|
1
|
A Bridal Song
|
51
|
55%
|
0
|
0%
|
|
2
|
A Dialogue
|
27
|
29%
|
0
|
0%
|
|
3
|
A Dirge
|
23
|
25%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
15
|
16%
|
0
|
0%
|
|
5
|
A Hate-Song
|
54
|
58%
|
0
|
0%
|
|
6
|
A Lament
|
31
|
33%
|
0
|
0%
|
|
7
|
A New National Anthem
|
20
|
21%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
13
|
14%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
22
|
23%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
13
|
14%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
12
|
13%
|
0
|
0%
|
|
12
|
A Widow Bird Sate Mourning For Her Love
|
17
|
18%
|
0
|
0%
|
|
13
|
Adonais
|
35
|
38%
|
0
|
0%
|
|
14
|
Adonais: An Elegy on the Death of John Keats
|
8
|
8%
|
0
|
0%
|
|
15
|
Alastor: or, the Spirit of Solitude
|
12
|
13%
|
0
|
0%
|
|
16
|
An Allegory
|
28
|
30%
|
0
|
0%
|
|
17
|
An Exhortation
|
10
|
10%
|
0
|
0%
|
|
18
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
19
|
20%
|
0
|
0%
|
|
19
|
And like a Dying Lady, Lean and Pale
|
26
|
28%
|
0
|
0%
|
|
20
|
And That I Walk Thus Proudly Crowned Withal
|
12
|
13%
|
0
|
0%
|
|
21
|
Another Fragment to Music
|
6
|
6%
|
0
|
0%
|
|
22
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
1
|
1%
|
0
|
0%
|
|
23
|
Arethusa
|
5
|
5%
|
0
|
0%
|
|
24
|
Art Thou Pale For Weariness
|
4
|
4%
|
0
|
0%
|
|
25
|
Asia: From Prometheus Unbound
|
5
|
5%
|
0
|
0%
|
|
26
|
Autumn: A Dirge
|
6
|
6%
|
0
|
0%
|
|
27
|
Beauty's Halo
|
14
|
15%
|
0
|
0%
|
|
28
|
Bereavement
|
10
|
10%
|
0
|
0%
|
|
29
|
Bigotry's Victim
|
5
|
5%
|
0
|
0%
|
|
30
|
Buona Notte
|
5
|
5%
|
0
|
0%
|
|
31
|
Chorus from Hellas
|
8
|
8%
|
0
|
0%
|
|
32
|
Death
|
15
|
16%
|
0
|
0%
|
|
33
|
Death In Life
|
11
|
11%
|
0
|
0%
|
|
34
|
Death Is Here And Death Is There
|
16
|
17%
|
0
|
0%
|
|
35
|
Despair
|
14
|
15%
|
0
|
0%
|
|
36
|
Dirge For The Year
|
2
|
2%
|
0
|
0%
|
|
37
|
England in 1819
|
47
|
51%
|
0
|
0%
|
|
38
|
English In 1819
|
8
|
8%
|
0
|
0%
|
|
39
|
Epigram I: To Stella
|
7
|
7%
|
0
|
0%
|
|
40
|
Epigram II: Kissing Helena
|
6
|
6%
|
0
|
0%
|
|
41
|
Epigram III: Spirit of Plato
|
4
|
4%
|
0
|
0%
|
|
42
|
Epigram IV: Circumstance
|
3
|
3%
|
0
|
0%
|
|
43
|
Epipsychidion (excerpt)
|
4
|
4%
|
0
|
0%
|
|
44
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
4
|
4%
|
0
|
0%
|
|
45
|
Epitaph
|
2
|
2%
|
0
|
0%
|
|
46
|
Epithalamium
|
3
|
3%
|
0
|
0%
|
|
47
|
Epithalamium : Another Version
|
3
|
3%
|
0
|
0%
|
|
48
|
Evening. To Harriet
|
2
|
