|
1
|
A Bridal Song
|
94
|
86%
|
0
|
0%
|
|
2
|
A Dialogue
|
49
|
44%
|
0
|
0%
|
|
3
|
A Dirge
|
28
|
25%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
40
|
36%
|
0
|
0%
|
|
5
|
A Hate-Song
|
59
|
54%
|
0
|
0%
|
|
6
|
A Lament
|
52
|
47%
|
0
|
0%
|
|
7
|
A New National Anthem
|
47
|
43%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
33
|
30%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
30
|
27%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
27
|
24%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
12
|
11%
|
0
|
0%
|
|
12
|
A Widow Bird Sate Mourning For Her Love
|
38
|
34%
|
0
|
0%
|
|
13
|
Adonais
|
36
|
33%
|
0
|
0%
|
|
14
|
Adonais: An Elegy on the Death of John Keats
|
24
|
22%
|
0
|
0%
|
|
15
|
Alastor: or, the Spirit of Solitude
|
23
|
21%
|
0
|
0%
|
|
16
|
An Allegory
|
28
|
25%
|
0
|
0%
|
|
17
|
An Exhortation
|
12
|
11%
|
0
|
0%
|
|
18
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
15
|
13%
|
0
|
0%
|
|
19
|
And like a Dying Lady, Lean and Pale
|
36
|
33%
|
0
|
0%
|
|
20
|
And That I Walk Thus Proudly Crowned Withal
|
7
|
6%
|
0
|
0%
|
|
21
|
Another Fragment to Music
|
12
|
11%
|
0
|
0%
|
|
22
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
6
|
5%
|
0
|
0%
|
|
23
|
Arethusa
|
11
|
10%
|
0
|
0%
|
|
24
|
Art Thou Pale For Weariness
|
20
|
18%
|
0
|
0%
|
|
25
|
Asia: From Prometheus Unbound
|
13
|
11%
|
0
|
0%
|
|
26
|
Autumn: A Dirge
|
39
|
35%
|
0
|
0%
|
|
27
|
Beauty's Halo
|
17
|
15%
|
0
|
0%
|
|
28
|
Bereavement
|
13
|
11%
|
0
|
0%
|
|
29
|
Bigotry's Victim
|
5
|
4%
|
0
|
0%
|
|
30
|
Buona Notte
|
4
|
3%
|
0
|
0%
|
|
31
|
Chorus from Hellas
|
13
|
11%
|
0
|
0%
|
|
32
|
Death
|
25
|
22%
|
0
|
0%
|
|
33
|
Death In Life
|
26
|
23%
|
0
|
0%
|
|
34
|
Death Is Here And Death Is There
|
14
|
12%
|
0
|
0%
|
|
35
|
Despair
|
13
|
11%
|
0
|
0%
|
|
36
|
Dirge For The Year
|
5
|
4%
|
0
|
0%
|
|
37
|
England in 1819
|
77
|
70%
|
0
|
0%
|
|
38
|
English In 1819
|
4
|
3%
|
0
|
0%
|
|
39
|
Epigram I: To Stella
|
8
|
7%
|
0
|
0%
|
|
40
|
Epigram II: Kissing Helena
|
10
|
9%
|
0
|
0%
|
|
41
|
Epigram III: Spirit of Plato
|
4
|
3%
|
0
|
0%
|
|
42
|
Epigram IV: Circumstance
|
5
|
4%
|
0
|
0%
|
|
43
|
Epipsychidion (excerpt)
|
4
|
3%
|
0
|
0%
|
|
44
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
6
|
5%
|
0
|
0%
|
|
45
|
Epitaph
|
6
|
5%
|
0
|
0%
|
|
46
|
Epithalamium
|
7
|
6%
|
0
|
0%
|
|
47
|
Epithalamium : Another Version
|
3
|
2%
|
0
|
0%
|
|
48
|
Evening. To Harriet
|
7
|
6%
|
0
|
0%
|
|
49
|
Evening: Ponte Al Mare, Pisa
|
3
|
2%
|
0
|
0%
|
|
50
