|
1
|
A Bridal Song
|
31
|
91%
|
0
|
0%
|
|
2
|
A Dialogue
|
22
|
64%
|
0
|
0%
|
|
3
|
A Dirge
|
16
|
47%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
17
|
50%
|
0
|
0%
|
|
5
|
A Hate-Song
|
28
|
82%
|
0
|
0%
|
|
6
|
A Lament
|
17
|
50%
|
0
|
0%
|
|
7
|
A New National Anthem
|
12
|
35%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
8
|
23%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
9
|
26%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
14
|
41%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
4
|
11%
|
0
|
0%
|
|
12
|
A Widow Bird Sate Mourning For Her Love
|
9
|
26%
|
0
|
0%
|
|
13
|
Adonais
|
12
|
35%
|
0
|
0%
|
|
14
|
Adonais: An Elegy on the Death of John Keats
|
7
|
20%
|
0
|
0%
|
|
15
|
Alastor: or, the Spirit of Solitude
|
8
|
23%
|
0
|
0%
|
|
16
|
An Allegory
|
7
|
20%
|
0
|
0%
|
|
17
|
An Exhortation
|
8
|
23%
|
0
|
0%
|
|
18
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
5
|
14%
|
0
|
0%
|
|
19
|
And like a Dying Lady, Lean and Pale
|
14
|
41%
|
0
|
0%
|
|
20
|
Another Fragment to Music
|
2
|
5%
|
0
|
0%
|
|
21
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
1
|
2%
|
0
|
0%
|
|
22
|
Arethusa
|
4
|
11%
|
0
|
0%
|
|
23
|
Art Thou Pale For Weariness
|
12
|
35%
|
0
|
0%
|
|
24
|
Asia: From Prometheus Unbound
|
6
|
17%
|
0
|
0%
|
|
25
|
Autumn: A Dirge
|
8
|
23%
|
0
|
0%
|
|
26
|
Beauty's Halo
|
4
|
11%
|
0
|
0%
|
|
27
|
Bereavement
|
2
|
5%
|
0
|
0%
|
|
28
|
Bigotry's Victim
|
3
|
8%
|
0
|
0%
|
|
29
|
Buona Notte
|
5
|
14%
|
0
|
0%
|
|
30
|
Chorus from Hellas
|
4
|
11%
|
0
|
0%
|
|
31
|
Death
|
16
|
47%
|
0
|
0%
|
|
32
|
Death In Life
|
14
|
41%
|
0
|
0%
|
|
33
|
Death Is Here And Death Is There
|
9
|
26%
|
0
|
0%
|
|
34
|
Despair
|
10
|
29%
|
0
|
0%
|
|
35
|
England in 1819
|
11
|
32%
|
0
|
0%
|
|
36
|
Epigram I: To Stella
|
1
|
2%
|
0
|
0%
|
|
37
|
Epigram II: Kissing Helena
|
4
|
11%
|
0
|
0%
|
|
38
|
Epigram IV: Circumstance
|
1
|
2%
|
0
|
0%
|
|
39
|
Epipsychidion (excerpt)
|
1
|
2%
|
0
|
0%
|
|
40
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
2
|
5%
|
0
|
0%
|
|
41
|
Epitaph
|
2
|
5%
|
0
|
0%
|
|
42
|
Epithalamium
|
3
|
8%
|
0
|
0%
|
|
43
|
Epithalamium : Another Version
|
1
|
2%
|
0
|
0%
|
|
44
|
Evening. To Harriet
|
3
|
8%
|
0
|
0%
|
|
45
|
Evening: Ponte Al Mare, Pisa
|
1
|
2%
|
0
|
0%
|
|
46
|
Eyes : A Fragment
|
5
|
14%
|
0
|
0%
|
|
47
|
Faint With Love, The Lady Of The South
|
2
|
5%
|
0
|
0%
|
|
48
|
Feelings Of A Republican On The Fall Of Bonaparte