2%
|
0
|
0%
|
|
49
|
Evening: Ponte Al Mare, Pisa
|
1
|
1%
|
0
|
0%
|
|
50
|
Eyes : A Fragment
|
3
|
3%
|
0
|
0%
|
|
51
|
Faint With Love, The Lady Of The South
|
1
|
1%
|
0
|
0%
|
|
52
|
Feelings Of A Republican On The Fall Of Bonaparte
|
2
|
2%
|
0
|
0%
|
|
53
|
Fiordispina
|
2
|
2%
|
0
|
0%
|
|
54
|
Fragment : What Mary Is When She A Little Smiles
|
3
|
3%
|
0
|
0%
|
|
55
|
Fragment From The Wandering Jew
|
2
|
2%
|
0
|
0%
|
|
56
|
Fragment Of A Ghost Story
|
3
|
3%
|
0
|
0%
|
|
57
|
Fragment Of A Satire On Satire
|
7
|
7%
|
0
|
0%
|
|
58
|
Fragment Of A Sonnet : To Harriet
|
3
|
3%
|
0
|
0%
|
|
59
|
Fragment Of A Sonnet. Farewell To North Devon
|
1
|
1%
|
0
|
0%
|
|
60
|
Fragment Of The Elegy On The Death Of Bion
|
1
|
1%
|
0
|
0%
|
|
61
|
Fragment, Or The Triumph Of Conscience
|
1
|
1%
|
0
|
0%
|
|
62
|
fragment: "To the Moon"
|
4
|
4%
|
0
|
0%
|
|
63
|
Fragment: A Gentle Story Of Two Lovers Young
|
2
|
2%
|
0
|
0%
|
|
64
|
Fragment: A Wanderer
|
3
|
3%
|
0
|
0%
|
|
65
|
Fragment: Amor Aeternus
|
1
|
1%
|
0
|
0%
|
|
66
|
Fragment: Apostrophe To Silence
|
2
|
2%
|
0
|
0%
|
|
67
|
Fragment: Follow To The Deep Wood's Weeds
|
5
|
5%
|
0
|
0%
|
|
68
|
Fragment: Great Spirit
|
1
|
1%
|
0
|
0%
|
|
69
|
Fragment: Home
|
2
|
2%
|
0
|
0%
|
|
70
|
Fragment: Igniculus Desiderii
|
1
|
1%
|
0
|
0%
|
|
71
|
Fragment: Is It That In Some Brighter Sphere
|
1
|
1%
|
0
|
0%
|
|
72
|
Fragment: Love The Universe To-Day
|
2
|
2%
|
0
|
0%
|
|
73
|
Fragment: Milton's Spirit
|
2
|
2%
|
0
|
0%
|
|
74
|
Fragment: My Head Is Wild With Weeping
|
2
|
2%
|
0
|
0%
|
|
75
|
Fragment: Omens
|
3
|
3%
|
0
|
0%
|
|
76
|
Fragment: Satan Broken Loose
|
1
|
1%
|
0
|
0%
|
|
77
|
Fragment: Such Hope, As Is The Sick Despair Of Good
|
1
|
1%
|
0
|
0%
|
|
78
|
Fragment: Sufficient Unto The Day
|
6
|
6%
|
0
|
0%
|
|
79
|
Fragment: The Lake's Margin
|
4
|
4%
|
0
|
0%
|
|
80
|
Fragment: The Vine-Shroud
|
1
|
1%
|
0
|
0%
|
|
81
|
Fragment: There Is A Warm And Gentle Atmosphere
|
2
|
2%
|
0
|
0%
|
|
82
|
Fragment: Thoughts Come And Go In Solitude
|
3
|
3%
|
0
|
0%
|
|
83
|
Fragment: To A Friend Released From Prison
|
3
|
3%
|
0
|
0%
|
|
84
|
Fragment: To Byron
|
1
|
1%
|
0
|
0%
|
|
85
|
Fragment: To One Singing
|
1
|
1%
|
0
|
0%
|
|
86
|
Fragment: To The People Of England
|
1
|
1%
|
0
|
0%
|
|
87
|
Fragment: Wedded Souls
|
2
|
2%
|
0
|
0%
|
|
88
|
Fragment: Yes! All Is Past
|
3
|
3%
|
0
|
0%
|
|
89
|
Fragments Of An Unfinished Drama
|
1
|
1%
|
0
|
0%
