|
1
|
A Bridal Song
|
34
|
97%
|
0
|
0%
|
|
2
|
A Dialogue
|
10
|
28%
|
0
|
0%
|
|
3
|
A Dirge
|
12
|
34%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
9
|
25%
|
0
|
0%
|
|
5
|
A Hate-Song
|
16
|
45%
|
0
|
0%
|
|
6
|
A Lament
|
30
|
85%
|
0
|
0%
|
|
7
|
A New National Anthem
|
5
|
14%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
10
|
28%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
11
|
31%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
8
|
22%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
5
|
14%
|
0
|
0%
|
|
12
|
A Widow Bird Sate Mourning For Her Love
|
7
|
20%
|
0
|
0%
|
|
13
|
Adonais
|
7
|
20%
|
0
|
0%
|
|
14
|
Adonais: An Elegy on the Death of John Keats
|
4
|
11%
|
0
|
0%
|
|
15
|
Alastor: or, the Spirit of Solitude
|
3
|
8%
|
0
|
0%
|
|
16
|
An Allegory
|
12
|
34%
|
0
|
0%
|
|
17
|
An Exhortation
|
3
|
8%
|
0
|
0%
|
|
18
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
1
|
2%
|
0
|
0%
|
|
19
|
And like a Dying Lady, Lean and Pale
|
2
|
5%
|
0
|
0%
|
|
20
|
And That I Walk Thus Proudly Crowned Withal
|
1
|
2%
|
0
|
0%
|
|
21
|
Another Fragment to Music
|
1
|
2%
|
0
|
0%
|
|
22
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
1
|
2%
|
0
|
0%
|
|
23
|
Arethusa
|
5
|
14%
|
0
|
0%
|
|
24
|
Art Thou Pale For Weariness
|
2
|
5%
|
0
|
0%
|
|
25
|
Asia: From Prometheus Unbound
|
3
|
8%
|
0
|
0%
|
|
26
|
Autumn: A Dirge
|
5
|
14%
|
0
|
0%
|
|
27
|
Beauty's Halo
|
5
|
14%
|
0
|
0%
|
|
28
|
Bereavement
|
6
|
17%
|
0
|
0%
|
|
29
|
Bigotry's Victim
|
3
|
8%
|
0
|
0%
|
|
30
|
Buona Notte
|
2
|
5%
|
0
|
0%
|
|
31
|
Chorus from Hellas
|
4
|
11%
|
0
|
0%
|
|
32
|
Death
|
10
|
28%
|
0
|
0%
|
|
33
|
Death In Life
|
11
|
31%
|
0
|
0%
|
|
34
|
Death Is Here And Death Is There
|
13
|
37%
|
0
|
0%
|
|
35
|
Despair
|
10
|
28%
|
0
|
0%
|
|
36
|
Dirge For The Year
|
4
|
11%
|
0
|
0%
|
|
37
|
England in 1819
|
21
|
60%
|
0
|
0%
|
|
38
|
English In 1819
|
3
|
8%
|
0
|
0%
|
|
39
|
Epigram I: To Stella
|
2
|
5%
|
0
|
0%
|
|
40
|
Epitaph
|
3
|
8%
|
0
|
0%
|
|
41
|
Eyes : A Fragment
|
1
|
2%
|
0
|
0%
|
|
42
|
Fragment Of A Ghost Story
|
1
|
2%
|
0
|
0%
|
|
43
|
Fragment Of A Satire On Satire
|
1
|
2%
|
0
|
0%
|
|
44
|
fragment: "To the Moon"
|
2
|
5%
|
0
|
0%
|
|
45
|
Fragment: A Gentle Story Of Two Lovers Young
|
2
|
5%
|
0
|
0%
|
|
46
|
Fragment: A Wanderer
|
1
|
2%
|
0
|
0%
|
|
47
|
Fragment: Milton's Spirit
|
1
|
2%
|
0
|
0%
|
|
48
|
Fragment: Omens
|
3
|
8%
|
0
|
0%
|
|
49
|
Fragment: Satan Broken Loose
|
1
|
2%
|
0
|
0%
|
|
50
|
Fragment: Such Hope, As Is The Sick Despair Of Good
|
1
|
2%
|
0
|
0%
|
|
51
|
Fragment: There Is A Warm And Gentle Atmosphere
|
1
|
2%
|
0
|
0%
|
|
52
|
Fragment: To The People Of England
|
1
|
2%
|
0
|
0%
|
|
53
|
From "Adonais," 49-52
|
1
|
2%
|
0
|
0%
|
|
54
|
Ginevra
|
3
|
8%
|
0
|
0%
|
|
55
|
