|
1
|
A Bridal Song
|
45
|
80%
|
0
|
0%
|
|
2
|
A Dialogue
|
34
|
60%
|
0
|
0%
|
|
3
|
A Dirge
|
25
|
44%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
33
|
58%
|
0
|
0%
|
|
5
|
A Hate-Song
|
35
|
62%
|
0
|
0%
|
|
6
|
A Lament
|
7
|
12%
|
0
|
0%
|
|
7
|
A New National Anthem
|
4
|
7%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
1
|
1%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
1
|
1%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
4
|
7%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
1
|
1%
|
0
|
0%
|
|
12
|
Adonais
|
7
|
12%
|
0
|
0%
|
|
13
|
Alas! This Is Not What I Thought Life Was
|
1
|
1%
|
0
|
0%
|
|
14
|
Alastor: or, the Spirit of Solitude
|
3
|
5%
|
0
|
0%
|
|
15
|
An Exhortation
|
1
|
1%
|
0
|
0%
|
|
16
|
Another Fragment to Music
|
1
|
1%
|
0
|
0%
|
|
17
|
Arethusa
|
3
|
5%
|
0
|
0%
|
|
18
|
Art Thou Pale For Weariness
|
4
|
7%
|
0
|
0%
|
|
19
|
Asia: From Prometheus Unbound
|
2
|
3%
|
0
|
0%
|
|
20
|
Autumn: A Dirge
|
3
|
5%
|
0
|
0%
|
|
21
|
Bereavement
|
1
|
1%
|
0
|
0%
|
|
22
|
Bigotry's Victim
|
1
|
1%
|
0
|
0%
|
|
23
|
Death
|
2
|
3%
|
0
|
0%
|
|
24
|
Death In Life
|
2
|
3%
|
0
|
0%
|
|
25
|
Death Is Here And Death Is There
|
1
|
1%
|
0
|
0%
|
|
26
|
England in 1819
|
14
|
25%
|
0
|
0%
|
|
27
|
Epigram I: To Stella
|
1
|
1%
|
0
|
0%
|
|
28
|
Epigram II: Kissing Helena
|
1
|
1%
|
0
|
0%
|
|
29
|
Epitaph
|
1
|
1%
|
0
|
0%
|
|
30
|
Epithalamium
|
1
|
1%
|
0
|
0%
|
|
31
|
Epithalamium : Another Version
|
1
|
1%
|
0
|
0%
|
|
32
|
Eyes : A Fragment
|
3
|
5%
|
0
|
0%
|
|
33
|
Faint With Love, The Lady Of The South
|
1
|
1%
|
0
|
0%
|
|
34
|
Feelings Of A Republican On The Fall Of Bonaparte
|
2
|
3%
|
0
|
0%
|
|
35
|
Fiordispina
|
3
|
5%
|
0
|
0%
|
|
36
|
Fragment Of A Ghost Story
|
2
|
3%
|
0
|
0%
|
|
37
|
fragment: "To the Moon"
|
1
|
1%
|
0
|
0%
|
|
38
|
Fragment: A Gentle Story Of Two Lovers Young
|
1
|
1%
|
0
|
0%
|
|
39
|
Fragment: Apostrophe To Silence
|
1
|
1%
|
0
|
0%
|
|
40
|
Fragment: Home
|
2
|
3%
|
0
|
0%
|
|
41
|
Fragment: Wedded Souls
|
2
|
3%
|
0
|
0%
|
|
42
|
Fragment: Yes! All Is Past
|
1
|
1%
|
0
|
0%
|
|
43
|
From the Arabic, an Imitation
|
1
|
1%
|
0
|
0%
|
|
44
|
From Vergil's Tenth Eclogue
|
2
|
3%
|
0
|
0%
|
|
45
|
Good-Night
|
14
|
25%
|
0
|
0%
|
|
46
|
Hellas
|
1
|
1%
|
0
|
0%
|
|
47
|
Here I sit with my paper…
|
1
|
1%
|
0
|
0%
|
|
48
|
Homer's Hymn To Venus
|
1
|
1%
|
0
|
0%
|
|
49
|
Hymn of Apollo
|
2
|
3%
|
0
|
0%
|
|
50
|
Hymn to Intellectual Beauty
|
1
|
1%
|
0
|
0%
|
|
51
|
Liberty
|
1
|
1%
|
0
|
0%
|
|
52
|
Lift Not The Painted Veil Which Those Who Live
|
2
|
3%
|
0
|
0%
|
|
53
|
Lines
|
1
|
1%
|
0
|
0%
|
|
54
|
Lines -- Far, Far Away, O Ye
|
1
|
1%
|
0
|
0%
|
|
55
|
Lines Written Among The Euganean Hills