|
|
90
|
Fragments Supposed To Be Parts Of Otho
|
2
|
2%
|
0
|
0%
|
|
91
|
Fragments Written For Hellas
|
2
|
2%
|
0
|
0%
|
|
92
|
From "Adonais," 49-52
|
2
|
2%
|
0
|
0%
|
|
93
|
From the Arabic, an Imitation
|
1
|
1%
|
0
|
0%
|
|
94
|
From The Greek Of Moschus
|
1
|
1%
|
0
|
0%
|
|
95
|
From The Greek Of Moschus : Pan Loved His Neighbour Echo
|
1
|
1%
|
0
|
0%
|
|
96
|
From The Original Draft Of The Poem To William Shelley
|
1
|
1%
|
0
|
0%
|
|
97
|
From Vergil's Tenth Eclogue
|
1
|
1%
|
0
|
0%
|
|
98
|
FromThe Arabic: An Imitation
|
7
|
7%
|
0
|
0%
|
|
99
|
Ginevra
|
4
|
4%
|
0
|
0%
|
|
100
|
Good-Night
|
43
|
46%
|
0
|
0%
|
|
101
|
Hellas
|
3
|
3%
|
0
|
0%
|
|
102
|
Here I sit with my paper…
|
3
|
3%
|
0
|
0%
|
|
103
|
Homer's Hymn To The Moon
|
1
|
1%
|
0
|
0%
|
|
104
|
Homer's Hymn To Venus
|
1
|
1%
|
0
|
0%
|
|
105
|
Hymn of Apollo
|
1
|
1%
|
0
|
0%
|
|
106
|
Hymn Of Pan
|
1
|
1%
|
0
|
0%
|
|
107
|
Hymn to Intellectual Beauty
|
7
|
7%
|
0
|
0%
|
|
108
|
Hymn to Intellectual Beauty
|
1
|
1%
|
0
|
0%
|
|
109
|
I Arise from Dreams of Thee
|
6
|
6%
|
0
|
0%
|
|
110
|
I Stood Upon A Heaven-cleaving Turret
|
1
|
1%
|
0
|
0%
|
|
111
|
I Would Not Be A King
|
4
|
4%
|
0
|
0%
|
|
112
|
In Horologium
|
1
|
1%
|
0
|
0%
|
|
113
|
Invocation
|
1
|
1%
|
0
|
0%
|
|
114
|
Invocation To Misery
|
6
|
6%
|
0
|
0%
|
|
115
|
Liberty
|
4
|
4%
|
0
|
0%
|
|
116
|
Life Rounded With Sleep
|
1
|
1%
|
0
|
0%
|
|
117
|
Lift Not The Painted Veil Which Those Who Live
|
4
|
4%
|
0
|
0%
|
|
118
|
Lines
|
2
|
2%
|
0
|
0%
|
|
119
|
Lines -- Far, Far Away, O Ye
|
3
|
3%
|
0
|
0%
|
|
120
|
Lines To A Critic
|
1
|
1%
|
0
|
0%
|
|
121
|
Lines Written Among The Euganean Hills
|
3
|
3%
|
0
|
0%
|
|
122
|
Lines: The cold earth slept below
|
2
|
2%
|
0
|
0%
|
|
123
|
Lines: We Meet Not As We Parted
|
1
|
1%
|
0
|
0%
|
|
124
|
Love
|
7
|
7%
|
0
|
0%
|
|
125
|
Love, Hope, Desire, And Fear
|
11
|
11%
|
0
|
0%
|
|
126
|
Love's Philosophy
|
47
|
51%
|
0
|
0%
|
|
127
|
Love's Rose
|
6
|
6%
|
0
|
0%
|
|
128
|
Marenghi
|
2
|
2%
|
0
|
0%
|
|
129
|
Marianne's Dream
|
2
|
2%
|
0
|
0%
|
|
130
|
Matilda Gathering Flowers
|
1
|
1%
|
0
|
0%
|
|
131
|
Methought I Was A Billow In The Crowd
|
2
|
2%
|
0
|
0%
|
|
132
|
Mighty Eagle
|
1
|
1%
|
0
|
0%
|
|
133
|
Mont Blanc
|
1
|
1%
|
0
|
0%
|
|
134
|
Music And Sweet Poetry
|
1
|
1%
|
0
|
0%
|
|
135
|
Music, When Soft Voices Die
|
4
|
4%
|
0
|
0%
|
|
136
|
Mutability
|
59
|
64%
|
0
|
0%
|
|
137
|
Mutability - II.
