|
1
|
A Bridal Song
|
26
|
81%
|
0
|
0%
|
|
2
|
A Dialogue
|
11
|
34%
|
0
|
0%
|
|
3
|
A Dirge
|
9
|
28%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
13
|
40%
|
0
|
0%
|
|
5
|
A Hate-Song
|
16
|
50%
|
0
|
0%
|
|
6
|
A Lament
|
9
|
28%
|
0
|
0%
|
|
7
|
A New National Anthem
|
6
|
18%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
7
|
21%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
6
|
18%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
7
|
21%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
6
|
18%
|
0
|
0%
|
|
12
|
A Widow Bird Sate Mourning For Her Love
|
2
|
6%
|
0
|
0%
|
|
13
|
Adonais
|
9
|
28%
|
0
|
0%
|
|
14
|
Adonais: An Elegy on the Death of John Keats
|
7
|
21%
|
0
|
0%
|
|
15
|
Alastor: or, the Spirit of Solitude
|
5
|
15%
|
0
|
0%
|
|
16
|
An Allegory
|
11
|
34%
|
0
|
0%
|
|
17
|
An Exhortation
|
8
|
25%
|
0
|
0%
|
|
18
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
4
|
12%
|
0
|
0%
|
|
19
|
And like a Dying Lady, Lean and Pale
|
16
|
50%
|
0
|
0%
|
|
20
|
And That I Walk Thus Proudly Crowned Withal
|
7
|
21%
|
0
|
0%
|
|
21
|
Another Fragment to Music
|
4
|
12%
|
0
|
0%
|
|
22
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
1
|
3%
|
0
|
0%
|
|
23
|
Arethusa
|
5
|
15%
|
0
|
0%
|
|
24
|
Art Thou Pale For Weariness
|
2
|
6%
|
0
|
0%
|
|
25
|
Asia: From Prometheus Unbound
|
7
|
21%
|
0
|
0%
|
|
26
|
Autumn: A Dirge
|
6
|
18%
|
0
|
0%
|
|
27
|
Beauty's Halo
|
7
|
21%
|
0
|
0%
|
|
28
|
Bereavement
|
4
|
12%
|
0
|
0%
|
|
29
|
Bigotry's Victim
|
2
|
6%
|
0
|
0%
|
|
30
|
Buona Notte
|
2
|
6%
|
0
|
0%
|
|
31
|
Chorus from Hellas
|
3
|
9%
|
0
|
0%
|
|
32
|
Death
|
4
|
12%
|
0
|
0%
|
|
33
|
Death In Life
|
5
|
15%
|
0
|
0%
|
|
34
|
Death Is Here And Death Is There
|
7
|
21%
|
0
|
0%
|
|
35
|
Despair
|
4
|
12%
|
0
|
0%
|
|
36
|
Dirge For The Year
|
2
|
6%
|
0
|
0%
|
|
37
|
England in 1819
|
18
|
56%
|
0
|
0%
|
|
38
|
English In 1819
|
3
|
9%
|
0
|
0%
|
|
39
|
Epigram I: To Stella
|
1
|
3%
|
0
|
0%
|
|
40
|
Epigram II: Kissing Helena
|
1
|
3%
|
0
|
0%
|
|
41
|
Epigram IV: Circumstance
|
1
|
3%
|
0
|
0%
|
|
42
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
1
|
3%
|
0
|
0%
|
|
43
|
Evening. To Harriet
|
4
|
12%
|
0
|
0%
|
|
44
|
Evening: Ponte Al Mare, Pisa
|
4
|
12%
|
0
|
0%
|
|
45
|
Eyes : A Fragment
|
4
|
12%
|
0
|
0%
|
|
46
|
Faint With Love, The Lady Of The South
|
3
|
9%
|
0
|
0%
|
|
47
|
Fiordispina
|
1
|
3%
|
0
|
0%
|
|
48
|
Fragment : What Mary Is When She A Little Smiles
|
2
|
6%
|
0
|
0%
|
|
49
|
Fragment From The Wandering Jew
|
1
|
3%
|
0
|
0%
|
|
50
|
Fragment Of A Ghost Story
