|
1
|
A Bridal Song
|
72
|
100%
|
0
|
0%
|
|
2
|
A Dialogue
|
38
|
52%
|
0
|
0%
|
|
3
|
A Dirge
|
34
|
47%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
26
|
36%
|
0
|
0%
|
|
5
|
A Hate-Song
|
64
|
88%
|
0
|
0%
|
|
6
|
A Lament
|
25
|
34%
|
0
|
0%
|
|
7
|
A New National Anthem
|
11
|
15%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
13
|
18%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
16
|
22%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
11
|
15%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
8
|
11%
|
0
|
0%
|
|
12
|
Adonais
|
17
|
23%
|
0
|
0%
|
|
13
|
Alas! This Is Not What I Thought Life Was
|
22
|
30%
|
0
|
0%
|
|
14
|
Alastor: or, the Spirit of Solitude
|
15
|
20%
|
0
|
0%
|
|
15
|
An Allegory
|
14
|
19%
|
0
|
0%
|
|
16
|
An Exhortation
|
7
|
9%
|
0
|
0%
|
|
17
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
5
|
6%
|
0
|
0%
|
|
18
|
And like a Dying Lady, Lean and Pale
|
17
|
23%
|
0
|
0%
|
|
19
|
And That I Walk Thus Proudly Crowned Withal
|
14
|
19%
|
0
|
0%
|
|
20
|
Another Fragment to Music
|
19
|
26%
|
0
|
0%
|
|
21
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
6
|
8%
|
0
|
0%
|
|
22
|
Arethusa
|
8
|
11%
|
0
|
0%
|
|
23
|
Art Thou Pale For Weariness
|
5
|
6%
|
0
|
0%
|
|
24
|
Asia: From Prometheus Unbound
|
3
|
4%
|
0
|
0%
|
|
25
|
Autumn: A Dirge
|
15
|
20%
|
0
|
0%
|
|
26
|
Beauty's Halo
|
9
|
12%
|
0
|
0%
|
|
27
|
Bereavement
|
3
|
4%
|
0
|
0%
|
|
28
|
Bigotry's Victim
|
6
|
8%
|
0
|
0%
|
|
29
|
Buona Notte
|
5
|
6%
|
0
|
0%
|
|
30
|
Chorus from Hellas
|
6
|
8%
|
0
|
0%
|
|
31
|
Death
|
10
|
13%
|
0
|
0%
|
|
32
|
Death In Life
|
9
|
12%
|
0
|
0%
|
|
33
|
Death Is Here And Death Is There
|
18
|
25%
|
0
|
0%
|
|
34
|
Despair
|
12
|
16%
|
0
|
0%
|
|
35
|
Dirge For The Year
|
4
|
5%
|
0
|
0%
|
|
36
|
England in 1819
|
44
|
61%
|
0
|
0%
|
|
37
|
Epigram I: To Stella
|
2
|
2%
|
0
|
0%
|
|
38
|
Epigram II: Kissing Helena
|
3
|
4%
|
0
|
0%
|
|
39
|
Epigram III: Spirit of Plato
|
2
|
2%
|
0
|
0%
|
|
40
|
Epigram IV: Circumstance
|
3
|
4%
|
0
|
0%
|
|
41
|
Epipsychidion (excerpt)
|
4
|
5%
|
0
|
0%
|
|
42
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
1
|
1%
|
0
|
0%
|
|
43
|
Epitaph
|
3
|
4%
|
0
|
0%
|
|
44
|
Epithalamium
|
2
|
2%
|
0
|
0%
|
|
45
|
Epithalamium : Another Version
|
2
|
2%
|
0
|
0%
|
|
46
|
Evening. To Harriet
|
4
|
5%
|
0
|
0%
|
|
47
|
Evening: Ponte Al Mare, Pisa
|
5
|
6%
|
0
|
0%
|
|
48
|
Eyes : A Fragment
|
3
|
4%
|
0
|
0%
|
|
49
|
Faint With Love, The Lady Of The South
|
2
|
2%
|
0
|
0%
|
|
50
|