|
3
|
8%
|
0
|
0%
|
|
49
|
Fiordispina
|
1
|
2%
|
0
|
0%
|
|
50
|
Fragment : What Mary Is When She A Little Smiles
|
2
|
5%
|
0
|
0%
|
|
51
|
Fragment From The Wandering Jew
|
1
|
2%
|
0
|
0%
|
|
52
|
Fragment Of A Ghost Story
|
4
|
11%
|
0
|
0%
|
|
53
|
Fragment Of A Satire On Satire
|
2
|
5%
|
0
|
0%
|
|
54
|
Fragment Of A Sonnet : To Harriet
|
2
|
5%
|
0
|
0%
|
|
55
|
Fragment Of A Sonnet. Farewell To North Devon
|
2
|
5%
|
0
|
0%
|
|
56
|
fragment: "To the Moon"
|
4
|
11%
|
0
|
0%
|
|
57
|
Fragment: A Gentle Story Of Two Lovers Young
|
1
|
2%
|
0
|
0%
|
|
58
|
Fragment: A Wanderer
|
1
|
2%
|
0
|
0%
|
|
59
|
Fragment: Great Spirit
|
2
|
5%
|
0
|
0%
|
|
60
|
Fragment: Home
|
1
|
2%
|
0
|
0%
|
|
61
|
Fragment: Love The Universe To-Day
|
3
|
8%
|
0
|
0%
|
|
62
|
Fragment: Satan Broken Loose
|
1
|
2%
|
0
|
0%
|
|
63
|
Fragment: The Lake's Margin
|
1
|
2%
|
0
|
0%
|
|
64
|
Fragment: Thoughts Come And Go In Solitude
|
2
|
5%
|
0
|
0%
|
|
65
|
Fragment: Yes! All Is Past
|
2
|
5%
|
0
|
0%
|
|
66
|
Fragments Written For Hellas
|
1
|
2%
|
0
|
0%
|
|
67
|
From the Arabic, an Imitation
|
2
|
5%
|
0
|
0%
|
|
68
|
Good-Night
|
18
|
52%
|
0
|
0%
|
|
69
|
Here I sit with my paper…
|
6
|
17%
|
0
|
0%
|
|
70
|
Homer's Hymn To Castor And Pollux
|
1
|
2%
|
0
|
0%
|
|
71
|
Homer's Hymn To Minerva
|
1
|
2%
|
0
|
0%
|
|
72
|
Homer's Hymn To The Moon
|
1
|
2%
|
0
|
0%
|
|
73
|
Homer's Hymn To The Sun
|
2
|
5%
|
0
|
0%
|
|
74
|
I Arise from Dreams of Thee
|
5
|
14%
|
0
|
0%
|
|
75
|
I Faint, I Perish With My Love!
|
1
|
2%
|
0
|
0%
|
|
76
|
I Would Not Be A King
|
2
|
5%
|
0
|
0%
|
|
77
|
Invocation To Misery
|
2
|
5%
|
0
|
0%
|
|
78
|
Liberty
|
1
|
2%
|
0
|
0%
|
|
79
|
Life Rounded With Sleep
|
1
|
2%
|
0
|
0%
|
|
80
|
Lines
|
3
|
8%
|
0
|
0%
|
|
81
|
Lines -- Far, Far Away, O Ye
|
1
|
2%
|
0
|
0%
|
|
82
|
Lines To A Critic
|
1
|
2%
|
0
|
0%
|
|
83
|
Lines To A Reviewer
|
1
|
2%
|
0
|
0%
|
|
84
|
Lines Written in the Bay of Lerici
|
1
|
2%
|
0
|
0%
|
|
85
|
Lines Written On Hearing The News Of The Death Of Napoleon
|
1
|
2%
|
0
|
0%
|
|
86
|
Love
|
3
|
8%
|
0
|
0%
|
|
87
|
Love, Hope, Desire, And Fear
|
4
|
11%
|
0
|
0%
|
|
88
|
Love's Philosophy
|
34
|
100%
|
0
|
0%
|
|
89
|
Love's Rose
|
6
|
17%
|
0
|
0%
|
|
90
|
Music And Sweet Poetry
|
2
|
5%
|
0
|
0%
|
|
91
|
Music, when soft voices die
|
1
|
2%
|
0
|
0%
|
|
92
|
Mutability
|
3
|
8%
|
0
|
0%
|
|
93
|
Night
|
5
|
14%
|
0
|
0%
|
|
94
|
O That A Chariot Of Cloud Were Mine!