|
4
|
12%
|
0
|
0%
|
|
51
|
Fragment, Or The Triumph Of Conscience
|
1
|
3%
|
0
|
0%
|
|
52
|
fragment: "To the Moon"
|
5
|
15%
|
0
|
0%
|
|
53
|
Fragment: A Gentle Story Of Two Lovers Young
|
1
|
3%
|
0
|
0%
|
|
54
|
Fragment: A Wanderer
|
2
|
6%
|
0
|
0%
|
|
55
|
Fragment: Apostrophe To Silence
|
1
|
3%
|
0
|
0%
|
|
56
|
Fragment: Great Spirit
|
2
|
6%
|
0
|
0%
|
|
57
|
Fragment: Home
|
2
|
6%
|
0
|
0%
|
|
58
|
Fragment: Love The Universe To-Day
|
3
|
9%
|
0
|
0%
|
|
59
|
Fragment: Milton's Spirit
|
1
|
3%
|
0
|
0%
|
|
60
|
Fragment: Satan Broken Loose
|
2
|
6%
|
0
|
0%
|
|
61
|
Fragment: Sufficient Unto The Day
|
1
|
3%
|
0
|
0%
|
|
62
|
Fragment: Thoughts Come And Go In Solitude
|
2
|
6%
|
0
|
0%
|
|
63
|
Ginevra
|
1
|
3%
|
0
|
0%
|
|
64
|
Good-Night
|
11
|
34%
|
0
|
0%
|
|
65
|
Hellas
|
4
|
12%
|
0
|
0%
|
|
66
|
Here I sit with my paper…
|
1
|
3%
|
0
|
0%
|
|
67
|
Homer's Hymn To Castor And Pollux
|
1
|
3%
|
0
|
0%
|
|
68
|
Homer's Hymn To Minerva
|
1
|
3%
|
0
|
0%
|
|
69
|
Hymn of Apollo
|
1
|
3%
|
0
|
0%
|
|
70
|
Hymn Of Pan
|
1
|
3%
|
0
|
0%
|
|
71
|
Hymn to Intellectual Beauty
|
1
|
3%
|
0
|
0%
|
|
72
|
I Arise from Dreams of Thee
|
4
|
12%
|
0
|
0%
|
|
73
|
I Would Not Be A King
|
1
|
3%
|
0
|
0%
|
|
74
|
Invocation To Misery
|
1
|
3%
|
0
|
0%
|
|
75
|
Julian and Maddalo (excerpt)
|
1
|
3%
|
0
|
0%
|
|
76
|
Life Rounded With Sleep
|
2
|
6%
|
0
|
0%
|
|
77
|
Lines
|
2
|
6%
|
0
|
0%
|
|
78
|
Lines -- Far, Far Away, O Ye
|
3
|
9%
|
0
|
0%
|
|
79
|
Lines: That time is dead for ever, child!
|
1
|
3%
|
0
|
0%
|
|
80
|
Lines: The cold earth slept below
|
3
|
9%
|
0
|
0%
|
|
81
|
Lines: We Meet Not As We Parted
|
2
|
6%
|
0
|
0%
|
|
82
|
Love
|
6
|
18%
|
0
|
0%
|
|
83
|
Love, Hope, Desire, And Fear
|
5
|
15%
|
0
|
0%
|
|
84
|
Love's Philosophy
|
32
|
100%
|
0
|
0%
|
|
85
|
Love's Rose
|
4
|
12%
|
0
|
0%
|
|
86
|
Marenghi
|
1
|
3%
|
0
|
0%
|
|
87
|
Marianne's Dream
|
2
|
6%
|
0
|
0%
|
|
88
|
Matilda Gathering Flowers
|
1
|
3%
|
0
|
0%
|
|
89
|
May The Limner
|
1
|
3%
|
0
|
0%
|
|
90
|
Melody To A Scene Of Former Times
|
1
|
3%
|
0
|
0%
|
|
91
|
Methought I Was A Billow In The Crowd
|
1
|
3%
|
0
|
0%
|
|
92
|
Mighty Eagle
|
1
|
3%
|
0
|
0%
|
|
93
|
Mont Blanc
|
1
|
3%
|
0
|
0%
|
|
94
|
Mont Blanc: Lines Written in the Vale of Chamouni
|
1
|
3%
|
0
|
0%
|
|
95
|
Music And Sweet Poetry
|
1
|
3%
|
0
|
0%
|
|
96
|
Music, When Soft Voices Die
|
4
|
12%
|
0
|
0%
|
|
97
|
Mutability
|
4
|
12%
|
0
|
0%
|
|
98
|
Mutability - II.
|
1
|
3%
|
0
|
0%
|
|
99
|
Night
|
3
|
9%
|
0
|
0%
|
|
100
|
O That A Chariot Of Cloud Were Mine!
