
|
A Bridal Song
|
55
|
44%
|
0
|
0%
|
|
2
|
A Dialogue
|
25
|
20%
|
0
|
0%
|
|
3
|
A Dirge
|
20
|
16%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
22
|
17%
|
0
|
0%
|
|
5
|
A Hate-Song
|
32
|
25%
|
0
|
0%
|
|
6
|
A Lament
|
33
|
26%
|
0
|
0%
|
|
7
|
A New National Anthem
|
19
|
15%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
22
|
17%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
17
|
13%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
14
|
11%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
13
|
10%
|
0
|
0%
|
|
12
|
Adonais
|
18
|
14%
|
0
|
0%
|
|
13
|
Alas! This Is Not What I Thought Life Was
|
28
|
22%
|
0
|
0%
|
|
14
|
Alastor: or, the Spirit of Solitude
|
17
|
13%
|
0
|
0%
|
|
15
|
An Allegory
|
7
|
5%
|
0
|
0%
|
|
16
|
An Exhortation
|
4
|
3%
|
0
|
0%
|
|
17
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
2
|
1%
|
0
|
0%
|
|
18
|
And like a Dying Lady, Lean and Pale
|
7
|
5%
|
0
|
0%
|
|
19
|
And That I Walk Thus Proudly Crowned Withal
|
3
|
2%
|
0
|
0%
|
|
20
|
Another Fragment to Music
|
3
|
2%
|
0
|
0%
|
|
21
|
Arethusa
|
6
|
4%
|
0
|
0%
|
|
22
|
Art Thou Pale For Weariness
|
5
|
4%
|
0
|
0%
|
|
23
|
Asia: From Prometheus Unbound
|
4
|
3%
|
0
|
0%
|
|
24
|
Autumn: A Dirge
|
1
|
0%
|
0
|
0%
|
|
25
|
Beauty's Halo
|
5
|
4%
|
0
|
0%
|
|
26
|
Bereavement
|
1
|
0%
|
0
|
0%
|
|
27
|
Buona Notte
|
2
|
1%
|
0
|
0%
|
|
28
|
Death
|
7
|
5%
|
0
|
0%
|
|
29
|
Death In Life
|
6
|
4%
|
0
|
0%
|
|
30
|
Death Is Here And Death Is There
|
7
|
5%
|
0
|
0%
|
|
31
|
Despair
|
3
|
2%
|
0
|
0%
|
|
32
|
Dirge For The Year
|
2
|
1%
|
0
|
0%
|
|
33
|
England in 1819
|
27
|
21%
|
0
|
0%
|
|
34
|
Epigram II: Kissing Helena
|
1
|
0%
|
0
|
0%
|
|
35
|
Epipsychidion (excerpt)
|
2
|
1%
|
0
|
0%
|
|
36
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
1
|
0%
|
0
|
0%
|
|
37
|
Epitaph
|
1
|
0%
|
0
|
0%
|
|
38
|
Epithalamium
|
1
|
0%
|
0
|
0%
|
|
39
|
Evening: Ponte Al Mare, Pisa
|
2
|
1%
|
0
|
0%
|
|
40
|
Eyes : A Fragment
|
1
|
0%
|
0
|
0%
|
|
41
|
Faint With Love, The Lady Of The South
|
2
|
1%
|
0
|
0%
|
|
42
|
Fiordispina
|
1
|
0%
|
0
|
0%
|
|
43
|
fragment: "To the Moon"
|
4
|
3%
|
0
|
0%
|
|
44
|
Fragment: A Gentle Story Of Two Lovers Young
|
3
|
2%
|
0
|
0%
|
|
45
|
Fragment: Home
|
2
|
1%
|
0
|
0%
|
|
46
|
Fragment: My Head Is Wild With Weeping
|
2
|
1%
|
0
|
0%
|
|
47
|
Fragment: Satan Broken Loose
|
1
|
0%
|
0
|
0%
|
|
48
|
Fragment: The Vine-Shroud
|
1
|
0%
|
0
|
0%
|
|
49
|
Fragment: There Is A Warm And Gentle Atmosphere
|
1
|
0%
|
0
|
0%
|
|
50
|
Fragment: Wedded Souls
|
4
|
3%
|
0
|
0%
|
|
51
|
Fragment: What Men Gain Fairly