Good-Night
|
24
|
68%
|
0
|
0%
|
|
56
|
Hellas
|
1
|
2%
|
0
|
0%
|
|
57
|
Homer's Hymn To The Earth: Mother Of All
|
2
|
5%
|
0
|
0%
|
|
58
|
Homer's Hymn To Venus
|
1
|
2%
|
0
|
0%
|
|
59
|
Hymn of Apollo
|
2
|
5%
|
0
|
0%
|
|
60
|
Hymn to Intellectual Beauty
|
5
|
14%
|
0
|
0%
|
|
61
|
I Would Not Be A King
|
2
|
5%
|
0
|
0%
|
|
62
|
In Horologium
|
1
|
2%
|
0
|
0%
|
|
63
|
Invocation
|
2
|
5%
|
0
|
0%
|
|
64
|
Liberty
|
4
|
11%
|
0
|
0%
|
|
65
|
Life Rounded With Sleep
|
1
|
2%
|
0
|
0%
|
|
66
|
Lift Not The Painted Veil Which Those Who Live
|
2
|
5%
|
0
|
0%
|
|
67
|
Lines
|
1
|
2%
|
0
|
0%
|
|
68
|
Lines -- Far, Far Away, O Ye
|
2
|
5%
|
0
|
0%
|
|
69
|
Lines Written Among The Euganean Hills
|
1
|
2%
|
0
|
0%
|
|
70
|
Lines Written On Hearing The News Of The Death Of Napoleon
|
1
|
2%
|
0
|
0%
|
|
71
|
Lines: The cold earth slept below
|
5
|
14%
|
0
|
0%
|
|
72
|
Love
|
5
|
14%
|
0
|
0%
|
|
73
|
Love, Hope, Desire, And Fear
|
5
|
14%
|
0
|
0%
|
|
74
|
Love's Philosophy
|
22
|
62%
|
0
|
0%
|
|
75
|
Love's Rose
|
1
|
2%
|
0
|
0%
|
|
76
|
Matilda Gathering Flowers
|
1
|
2%
|
0
|
0%
|
|
77
|
Methought I Was A Billow In The Crowd
|
2
|
5%
|
0
|
0%
|
|
78
|
Mighty Eagle
|
2
|
5%
|
0
|
0%
|
|
79
|
Music And Sweet Poetry
|
3
|
8%
|
0
|
0%
|
|
80
|
Music, When Soft Voices Die
|
2
|
5%
|
0
|
0%
|
|
81
|
Mutability
|
24
|
68%
|
0
|
0%
|
|
82
|
Night
|
3
|
8%
|
0
|
0%
|
|
83
|
O That A Chariot Of Cloud Were Mine!
|
1
|
2%
|
0
|
0%
|
|
84
|
Ode To Heaven
|
1
|
2%
|
0
|
0%
|
|
85
|
Ode To Liberty
|
7
|
20%
|
0
|
0%
|
|
86
|
Ode to the West Wind
|
11
|
31%
|
0
|
0%
|
|
87
|
On A Dead Violet
|
4
|
11%
|
0
|
0%
|
|
88
|
On A Faded Violet
|
2
|
5%
|
0
|
0%
|
|
89
|
On An Icicle That Clung To The Grass Of A Grave
|
1
|
2%
|
0
|
0%
|
|
90
|
On Keats, Who Desired That On His Tomb Should Be Inscribed--
|
1
|
2%
|
0
|
0%
|
|
91
|
On Leaving London For Wales
|
1
|
2%
|
0
|
0%
|
|
92
|
One Word Is Too Often Profaned
|
1
|
2%
|
0
|
0%
|
|
93
|
Orpheus
|
3
|
8%
|
0
|
0%
|
|
94
|
Ozymandias
|
35
|
100%
|
0
|
0%
|
|
95
|
Peter Bell The Third
|
1
|
2%
|
0
|
0%
|
|
96
|
Poetical Essay
|
1
|
2%
|
0
|
0%
|
|
97
|
Prince Athanase
|
1
|
2%
|
0
|
0%
|
|
98
|
Prometheus Unbound: Act I (excerpt)
|
3
|
8%
|
0
|
0%
|
|
99
|
Queen Mab: Part I.
|
5
|
14%
|
0
|
0%
|
|
100
|
Queen Mab: Part IX.
|
1
|
2%
|
0
|
0%
|
|
101
|
Remembrance
|
7
|
20%
|
0
|
0%
|
|
102
|
Remorse
|
5
|
14%
|
0
|
0%
|
|
103
|
Revenge
|
3
|
8%
|
0
|
0%
|
|
104
|
Rome And Nature
|
1
|
2%
|
0
|
0%
|
|
105
|
Rosalind and Helen: a Modern Eclogue
|
1
|
2%
|
0
|
0%
|
|
106
|
Saint Edmond's Eve
|
1
|
2%
|
0
|
0%
|
|
107
|
Song To The Men Of England
|
4
|
11%
|
0
|
0%
|
|
108
|
Song. Despair
|
2
|
5%
|
0
|
0%
|
|
109
|
Song. Hope
|
3
|
8%
|
0
|
0%
|
|
110
|
Song. Sorrow
|
1
|
2%
|
0
|
0%
|
|
111
|
Sonnet -- Ye Hasten To The Grave!