|
3
|
9%
|
0
|
0%
|
|
101
|
O Thou Immortal Deity
|
1
|
3%
|
0
|
0%
|
|
102
|
Ode To Heaven
|
1
|
3%
|
0
|
0%
|
|
103
|
Ode To Liberty
|
1
|
3%
|
0
|
0%
|
|
104
|
Ode to the West Wind
|
8
|
25%
|
0
|
0%
|
|
105
|
On A Dead Violet
|
2
|
6%
|
0
|
0%
|
|
106
|
On A Faded Violet
|
1
|
3%
|
0
|
0%
|
|
107
|
On A Fete At Carlton House: Fragment
|
1
|
3%
|
0
|
0%
|
|
108
|
On An Icicle That Clung To The Grass Of A Grave
|
1
|
3%
|
0
|
0%
|
|
109
|
On Death
|
5
|
15%
|
0
|
0%
|
|
110
|
On Fanny Godwin
|
1
|
3%
|
0
|
0%
|
|
111
|
On Keats, Who Desired That On His Tomb Should Be Inscribed--
|
1
|
3%
|
0
|
0%
|
|
112
|
On Leaving London For Wales
|
1
|
3%
|
0
|
0%
|
|
113
|
On Robert Emmet's Grave
|
1
|
3%
|
0
|
0%
|
|
114
|
On The Dark Height of Jura
|
1
|
3%
|
0
|
0%
|
|
115
|
On The Medusa Of Leonardo da Vinci In The Florentine Gallery
|
1
|
3%
|
0
|
0%
|
|
116
|
One sung of thee who left the tale untold
|
1
|
3%
|
0
|
0%
|
|
117
|
One Word Is Too Often Profaned
|
1
|
3%
|
0
|
0%
|
|
118
|
Orpheus
|
2
|
6%
|
0
|
0%
|
|
119
|
Otho
|
1
|
3%
|
0
|
0%
|
|
120
|
Ozymandias
|
29
|
90%
|
0
|
0%
|
|
121
|
Passage Of The Apennines
|
1
|
3%
|
0
|
0%
|
|
122
|
Pater Omnipotens
|
1
|
3%
|
0
|
0%
|
|
123
|
Peter Bell The Third
|
1
|
3%
|
0
|
0%
|
|
124
|
Poetical Essay
|
1
|
3%
|
0
|
0%
|
|
125
|
Prince Athanase
|
2
|
6%
|
0
|
0%
|
|
126
|
Prometheus Unbound: Act I (excerpt)
|
1
|
3%
|
0
|
0%
|
|
127
|
Queen Mab: Part I.
|
1
|
3%
|
0
|
0%
|
|
128
|
Queen Mab: Part II.
|
1
|
3%
|
0
|
0%
|
|
129
|
Queen Mab: Part III.
|
1
|
3%
|
0
|
0%
|
|
130
|
Queen Mab: Part IV.
|
1
|
3%
|
0
|
0%
|
|
131
|
Queen Mab: Part IX.
|
1
|
3%
|
0
|
0%
|
|
132
|
Queen Mab: Part V.
|
1
|
3%
|
0
|
0%
|
|
133
|
Queen Mab: Part VI (excerpts)
|
1
|
3%
|
0
|
0%
|
|
134
|
Queen Mab: Part VII.
|
1
|
3%
|
0
|
0%
|
|
135
|
Remembrance
|
1
|
3%
|
0
|
0%
|
|
136
|
Remorse
|
2
|
6%
|
0
|
0%
|
|
137
|
Revenge
|
3
|
9%
|
0
|
0%
|
|
138
|
Rome And Nature
|
2
|
6%
|
0
|
0%
|
|
139
|
Rosalind and Helen: a Modern Eclogue
|
1
|
3%
|
0
|
0%
|
|
140
|
Saint Edmond's Eve
|
1
|
3%
|
0
|
0%
|
|
141
|
Similes For Two Political Characters of 1819
|
1
|
3%
|
0
|
0%
|
|
142
|
Sister Rosa: A Ballad
|
1
|
3%
|
0
|
0%
|
|
143
|
Song
|
2
|
6%
|
0
|
0%
|
|
144
|
Song For 'Tasso'
|
1
|
3%
|
0
|
0%
|
|
145
|
Song From The Wandering Jew
|
1
|
3%
|
0
|
0%
|
|
146
|
Song Of Proserpine While Gathering Flowers On The Plain Of Enna
|
1
|
3%
|
0
|
0%
|
|
147
|
Song To The Men Of England
|
1
|
3%
|
0
|
0%
|
|
148
|
Song. Cold, Cold Is The Blast When December Is Howling
|
2
|
6%
|
0
|
0%
|
|
149
|
Song. Come Harriet! Sweet Is The Hour
|
1
|
3%
|
0
|
0%
|
|
150
|
Song. -- Fierce Roars The Midnight Storm
|
3
|
9%
|
0
|
0%
|
|
151
|
Song. To -- [Harriet]
|
1
|
3%
|
0
|
0%
|
|
152
|
Song. Despair
|
1
|
3%
|
0
|
0%
|
|
153
|
Song. Hope
|
2
|
6%
|
0
|
0%
|
|
154
|
Song. Sorrow
|
2
|
6%
|
0
|
0%
|
|
155
|
Song. To [Harriet]
|
1
|
3%
|
0
|
0%
|
|
156
|
Song. Translated From The German
|
1
|
3%
|
0
|
0%
|
|
157
|
Song. Translated From The Italian
|
1
|
3%
|
0
|
0%
|
|
158
|
Song: Rarely, rarely, comest thou
|
1
|
3%
|
0
|
0%
|
|
159
|
Sonnet -- Ye Hasten To The Grave!