|
2
|
1%
|
0
|
0%
|
|
52
|
Fragment: Ye Gentle Visitations Of Calm Thought
|
1
|
0%
|
0
|
0%
|
|
53
|
Fragment: Yes! All Is Past
|
1
|
0%
|
0
|
0%
|
|
54
|
Fragments Of An Unfinished Drama
|
1
|
0%
|
0
|
0%
|
|
55
|
Fragments Supposed To Be Parts Of Otho
|
1
|
0%
|
0
|
0%
|
|
56
|
Fragments Written For Hellas
|
1
|
0%
|
0
|
0%
|
|
57
|
From "Adonais," 49-52
|
1
|
0%
|
0
|
0%
|
|
58
|
From the Arabic, an Imitation
|
1
|
0%
|
0
|
0%
|
|
59
|
From The Greek Of Moschus
|
1
|
0%
|
0
|
0%
|
|
60
|
From The Greek Of Moschus : Pan Loved His Neighbour Echo
|
1
|
0%
|
0
|
0%
|
|
61
|
From The Original Draft Of The Poem To William Shelley
|
1
|
0%
|
0
|
0%
|
|
62
|
From Vergil's Fourth Georgic
|
1
|
0%
|
0
|
0%
|
|
63
|
From Vergil's Tenth Eclogue
|
1
|
0%
|
0
|
0%
|
|
64
|
FromThe Arabic: An Imitation
|
1
|
0%
|
0
|
0%
|
|
65
|
Ginevra
|
3
|
2%
|
0
|
0%
|
|
66
|
Good-Night
|
33
|
26%
|
0
|
0%
|
|
67
|
Here I sit with my paper…
|
1
|
0%
|
0
|
0%
|
|
68
|
Homer's Hymn To The Moon
|
1
|
0%
|
0
|
0%
|
|
69
|
Homer's Hymn To The Sun
|
1
|
0%
|
0
|
0%
|
|
70
|
Homer's Hymn To Venus
|
2
|
1%
|
0
|
0%
|
|
71
|
Hymn to Intellectual Beauty
|
6
|
4%
|
0
|
0%
|
|
72
|
I Arise from Dreams of Thee
|
4
|
3%
|
0
|
0%
|
|
73
|
I Faint, I Perish With My Love!
|
1
|
0%
|
0
|
0%
|
|
74
|
Invocation
|
1
|
0%
|
0
|
0%
|
|
75
|
Invocation To Misery
|
1
|
0%
|
0
|
0%
|
|
76
|
Liberty
|
1
|
0%
|
0
|
0%
|
|
77
|
Lift Not The Painted Veil Which Those Who Live
|
3
|
2%
|
0
|
0%
|
|
78
|
Lines
|
1
|
0%
|
0
|
0%
|
|
79
|
Lines To A Reviewer
|
1
|
0%
|
0
|
0%
|
|
80
|
Lines Written Among The Euganean Hills
|
1
|
0%
|
0
|
0%
|
|
81
|
Lines: The cold earth slept below
|
2
|
1%
|
0
|
0%
|
|
82
|
Lines: We Meet Not As We Parted
|
2
|
1%
|
0
|
0%
|
|
83
|
Love
|
4
|
3%
|
0
|
0%
|
|
84
|
Love, Hope, Desire, And Fear
|
5
|
4%
|
0
|
0%
|
|
85
|
Love's Philosophy
|
76
|
61%
|
0
|
0%
|
|
86
|
Love's Rose
|
8
|
6%
|
0
|
0%
|
|
87
|
Marenghi
|
2
|
1%
|
0
|
0%
|
|
88
|
Marianne's Dream
|
2
|
1%
|
0
|
0%
|
|
89
|
Matilda Gathering Flowers
|
1
|
0%
|
0
|
0%
|
|
90
|
Mont Blanc: Lines Written in the Vale of Chamouni
|
4
|
3%
|
0
|
0%
|
|
91
|
Music, When Soft Voices Die
|
6
|
4%
|
0
|
0%
|
|
92
|
Mutability
|
16
|
12%
|
0
|
0%
|
|
93
|
Ode to the West Wind
|
15
|
12%
|
0
|
0%
|
|
94
|
On An Icicle That Clung To The Grass Of A Grave
|
1
|
0%
|
0
|
0%
|
|
95
|
On Keats, Who Desired That On His Tomb Should Be Inscribed--
|
1
|
0%
|
0
|
0%
|
|
96
|
One Word Is Too Often Profaned
|
1
|
0%
|
0
|
0%
|
|
97
|
Orpheus
|
1
|
0%
|
0
|
0%
|
|
98
|
Otho
|
1
|
0%
|
0
|
0%
|
|
99
|
Ozymandias
|
124
|
100%
|
0
|