|
1
|
1%
|
0
|
0%
|
|
56
|
Love
|
3
|
5%
|
0
|
0%
|
|
57
|
Love, Hope, Desire, And Fear
|
5
|
8%
|
0
|
0%
|
|
58
|
Love's Philosophy
|
56
|
100%
|
0
|
0%
|
|
59
|
Love's Rose
|
5
|
8%
|
0
|
0%
|
|
60
|
Marenghi
|
1
|
1%
|
0
|
0%
|
|
61
|
Marianne's Dream
|
1
|
1%
|
0
|
0%
|
|
62
|
Melody To A Scene Of Former Times
|
1
|
1%
|
0
|
0%
|
|
63
|
Mighty Eagle
|
1
|
1%
|
0
|
0%
|
|
64
|
Music And Sweet Poetry
|
2
|
3%
|
0
|
0%
|
|
65
|
Music, When Soft Voices Die
|
2
|
3%
|
0
|
0%
|
|
66
|
Music, when soft voices die
|
3
|
5%
|
0
|
0%
|
|
67
|
Mutability
|
11
|
19%
|
0
|
0%
|
|
68
|
Night
|
2
|
3%
|
0
|
0%
|
|
69
|
Ode To Liberty
|
1
|
1%
|
0
|
0%
|
|
70
|
Ode to the West Wind
|
6
|
10%
|
0
|
0%
|
|
71
|
On Death
|
2
|
3%
|
0
|
0%
|
|
72
|
On Robert Emmet's Grave
|
1
|
1%
|
0
|
0%
|
|
73
|
One Word Is Too Often Profaned
|
1
|
1%
|
0
|
0%
|
|
74
|
Orpheus
|
1
|
1%
|
0
|
0%
|
|
75
|
Ozymandias
|
56
|
100%
|
0
|
0%
|
|
76
|
Passage Of The Apennines
|
2
|
3%
|
0
|
0%
|
|
77
|
Peter Bell The Third
|
1
|
1%
|
0
|
0%
|
|
78
|
Remembrance
|
2
|
3%
|
0
|
0%
|
|
79
|
Remorse
|
6
|
10%
|
0
|
0%
|
|
80
|
Revenge
|
2
|
3%
|
0
|
0%
|
|
81
|
Rome And Nature
|
1
|
1%
|
0
|
0%
|
|
82
|
Song
|
1
|
1%
|
0
|
0%
|
|
83
|
Song. -- Fierce Roars The Midnight Storm
|
1
|
1%
|
0
|
0%
|
|
84
|
Song. Despair
|
1
|
1%
|
0
|
0%
|
|
85
|
Song. Hope
|
4
|
7%
|
0
|
0%
|
|
86
|
Song. Sorrow
|
4
|
7%
|
0
|
0%
|
|
87
|
Song. To [Harriet]
|
1
|
1%
|
0
|
0%
|
|
88
|
Sonnet: Political Greatness
|
1
|
1%
|
0
|
0%
|
|
89
|
Stanza
|
1
|
1%
|
0
|
0%
|
|
90
|
Summer And Winter
|
4
|
7%
|
0
|
0%
|
|
91
|
The Aziola
|
1
|
1%
|
0
|
0%
|
|
92
|
The Birth Place of Pleasure
|
1
|
1%
|
0
|
0%
|
|
93
|
The Cloud
|
22
|
39%
|
0
|
0%
|
|
94
|
The Death Knell Is Ringing
|
2
|
3%
|
0
|
0%
|
|
95
|
The Deserts Of Dim Sleep
|
2
|
3%
|
0
|
0%
|
|
96
|
The Devil's Walk. A Ballad
|
1
|
1%
|
0
|
0%
|
|
97
|
The Fugitives
|
1
|
1%
|
0
|
0%
|
|
98
|
The Indian Serenade
|
2
|
3%
|
0
|
0%
|
|
99
|
The Invitation
|
1
|
1%
|
0
|
0%
|
|
100
|
The Isle
|
1
|
1%
|
0
|
0%
|
|
101
|
The Mask Of Anarchy
|
1
|
1%
|
0
|
0%
|
|
102
|
The Moon
|
3
|
5%
|
0
|
0%
|
|
103
|
The Past
|
3
|
5%
|
0
|
0%
|
|
104
|
The Pine Forest Of The Cascine Near Pisa
|
1
|
1%
|
0
|
0%
|
|
105
|
The Question
|
3
|
5%
|
0
|
0%
|
|
106
|
The Rude Wind Is Singing
|
1
|
1%
|
0
|
0%
|
|
107
|
The Sensitive Plant
|
2
|
3%
|
0
|
0%
|
|
108
|
The Sepulchre Of Memory
|
2
|
3%
|
0
|
0%
|
|
109
|
The Solitary
|
3
|
5%
|
0
|
0%
|
|
110
|
The Spectral Horseman
|
1
|
1%
|
0
|
0%
|
|
111
|
The Sunset
|
6
|
10%
|
0
|
0%
|
|
112
|
The Triumph of Life
|
3
|
5%
|
0
|
0%
|
|
113
|
The Two Spirits: An Allegory
|
2
|
3%
|
0
|
0%
|
|
114
|
The Viewless And Invisible Consequence
|
1
|
1%
|
0
|
0%
|
|
115
|
