|
1
|
A Bridal Song
|
42
|
22%
|
0
|
0%
|
|
2
|
A Dialogue
|
16
|
8%
|
0
|
0%
|
|
3
|
A Dirge
|
20
|
10%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
17
|
9%
|
0
|
0%
|
|
5
|
A Hate-Song
|
35
|
18%
|
0
|
0%
|
|
6
|
A Lament
|
28
|
15%
|
0
|
0%
|
|
7
|
A New National Anthem
|
16
|
8%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
16
|
8%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
22
|
11%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
16
|
8%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
12
|
6%
|
0
|
0%
|
|
12
|
Adonais
|
22
|
11%
|
0
|
0%
|
|
13
|
Alas! This Is Not What I Thought Life Was
|
16
|
8%
|
0
|
0%
|
|
14
|
Alastor: or, the Spirit of Solitude
|
14
|
7%
|
0
|
0%
|
|
15
|
An Allegory
|
2
|
1%
|
0
|
0%
|
|
16
|
An Exhortation
|
1
|
0%
|
0
|
0%
|
|
17
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
2
|
1%
|
0
|
0%
|
|
18
|
And like a Dying Lady, Lean and Pale
|
8
|
4%
|
0
|
0%
|
|
19
|
And That I Walk Thus Proudly Crowned Withal
|
4
|
2%
|
0
|
0%
|
|
20
|
Another Fragment to Music
|
5
|
2%
|
0
|
0%
|
|
21
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
1
|
0%
|
0
|
0%
|
|
22
|
Arethusa
|
5
|
2%
|
0
|
0%
|
|
23
|
Art Thou Pale For Weariness
|
2
|
1%
|
0
|
0%
|
|
24
|
Autumn: A Dirge
|
2
|
1%
|
0
|
0%
|
|
25
|
Beauty's Halo
|
4
|
2%
|
0
|
0%
|
|
26
|
Bereavement
|
5
|
2%
|
0
|
0%
|
|
27
|
Buona Notte
|
1
|
0%
|
0
|
0%
|
|
28
|
Death
|
8
|
4%
|
0
|
0%
|
|
29
|
Death In Life
|
9
|
4%
|
0
|
0%
|
|
30
|
Death Is Here And Death Is There
|
4
|
2%
|
0
|
0%
|
|
31
|
Despair
|
9
|
4%
|
0
|
0%
|
|
32
|
Dirge For The Year
|
1
|
0%
|
0
|
0%
|
|
33
|
England in 1819
|
13
|
6%
|
0
|
0%
|
|
34
|
Epigram I: To Stella
|
1
|
0%
|
0
|
0%
|
|
35
|
Epigram II: Kissing Helena
|
2
|
1%
|
0
|
0%
|
|
36
|
Epigram IV: Circumstance
|
3
|
1%
|
0
|
0%
|
|
37
|
Epipsychidion (excerpt)
|
1
|
0%
|
0
|
0%
|
|
38
|
Epitaph
|
1
|
0%
|
0
|
0%
|
|
39
|
Epithalamium
|
1
|
0%
|
0
|
0%
|
|
40
|
Evening: Ponte Al Mare, Pisa
|
1
|
0%
|
0
|
0%
|
|
41
|
Eyes : A Fragment
|
4
|
2%
|
0
|
0%
|
|
42
|
Faint With Love, The Lady Of The South
|
2
|
1%
|
0
|
0%
|
|
43
|
Feelings Of A Republican On The Fall Of Bonaparte
|
1
|
0%
|
0
|
0%
|
|
44
|
Fragment : What Mary Is When She A Little Smiles
|
1
|
0%
|
0
|
0%
|
|
45
|
Fragment, Or The Triumph Of Conscience
|
2
|
1%
|
0
|
0%
|
|
46
|
fragment: "To the Moon"
|
5
|
2%
|
0
|
0%
|
|
47
|
Fragment: A Gentle Story Of Two Lovers Young
|
3
|
1%
|
0
|
0%
|
|
48
|
Fragment: A Wanderer
|
1
|
0%
|
0
|
0%
|
|
49
|
Fragment: Follow To The Deep Wood's Weeds
|
1
|
0%
|
0
|
0%
|
|
50
|
Fragment: Home
|
1
|
0%
|
0
|
0%
|
|
51
|
Fragment: Igniculus Desiderii
|
1
|
0%
|
0
|
0%
|
|
52
|
Fragment: Love The Universe To-Day
|
3
|
1%
|
0
|
0%
|
|
53
|
Fragment: Milton's Spirit
|
1
|
0%
|
0
|
0%
|
|
54
|
Fragment: My Head Is Wild With Weeping
|
1
|
0%
|
0
|
0%
|
|
55
|
Fragment: Omens
|
3
|
1%
|
0
|
0%
|
|
56
|
Fragment: Satan Broken Loose
|
1
|
0%
|
0
|
0%
|
|
57
|
Fragment: Sufficient Unto The Day
|
1
|
0%
|
0
|
0%
|
|
58
|
Fragment: There Is A Warm And Gentle Atmosphere
|
3
|
1%
|
0
|
0%
|
|
59
|
Fragment: Thoughts Come And Go In Solitude
|
2
|
1%
|
0
|
0%
|
|
60
|
Fragment: To Byron
|
1
|
0%
|
0
|
0%
|
|
61
|
Fragment: To The People Of England
|
1
|
0%
|
0
|
0%
|
|
62
|
Fragment: Wedded Souls
|
2
|
1%
|
0
|
0%
|
|
63
|
Fragment: Yes! All Is Past
|
2
|
1%
|
0
|
0%
|
|
64
|
From "Adonais," 49-52
|
1
|
0%
|
0
|
0%
|
|
65
|
From Vergil's Fourth Georgic
|
1
|
0%
|
0
|
0%
|
|
66
|
FromThe Arabic: An Imitation
|
1
|
0%
|
0
|
0%
|
|
67
|
Ghasta Or, The Avenging Demon!!!