Feelings Of A Republican On The Fall Of Bonaparte
|
3
|
4%
|
0
|
0%
|
|
51
|
Fiordispina
|
1
|
1%
|
0
|
0%
|
|
52
|
Fragment : What Mary Is When She A Little Smiles
|
1
|
1%
|
0
|
0%
|
|
53
|
Fragment From The Wandering Jew
|
3
|
4%
|
0
|
0%
|
|
54
|
Fragment Of A Ghost Story
|
4
|
5%
|
0
|
0%
|
|
55
|
Fragment Of A Satire On Satire
|
2
|
2%
|
0
|
0%
|
|
56
|
Fragment Of A Sonnet : To Harriet
|
2
|
2%
|
0
|
0%
|
|
57
|
Fragment Of A Sonnet. Farewell To North Devon
|
1
|
1%
|
0
|
0%
|
|
58
|
Fragment Of The Elegy On The Death Of Bion
|
1
|
1%
|
0
|
0%
|
|
59
|
Fragment, Or The Triumph Of Conscience
|
1
|
1%
|
0
|
0%
|
|
60
|
fragment: "To the Moon"
|
1
|
1%
|
0
|
0%
|
|
61
|
Fragment: A Gentle Story Of Two Lovers Young
|
3
|
4%
|
0
|
0%
|
|
62
|
Fragment: A Wanderer
|
7
|
9%
|
0
|
0%
|
|
63
|
Fragment: Apostrophe To Silence
|
3
|
4%
|
0
|
0%
|
|
64
|
Fragment: Follow To The Deep Wood's Weeds
|
1
|
1%
|
0
|
0%
|
|
65
|
Fragment: Great Spirit
|
4
|
5%
|
0
|
0%
|
|
66
|
Fragment: Home
|
1
|
1%
|
0
|
0%
|
|
67
|
Fragment: Igniculus Desiderii
|
1
|
1%
|
0
|
0%
|
|
68
|
Fragment: Love The Universe To-Day
|
3
|
4%
|
0
|
0%
|
|
69
|
Fragment: My Head Is Wild With Weeping
|
1
|
1%
|
0
|
0%
|
|
70
|
Fragment: Thoughts Come And Go In Solitude
|
3
|
4%
|
0
|
0%
|
|
71
|
Fragment: To Byron
|
3
|
4%
|
0
|
0%
|
|
72
|
Fragment: To The People Of England
|
1
|
1%
|
0
|
0%
|
|
73
|
Fragment: Wedded Souls
|
1
|
1%
|
0
|
0%
|
|
74
|
Fragment: Yes! All Is Past
|
3
|
4%
|
0
|
0%
|
|
75
|
Fragments Of An Unfinished Drama
|
1
|
1%
|
0
|
0%
|
|
76
|
From the Arabic, an Imitation
|
1
|
1%
|
0
|
0%
|
|
77
|
Ghasta Or, The Avenging Demon!!!
|
2
|
2%
|
0
|
0%
|
|
78
|
Ginevra
|
1
|
1%
|
0
|
0%
|
|
79
|
Good-Night
|
23
|
31%
|
0
|
0%
|
|
80
|
Here I sit with my paper…
|
1
|
1%
|
0
|
0%
|
|
81
|
Hymn to Intellectual Beauty
|
3
|
4%
|
0
|
0%
|
|
82
|
Hymn to Intellectual Beauty
|
2
|
2%
|
0
|
0%
|
|
83
|
I Arise from Dreams of Thee
|
4
|
5%
|
0
|
0%
|
|
84
|
I Faint, I Perish With My Love!
|
2
|
2%
|
0
|
0%
|
|
85
|
I Would Not Be A King
|
3
|
4%
|
0
|
0%
|
|
86
|
Invocation
|
1
|
1%
|
0
|
0%
|
|
87
|
Julian and Maddalo (excerpt)
|
1
|
1%
|
0
|
0%
|
|
88
|
Letter To Maria Gisborne
|
2
|
2%
|
0
|
0%
|
|
89
|
Liberty
|
1
|
1%
|
0
|
0%
|
|
90
|
Life Rounded With Sleep
|
2
|
2%
|
0
|
0%
|
|
91
|
Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
92
|
Lines
|
3
|
4%
|
0
|
0%
|
|
93
|
Lines -- Far, Far Away, O Ye
|
4
|
5%
|
0
|
0%
|
|
94
|
Lines To A Critic
|
2
|
2%
|
0
|
0%
|
|
95
|
Lines To A Reviewer
|
3
|
4%
|
0