|
2
|
2%
|
0
|
0%
|
|
138
|
Night
|
4
|
4%
|
0
|
0%
|
|
139
|
O That A Chariot Of Cloud Were Mine!
|
2
|
2%
|
0
|
0%
|
|
140
|
O Thou Immortal Deity
|
2
|
2%
|
0
|
0%
|
|
141
|
Ode To Heaven
|
4
|
4%
|
0
|
0%
|
|
142
|
Ode To Liberty
|
5
|
5%
|
0
|
0%
|
|
143
|
Ode to the West Wind
|
24
|
26%
|
0
|
0%
|
|
144
|
On A Dead Violet
|
4
|
4%
|
0
|
0%
|
|
145
|
On A Faded Violet
|
3
|
3%
|
0
|
0%
|
|
146
|
On Death
|
1
|
1%
|
0
|
0%
|
|
147
|
On Leaving London For Wales
|
2
|
2%
|
0
|
0%
|
|
148
|
On Robert Emmet's Grave
|
6
|
6%
|
0
|
0%
|
|
149
|
On The Dark Height of Jura
|
3
|
3%
|
0
|
0%
|
|
150
|
On The Medusa Of Leonardo da Vinci In The Florentine Gallery
|
5
|
5%
|
0
|
0%
|
|
151
|
One sung of thee who left the tale untold
|
1
|
1%
|
0
|
0%
|
|
152
|
One Word Is Too Often Profaned
|
4
|
4%
|
0
|
0%
|
|
153
|
Orpheus
|
3
|
3%
|
0
|
0%
|
|
154
|
Otho
|
2
|
2%
|
0
|
0%
|
|
155
|
Ozymandias
|
92
|
100%
|
0
|
0%
|
|
156
|
Passage Of The Apennines
|
3
|
3%
|
0
|
0%
|
|
157
|
Pater Omnipotens
|
1
|
1%
|
0
|
0%
|
|
158
|
Peter Bell The Third
|
1
|
1%
|
0
|
0%
|
|
159
|
Poetical Essay
|
1
|
1%
|
0
|
0%
|
|
160
|
Prince Athanase
|
1
|
1%
|
0
|
0%
|
|
161
|
Prometheus Unbound: Act I (excerpt)
|
3
|
3%
|
0
|
0%
|
|
162
|
Queen Mab: Part I.
|
3
|
3%
|
0
|
0%
|
|
163
|
Queen Mab: Part II.
|
1
|
1%
|
0
|
0%
|
|
164
|
Queen Mab: Part III.
|
1
|
1%
|
0
|
0%
|
|
165
|
Queen Mab: Part IV.
|
1
|
1%
|
0
|
0%
|
|
166
|
Queen Mab: Part IX.
|
1
|
1%
|
0
|
0%
|
|
167
|
Queen Mab: Part V.
|
1
|
1%
|
0
|
0%
|
|
168
|
Queen Mab: Part VI (excerpts)
|
1
|
1%
|
0
|
0%
|
|
169
|
Queen Mab: Part VII.