|
Eyes : A Fragment
|
16
|
14%
|
0
|
0%
|
|
51
|
Faint With Love, The Lady Of The South
|
13
|
11%
|
0
|
0%
|
|
52
|
Feelings Of A Republican On The Fall Of Bonaparte
|
2
|
1%
|
0
|
0%
|
|
53
|
Fiordispina
|
4
|
3%
|
0
|
0%
|
|
54
|
Fragment : What Mary Is When She A Little Smiles
|
11
|
10%
|
0
|
0%
|
|
55
|
Fragment From The Wandering Jew
|
3
|
2%
|
0
|
0%
|
|
56
|
Fragment Of A Ghost Story
|
9
|
8%
|
0
|
0%
|
|
57
|
Fragment Of A Satire On Satire
|
3
|
2%
|
0
|
0%
|
|
58
|
Fragment Of A Sonnet : To Harriet
|
5
|
4%
|
0
|
0%
|
|
59
|
Fragment Of A Sonnet. Farewell To North Devon
|
2
|
1%
|
0
|
0%
|
|
60
|
Fragment Of The Elegy On The Death Of Bion
|
2
|
1%
|
0
|
0%
|
|
61
|
Fragment, Or The Triumph Of Conscience
|
2
|
1%
|
0
|
0%
|
|
62
|
fragment: "To the Moon"
|
7
|
6%
|
0
|
0%
|
|
63
|
Fragment: A Gentle Story Of Two Lovers Young
|
4
|
3%
|
0
|
0%
|
|
64
|
Fragment: A Wanderer
|
4
|
3%
|
0
|
0%
|
|
65
|
Fragment: Amor Aeternus
|
9
|
8%
|
0
|
0%
|
|
66
|
Fragment: Apostrophe To Silence
|
8
|
7%
|
0
|
0%
|
|
67
|
Fragment: Follow To The Deep Wood's Weeds
|
9
|
8%
|
0
|
0%
|
|
68
|
Fragment: Great Spirit
|
3
|
2%
|
0
|
0%
|
|
69
|
Fragment: Home
|
6
|
5%
|
0
|
0%
|
|
70
|
Fragment: Igniculus Desiderii
|
8
|
7%
|
0
|
0%
|
|
71
|
Fragment: Is It That In Some Brighter Sphere
|
8
|
7%
|
0
|
0%
|
|
72
|
Fragment: Love The Universe To-Day
|
9
|
8%
|
0
|
0%
|
|
73
|
Fragment: Milton's Spirit
|
5
|
4%
|
0
|
0%
|
|
74
|
Fragment: My Head Is Wild With Weeping
|
5
|
4%
|
0
|
0%
|
|
75
|
Fragment: Omens
|
7
|
6%
|
0
|
0%
|
|
76
|
Fragment: Satan Broken Loose
|
6
|
5%
|
0
|
0%
|
|
77
|
Fragment: Such Hope, As Is The Sick Despair Of Good
|
7
|
6%
|
0
|
0%
|
|
78
|
Fragment: Sufficient Unto The Day
|
11
|
10%
|
0
|
0%
|
|
79
|
Fragment: The Lake's Margin
|
6
|
5%
|
0
|
0%
|
|
80
|
Fragment: The Vine-Shroud
|
2
|
1%
|
0
|
0%
|
|
81
|
Fragment: There Is A Warm And Gentle Atmosphere
|
3
|
2%
|
0
|
0%
|
|
82
|
Fragment: Thoughts Come And Go In Solitude
|
5
|
4%
|
0
|
0%
|
|
83
|
Fragment: To A Friend Released From Prison
|
3
|
2%
|
0
|
0%
|
|
84
|
Fragment: To Byron
|
7
|
6%
|
0
|
0%
|
|
85
|
Fragment: To One Singing
|
4
|
3%
|
0
|
0%
|
|
86
|
Fragment: To The People Of England
|
3
|
2%
|
0
|
0%
|
|
87
|
Fragment: Wedded Souls
|
8
|
7%
|
0
|
0%
|
|
88
|
Fragment: What Men Gain Fairly
|
3
|
2%
|
0
|
0%
|
|
89
|
Fragment: Ye Gentle Visitations Of Calm Thought
|
5
|
4%
|
0
|
0%
|
|
90
|
Fragment: Yes! All Is Past
|
5
|
4%
|
0
|
0%
|
|
91
|
Fragments Of An Unfinished Drama
|
6
|
5%
|
0
|
0%
|
|
92
|