|
3
|
1%
|
0
|
0%
|
|
68
|
Good-Night
|
7
|
3%
|
0
|
0%
|
|
69
|
Hellas
|
2
|
1%
|
0
|
0%
|
|
70
|
Here I sit with my paper…
|
4
|
2%
|
0
|
0%
|
|
71
|
Homer's Hymn To Minerva
|
1
|
0%
|
0
|
0%
|
|
72
|
Homer's Hymn To The Earth: Mother Of All
|
1
|
0%
|
0
|
0%
|
|
73
|
Homer's Hymn To The Moon
|
2
|
1%
|
0
|
0%
|
|
74
|
Homer's Hymn To Venus
|
2
|
1%
|
0
|
0%
|
|
75
|
Hymn of Apollo
|
2
|
1%
|
0
|
0%
|
|
76
|
Hymn to Intellectual Beauty
|
2
|
1%
|
0
|
0%
|
|
77
|
I Arise from Dreams of Thee
|
3
|
1%
|
0
|
0%
|
|
78
|
I Faint, I Perish With My Love!
|
1
|
0%
|
0
|
0%
|
|
79
|
I Would Not Be A King
|
3
|
1%
|
0
|
0%
|
|
80
|
Invocation
|
1
|
0%
|
0
|
0%
|
|
81
|
Invocation To Misery
|
4
|
2%
|
0
|
0%
|
|
82
|
Liberty
|
3
|
1%
|
0
|
0%
|
|
83
|
Lift Not The Painted Veil Which Those Who Live
|
1
|
0%
|
0
|
0%
|
|
84
|
Lines
|
2
|
1%
|
0
|
0%
|
|
85
|
Lines -- Far, Far Away, O Ye
|
1
|
0%
|
0
|
0%
|
|
86
|
Lines Written During The Castlereagh Administration
|
1
|
0%
|
0
|
0%
|
|
87
|
Lines Written On Hearing The News Of The Death Of Napoleon
|
1
|
0%
|
0
|
0%
|
|
88
|
Lines: That time is dead for ever, child!
|
1
|
0%
|
0
|
0%
|
|
89
|
Lines: We Meet Not As We Parted
|
1
|
0%
|
0
|
0%
|
|
90
|
Love
|
4
|
2%
|
0
|
0%
|
|
91
|
Love, Hope, Desire, And Fear
|
2
|
1%
|
0
|
0%
|
|
92
|
Love's Philosophy
|
186
|
100%
|
0
|
0%
|
|
93
|
Love's Rose
|
5
|
2%
|
0
|
0%
|
|
94
|
Methought I Was A Billow In The Crowd
|
1
|
0%
|
0
|
0%
|
|
95
|
Music, When Soft Voices Die
|
1
|
0%
|
0
|
0%
|
|
96
|
Mutability
|
8
|
4%
|
0
|
0%
|
|
97
|
Night
|
1
|
0%
|
0
|
0%
|
|
98
|
O Thou Immortal Deity
|
2
|
1%
|
0
|
0%
|
|
99
|
Ode To Heaven
|
1
|
0%
|
0
|
0%
|
|
100
|
Ode To Liberty
|
3
|
1%
|
0
|
0%
|
|
101
|
Ode to the West Wind
|
15
|
8%
|
0
|
0%
|
|
102
|
On A Faded Violet
|
1
|
0%
|
0
|
0%
|
|
103
|
On Leaving London For Wales
|
1
|
0%
|
0
|
0%
|
|
104
|
On The Medusa Of Leonardo da Vinci In The Florentine Gallery
|
1
|
0%
|
0
|
0%
|
|
105
|
One sung of thee who left the tale untold
|
1
|
0%
|
0
|
0%
|
|
106
|
Ozymandias
|
81
|
43%
|
0
|
0%
|
|
107
|
Peter Bell The Third
|
2
|
1%
|
0
|
0%
|
|
108
|
Prometheus Unbound: Act I (excerpt)
|
1
|
0%
|
0
|
0%
|
|
109
|
Queen Mab: Part V.