|
1
|
2%
|
0
|
0%
|
|
95
|
O Thou Immortal Deity
|
1
|
2%
|
0
|
0%
|
|
96
|
Ode To Heaven
|
5
|
14%
|
0
|
0%
|
|
97
|
Ode To Liberty
|
5
|
14%
|
0
|
0%
|
|
98
|
Ode to the West Wind
|
4
|
11%
|
0
|
0%
|
|
99
|
On Death
|
4
|
11%
|
0
|
0%
|
|
100
|
On The Medusa Of Leonardo da Vinci In The Florentine Gallery
|
2
|
5%
|
0
|
0%
|
|
101
|
Orpheus
|
2
|
5%
|
0
|
0%
|
|
102
|
Ozymandias
|
20
|
58%
|
0
|
0%
|
|
103
|
Passage Of The Apennines
|
2
|
5%
|
0
|
0%
|
|
104
|
Pater Omnipotens
|
1
|
2%
|
0
|
0%
|
|
105
|
Prometheus Unbound: Act I (excerpt)
|
1
|
2%
|
0
|
0%
|
|
106
|
Queen Mab: Part I.
|
4
|
11%
|
0
|
0%
|
|
107
|
Queen Mab: Part II.
|
1
|
2%
|
0
|
0%
|
|
108
|
Queen Mab: Part III.
|
1
|
2%
|
0
|
0%
|
|
109
|
Queen Mab: Part IV.
|
2
|
5%
|
0
|
0%
|
|
110
|
Queen Mab: Part IX.
|
2
|
5%
|
0
|
0%
|
|
111
|
Queen Mab: Part V.
|
1
|
2%
|
0
|
0%
|
|
112
|
Queen Mab: Part VI (excerpts)
|
1
|
2%
|
0
|
0%
|
|
113
|
Remembrance
|
6
|
17%
|
0
|
0%
|
|
114
|
Remorse
|
2
|
5%
|
0
|
0%
|
|
115
|
Revenge
|
2
|
5%
|
0
|
0%
|
|
116
|
Rome And Nature
|
1
|
2%
|
0
|
0%
|
|
117
|
Song
|
1
|
2%
|
0
|
0%
|
|
118
|
Song Of Proserpine While Gathering Flowers On The Plain Of Enna
|
1
|
2%
|
0
|
0%
|
|
119
|
Song. Come Harriet! Sweet Is The Hour
|
1
|
2%
|
0
|
0%
|
|
120
|
Song. To -- [Harriet]
|
2
|
5%
|
0
|
0%
|
|
121
|
Song. Despair
|
1
|
2%
|
0
|
0%
|
|
122
|
Song. Hope
|
1
|
2%
|
0
|
0%
|
|
123
|
Song: Rarely, rarely, comest thou
|
1
|
2%
|
0
|
0%
|
|
124
|
Sonnet : To A Balloon Laden With Knowledge
|
1
|
2%
|
0
|
0%
|
|
125
|
Sonnet To Byron
|
3
|
8%
|
0
|
0%
|
|
126
|
Sonnet: England in 1819
|
1
|
2%
|
0
|
0%
|
|
127
|
Sonnet: Lift Not The Painted Veil Which Those Who Live
|
6
|
17%
|
0
|
0%
|
|
128
|
Stanza
|
3
|
8%
|
0
|
0%
|
|
129
|
Stanza From A Translation Of The Marseillaise Hymn
|
4
|
11%
|
0
|
0%
|
|
130
|
Summer And Winter
|
1
|
2%
|
0
|
0%
|
|
131
|
The Birth Place of Pleasure
|
2
|
5%
|
0
|
0%
|
|
132
|
The Boat On The Serchio
|
1
|
2%
|
0
|
0%
|
|
133
|
The Cenci : A Tragedy In Five Acts