Fragments Supposed To Be Parts Of Otho
|
5
|
4%
|
0
|
0%
|
|
93
|
Fragments Written For Hellas
|
5
|
4%
|
0
|
0%
|
|
94
|
From "Adonais," 49-52
|
5
|
4%
|
0
|
0%
|
|
95
|
From the Arabic, an Imitation
|
6
|
5%
|
0
|
0%
|
|
96
|
From The Greek Of Moschus
|
5
|
4%
|
0
|
0%
|
|
97
|
From The Greek Of Moschus : Pan Loved His Neighbour Echo
|
4
|
3%
|
0
|
0%
|
|
98
|
From The Original Draft Of The Poem To William Shelley
|
6
|
5%
|
0
|
0%
|
|
99
|
From Vergil's Fourth Georgic
|
4
|
3%
|
0
|
0%
|
|
100
|
From Vergil's Tenth Eclogue
|
5
|
4%
|
0
|
0%
|
|
101
|
FromThe Arabic: An Imitation
|
3
|
2%
|
0
|
0%
|
|
102
|
Ghasta Or, The Avenging Demon!!!
|
5
|
4%
|
0
|
0%
|
|
103
|
Ginevra
|
5
|
4%
|
0
|
0%
|
|
104
|
Good-Night
|
31
|
28%
|
0
|
0%
|
|
105
|
Hellas
|
9
|
8%
|
0
|
0%
|
|
106
|
Here I sit with my paper…
|
8
|
7%
|
0
|
0%
|
|
107
|
Homer's Hymn To Castor And Pollux
|
5
|
4%
|
0
|
0%
|
|
108
|
Homer's Hymn To Minerva
|
7
|
6%
|
0
|
0%
|
|
109
|
Homer's Hymn To The Earth: Mother Of All
|
6
|
5%
|
0
|
0%
|
|
110
|
Homer's Hymn To The Moon
|
5
|
4%
|
0
|
0%
|
|
111
|
Homer's Hymn To The Sun
|
4
|
3%
|
0
|
0%
|
|
112
|
Homer's Hymn To Venus
|
10
|
9%
|
0
|
0%
|
|
113
|
Hymn of Apollo
|
3
|
2%
|
0
|
0%
|
|
114
|
Hymn Of Pan
|
4
|
3%
|
0
|
0%
|
|
115
|
Hymn to Intellectual Beauty
|
11
|
10%
|
0
|
0%
|
|
116
|
Hymn to Intellectual Beauty
|
3
|
2%
|
0
|
0%
|
|
117
|
I Arise from Dreams of Thee
|
22
|
20%
|
0
|
0%
|
|
118
|
I Faint, I Perish With My Love!
|
8
|
7%
|
0
|
0%
|
|
119
|
I Stood Upon A Heaven-cleaving Turret
|
5
|
4%
|
0
|
0%
|
|
120
|
I Would Not Be A King
|
15
|
13%
|
0
|
0%
|
|
121
|
In Horologium
|
5
|
4%
|
0
|
0%
|
|
122
|
Invocation
|
11
|
10%
|
0
|
0%
|
|
123
|
Invocation To Misery
|
6
|
5%
|
0
|
0%
|
|
124
|
Julian and Maddalo (excerpt)
|
5
|
4%
|
0
|
0%
|
|
125
|
Letter To Maria Gisborne
|
2
|
1%
|
0
|
0%
|
|
126
|
Liberty
|
11
|
10%
|
0
|
0%
|
|
127
|
Life Rounded With Sleep
|
3
|
2%
|
0
|
0%
|
|
128
|
Lift Not The Painted Veil Which Those Who Live
|
20
|
18%
|
0
|
0%
|
|
129
|
Lines
|
4
|
3%
|
0
|
0%
|
|
130
|
Lines -- Far, Far Away, O Ye
|
4
|
3%
|
0
|
0%
|
|
131
|
Lines To A Critic
|
2
|
1%
|
0
|
0%
|
|
132
|
Lines To A Reviewer
|
4
|
3%
|
0
|
0%
|
|
133
|
Lines Written Among The Euganean Hills
|
3
|
2%
|
0
|
0%
|
|
134
|
Lines Written During The Castlereagh Administration
|
4
|
3%
|
0
|
0%
|
|
135
|
Lines Written in the Bay of Lerici
|
2
|
1%
|
0
|
0%
|
|
136
|
Lines Written On Hearing The News Of The Death Of Napoleon
|
5
|
4%
|
0
|
0%
|
|
137
|
Lines: That time is dead for ever, child!
