|
1
|
A Bridal Song
|
28
|
5%
|
0
|
0%
|
|
2
|
A Dialogue
|
6
|
1%
|
0
|
0%
|
|
3
|
A Dirge
|
13
|
2%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
12
|
2%
|
0
|
0%
|
|
5
|
A Hate-Song
|
11
|
2%
|
0
|
0%
|
|
6
|
A Lament
|
15
|
2%
|
0
|
0%
|
|
7
|
A New National Anthem
|
6
|
1%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
6
|
1%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
3
|
0%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
9
|
1%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
6
|
1%
|
0
|
0%
|
|
12
|
A Widow Bird Sate Mourning For Her Love
|
8
|
1%
|
0
|
0%
|
|
13
|
Adonais
|
6
|
1%
|
0
|
0%
|
|
14
|
Adonais: An Elegy on the Death of John Keats
|
13
|
2%
|
0
|
0%
|
|
15
|
Alastor: or, the Spirit of Solitude
|
11
|
2%
|
0
|
0%
|
|
16
|
An Allegory
|
10
|
1%
|
0
|
0%
|
|
17
|
An Exhortation
|
7
|
1%
|
0
|
0%
|
|
18
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
2
|
0%
|
0
|
0%
|
|
19
|
And like a Dying Lady, Lean and Pale
|
15
|
2%
|
0
|
0%
|
|
20
|
And That I Walk Thus Proudly Crowned Withal
|
6
|
1%
|
0
|
0%
|
|
21
|
Another Fragment to Music
|
7
|
1%
|
0
|
0%
|
|
22
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
5
|
0%
|
0
|
0%
|
|
23
|
Arethusa
|
6
|
1%
|
0
|
0%
|
|
24
|
Art Thou Pale For Weariness
|
6
|
1%
|
0
|
0%
|
|
25
|
Asia: From Prometheus Unbound
|
1
|
0%
|
0
|
0%
|
|
26
|
Autumn: A Dirge
|
6
|
1%
|
0
|
0%
|
|
27
|
Beauty's Halo
|
7
|
1%
|
0
|
0%
|
|
28
|
Bereavement
|
5
|
0%
|
0
|
0%
|
|
29
|
Bigotry's Victim
|
2
|
0%
|
0
|
0%
|
|
30
|
Buona Notte
|
4
|
0%
|
0
|
0%
|
|
31
|
Chorus from Hellas
|
4
|
0%
|
0
|
0%
|
|
32
|
Death
|
9
|
1%
|
0
|
0%
|
|
33
|
Death In Life
|
9
|
1%
|
0
|
0%
|
|
34
|
Death Is Here And Death Is There
|
3
|
0%
|
0
|
0%
|
|
35
|
Despair
|
3
|
0%
|
0
|
0%
|
|
36
|
Dirge For The Year
|
4
|
0%
|
0
|
0%
|
|
37
|
England in 1819
|
18
|
3%
|
0
|
0%
|
|
38
|
English In 1819
|
3
|
0%
|
0
|
0%
|
|
39
|
Epigram I: To Stella
|
2
|
0%
|
0
|
0%
|
|
40
|
Epigram III: Spirit of Plato
|
1
|
0%
|
0
|
0%
|
|
41
|
Epigram IV: Circumstance
|
1
|
0%
|
0
|
0%
|
|
42
|
Epipsychidion (excerpt)
|
3
|
0%
|
0
|
0%
|
|
43
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
1
|
0%
|
0
|
0%
|
|
44
|
Epitaph
|
1
|
0%
|
0
|
0%
|
|
45
|
Epithalamium : Another Version
|
1
|
0%
|
0
|
0%
|
|
46
|
Evening. To Harriet
|
2
|
0%
|
0
|
0%
|
|
47
|
Eyes : A Fragment
|
5
|
0%
|
0
|
0%
|
|
48
|
Faint With Love, The Lady Of The South
|
2
|
0%
|
0
|
0%
|
|
49
|
Fragment : What Mary Is When She A Little Smiles
