|
1
|
A Bridal Song
|
63
|
69%
|
0
|
0%
|
|
2
|
A Dialogue
|
30
|
32%
|
0
|
0%
|
|
3
|
A Dirge
|
30
|
32%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
23
|
25%
|
0
|
0%
|
|
5
|
A Hate-Song
|
39
|
42%
|
0
|
0%
|
|
6
|
A Lament
|
37
|
40%
|
0
|
0%
|
|
7
|
A New National Anthem
|
15
|
16%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
18
|
19%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
30
|
32%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
15
|
16%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
15
|
16%
|
0
|
0%
|
|
12
|
Adonais
|
25
|
27%
|
0
|
0%
|
|
13
|
Alas! This Is Not What I Thought Life Was
|
32
|
35%
|
0
|
0%
|
|
14
|
Alastor: or, the Spirit of Solitude
|
15
|
16%
|
0
|
0%
|
|
15
|
An Allegory
|
7
|
7%
|
0
|
0%
|
|
16
|
An Exhortation
|
3
|
3%
|
0
|
0%
|
|
17
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
2
|
2%
|
0
|
0%
|
|
18
|
And like a Dying Lady, Lean and Pale
|
13
|
14%
|
0
|
0%
|
|
19
|
And That I Walk Thus Proudly Crowned Withal
|
2
|
2%
|
0
|
0%
|
|
20
|
Another Fragment to Music
|
5
|
5%
|
0
|
0%
|
|
21
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
4
|
4%
|
0
|
0%
|
|
22
|
Arethusa
|
3
|
3%
|
0
|
0%
|
|
23
|
Art Thou Pale For Weariness
|
6
|
6%
|
0
|
0%
|
|
24
|
Asia: From Prometheus Unbound
|
4
|
4%
|
0
|
0%
|
|
25
|
Autumn: A Dirge
|
1
|
1%
|
0
|
0%
|
|
26
|
Beauty's Halo
|
5
|
5%
|
0
|
0%
|
|
27
|
Bereavement
|
1
|
1%
|
0
|
0%
|
|
28
|
Bigotry's Victim
|
3
|
3%
|
0
|
0%
|
|
29
|
Buona Notte
|
1
|
1%
|
0
|
0%
|
|
30
|
Chorus from Hellas
|
2
|
2%
|
0
|
0%
|
|
31
|
Death
|
9
|
9%
|
0
|
0%
|
|
32
|
Death In Life
|
7
|
7%
|
0
|
0%
|
|
33
|
Death Is Here And Death Is There
|
13
|
14%
|
0
|
0%
|
|
34
|
Despair
|
9
|
9%
|
0
|
0%
|
|
35
|
Dirge For The Year
|
1
|
1%
|
0
|
0%
|
|
36
|
England in 1819
|
23
|
25%
|
0
|
0%
|
|
37
|
Epigram I: To Stella
|
2
|
2%
|
0
|
0%
|
|
38
|
Epigram II: Kissing Helena
|
4
|
4%
|
0
|
0%
|
|
39
|
Epipsychidion (excerpt)
|
1
|
1%
|
0
|
0%
|
|
40
|
Epitaph
|
2
|
2%
|
0
|
0%
|
|
41
|
Epithalamium
|
1
|
1%
|
0
|
0%
|
|
42
|
Evening. To Harriet
|
1
|
1%
|
0
|
0%
|
|
43
|
Evening: Ponte Al Mare, Pisa
|
1
|
1%
|
0
|
0%
|
|
44
|
Faint With Love, The Lady Of The South
|
1
|
1%
|
0
|
0%
|
|
45
|
Fragment : What Mary Is When She A Little Smiles
|
1
|
1%
|
0
|
0%
|
|
46
|
Fragment Of A Ghost Story
|
1
|
1%
|
0
|
0%
|
|
47
|
fragment: "To the Moon"
|
3
|
3%
|
0
|
0%
|
|
48
|
Fragment: A Gentle Story Of Two Lovers Young
|
3
|
3%
|
0
|
0%
|
|
49
|
Fragment: A Wanderer
|
2
|
2%
|
0
|
0%
|
|
50
|
Fragment: Great Spirit
|
1
|
1%
|
0
|
0%
|
|
51
|
Fragment: Love The Universe To-Day
|
1
|
1%
|
0
|
0%
|
|
52
|
Fragment: Omens
|
2
|
2%
|
0
|
0%
|
|
53
|
Fragment: Sufficient Unto The Day
|
1
|
1%
|
0
|
0%
|
|
54
|
Fragment: There Is A Warm And Gentle Atmosphere
|
1
|
1%
|
0
|
0%
|
|
55
|
Fragment: Thoughts Come And Go In Solitude
|
1
|
1%
|
0
|
0%
|
|
56
|
Fragments Of An Unfinished Drama
|
1
|
1%
|
0
|
0%
|
|
57
|
From "Adonais," 49-52
|
1
|
1%
|
0
|
0%
|
|
58
|
FromThe Arabic: An Imitation
|
1
|
1%
|
0
|
0%
|
|
59
|
Ghasta Or, The Avenging Demon!!!