|
8
|
7%
|
0
|
0%
|
|
138
|
Lines: The cold earth slept below
|
8
|
7%
|
0
|
0%
|
|
139
|
Lines: We Meet Not As We Parted
|
7
|
6%
|
0
|
0%
|
|
140
|
Love
|
22
|
20%
|
0
|
0%
|
|
141
|
Love, Hope, Desire, And Fear
|
24
|
22%
|
0
|
0%
|
|
142
|
Love's Philosophy
|
100
|
91%
|
0
|
0%
|
|
143
|
Love's Rose
|
11
|
10%
|
0
|
0%
|
|
144
|
Marenghi
|
5
|
4%
|
0
|
0%
|
|
145
|
Marianne's Dream
|
6
|
5%
|
0
|
0%
|
|
146
|
Matilda Gathering Flowers
|
3
|
2%
|
0
|
0%
|
|
147
|
May The Limner
|
2
|
1%
|
0
|
0%
|
|
148
|
Melody To A Scene Of Former Times
|
2
|
1%
|
0
|
0%
|
|
149
|
Methought I Was A Billow In The Crowd
|
3
|
2%
|
0
|
0%
|
|
150
|
Mighty Eagle
|
2
|
1%
|
0
|
0%
|
|
151
|
Mont Blanc
|
7
|
6%
|
0
|
0%
|
|
152
|
Mont Blanc: Lines Written in the Vale of Chamouni
|
1
|
0%
|
0
|
0%
|
|
153
|
Music And Sweet Poetry
|
9
|
8%
|
0
|
0%
|
|
154
|
Music, When Soft Voices Die
|
10
|
9%
|
0
|
0%
|
|
155
|
Music, when soft voices die
|
3
|
2%
|
0
|
0%
|
|
156
|
Mutability
|
38
|
34%
|
0
|
0%
|
|
157
|
Mutability - II.
|
5
|
4%
|
0
|
0%
|
|
158
|
Night
|
10
|
9%
|
0
|
0%
|
|
159
|
O That A Chariot Of Cloud Were Mine!
|
3
|
2%
|
0
|
0%
|
|
160
|
O Thou Immortal Deity
|
3
|
2%
|
0
|
0%
|
|
161
|
Ode To Heaven
|
11
|
10%
|
0
|
0%
|
|
162
|
Ode To Liberty
|
9
|
8%
|
0
|
0%
|
|
163
|
Ode to the West Wind
|
54
|
49%
|
0
|
0%
|
|
164
|
On A Dead Violet
|
5
|
4%
|
0
|
0%
|
|
165
|
On A Faded Violet
|
4
|
3%
|
0
|
0%
|
|
166
|
On An Icicle That Clung To The Grass Of A Grave
|
2
|
1%
|
0
|
0%
|
|
167
|
On Death
|
9
|
8%
|
0
|
0%
|
|
168
|
On Keats, Who Desired That On His Tomb Should Be Inscribed--
|
1
|
0%
|
0
|
0%
|
|
169
|
On Robert Emmet's Grave
|
4
|
3%
|
0
|
0%
|
|
170
|
On The Medusa Of Leonardo da Vinci In The Florentine Gallery
|
2
|
1%
|
0
|
0%
|
|
171
|
One Word Is Too Often Profaned
|
12
|
11%
|
0
|
0%
|
|
172
|
Orpheus
|
8
|
7%
|
0
|
0%
|
|
173
|
Otho
|
4
|
3%
|
0
|
0%
|
|
174
|
Ozymandias
|
109
|
100%
|
0
|
0%
|
|
175
|
Passage Of The Apennines
|
4
|
3%
|
0
|
0%
|
|
176
|
Pater Omnipotens
|
5
|
4%
|
0
|
0%
|
|
177
|
Peter Bell The Third
|
2
|
1%
|
0
|
0%
|
|
178
|
Poetical Essay
|
3
|
2%
|
0
|
0%
|
|
179
|
Prince Athanase
|
3
|
2%
|
0
|
0%
|
|
180
|
Prometheus Unbound: Act I (excerpt)
|
7
|
6%
|
0
|
0%
|
|
181
|
Queen Mab: Part I.