|
2
|
0%
|
0
|
0%
|
|
50
|
Fragment Of A Ghost Story
|
1
|
0%
|
0
|
0%
|
|
51
|
Fragment: A Gentle Story Of Two Lovers Young
|
3
|
0%
|
0
|
0%
|
|
52
|
Fragment: A Wanderer
|
1
|
0%
|
0
|
0%
|
|
53
|
Fragment: Great Spirit
|
1
|
0%
|
0
|
0%
|
|
54
|
Fragment: Home
|
1
|
0%
|
0
|
0%
|
|
55
|
Fragment: Is It That In Some Brighter Sphere
|
1
|
0%
|
0
|
0%
|
|
56
|
Fragment: Love The Universe To-Day
|
1
|
0%
|
0
|
0%
|
|
57
|
Fragment: My Head Is Wild With Weeping
|
1
|
0%
|
0
|
0%
|
|
58
|
Fragment: Sufficient Unto The Day
|
1
|
0%
|
0
|
0%
|
|
59
|
Fragment: The Vine-Shroud
|
1
|
0%
|
0
|
0%
|
|
60
|
Fragment: Ye Gentle Visitations Of Calm Thought
|
1
|
0%
|
0
|
0%
|
|
61
|
From The Original Draft Of The Poem To William Shelley
|
2
|
0%
|
0
|
0%
|
|
62
|
Good-Night
|
6
|
1%
|
0
|
0%
|
|
63
|
Here I sit with my paper…
|
1
|
0%
|
0
|
0%
|
|
64
|
Homer's Hymn To The Moon
|
1
|
0%
|
0
|
0%
|
|
65
|
Hymn Of Pan
|
1
|
0%
|
0
|
0%
|
|
66
|
Hymn to Intellectual Beauty
|
2
|
0%
|
0
|
0%
|
|
67
|
I Arise from Dreams of Thee
|
2
|
0%
|
0
|
0%
|
|
68
|
I Faint, I Perish With My Love!
|
6
|
1%
|
0
|
0%
|
|
69
|
I Would Not Be A King
|
3
|
0%
|
0
|
0%
|
|
70
|
Julian and Maddalo (excerpt)
|
1
|
0%
|
0
|
0%
|
|
71
|
Letter To Maria Gisborne
|
1
|
0%
|
0
|
0%
|
|
72
|
Liberty
|
2
|
0%
|
0
|
0%
|
|
73
|
Lines To A Reviewer
|
1
|
0%
|
0
|
0%
|
|
74
|
Lines: We Meet Not As We Parted
|
1
|
0%
|
0
|
0%
|
|
75
|
Love
|
6
|
1%
|
0
|
0%
|
|
76
|
Love, Hope, Desire, And Fear
|
10
|
1%
|
0
|
0%
|
|
77
|
Love's Philosophy
|
29
|
5%
|
0
|
0%
|
|
78
|
Love's Rose
|
6
|
1%
|
0
|
0%
|
|
79
|
Marenghi
|
1
|
0%
|
0
|
0%
|
|
80
|
Methought I Was A Billow In The Crowd
|
1
|
0%
|
0
|
0%
|
|
81
|
Mighty Eagle
|
1
|
0%
|
0
|
0%
|
|
82
|
Mont Blanc
|
1
|
0%
|
0
|
0%
|
|
83
|
Mont Blanc: Lines Written in the Vale of Chamouni
|
1
|
0%
|
0
|
0%
|
|
84
|
Music And Sweet Poetry
|
4
|
0%
|
0
|
0%
|
|
85
|
Music, When Soft Voices Die
|
6
|
1%
|
0
|
0%
|
|
86
|
Mutability
|
6
|
1%
|
0
|
0%
|
|
87
|
Mutability - II.
|
1
|
0%
|
0
|
0%
|
|
88
|
Night
|
2
|
0%
|
0
|
0%
|
|
89
|
O That A Chariot Of Cloud Were Mine!
|
1
|
0%
|
0
|
0%
|
|
90
|
Ode To Heaven
|
1
|
0%
|
0
|
0%
|
|
91
|
Ode to the West Wind
|
13
|
2%
|
0
|
0%
|
|
92
|
On A Dead Violet
|
10
|
1%
|
0
|
0%
|
|
93
|
On A Faded Violet
|
3
|
0%
|
0
|
0%
|
|
94
|
On A Fete At Carlton House: Fragment
|
2
|
0%
|
0
|
0%
|
|
95
|
On Death
|
2
|
0%
|
0
|
0%
|
|
96
|
Ozymandias
|
22
|
4%
|
0
|
0%
|
|
97
|
Queen Mab: Part V.