|
1
|
2%
|
0
|
0%
|
|
134
|
The Cloud
|
14
|
41%
|
0
|
0%
|
|
135
|
The Death Knell Is Ringing
|
1
|
2%
|
0
|
0%
|
|
136
|
The Deserts Of Dim Sleep
|
2
|
5%
|
0
|
0%
|
|
137
|
The Drowned Lover
|
3
|
8%
|
0
|
0%
|
|
138
|
The Fugitives
|
1
|
2%
|
0
|
0%
|
|
139
|
The Mask Of Anarchy
|
3
|
8%
|
0
|
0%
|
|
140
|
The Moon
|
2
|
5%
|
0
|
0%
|
|
141
|
The Past
|
2
|
5%
|
0
|
0%
|
|
142
|
The Sensitive Plant
|
1
|
2%
|
0
|
0%
|
|
143
|
The Sepulchre Of Memory
|
2
|
5%
|
0
|
0%
|
|
144
|
The Solitary
|
1
|
2%
|
0
|
0%
|
|
145
|
The Spectral Horseman
|
1
|
2%
|
0
|
0%
|
|
146
|
The Sunset
|
1
|
2%
|
0
|
0%
|
|
147
|
The Triumph of Life
|
1
|
2%
|
0
|
0%
|
|
148
|
The Two Spirits: An Allegory
|
2
|
5%
|
0
|
0%
|
|
149
|
The Viewless And Invisible Consequence
|
1
|
2%
|
0
|
0%
|
|
150
|
The Waning Moon
|
1
|
2%
|
0
|
0%
|
|
151
|
The Waning Moon
|
1
|
2%
|
0
|
0%
|
|
152
|
The Woodman And The Nightingale
|
1
|
2%
|
0
|
0%
|
|
153
|
Time
|
1
|
2%
|
0
|
0%
|
|
154
|
Time Long Past
|
5
|
14%
|
0
|
0%
|
|
155
|
To ----
|
1
|
2%
|
0
|
0%
|
|
156
|
To A Lady, With A Guitar
|
1
|
2%
|
0
|
0%
|
|
157
|
To A Skylark
|
3
|
8%
|
0
|
0%
|
|
158
|
To A Star
|
1
|
2%
|
0
|
0%
|
|
159
|
To Death
|
1
|
2%
|
0
|
0%
|
|
160
|
To Harriet
|
3
|
8%
|
0
|
0%
|
|
161
|
To Harriet -- It Is Not Blasphemy To Hope That Heaven
|
2
|
5%
|
0
|
0%
|
|
162
|
To-- I Fear Thy Kisses, Gentle Maiden
|
1
|
2%
|
0
|
0%
|
|
163
|
To Jane: The Recollection
|
1
|
2%
|
0
|
0%
|
|
164
|
To Mary ----
|
1
|
2%
|
0
|
0%
|
|
165
|
To Night
|
1
|
2%
|
0
|
0%
|
|
166
|
To The Men Of England
|
2
|
5%
|
0
|
0%
|
|
167
|
To the Moon
|
3
|
8%
|
0
|
0%
|
|
168
|
To The Moonbeam
|
1
|
2%
|
0
|
0%
|
|
169
|
To The Queen Of My Heart
|
1
|
2%
|
0
|
0%
|
|
170
|
To The Republicans Of North America
|
1
|
2%
|
0
|
0%
|
|
171
|
To-- Yet look on me
|
1
|
2%
|
0
|
0%
|
|
172
|
War
|
2
|
5%
|
0
|
0%
|
|
173
|
With A Guitar, To Jane
|
1
|
2%
|
0
|
0%
|
|
174
|
Written At Bracknell
|
1
|
2%
|
0
|
0%
|
|
175
|
Zephyrus The Awakener
|
1
|
2%
|
0
|
0%
|