|
3
|
2%
|
0
|
0%
|
|
182
|
Queen Mab: Part II.
|
3
|
2%
|
0
|
0%
|
|
183
|
Queen Mab: Part III.
|
4
|
3%
|
0
|
0%
|
|
184
|
Queen Mab: Part IV.
|
2
|
1%
|
0
|
0%
|
|
185
|
Queen Mab: Part IX.
|
2
|
1%
|
0
|
0%
|
|
186
|
Queen Mab: Part V.
|
2
|
1%
|
0
|
0%
|
|
187
|
Queen Mab: Part VI (excerpts)
|
2
|
1%
|
0
|
0%
|
|
188
|
Queen Mab: Part VII.
|
2
|
1%
|
0
|
0%
|
|
189
|
Remembrance
|
7
|
6%
|
0
|
0%
|
|
190
|
Remorse
|
11
|
10%
|
0
|
0%
|
|
191
|
Revenge
|
4
|
3%
|
0
|
0%
|
|
192
|
Rosalind and Helen: a Modern Eclogue
|
1
|
0%
|
0
|
0%
|
|
193
|
Saint Edmond's Eve
|
1
|
0%
|
0
|
0%
|
|
194
|
Similes For Two Political Characters of 1819
|
1
|
0%
|
0
|
0%
|
|
195
|
Song
|
2
|
1%
|
0
|
0%
|
|
196
|
Song For 'Tasso'
|
1
|
0%
|
0
|
0%
|
|
197
|
Song Of Proserpine While Gathering Flowers On The Plain Of Enna
|
1
|
0%
|
0
|
0%
|
|
198
|
Song To The Men Of England
|
13
|
11%
|
0
|
0%
|
|
199
|
Song. Cold, Cold Is The Blast When December Is Howling
|
1
|
0%
|
0
|
0%
|
|
200
|
Song. Come Harriet! Sweet Is The Hour
|
1
|
0%
|
0
|
0%
|
|
201
|
Song. To -- [Harriet]
|
1
|
0%
|
0
|
0%
|
|
202
|
Song. Despair
|
4
|
3%
|
0
|
0%
|
|
203
|
Song. Hope
|
10
|
9%
|
0
|
0%
|
|
204
|
Song. Sorrow
|
2
|
1%
|
0
|
0%
|
|
205
|
Song. Translated From The German
|
1
|
0%
|
0
|
0%
|
|
206
|
Song: Rarely, rarely, comest thou
|
5
|
4%
|
0
|
0%
|
|
207
|
Sonnet -- Ye Hasten To The Grave!