The Wandering Jew's Soliloquy
|
1
|
1%
|
0
|
0%
|
|
116
|
The Waning Moon
|
6
|
10%
|
0
|
0%
|
|
117
|
The Witch Of Atlas
|
6
|
10%
|
0
|
0%
|
|
118
|
The Woodman And The Nightingale
|
2
|
3%
|
0
|
0%
|
|
119
|
The World's Wanderers
|
2
|
3%
|
0
|
0%
|
|
120
|
Time
|
5
|
8%
|
0
|
0%
|
|
121
|
Time Long Past
|
4
|
7%
|
0
|
0%
|
|
122
|
To A Skylark
|
4
|
7%
|
0
|
0%
|
|
123
|
To A Star
|
5
|
8%
|
0
|
0%
|
|
124
|
To Coleridge
|
1
|
1%
|
0
|
0%
|
|
125
|
To Constantia
|
2
|
3%
|
0
|
0%
|
|
126
|
To Constantia, Singing
|
1
|
1%
|
0
|
0%
|
|
127
|
To Death
|
3
|
5%
|
0
|
0%
|
|
128
|
To Emilia Viviani
|
1
|
1%
|
0
|
0%
|
|
129
|
To Harriet -- It Is Not Blasphemy To Hope That Heaven
|
1
|
1%
|
0
|
0%
|
|
130
|
To-- I Fear Thy Kisses, Gentle Maiden
|
2
|
3%
|
0
|
0%
|
|
131
|
To Ireland
|
1
|
1%
|
0
|
0%
|
|
132
|
To Italy
|
3
|
5%
|
0
|
0%
|
|
133
|
To Jane: The Recollection
|
1
|
1%
|
0
|
0%
|
|
134
|
To Mary
|
1
|
1%
|
0
|
0%
|
|
135
|
To Mary ----
|
1
|
1%
|
0
|
0%
|
|
136
|
To Mary Shelley
|
3
|
5%
|
0
|
0%
|
|
137
|
To Mary Who Died In This Opinion
|
4
|
7%
|
0
|
0%
|
|
138
|
To Mary Wollstonecraft Godwin
|
1
|
1%
|
0
|
0%
|
|
139
|
To-- Music, when soft voices die
|
4
|
7%
|
0
|
0%
|
|
140
|
To Night
|
2
|
3%
|
0
|
0%
|
|
141
|
To-- Oh! there are spirits of the air
|
1
|
1%
|
0
|
0%
|
|
142
|
To-- One word is too often profaned
|
1
|
1%
|
0
|
0%
|
|
143
|
To Sophia (Miss Stacey)
|
1
|
1%
|
0
|
0%
|
|
144
|
To The Lord Chancellor
|
3
|
5%
|
0
|
0%
|
|
145
|
To The Men Of England
|
8
|
14%
|
0
|
0%
|
|
146
|
To The Mind Of Man
|
2
|
3%
|
0
|
0%
|
|
147
|
To the Moon
|
5
|
8%
|
0
|
0%
|
|
148
|
To The Moonbeam
|
2
|
3%
|
0
|
0%
|
|
149
|
To The Nile
|
4
|
7%
|
0
|
0%
|
|
150
|
To The Queen Of My Heart
|
22
|
39%
|
0
|
0%
|
|
151
|
To The Republicans Of North America
|
4
|
7%
|
0
|
0%
|
|
152
|
To William Shelley
|
2
|
3%
|
0
|
0%
|
|
153
|
To William Shelley.
|
2
|
3%
|
0
|
0%
|
|
154
|
To William Shelley. Thy Little Footsteps On The Sands
|
2
|
3%
|
0
|
0%
|
|
155
|
To Wordsworth
|
4
|
7%
|
0
|
0%
|
|
156
|
To-- Yet look on me
|
3
|
5%
|
0
|
0%
|
|
157
|
To-morrow
|
7
|
12%
|
0
|
0%
|
|
158
|
Ugolino
|
3
|
5%
|
0
|
0%
|
|
159
|
Unrisen Splendour Of The Brightest Sun
|
5
|
8%
|
0
|
0%
|
|
160
|
Verses On A Cat
|
7
|
12%
|
0
|
0%
|
|
161
|
Wake The Serpent Not
|
9
|
16%
|
0
|
0%
|
|
162
|
War
|
11
|
19%
|
0
|
0%
|
|
163
|
When A Lover Clasps His Fairest
|
9
|
16%
|
0
|
0%
|
|
164
|
When Soft Winds And Sunny Skies
|
8
|
14%
|
0
|
0%
|
|
165
|
When The Lamp Is Shattered
|
6
|
10%
|
0
|
0%
|
|
166
|
Wine Of The Fairies
|
6
|
10%
|
0
|
0%
|
|
167
|
With A Guitar, To Jane
|
6
|
10%
|
0
|
0%
|
|
168
|
Written At Bracknell
|
2
|
3%
|
0
|
0%
|
|
169
|
Zephyrus The Awakener
|
6
|
10%
|
0
|
0%
|