|
0%
|
|
96
|
Lines Written Among The Euganean Hills
|
1
|
1%
|
0
|
0%
|
|
97
|
Lines Written During The Castlereagh Administration
|
2
|
2%
|
0
|
0%
|
|
98
|
Lines: We Meet Not As We Parted
|
1
|
1%
|
0
|
0%
|
|
99
|
Love
|
4
|
5%
|
0
|
0%
|
|
100
|
Love, Hope, Desire, And Fear
|
2
|
2%
|
0
|
0%
|
|
101
|
Love's Philosophy
|
54
|
75%
|
0
|
0%
|
|
102
|
Love's Rose
|
2
|
2%
|
0
|
0%
|
|
103
|
Marianne's Dream
|
3
|
4%
|
0
|
0%
|
|
104
|
Methought I Was A Billow In The Crowd
|
1
|
1%
|
0
|
0%
|
|
105
|
Mighty Eagle
|
2
|
2%
|
0
|
0%
|
|
106
|
Music And Sweet Poetry
|
1
|
1%
|
0
|
0%
|
|
107
|
Music, When Soft Voices Die
|
5
|
6%
|
0
|
0%
|
|
108
|
Music, when soft voices die
|
2
|
2%
|
0
|
0%
|
|
109
|
Mutability
|
38
|
52%
|
0
|
0%
|
|
110
|
Night
|
11
|
15%
|
0
|
0%
|
|
111
|
Ode To Heaven
|
2
|
2%
|
0
|
0%
|
|
112
|
Ode To Liberty
|
3
|
4%
|
0
|
0%
|
|
113
|
Ode to Naples
|
2
|
2%
|
0
|
0%
|
|
114
|
Ode to the West Wind
|
21
|
29%
|
0
|
0%
|
|
115
|
On A Faded Violet
|
4
|
5%
|
0
|
0%
|
|
116
|
On Death
|
6
|
8%
|
0
|
0%
|
|
117
|
On The Medusa Of Leonardo da Vinci In The Florentine Gallery
|
1
|
1%
|
0
|
0%
|
|
118
|
One Word Is Too Often Profaned
|
3
|
4%
|
0
|
0%
|
|
119
|
Orpheus
|
2
|
2%
|
0
|
0%
|
|
120
|
Otho
|
1
|
1%
|
0
|
0%
|
|
121
|
Ozymandias
|
53
|
73%
|
0
|
0%
|
|
122
|
Passage Of The Apennines
|
1
|
1%
|
0
|
0%
|
|
123
|
Pater Omnipotens
|
1
|
1%
|
0
|
0%
|
|
124
|
Peter Bell The Third
|
1
|
1%
|
0
|
0%
|
|
125
|
Poetical Essay
|
3
|
4%
|
0
|
0%
|
|
126
|
Prince Athanase
|
2
|
2%
|
0
|
0%
|
|
127
|
Prometheus Unbound: Act I (excerpt)
|
2
|
2%
|
0
|
0%
|
|
128
|
Remembrance
|
4
|
5%
|
0
|
0%
|
|
129
|
Remorse
|
1
|
1%
|
0
|
0%
|
|
130
|
Revenge
|
1
|
1%
|
0
|
0%
|
|
131
|
Rosalind and Helen: a Modern Eclogue
|
1
|
1%
|
0
|
0%
|
|
132
|
Sister Rosa: A Ballad
|
1
|
1%
|
0
|
0%
|
|
133
|
Song
|
7
|
9%
|
0
|
0%
|
|
134
|
Song For 'Tasso'
|
2
|
2%
|
0
|
0%
|
|
135
|
Song To The Men Of England
|
1
|
1%
|
0
|
0%
|
|
136
|
Song. Despair
|
1
|
1%
|
0
|
0%
|
|
137
|
Song. Hope
|
3
|
4%
|
0
|
0%
|
|
138
|
Song. Sorrow
|
2
|
2%
|
0
|
0%
|
|
139
|
Sonnet To Byron
|
1
|
1%
|
0
|
0%
|
|
140
|
Sonnet: Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
141
|
Sonnet: Political Greatness
|
1
|
1%
|
0
|
0%
|
|
142
|
Stanza
|
1
|
1%
|
0
|
0%
|
|
143
|
Summer And Winter
|
1
|
1%
|
0
|
0%
|
|
144
|
The Cenci : A Tragedy In Five Acts
|
1
|
1%
|
0
|
0%
|
|
145
|
The Cloud
|
12
|
16%
|
0
|
0%
|
|
146
|
The Cyclops
|
1
|
1%
|
0
|
0%
|
|
147
|
The Devil's Walk. A Ballad
|
1
|
1%
|
0
|
0%
|