|
1
|
0%
|
0
|
0%
|
|
208
|
Sonnet : On Launching Some Bottles Filled With Knowledge Into The Bristol Channel
|
1
|
0%
|
0
|
0%
|
|
209
|
Sonnet To Byron
|
2
|
1%
|
0
|
0%
|
|
210
|
St. Irvyne's Tower
|
1
|
0%
|
0
|
0%
|
|
211
|
Stanza
|
3
|
2%
|
0
|
0%
|
|
212
|
Stanza From A Translation Of The Marseillaise Hymn
|
1
|
0%
|
0
|
0%
|
|
213
|
Stanzas Written In Dejection Near Naples
|
6
|
5%
|
0
|
0%
|
|
214
|
Stanzas Written in Dejection, Near Naples
|
1
|
0%
|
0
|
0%
|
|
215
|
Stanzas. -- April, 1814
|
1
|
0%
|
0
|
0%
|
|
216
|
Summer And Winter
|
5
|
4%
|
0
|
0%
|
|
217
|
The Aziola
|
1
|
0%
|
0
|
0%
|
|
218
|
The Birth Place of Pleasure
|
2
|
1%
|
0
|
0%
|
|
219
|
The Boat On The Serchio
|
1
|
0%
|
0
|
0%
|
|
220
|
The Cloud
|
41
|
37%
|
0
|
0%
|
|
221
|
The Devil's Walk. A Ballad
|
2
|
1%
|
0
|
0%
|
|
222
|
The Drowned Lover
|
2
|
1%
|
0
|
0%
|
|
223
|
The False Laurel And The True
|
3
|
2%
|
0
|
0%
|
|
224
|
The First Canzone Of The Convito
|
2
|
1%
|
0
|
0%
|
|
225
|
The Fitful Alternations of the Rain
|
2
|
1%
|
0
|
0%
|
|
226
|
The Indian Serenade
|
6
|
5%
|
0
|
0%
|
|
227
|
The Invitation
|
2
|
1%
|
0
|
0%
|
|
228
|
The Irishman's Song
|
6
|
5%
|
0
|
0%
|
|
229
|
The Isle
|
3
|
2%
|
0
|
0%
|
|
230
|
The Magnetic Lady To Her Patient
|
1
|
0%
|
0
|
0%
|
|
231
|
The Mask Of Anarchy
|
8
|
7%
|
0
|
0%
|
|
232
|
The Moon
|
9
|
8%
|
0
|
0%
|
|
233
|
The Past
|
4
|
3%
|
0
|
0%
|
|
234
|
The Pine Forest Of The Cascine Near Pisa
|
1
|
0%
|
0
|
0%
|
|
235
|
The Question
|
8
|
7%
|
0
|
0%
|
|
236
|
The Retrospect: CWM Elan, 1812
|
1
|
0%
|
0
|
0%
|
|
237
|
The Rude Wind Is Singing
|
2
|
1%
|
0
|
0%
|
|
238
|
The Sensitive Plant
|
4
|
3%
|
0
|
0%
|
|
239
|
The Sepulchre Of Memory
|
5
|
4%
|
0
|
0%
|
|
240
|
The Solitary
|
5
|
4%
|
0
|
0%
|
|
241
|
The Spectral Horseman
|
4
|
3%
|
0
|
0%
|
|
242
|
The Sunset
|
10
|
9%
|
0
|
0%
|
|
243
|
The Tower Of Famine
|
4
|
3%
|
0
|
0%
|
|
244
|
The Triumph of Life
|
13
|
11%
|
0
|
0%
|
|
245
|
The Two Spirits: An Allegory
|
3
|
2%
|
0
|
0%
|
|
246
|
The Viewless And Invisible Consequence
|
5
|
4%
|
0
|
0%
|
|
247
|
The Wandering Jew's Soliloquy
|
4
|
3%
|
0
|
0%
|
|
248
|
The Waning Moon
|
2
|
1%
|
0
|
0%
|
|
249
|
The Waning Moon
|
4
|
3%
|
0
|
0%
|
|
250
|
The Witch Of Atlas
|
1
|
0%
|
0
|
0%
|
|
251
|
The Woodman And The Nightingale
|
3
|
2%
|
0
|
0%
|
|
252
|
The World's Wanderers
|
4
|
3%
|
0
|
0%
|
|
253
|
Time
|
11
|
10%
|
0
|
0%
|
|
254
|
Time Long Past