0%
|
|
100
|
Prometheus Unbound: Act I (excerpt)
|
4
|
3%
|
0
|
0%
|
|
101
|
Remembrance
|
1
|
0%
|
0
|
0%
|
|
102
|
Revenge
|
6
|
4%
|
0
|
0%
|
|
103
|
Rome And Nature
|
2
|
1%
|
0
|
0%
|
|
104
|
Saint Edmond's Eve
|
1
|
0%
|
0
|
0%
|
|
105
|
Song
|
3
|
2%
|
0
|
0%
|
|
106
|
Song Of Proserpine While Gathering Flowers On The Plain Of Enna
|
1
|
0%
|
0
|
0%
|
|
107
|
Song To The Men Of England
|
4
|
3%
|
0
|
0%
|
|
108
|
Song. Come Harriet! Sweet Is The Hour
|
1
|
0%
|
0
|
0%
|
|
109
|
Song. -- Fierce Roars The Midnight Storm
|
1
|
0%
|
0
|
0%
|
|
110
|
Song. To -- [Harriet]
|
1
|
0%
|
0
|
0%
|
|
111
|
Song. Sorrow
|
1
|
0%
|
0
|
0%
|
|
112
|
Sonnet : From The Italian Of Cavalcanti
|
1
|
0%
|
0
|
0%
|
|
113
|
Sonnet : From The Italian Of Dante
|
1
|
0%
|
0
|
0%
|
|
114
|
Sonnet: England in 1819
|
7
|
5%
|
0
|
0%
|
|
115
|
Summer And Winter
|
2
|
1%
|
0
|
0%
|
|
116
|
The Cenci : A Tragedy In Five Acts
|
1
|
0%
|
0
|
0%
|
|
117
|
The Cloud
|
19
|
15%
|
0
|
0%
|
|
118
|
The Death Knell Is Ringing
|
1
|
0%
|
0
|
0%
|
|
119
|
The Deserts Of Dim Sleep
|
1
|
0%
|
0
|
0%
|
|
120
|
The Drowned Lover
|
1
|
0%
|
0
|
0%
|
|
121
|
The Fugitives
|
2
|
1%
|
0
|
0%
|
|
122
|
The Indian Serenade
|
2
|
1%
|
0
|
0%
|
|
123
|
The Magnetic Lady To Her Patient
|
1
|
0%
|
0
|
0%
|
|
124
|
The Mask Of Anarchy
|
3
|
2%
|
0
|
0%
|
|
125
|
The Moon
|
2
|
1%
|
0
|
0%
|
|
126
|
The Sensitive Plant
|
1
|
0%
|
0
|
0%
|
|
127
|
The Solitary
|
1
|
0%
|
0
|
0%
|
|
128
|
The Sunset
|
1
|
0%
|
0
|
0%
|
|
129
|
The Triumph of Life
|
2
|
1%
|
0
|
0%
|
|
130
|
The Waning Moon
|
2
|
1%
|
0
|
0%
|
|
131
|
The Woodman And The Nightingale
|
1
|
0%
|
0
|
0%
|
|
132
|
Time
|
5
|
4%
|
0
|
0%
|
|
133
|
To A Skylark
|
4
|
3%
|
0
|
0%
|
|
134
|
To Coleridge
|
3
|
2%
|
0
|
0%
|
|
135
|
To Death
|
2
|
1%
|
0
|
0%
|
|
136
|
To Night
|
2
|
1%
|
0
|
0%
|
|
137
|
To The Men Of England
|
7
|
5%
|
0
|
0%
|
|
138
|
To The Mind Of Man
|
1
|
0%
|
0
|
0%
|
|
139
|
To the Moon
|
2
|
1%
|
0
|
0%
|
|
140
|
To The Moonbeam
|
1
|
0%
|
0
|
0%
|
|
141
|
To The Nile
|
1
|
0%
|
0
|
0%
|
|
142
|
To The Queen Of My Heart
|
3
|
2%
|
0
|
0%
|
|
143
|
To Wordsworth
|
2
|
1%
|
0
|
0%
|
|
144
|
Verses On A Cat
|
1
|
0%
|
0
|
0%
|
|
145
|
Wake The Serpent Not
|
1
|
0%
|
0
|
0%
|
|
146
|
War
|
2
|
1%
|
0
|
0%
|
|
147
|
When A Lover Clasps His Fairest
|
1
|
0%
|
0
|
0%
|
|
148
|
When Soft Winds And Sunny Skies
|
1
|
0%
|
0
|
0%
|
|
149
|
When The Lamp Is Shattered
|
3
|
2%
|
0
|
0%
|
|
150
|
Wine Of The Fairies
|
1
|
0%
|
0
|
0%
|
|
151
|
With A Guitar, To Jane
|
1
|
0%
|
0
|
0%
|
|
152
|
Zephyrus The Awakener
|
1
|
0%
|
0
|
0%
|