|
2
|
2%
|
0
|
0%
|
|
60
|
Ginevra
|
6
|
6%
|
0
|
0%
|
|
61
|
Good-Night
|
25
|
27%
|
0
|
0%
|
|
62
|
Here I sit with my paper…
|
2
|
2%
|
0
|
0%
|
|
63
|
Homer's Hymn To The Earth: Mother Of All
|
2
|
2%
|
0
|
0%
|
|
64
|
Homer's Hymn To The Sun
|
1
|
1%
|
0
|
0%
|
|
65
|
Hymn of Apollo
|
1
|
1%
|
0
|
0%
|
|
66
|
Hymn Of Pan
|
1
|
1%
|
0
|
0%
|
|
67
|
Hymn to Intellectual Beauty
|
2
|
2%
|
0
|
0%
|
|
68
|
I Arise from Dreams of Thee
|
3
|
3%
|
0
|
0%
|
|
69
|
I Stood Upon A Heaven-cleaving Turret
|
2
|
2%
|
0
|
0%
|
|
70
|
I Would Not Be A King
|
1
|
1%
|
0
|
0%
|
|
71
|
Invocation
|
2
|
2%
|
0
|
0%
|
|
72
|
Invocation To Misery
|
1
|
1%
|
0
|
0%
|
|
73
|
Julian and Maddalo (excerpt)
|
1
|
1%
|
0
|
0%
|
|
74
|
Liberty
|
5
|
5%
|
0
|
0%
|
|
75
|
Lift Not The Painted Veil Which Those Who Live
|
1
|
1%
|
0
|
0%
|
|
76
|
Lines
|
2
|
2%
|
0
|
0%
|
|
77
|
Lines To A Critic
|
5
|
5%
|
0
|
0%
|
|
78
|
Lines To A Reviewer
|
1
|
1%
|
0
|
0%
|
|
79
|
Lines: That time is dead for ever, child!
|
1
|
1%
|
0
|
0%
|
|
80
|
Lines: The cold earth slept below
|
1
|
1%
|
0
|
0%
|
|
81
|
Love
|
4
|
4%
|
0
|
0%
|
|
82
|
Love, Hope, Desire, And Fear
|
2
|
2%
|
0
|
0%
|
|
83
|
Love's Philosophy
|
60
|
65%
|
0
|
0%
|
|
84
|
Love's Rose
|
7
|
7%
|
0
|
0%
|
|
85
|
Marianne's Dream
|
1
|
1%
|
0
|
0%
|
|
86
|
Melody To A Scene Of Former Times
|
1
|
1%
|
0
|
0%
|
|
87
|
Mighty Eagle
|
2
|
2%
|
0
|
0%
|
|
88
|
Mont Blanc: Lines Written in the Vale of Chamouni
|
1
|
1%
|
0
|
0%
|
|
89
|
Music, When Soft Voices Die
|
1
|
1%
|
0
|
0%
|
|
90
|
Music, when soft voices die
|
1
|
1%
|
0
|
0%
|
|
91
|
Mutability
|
53
|
58%
|
0
|
0%
|
|
92
|
Mutability - II.
|
2
|
2%
|
0
|
0%
|
|
93
|
Night
|
3
|
3%
|
0
|
0%
|
|
94
|
O That A Chariot Of Cloud Were Mine!
|
1
|
1%
|
0
|
0%
|
|
95
|
Ode To Heaven
|
2
|
2%
|
0
|
0%
|
|
96
|
Ode To Liberty
|
7
|
7%
|
0
|
0%
|
|
97
|
Ode to the West Wind
|
20
|
21%
|
0
|
0%
|
|
98
|
On Death
|
1
|
1%
|
0
|
0%
|
|
99
|
On The Medusa Of Leonardo da Vinci In The Florentine Gallery
|
1
|
1%
|
0
|
0%
|
|
100
|
One Word Is Too Often Profaned
|
1
|
1%
|
0
|
0%
|
|
101
|
Orpheus
|
1
|
1%
|
0
|
0%
|
|
102
|
Ozymandias
|
91
|
100%
|
0
|
0%
|
|
103
|
Prince Athanase
|
1
|
1%
|
0
|
0%
|
|
104
|
Queen Mab: Part I.