|
5
|
4%
|
0
|
0%
|
|
255
|
To ----
|
2
|
1%
|
0
|
0%
|
|
256
|
To A Lady, With A Guitar
|
2
|
1%
|
0
|
0%
|
|
257
|
To A Skylark
|
13
|
11%
|
0
|
0%
|
|
258
|
To A Star
|
5
|
4%
|
0
|
0%
|
|
259
|
To Coleridge
|
3
|
2%
|
0
|
0%
|
|
260
|
To Constantia
|
1
|
0%
|
0
|
0%
|
|
261
|
To Constantia, Singing
|
1
|
0%
|
0
|
0%
|
|
262
|
To Death
|
2
|
1%
|
0
|
0%
|
|
263
|
To Harriet -- It Is Not Blasphemy To Hope That Heaven
|
3
|
2%
|
0
|
0%
|
|
264
|
To-- I Fear Thy Kisses, Gentle Maiden
|
5
|
4%
|
0
|
0%
|
|
265
|
To Ireland
|
1
|
0%
|
0
|
0%
|
|
266
|
To Italy
|
3
|
2%
|
0
|
0%
|
|
267
|
To Jane
|
3
|
2%
|
0
|
0%
|
|
268
|
To Jane: The Keen Stars Were Twinkling
|
1
|
0%
|
0
|
0%
|
|
269
|
To Mary
|
3
|
2%
|
0
|
0%
|
|
270
|
To Mary ----
|
4
|
3%
|
0
|
0%
|
|
271
|
To Mary Shelley
|
5
|
4%
|
0
|
0%
|
|
272
|
To Mary Who Died In This Opinion
|
1
|
0%
|
0
|
0%
|
|
273
|
To Mary Wollstonecraft Godwin
|
2
|
1%
|
0
|
0%
|
|
274
|
To-- Music, when soft voices die
|
1
|
0%
|
0
|
0%
|
|
275
|
To Night
|
3
|
2%
|
0
|
0%
|
|
276
|
To-- Oh! there are spirits of the air
|
4
|
3%
|
0
|
0%
|
|
277
|
To-- One word is too often profaned
|
3
|
2%
|
0
|
0%
|
|
278
|
To The Men Of England
|
14
|
12%
|
0
|
0%
|
|
279
|
To the Moon
|
3
|
2%
|
0
|
0%
|
|
280
|
To The Moonbeam
|
2
|
1%
|
0
|
0%
|
|
281
|
To The Queen Of My Heart
|
9
|
8%
|
0
|
0%
|
|
282
|
To The Republicans Of North America
|
4
|
3%
|
0
|
0%
|
|
283
|
To William Shelley
|
2
|
1%
|
0
|
0%
|
|
284
|
To William Shelley
|
2
|
1%
|
0
|
0%
|
|
285
|
To William Shelley.
|
2
|
1%
|
0
|
0%
|
|
286
|
To William Shelley. Thy Little Footsteps On The Sands
|
3
|
2%
|
0
|
0%
|
|
287
|
To Wordsworth
|
8
|
7%
|
0
|
0%
|
|
288
|
To-- Yet look on me
|
3
|
2%
|
0
|
0%
|
|
289
|
To..
|
3
|
2%
|
0
|
0%
|
|
290
|
To...
|
2
|
1%
|
0
|
0%
|
|
291
|
To-morrow
|
2
|
1%
|
0
|
0%
|
|
292
|
Ugolino
|
2
|
1%
|
0
|
0%
|
|
293
|
Unrisen Splendour Of The Brightest Sun
|
5
|
4%
|
0
|
0%
|
|
294
|
Verses On A Cat
|
6
|
5%
|
0
|
0%
|
|
295
|
Wake The Serpent Not
|
3
|
2%
|
0
|
0%
|
|
296
|
War
|
2
|
1%
|
0
|
0%
|
|
297
|
When A Lover Clasps His Fairest
|
5
|
4%
|
0
|
0%
|
|
298
|
When Soft Winds And Sunny Skies
|
3
|
2%
|
0
|
0%
|
|
299
|
When The Lamp Is Shattered
|
3
|
2%
|
0
|
0%
|
|
300
|
Wine Of The Fairies
|
2
|
1%
|
0
|
0%
|
|
301
|
With A Guitar, To Jane
|
2
|
1%
|
0
|
0%
|
|
302
|
Written At Bracknell
|
2
|
1%
|
0
|
0%
|
|
303
|
Zephyrus The Awakener
|
3
|
2%
|
0
|
0%
|