|
2
|
5%
|
0
|
0%
|
|
112
|
Sonnet : From The Italian Of Dante
|
2
|
5%
|
0
|
0%
|
|
113
|
Sonnet To Byron
|
3
|
8%
|
0
|
0%
|
|
114
|
Sonnet: Political Greatness
|
2
|
5%
|
0
|
0%
|
|
115
|
St. Irvyne's Tower
|
1
|
2%
|
0
|
0%
|
|
116
|
Stanza
|
1
|
2%
|
0
|
0%
|
|
117
|
Summer And Winter
|
4
|
11%
|
0
|
0%
|
|
118
|
The Cloud
|
15
|
42%
|
0
|
0%
|
|
119
|
The Devil's Walk. A Ballad
|
2
|
5%
|
0
|
0%
|
|
120
|
The Fugitives
|
4
|
11%
|
0
|
0%
|
|
121
|
The Indian Serenade
|
3
|
8%
|
0
|
0%
|
|
122
|
The Invitation
|
2
|
5%
|
0
|
0%
|
|
123
|
The Irishman's Song
|
2
|
5%
|
0
|
0%
|
|
124
|
The Isle
|
1
|
2%
|
0
|
0%
|
|
125
|
The Mask Of Anarchy
|
4
|
11%
|
0
|
0%
|
|
126
|
The Moon
|
6
|
17%
|
0
|
0%
|
|
127
|
The Past
|
5
|
14%
|
0
|
0%
|
|
128
|
The Question
|
1
|
2%
|
0
|
0%
|
|
129
|
The Sensitive Plant
|
2
|
5%
|
0
|
0%
|
|
130
|
The Solitary
|
1
|
2%
|
0
|
0%
|
|
131
|
The Sunset
|
3
|
8%
|
0
|
0%
|
|
132
|
The Triumph of Life
|
4
|
11%
|
0
|
0%
|
|
133
|
The Two Spirits: An Allegory
|
1
|
2%
|
0
|
0%
|
|
134
|
The Waning Moon
|
1
|
2%
|
0
|
0%
|
|
135
|
The Woodman And The Nightingale
|
3
|
8%
|
0
|
0%
|
|
136
|
The Zucca
|
1
|
2%
|
0
|
0%
|
|
137
|
Time
|
6
|
17%
|
0
|
0%
|
|
138
|
Time Long Past
|
1
|
2%
|
0
|
0%
|
|
139
|
To A Skylark
|
1
|
2%
|
0
|
0%
|
|
140
|
To A Star
|
2
|
5%
|
0
|
0%
|
|
141
|
To-- I Fear Thy Kisses, Gentle Maiden
|
2
|
5%
|
0
|
0%
|
|
142
|
To Ireland
|
1
|
2%
|
0
|
0%
|
|
143
|
To Jane
|
1
|
2%
|
0
|
0%
|
|
144
|
To Mary ----
|
6
|
17%
|
0
|
0%
|
|
145
|
To Mary Shelley
|
2
|
5%
|
0
|
0%
|
|
146
|
To Mary Wollstonecraft Godwin
|
1
|
2%
|
0
|
0%
|
|
147
|
To Night
|
1
|
2%
|
0
|
0%
|
|
148
|
To-- One word is too often profaned
|
1
|
2%
|
0
|
0%
|
|
149
|
To The Men Of England
|
4
|
11%
|
0
|
0%
|
|
150
|
To the Moon
|
4
|
11%
|
0
|
0%
|
|
151
|
To The Nile
|
2
|
5%
|
0
|
0%
|
|
152
|
To The Queen Of My Heart
|
2
|
5%
|
0
|
0%
|
|
153
|
To The Republicans Of North America
|
1
|
2%
|
0
|
0%
|
|
154
|
To Wordsworth
|
6
|
17%
|
0
|
0%
|
|
155
|
To-morrow
|
2
|
5%
|
0
|
0%
|
|
156
|
Ugolino
|
1
|
2%
|
0
|
0%
|
|
157
|
Unrisen Splendour Of The Brightest Sun
|
1
|
2%
|
0
|
0%
|
|
158
|
Verses On A Cat
|
2
|
5%
|
0
|
0%
|
|
159
|
War
|
2
|
5%
|
0
|
0%
|
|
160
|
When The Lamp Is Shattered
|
2
|
5%
|
0
|
0%
|