|
2
|
6%
|
0
|
0%
|
|
160
|
Sonnet : From The Italian Of Cavalcanti
|
2
|
6%
|
0
|
0%
|
|
161
|
Sonnet : From The Italian Of Dante
|
2
|
6%
|
0
|
0%
|
|
162
|
Sonnet : On Launching Some Bottles Filled With Knowledge Into The Bristol Channel
|
2
|
6%
|
0
|
0%
|
|
163
|
Sonnet : To A Balloon Laden With Knowledge
|
2
|
6%
|
0
|
0%
|
|
164
|
Sonnet To Byron
|
2
|
6%
|
0
|
0%
|
|
165
|
Sonnet: England in 1819
|
2
|
6%
|
0
|
0%
|
|
166
|
Sonnet: Lift Not The Painted Veil Which Those Who Live
|
2
|
6%
|
0
|
0%
|
|
167
|
Sonnet: Political Greatness
|
2
|
6%
|
0
|
0%
|
|
168
|
St. Irvyne's Tower
|
2
|
6%
|
0
|
0%
|
|
169
|
Stanza
|
3
|
9%
|
0
|
0%
|
|
170
|
Stanza From A Translation Of The Marseillaise Hymn
|
2
|
6%
|
0
|
0%
|
|
171
|
Stanza, Written At Bracknell
|
1
|
3%
|
0
|
0%
|
|
172
|
Stanzas Written In Dejection Near Naples
|
2
|
6%
|
0
|
0%
|
|
173
|
Stanzas Written in Dejection, Near Naples
|
1
|
3%
|
0
|
0%
|
|
174
|
Stanzas. -- April, 1814
|
1
|
3%
|
0
|
0%
|
|
175
|
Summer And Winter
|
3
|
9%
|
0
|
0%
|
|
176
|
The Aziola
|
3
|
9%
|
0
|
0%
|
|
177
|
The Birth Place of Pleasure
|
1
|
3%
|
0
|
0%
|
|
178
|
The Boat On The Serchio
|
1
|
3%
|
0
|
0%
|
|
179
|
The Cloud
|
3
|
9%
|
0
|
0%
|
|
180
|
The Indian Serenade
|
1
|
3%
|
0
|
0%
|
|
181
|
The Invitation
|
1
|
3%
|
0
|
0%
|
|
182
|
The Irishman's Song
|
1
|
3%
|
0
|
0%
|
|
183
|
The Mask Of Anarchy
|
1
|
3%
|
0
|
0%
|
|
184
|
The Moon
|
2
|
6%
|
0
|
0%
|
|
185
|
The Sunset
|
1
|
3%
|
0
|
0%
|
|
186
|
The Triumph of Life
|
1
|
3%
|
0
|
0%
|
|
187
|
The Two Spirits: An Allegory
|
1
|
3%
|
0
|
0%
|
|
188
|
The Wandering Jew's Soliloquy
|
1
|
3%
|
0
|
0%
|
|
189
|
The Witch Of Atlas
|
1
|
3%
|
0
|
0%
|
|
190
|
Time
|
2
|
6%
|
0
|
0%
|
|
191
|
Time Long Past
|
1
|
3%
|
0
|
0%
|
|
192
|
To ----
|
1
|
3%
|
0
|
0%
|
|
193
|
To A Skylark
|
4
|
12%
|
0
|
0%
|
|
194
|
To A Star
|
1
|
3%
|
0
|
0%
|
|
195
|
To-- I Fear Thy Kisses, Gentle Maiden
|
1
|
3%
|
0
|
0%
|
|
196
|
To Mary ----
|
3
|
9%
|
0
|
0%
|
|
197
|
To Night
|
1
|
3%
|
0
|
0%
|
|
198
|
To The Men Of England
|
4
|
12%
|
0
|
0%
|
|
199
|
To the Moon
|
2
|
6%
|
0
|
0%
|
|
200
|
To-morrow
|
1
|
3%
|
0
|
0%
|
|
201
|
Wake The Serpent Not
|
1
|
3%
|
0
|
0%
|
|
202
|
War
|
1
|
3%
|
0
|
0%
|
|
203
|
When A Lover Clasps His Fairest
|
3
|
9%
|
0
|
0%
|
|
204
|
When The Lamp Is Shattered
|
1
|
3%
|
0
|
0%
|