|
148
|
The Drowned Lover
|
1
|
1%
|
0
|
0%
|
|
149
|
The Fugitives
|
1
|
1%
|
0
|
0%
|
|
150
|
The Invitation
|
1
|
1%
|
0
|
0%
|
|
151
|
The Irishman's Song
|
3
|
4%
|
0
|
0%
|
|
152
|
The Magnetic Lady To Her Patient
|
1
|
1%
|
0
|
0%
|
|
153
|
The Mask Of Anarchy
|
4
|
5%
|
0
|
0%
|
|
154
|
The Moon
|
1
|
1%
|
0
|
0%
|
|
155
|
The Past
|
1
|
1%
|
0
|
0%
|
|
156
|
The Pine Forest Of The Cascine Near Pisa
|
1
|
1%
|
0
|
0%
|
|
157
|
The Question
|
3
|
4%
|
0
|
0%
|
|
158
|
The Sensitive Plant
|
2
|
2%
|
0
|
0%
|
|
159
|
The Sunset
|
2
|
2%
|
0
|
0%
|
|
160
|
The Triumph of Life
|
3
|
4%
|
0
|
0%
|
|
161
|
The Viewless And Invisible Consequence
|
1
|
1%
|
0
|
0%
|
|
162
|
The Wandering Jew's Soliloquy
|
1
|
1%
|
0
|
0%
|
|
163
|
The Witch Of Atlas
|
1
|
1%
|
0
|
0%
|
|
164
|
Time
|
4
|
5%
|
0
|
0%
|
|
165
|
Time Long Past
|
2
|
2%
|
0
|
0%
|
|
166
|
To ----
|
1
|
1%
|
0
|
0%
|
|
167
|
To A Skylark
|
5
|
6%
|
0
|
0%
|
|
168
|
To A Star
|
1
|
1%
|
0
|
0%
|
|
169
|
To Coleridge
|
4
|
5%
|
0
|
0%
|
|
170
|
To Constantia, Singing
|
1
|
1%
|
0
|
0%
|
|
171
|
To Death
|
2
|
2%
|
0
|
0%
|
|
172
|
To Harriet
|
2
|
2%
|
0
|
0%
|
|
173
|
To Mary
|
1
|
1%
|
0
|
0%
|
|
174
|
To Mary ----
|
1
|
1%
|
0
|
0%
|
|
175
|
To Mary Shelley
|
1
|
1%
|
0
|
0%
|
|
176
|
To Mary Wollstonecraft Godwin
|
1
|
1%
|
0
|
0%
|
|
177
|
To Night
|
2
|
2%
|
0
|
0%
|
|
178
|
To-- One word is too often profaned
|
1
|
1%
|
0
|
0%
|
|
179
|
To The Men Of England
|
5
|
6%
|
0
|
0%
|
|
180
|
To the Moon
|
1
|
1%
|
0
|
0%
|
|
181
|
To The Moonbeam
|
1
|
1%
|
0
|
0%
|
|
182
|
To The Queen Of My Heart
|
2
|
2%
|
0
|
0%
|
|
183
|
To The Republicans Of North America
|
1
|
1%
|
0
|
0%
|
|
184
|
To William Shelley
|
1
|
1%
|
0
|
0%
|
|
185
|
To William Shelley.
|
1
|
1%
|
0
|
0%
|
|
186
|
To William Shelley. Thy Little Footsteps On The Sands
|
3
|
4%
|
0
|
0%
|
|
187
|
To Wordsworth
|
5
|
6%
|
0
|
0%
|
|
188
|
To-- Yet look on me
|
2
|
2%
|
0
|
0%
|
|
189
|
To-morrow
|
7
|
9%
|
0
|
0%
|
|
190
|
Ugolino
|
4
|
5%
|
0
|
0%
|
|
191
|
Unrisen Splendour Of The Brightest Sun
|
2
|
2%
|
0
|
0%
|
|
192
|
Verses On A Cat
|
2
|
2%
|
0
|
0%
|
|
193
|
Wake The Serpent Not
|
3
|
4%
|
0
|
0%
|
|
194
|
War
|
1
|
1%
|
0
|
0%
|
|
195
|
When A Lover Clasps His Fairest
|
2
|
2%
|
0
|
0%
|
|
196
|
When Soft Winds And Sunny Skies
|
1
|
1%
|
0
|
0%
|
|
197
|
When The Lamp Is Shattered
|
4
|
5%
|
0
|
0%
|
|
198
|
Wine Of The Fairies
|
1
|
1%
|
0
|
0%
|
|
199
|
With A Guitar, To Jane
|
2
|
2%
|
0
|
0%
|
|
200
|
Written At Bracknell
|
1
|
1%
|
0
|
0%
|