|
1
|
0%
|
0
|
0%
|
|
110
|
Remembrance
|
1
|
0%
|
0
|
0%
|
|
111
|
Revenge
|
1
|
0%
|
0
|
0%
|
|
112
|
Rome And Nature
|
2
|
1%
|
0
|
0%
|
|
113
|
Song
|
4
|
2%
|
0
|
0%
|
|
114
|
Song. Come Harriet! Sweet Is The Hour
|
2
|
1%
|
0
|
0%
|
|
115
|
Song. To -- [Harriet]
|
1
|
0%
|
0
|
0%
|
|
116
|
Song. Hope
|
1
|
0%
|
0
|
0%
|
|
117
|
Sonnet: England in 1819
|
8
|
4%
|
0
|
0%
|
|
118
|
Stanza
|
1
|
0%
|
0
|
0%
|
|
119
|
Stanza, Written At Bracknell
|
1
|
0%
|
0
|
0%
|
|
120
|
Stanzas Written in Dejection, Near Naples
|
1
|
0%
|
0
|
0%
|
|
121
|
Summer And Winter
|
1
|
0%
|
0
|
0%
|
|
122
|
The Cloud
|
24
|
12%
|
0
|
0%
|
|
123
|
The Death Knell Is Ringing
|
1
|
0%
|
0
|
0%
|
|
124
|
The Devil's Walk. A Ballad
|
1
|
0%
|
0
|
0%
|
|
125
|
The False Laurel And The True
|
2
|
1%
|
0
|
0%
|
|
126
|
The Moon
|
3
|
1%
|
0
|
0%
|
|
127
|
The Retrospect: CWM Elan, 1812
|
1
|
0%
|
0
|
0%
|
|
128
|
The Sensitive Plant
|
1
|
0%
|
0
|
0%
|
|
129
|
The Sepulchre Of Memory
|
1
|
0%
|
0
|
0%
|
|
130
|
The Solitary
|
1
|
0%
|
0
|
0%
|
|
131
|
The Sunset
|
2
|
1%
|
0
|
0%
|
|
132
|
The Triumph of Life
|
4
|
2%
|
0
|
0%
|
|
133
|
The Waning Moon
|
2
|
1%
|
0
|
0%
|
|
134
|
The Woodman And The Nightingale
|
2
|
1%
|
0
|
0%
|
|
135
|
To A Skylark
|
7
|
3%
|
0
|
0%
|
|
136
|
To Constantia
|
1
|
0%
|
0
|
0%
|
|
137
|
To-- I Fear Thy Kisses, Gentle Maiden
|
1
|
0%
|
0
|
0%
|
|
138
|
To Mary
|
1
|
0%
|
0
|
0%
|
|
139
|
To Mary Who Died In This Opinion
|
2
|
1%
|
0
|
0%
|
|
140
|
To Night
|
1
|
0%
|
0
|
0%
|
|
141
|
To The Lord Chancellor
|
1
|
0%
|
0
|
0%
|
|
142
|
To The Men Of England
|
7
|
3%
|
0
|
0%
|
|
143
|
To The Mind Of Man
|
3
|
1%
|
0
|
0%
|
|
144
|
To the Moon
|
1
|
0%
|
0
|
0%
|
|
145
|
To The Moonbeam
|
1
|
0%
|
0
|
0%
|
|
146
|
To The Republicans Of North America
|
1
|
0%
|
0
|
0%
|
|
147
|
To William Shelley
|
1
|
0%
|
0
|
0%
|
|
148
|
Wake The Serpent Not
|
1
|
0%
|
0
|
0%
|
|
149
|
War
|
1
|
0%
|
0
|
0%
|
|
150
|
When A Lover Clasps His Fairest
|
1
|
0%
|
0
|
0%
|
|
151
|
When Soft Winds And Sunny Skies
|
2
|
1%
|
0
|
0%
|
|
152
|
When The Lamp Is Shattered
|
1
|
0%
|
0
|
0%
|