|
1
|
A Bridal Song
|
26
|
86%
|
0
|
0%
|
|
2
|
A Dialogue
|
19
|
63%
|
0
|
0%
|
|
3
|
A Dirge
|
6
|
20%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
14
|
46%
|
0
|
0%
|
|
5
|
A Hate-Song
|
23
|
76%
|
0
|
0%
|
|
6
|
A Lament
|
9
|
30%
|
0
|
0%
|
|
7
|
A New National Anthem
|
6
|
20%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
6
|
20%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
3
|
10%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
2
|
6%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
1
|
3%
|
0
|
0%
|
|
12
|
Adonais
|
7
|
23%
|
0
|
0%
|
|
13
|
Alas! This Is Not What I Thought Life Was
|
6
|
20%
|
0
|
0%
|
|
14
|
Alastor: or, the Spirit of Solitude
|
8
|
26%
|
0
|
0%
|
|
15
|
An Allegory
|
10
|
33%
|
0
|
0%
|
|
16
|
An Exhortation
|
5
|
16%
|
0
|
0%
|
|
17
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
9
|
30%
|
0
|
0%
|
|
18
|
And like a Dying Lady, Lean and Pale
|
2
|
6%
|
0
|
0%
|
|
19
|
And That I Walk Thus Proudly Crowned Withal
|
5
|
16%
|
0
|
0%
|
|
20
|
Another Fragment to Music
|
7
|
23%
|
0
|
0%
|
|
21
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
3
|
10%
|
0
|
0%
|
|
22
|
Arethusa
|
2
|
6%
|
0
|
0%
|
|
23
|
Art Thou Pale For Weariness
|
3
|
10%
|
0
|
0%
|
|
24
|
Asia: From Prometheus Unbound
|
3
|
10%
|
0
|
0%
|
|
25
|
Autumn: A Dirge
|
2
|
6%
|
0
|
0%
|
|
26
|
Bereavement
|
1
|
3%
|
0
|
0%
|
|
27
|
Chorus from Hellas
|
2
|
6%
|
0
|
0%
|
|
28
|
Death
|
3
|
10%
|
0
|
0%
|
|
29
|
Death In Life
|
1
|
3%
|
0
|
0%
|
|
30
|
Death Is Here And Death Is There
|
7
|
23%
|
0
|
0%
|
|
31
|
Despair
|
5
|
16%
|
0
|
0%
|
|
32
|
Dirge For The Year
|
1
|
3%
|
0
|
0%
|
|
33
|
England in 1819
|
4
|
13%
|
0
|
0%
|
|
34
|
Epipsychidion (excerpt)
|
1
|
3%
|
0
|
0%
|
|
35
|
Epitaph
|
1
|
3%
|
0
|
0%
|
|
36
|
Epithalamium
|
1
|
3%
|
0
|
0%
|
|
37
|
Evening. To Harriet
|
1
|
3%
|
0
|
0%
|
|
38
|
Evening: Ponte Al Mare, Pisa
|
1
|
3%
|
0
|
0%
|
|
39
|
Eyes : A Fragment
|
4
|
13%
|
0
|
0%
|
|
40
|
Faint With Love, The Lady Of The South
|
1
|
3%
|
0
|
0%
|
|
41
|
Fragment Of A Ghost Story
|
1
|
3%
|
0
|
0%
|
|
42
|
Fragment Of A Satire On Satire
|
1
|
3%
|
0
|
0%
|
|
43
|
fragment: "To the Moon"
|
1
|
3%
|
0
|
0%
|
|
44
|
Fragment: A Gentle Story Of Two Lovers Young
|
2
|
6%
|
0
|
0%
|
|
45
|
Fragment: A Wanderer
|
1
|
3%
|
0
|
0%
|
|
46
|
Fragment: My Head Is Wild With Weeping
|
1
|
3%
|
0
|
0%
|
|
47
|
Fragment: The Lake's Margin
|
1
|
3%
|
0
|
0%
|
|
48
|
Fragment: Thoughts Come And Go In Solitude
|
1
|
3%
|
0
|
0%
|
|
49
|
Fragment: To Byron
|
1
|
3%
|
0
|
0%
|
|
50
|
Fragment: Wedded Souls
|
2
|
6%
|
0
|
0%
|
|
51
|
Fragment: What Men Gain Fairly
|
1
|
3%
|
0
|
0%
|
|
52
|
Fragment: Yes! All Is Past
|
1
|
3%
|
0
|
0%
|
|
53
|
Ghasta Or, The Avenging Demon!!!