|
1
|
0%
|
0
|
0%
|
|
98
|
Remorse
|
4
|
0%
|
0
|
0%
|
|
99
|
Revenge
|
1
|
0%
|
0
|
0%
|
|
100
|
Saint Edmond's Eve
|
1
|
0%
|
0
|
0%
|
|
101
|
Sonnet: England in 1819
|
1
|
0%
|
0
|
0%
|
|
102
|
Stanza
|
3
|
0%
|
0
|
0%
|
|
103
|
The Aziola
|
1
|
0%
|
0
|
0%
|
|
104
|
The Birth Place of Pleasure
|
16
|
3%
|
0
|
0%
|
|
105
|
The Cenci : A Tragedy In Five Acts
|
2
|
0%
|
0
|
0%
|
|
106
|
The Cloud
|
20
|
3%
|
0
|
0%
|
|
107
|
The Drowned Lover
|
2
|
0%
|
0
|
0%
|
|
108
|
The False Laurel And The True
|
1
|
0%
|
0
|
0%
|
|
109
|
The Magnetic Lady To Her Patient
|
1
|
0%
|
0
|
0%
|
|
110
|
The Mask Of Anarchy
|
1
|
0%
|
0
|
0%
|
|
111
|
The Moon
|
1
|
0%
|
0
|
0%
|
|
112
|
The Sensitive Plant
|
4
|
0%
|
0
|
0%
|
|
113
|
The Triumph of Life
|
6
|
1%
|
0
|
0%
|
|
114
|
The Two Spirits: An Allegory
|
1
|
0%
|
0
|
0%
|
|
115
|
The Wandering Jew's Soliloquy
|
1
|
0%
|
0
|
0%
|
|
116
|
The Waning Moon
|
1
|
0%
|
0
|
0%
|
|
117
|
To ----
|
3
|
0%
|
0
|
0%
|
|
118
|
To A Lady, With A Guitar
|
2
|
0%
|
0
|
0%
|
|
119
|
To A Skylark
|
5
|
0%
|
0
|
0%
|
|
120
|
To A Star
|
2
|
0%
|
0
|
0%
|
|
121
|
To Coleridge
|
3
|
0%
|
0
|
0%
|
|
122
|
To Death
|
3
|
0%
|
0
|
0%
|
|
123
|
To Harriet
|
1
|
0%
|
0
|
0%
|
|
124
|
To Italy
|
1
|
0%
|
0
|
0%
|
|
125
|
To Jane: The Keen Stars Were Twinkling
|
2
|
0%
|
0
|
0%
|
|
126
|
To Mary ----
|
2
|
0%
|
0
|
0%
|
|
127
|
To Mary Shelley
|
3
|
0%
|
0
|
0%
|
|
128
|
To Mary Who Died In This Opinion
|
2
|
0%
|
0
|
0%
|
|
129
|
To Mary Wollstonecraft Godwin
|
1
|
0%
|
0
|
0%
|
|
130
|
To Night
|
1
|
0%
|
0
|
0%
|
|
131
|
To-- Oh! there are spirits of the air
|
1
|
0%
|
0
|
0%
|
|
132
|
To-- One word is too often profaned
|
1
|
0%
|
0
|
0%
|
|
133
|
To The Lord Chancellor
|
2
|
0%
|
0
|
0%
|
|
134
|
To The Men Of England
|
509
|
100%
|
0
|
0%
|
|
135
|
To The Mind Of Man
|
25
|
4%
|
0
|
0%
|
|
136
|
To the Moon
|
16
|
3%
|
0
|
0%
|
|
137
|
To The Moonbeam
|
11
|
2%
|
0
|
0%
|
|
138
|
To The Nile
|
5
|
0%
|
0
|
0%
|
|
139
|
To The Queen Of My Heart
|
6
|
1%
|
0
|
0%
|
|
140
|
To The Republicans Of North America
|
3
|
0%
|
0
|
0%
|
|
141
|
To William Shelley
|
4
|
0%
|
0
|
0%
|
|
142
|
To William Shelley. Thy Little Footsteps On The Sands
|
1
|
0%
|
0
|
0%
|
|
143
|
To Wordsworth
|
2
|
0%
|
0
|
0%
|
|
144
|
To-- Yet look on me
|
2
|
0%
|
0
|
0%
|
|
145
|
Ugolino
|
1
|
0%
|
0
|
0%
|
|
146
|
Verses On A Cat
|
3
|
0%
|
0
|
0%
|
|
147
|
When A Lover Clasps His Fairest
|
2
|
0%
|
0
|
0%
|
|
148
|
Wine Of The Fairies
|
1
|
0%
|
0
|
0%
|
|
149
|
With A Guitar, To Jane
|
1
|
0%
|
0
|
0%
|