|
1
|
1%
|
0
|
0%
|
|
105
|
Queen Mab: Part IV.
|
1
|
1%
|
0
|
0%
|
|
106
|
Queen Mab: Part IX.
|
1
|
1%
|
0
|
0%
|
|
107
|
Remembrance
|
2
|
2%
|
0
|
0%
|
|
108
|
Revenge
|
5
|
5%
|
0
|
0%
|
|
109
|
Rosalind and Helen: a Modern Eclogue
|
1
|
1%
|
0
|
0%
|
|
110
|
Song
|
2
|
2%
|
0
|
0%
|
|
111
|
Song. Translated From The Italian
|
1
|
1%
|
0
|
0%
|
|
112
|
Sonnet: England in 1819
|
1
|
1%
|
0
|
0%
|
|
113
|
The Birth Place of Pleasure
|
2
|
2%
|
0
|
0%
|
|
114
|
The Cloud
|
18
|
19%
|
0
|
0%
|
|
115
|
The Cyclops
|
1
|
1%
|
0
|
0%
|
|
116
|
The Invitation
|
1
|
1%
|
0
|
0%
|
|
117
|
The Isle
|
1
|
1%
|
0
|
0%
|
|
118
|
The Mask Of Anarchy
|
1
|
1%
|
0
|
0%
|
|
119
|
The Moon
|
1
|
1%
|
0
|
0%
|
|
120
|
The Past
|
3
|
3%
|
0
|
0%
|
|
121
|
The Sunset
|
1
|
1%
|
0
|
0%
|
|
122
|
The Triumph of Life
|
8
|
8%
|
0
|
0%
|
|
123
|
The Waning Moon
|
4
|
4%
|
0
|
0%
|
|
124
|
The Witch Of Atlas
|
2
|
2%
|
0
|
0%
|
|
125
|
Time
|
5
|
5%
|
0
|
0%
|
|
126
|
Time Long Past
|
2
|
2%
|
0
|
0%
|
|
127
|
To ----
|
1
|
1%
|
0
|
0%
|
|
128
|
To A Skylark
|
6
|
6%
|
0
|
0%
|
|
129
|
To A Star
|
1
|
1%
|
0
|
0%
|
|
130
|
To Coleridge
|
1
|
1%
|
0
|
0%
|
|
131
|
To Edward Williams
|
1
|
1%
|
0
|
0%
|
|
132
|
To Harriet -- It Is Not Blasphemy To Hope That Heaven
|
1
|
1%
|
0
|
0%
|
|
133
|
To Ianthe
|
1
|
1%
|
0
|
0%
|
|
134
|
To Ireland
|
2
|
2%
|
0
|
0%
|
|
135
|
To Italy
|
1
|
1%
|
0
|
0%
|
|
136
|
To Jane: The Keen Stars Were Twinkling
|
1
|
1%
|
0
|
0%
|
|
137
|
To Mary
|
2
|
2%
|
0
|
0%
|
|
138
|
To Mary ----
|
1
|
1%
|
0
|
0%
|
|
139
|
To Mary Shelley
|
1
|
1%
|
0
|
0%
|
|
140
|
To Mary Wollstonecraft Godwin
|
1
|
1%
|
0
|
0%
|
|
141
|
To Night
|
1
|
1%
|
0
|
0%
|
|
142
|
To The Men Of England
|
4
|
4%
|
0
|
0%
|
|
143
|
To The Mind Of Man
|
1
|
1%
|
0
|
0%
|
|
144
|
To the Moon
|
5
|
5%
|
0
|
0%
|
|
145
|
To The Nile
|
1
|
1%
|
0
|
0%
|
|
146
|
To The Queen Of My Heart
|
1
|
1%
|
0
|
0%
|
|
147
|
To The Republicans Of North America
|
1
|
1%
|
0
|
0%
|
|
148
|
To William Shelley.
|
1
|
1%
|
0
|
0%
|
|
149
|
To Wordsworth
|
1
|
1%
|
0
|
0%
|
|
150
|
Wake The Serpent Not
|
1
|
1%
|
0
|
0%
|
|
151
|
War
|
3
|
3%
|
0
|
0%
|
|
152
|
When A Lover Clasps His Fairest
|
1
|
1%
|
0
|
0%
|
|
153
|
When The Lamp Is Shattered
|
1
|
1%
|
0
|
0%
|
|
154
|
Wine Of The Fairies
|
1
|
1%
|
0
|
0%
|
|
155
|
With A Guitar, To Jane
|
1
|
1%
|
0
|
0%
|
|
156
|
Zephyrus The Awakener
|
1
|
1%
|
0
|
0%
|