|
2
|
6%
|
0
|
0%
|
|
54
|
Good-Night
|
11
|
36%
|
0
|
0%
|
|
55
|
Homer's Hymn To The Earth: Mother Of All
|
1
|
3%
|
0
|
0%
|
|
56
|
Hymn to Intellectual Beauty
|
2
|
6%
|
0
|
0%
|
|
57
|
Hymn to Intellectual Beauty
|
1
|
3%
|
0
|
0%
|
|
58
|
I Arise from Dreams of Thee
|
1
|
3%
|
0
|
0%
|
|
59
|
I Faint, I Perish With My Love!
|
2
|
6%
|
0
|
0%
|
|
60
|
Invocation
|
4
|
13%
|
0
|
0%
|
|
61
|
Letter To Maria Gisborne
|
1
|
3%
|
0
|
0%
|
|
62
|
Lift Not The Painted Veil Which Those Who Live
|
2
|
6%
|
0
|
0%
|
|
63
|
Lines: We Meet Not As We Parted
|
1
|
3%
|
0
|
0%
|
|
64
|
Love
|
2
|
6%
|
0
|
0%
|
|
65
|
Love, Hope, Desire, And Fear
|
3
|
10%
|
0
|
0%
|
|
66
|
Love's Philosophy
|
21
|
70%
|
0
|
0%
|
|
67
|
Love's Rose
|
3
|
10%
|
0
|
0%
|
|
68
|
Mont Blanc: Lines Written in the Vale of Chamouni
|
1
|
3%
|
0
|
0%
|
|
69
|
Music And Sweet Poetry
|
1
|
3%
|
0
|
0%
|
|
70
|
Music, When Soft Voices Die
|
1
|
3%
|
0
|
0%
|
|
71
|
Music, when soft voices die
|
1
|
3%
|
0
|
0%
|
|
72
|
Mutability
|
12
|
40%
|
0
|
0%
|
|
73
|
Night
|
1
|
3%
|
0
|
0%
|
|
74
|
O That A Chariot Of Cloud Were Mine!
|
1
|
3%
|
0
|
0%
|
|
75
|
Ode To Liberty
|
2
|
6%
|
0
|
0%
|
|
76
|
Ode to the West Wind
|
10
|
33%
|
0
|
0%
|
|
77
|
On Fanny Godwin
|
1
|
3%
|
0
|
0%
|
|
78
|
On The Medusa Of Leonardo da Vinci In The Florentine Gallery
|
1
|
3%
|
0
|
0%
|
|
79
|
One Word Is Too Often Profaned
|
1
|
3%
|
0
|
0%
|
|
80
|
Ozymandias
|
30
|
100%
|
0
|
0%
|
|
81
|
Passage Of The Apennines
|
2
|
6%
|
0
|
0%
|
|
82
|
Pater Omnipotens
|
2
|
6%
|
0
|
0%
|
|
83
|
Peter Bell The Third
|
6
|
20%
|
0
|
0%
|
|
84
|
Poetical Essay
|
2
|
6%
|
0
|
0%
|
|
85
|
Prince Athanase
|
2
|
6%
|
0
|
0%
|
|
86
|
Prometheus Unbound: Act I (excerpt)
|
4
|
13%
|
0
|
0%
|
|
87
|
Queen Mab: Part I.
|
1
|
3%
|
0
|
0%
|
|
88
|
Queen Mab: Part II.
|
2
|
6%
|
0
|
0%
|
|
89
|
Queen Mab: Part III.
