|
1
|
A Lament
|
41
|
97%
|
0
|
0%
|
|
2
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
26
|
61%
|
0
|
0%
|
|
3
|
A Widow Bird Sate Mourning For Her Love
|
23
|
54%
|
0
|
0%
|
|
4
|
Adonais
|
26
|
61%
|
0
|
0%
|
|
5
|
Adonais: An Elegy on the Death of John Keats
|
19
|
45%
|
0
|
0%
|
|
6
|
Alastor: or, the Spirit of Solitude
|
21
|
50%
|
0
|
0%
|
|
7
|
An Exhortation
|
12
|
28%
|
0
|
0%
|
|
8
|
And like a Dying Lady, Lean and Pale
|
14
|
33%
|
0
|
0%
|
|
9
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
5
|
11%
|
0
|
0%
|
|
10
|
Art Thou Pale For Weariness
|
8
|
19%
|
0
|
0%
|
|
11
|
Asia: From Prometheus Unbound
|
14
|
33%
|
0
|
0%
|
|
12
|
Autumn: A Dirge
|
17
|
40%
|
0
|
0%
|
|
13
|
Bereavement
|
20
|
47%
|
0
|
0%
|
|
14
|
Chorus from Hellas
|
7
|
16%
|
0
|
0%
|
|
15
|
England in 1819
|
18
|
42%
|
0
|
0%
|
|
16
|
English In 1819
|
13
|
30%
|
0
|
0%
|
|
17
|
Epipsychidion (excerpt)
|
11
|
26%
|
0
|
0%
|
|
18
|
Feelings Of A Republican On The Fall Of Bonaparte
|
4
|
9%
|
0
|
0%
|
|
19
|
fragment: "To the Moon"
|
16
|
38%
|
0
|
0%
|
|
20
|
From "Adonais," 49-52
|
4
|
9%
|
0
|
0%
|
|
21
|
From the Arabic, an Imitation
|
4
|
9%
|
0
|
0%
|
|
22
|
Good-Night
|
28
|
66%
|
0
|
0%
|
|
23
|
Hellas
|
6
|
14%
|
0
|
0%
|
|
24
|
Hymn Of Pan
|
5
|
11%
|
0
|
0%
|
|
25
|
Hymn to Intellectual Beauty
|
18
|
42%
|
0
|
0%
|
|
26
|
I Arise from Dreams of Thee
|
15
|
35%
|
0
|
0%
|
|
27
|
Invocation
|
5
|
11%
|
0
|
0%
|
|
28
|
Julian and Maddalo (excerpt)
|
4
|
9%
|
0
|
0%
|
|
29
|
Lift Not The Painted Veil Which Those Who Live
|
15
|
35%
|
0
|
0%
|
|
30
|
Lines
|
8
|
19%
|
0
|
0%
|
|
31
|
Lines Written Among The Euganean Hills
|
11
|
26%
|
0
|
0%
|
|
32
|
Lines Written in the Bay of Lerici
|
8
|
19%
|
0
|
0%
|
|
33
|
Lines: The cold earth slept below
|
7
|
16%
|
0
|
0%
|
|
34
|
Love's Philosophy
|
42
|
100%
|
0
|
0%
|
|
35
|
Mont Blanc
|
7
|
16%
|
0
|
0%
|
|
36
|
Mont Blanc: Lines Written in the Vale of Chamouni
|
2
|
4%
|
0
|
0%
|
|
37
|
Music, When Soft Voices Die
|
9
|
21%
|
0
|
0%
|
|
38
|
Music, when soft voices die
|
6
|
14%
|
0
|
0%
|
|
39
|
Mutability
|
21
|
50%
|
0
|
0%
|
|
40
|
Night
|
21
|
50%
|
0
|
0%
|
|
41
|
Ode to the West Wind
|
34
|
80%
|
0
|
0%
|
|
42
|
On A Dead Violet
|
10
|
23%
|
0
|
0%
|
|
43
|
On Death
|
12
|
28%
|
0
|
0%
|
|
44
|
One sung of thee who left the tale untold
|
9
|
21%
|
0
|
0%
|
|
45
|
One Word Is Too Often Profaned
|
11
|
26%
|
0
|
0%
|
|
46
|
Ozymandias
|
29
|
69%
|
0
|
0%
|
|
47
|
Prometheus Unbound: Act I (excerpt)
|
4
|
9%
|
0
|
0%
|
|
48
|
Queen Mab: Part VI (excerpts)
|
8
|
19%
|
0
|
0%
|
|
49
|
Remorse
|
13
|
30%
|
0
|
0%
|
|
50
|
Rosalind and Helen: a Modern Eclogue
|
9
|
21%
|
0
|
0%
|
|
51
|
Song
|
7
|
16%
|
0
|
0%
|
|
52
|
Song Of Proserpine While Gathering Flowers On The Plain Of Enna
|
6
|
14%
|
0
|
0%
|
|
53
|
Song: Rarely, rarely, comest thou
|
3
|
7%
|
0
|
0%
|
|
54
|
Stanzas Written In Dejection Near Naples
|
11
|
26%
|
0
|
0%
|
|
55
|
The Cloud
|
19
|
45%
|
0
|
0%
|
|
56
|
The Fitful Alternations of the Rain
|
7
|
16%
|
0
|
0%
|
|
57
|
The Indian Serenade
|
11
|
26%
|
0
|
0%
|
|
58
|
The Invitation
|
9
|
21%
|
0
|
0%
|
|
59
|
The Moon
|
6
|
14%
|
0
|
0%
|
|
60
|
The Question
|
7
|
16%
|
0
|
0%
|
|
61
|
The Triumph of Life
|
10
|
23%
|
0
|
0%
|
|
62
|
The Two Spirits: An Allegory
|
7
|
16%
|
0
|
0%
|
|
63
|
The Waning Moon
|
10
|
23%
|
0
|
0%
|
|
64
|
The Witch Of Atlas
|
7
|
16%
|
0
|
0%
|
|
65
|
Time
|
13
|
30%
|
0
|
0%
|
|
66
|
Time Long Past
|
10
|
23%
|
0
|
0%
|
|
67
|
To ----
|
1
|
2%
|
0
|
0%
|
|
68
|
To A Lady, With A Guitar
|
7
|
16%
|
0
|
0%
|
|
69
|
To A Skylark
|
21
|
50%
|
0
|
0%
|
|
70
|
To Coleridge
|
6
|
14%
|
0
|
0%
|
|
71
|
To Jane
|
11
|
26%
|
0
|
0%
|
|
72
|
To Night
|
7
|
16%
|
0
|
0%
|
|
73
|
To The Men Of England
|
10
|
23%
|
0
|
0%
|
|
74
|
To the Moon
|
3
|
7%
|
0
|
0%
|
|
75
|
To Wordsworth
|
9
|
21%
|
0
|
0%
|
|
76
|
To..
|
5
|
11%
|
0
|
0%
|
|
77
|
To...
|
7
|
16%
|
0
|
0%
|
|
78
|
When The Lamp Is Shattered
|
17
|
40%
|
0
|
0%
|