|
1
|
3%
|
0
|
0%
|
|
90
|
Queen Mab: Part IV.
|
1
|
3%
|
0
|
0%
|
|
91
|
Remembrance
|
2
|
6%
|
0
|
0%
|
|
92
|
Remorse
|
2
|
6%
|
0
|
0%
|
|
93
|
Revenge
|
2
|
6%
|
0
|
0%
|
|
94
|
Sister Rosa: A Ballad
|
1
|
3%
|
0
|
0%
|
|
95
|
Song
|
1
|
3%
|
0
|
0%
|
|
96
|
Song. To [Harriet]
|
1
|
3%
|
0
|
0%
|
|
97
|
Song: Rarely, rarely, comest thou
|
1
|
3%
|
0
|
0%
|
|
98
|
Sonnet : From The Italian Of Cavalcanti
|
1
|
3%
|
0
|
0%
|
|
99
|
Stanza
|
1
|
3%
|
0
|
0%
|
|
100
|
Stanzas Written in Dejection, Near Naples
|
1
|
3%
|
0
|
0%
|
|
101
|
Stanzas. -- April, 1814
|
2
|
6%
|
0
|
0%
|
|
102
|
The Cloud
|
8
|
26%
|
0
|
0%
|
|
103
|
The Mask Of Anarchy
|
1
|
3%
|
0
|
0%
|
|
104
|
The Pine Forest Of The Cascine Near Pisa
|
2
|
6%
|
0
|
0%
|
|
105
|
The Question
|
1
|
3%
|
0
|
0%
|
|
106
|
The Solitary
|
1
|
3%
|
0
|
0%
|
|
107
|
The Triumph of Life
|
4
|
13%
|
0
|
0%
|
|
108
|
The Wandering Jew's Soliloquy
|
1
|
3%
|
0
|
0%
|
|
109
|
Time
|
3
|
10%
|
0
|
0%
|
|
110
|
Time Long Past
|
2
|
6%
|
0
|
0%
|
|
111
|
To A Skylark
|
5
|
16%
|
0
|
0%
|
|
112
|
To Coleridge
|
1
|
3%
|
0
|
0%
|
|
113
|
To Constantia, Singing
|
1
|
3%
|
0
|
0%
|
|
114
|
To-- I Fear Thy Kisses, Gentle Maiden
|
2
|
6%
|
0
|
0%
|
|
115
|
To Ireland
|
1
|
3%
|
0
|
0%
|
|
116
|
To Night
|
1
|
3%
|
0
|
0%
|
|
117
|
To-- Oh! there are spirits of the air
|
1
|
3%
|
0
|
0%
|
|
118
|
To-- One word is too often profaned
|
1
|
3%
|
0
|
0%
|
|
119
|
To Sophia (Miss Stacey)
|
1
|
3%
|
0
|
0%
|
|
120
|
To The Men Of England
|
1
|
3%
|
0
|
0%
|
|
121
|
To The Mind Of Man
|
1
|
3%
|
0
|
0%
|
|
122
|
To the Moon
|
1
|
3%
|
0
|
0%
|
|
123
|
To The Moonbeam
|
2
|
6%
|
0
|
0%
|
|
124
|
To William Shelley
|
1
|
3%
|
0
|
0%
|
|
125
|
To William Shelley.
|
2
|
6%
|
0
|
0%
|
|
126
|
To Wordsworth
|
1
|
3%
|
0
|
0%
|
|
127
|
To-morrow
|
1
|
3%
|
0
|
0%
|
|
128
|
Wake The Serpent Not
|
1
|
3%
|
0
|
0%
|
|
129
|
When Soft Winds And Sunny Skies
|
2
|
6%
|
0
|
0%
|
|
130
|
When The Lamp Is Shattered
|
1
|
3%
|
0
|
0%
|
|
131
|
With A Guitar, To Jane
|
1
|
3%
|
0
|
0%
|
|
132
|
Zephyrus The Awakener
|
1
|
3%
|
0
|
0%
|