|
2
|
2%
|
0
|
0%
|
|
170
|
Remembrance
|
5
|
5%
|
0
|
0%
|
|
171
|
Remorse
|
5
|
5%
|
0
|
0%
|
|
172
|
Revenge
|
6
|
6%
|
0
|
0%
|
|
173
|
Similes For Two Political Characters of 1819
|
1
|
1%
|
0
|
0%
|
|
174
|
Sister Rosa: A Ballad
|
3
|
3%
|
0
|
0%
|
|
175
|
Song
|
4
|
4%
|
0
|
0%
|
|
176
|
Song For 'Tasso'
|
2
|
2%
|
0
|
0%
|
|
177
|
Song. Hope
|
1
|
1%
|
0
|
0%
|
|
178
|
Sonnet To Byron
|
3
|
3%
|
0
|
0%
|
|
179
|
Sonnet: England in 1819
|
1
|
1%
|
0
|
0%
|
|
180
|
Sonnet: Political Greatness
|
2
|
2%
|
0
|
0%
|
|
181
|
St. Irvyne's Tower
|
1
|
1%
|
0
|
0%
|
|
182
|
Stanza
|
5
|
5%
|
0
|
0%
|
|
183
|
Summer And Winter
|
2
|
2%
|
0
|
0%
|
|
184
|
The Aziola
|
2
|
2%
|
0
|
0%
|
|
185
|
The Birth Place of Pleasure
|
1
|
1%
|
0
|
0%
|
|
186
|
The Cenci : A Tragedy In Five Acts
|
1
|
1%
|
0
|
0%
|
|
187
|
The Cloud
|
21
|
22%
|
0
|
0%
|
|
188
|
The Death Knell Is Ringing
|
1
|
1%
|
0
|
0%
|
|
189
|
The Devil's Walk. A Ballad
|
3
|
3%
|
0
|
0%
|
|
190
|
The Fugitives
|
2
|
2%
|
0
|
0%
|
|
191
|
The Indian Serenade
|
1
|
1%
|
0
|
0%
|
|
192
|
The Invitation
|
1
|
1%
|
0
|
0%
|
|
193
|
The Irishman's Song
|
1
|
1%
|
0
|
0%
|
|
194
|
The Isle
|
2
|
2%
|
0
|
0%
|
|
195
|
The Magnetic Lady To Her Patient
|
2
|
2%
|
0
|
0%
|
|
196
|
The Mask Of Anarchy
|
5
|
5%
|
0
|
0%
|
|
197
|
The Past
|
1
|
1%
|
0
|
0%
|
|
198
|
The Question
|
2
|
2%
|
0
|
0%
|
|
199
|
The Sensitive Plant
|
2
|
2%
|
0
|
0%
|
|
200
|
The Sepulchre Of Memory
|
3
|
3%
|
0
|
0%
|
|
201
|
The Solitary
|
3
|
3%
|
0
|
0%
|
|
202
|
The Sunset
|
4
|
4%
|
0
|
0%
|
|
203
|
The Triumph of Life
|
9
|
9%
|
0
|
0%
|
|
204
|
The Two Spirits: An Allegory
|
2
|
2%
|
0
|
0%
|
|
205
|
The Waning Moon
|
1
|
1%
|
0
|
0%
|
|
206
|
The Waning Moon
|
2
|
2%
|
0
|
0%
|
|
207
|
The World's Wanderers
|
2
|
2%
|
0
|
0%
|
|
208
|
Time
|
8
|
8%
|
0
|
0%
|
|
209
|
To A Skylark
|
4
|
4%
|
0
|
0%
|
|
210
|
To A Star
|
3
|
3%
|
0
|
0%
|
|
211
|
To Emilia Viviani
|
1
|
1%
|
0
|
0%
|
|
212
|
To Harriet -- It Is Not Blasphemy To Hope That Heaven
|
1
|
1%
|
0
|
0%
|
|
213
|
To Ireland
|
1
|
1%
|
0
|
0%
|
|
214
|
To Jane
|
2
|
2%
|
0
|
0%
|
|
215
|
To Mary Shelley
|
2
|
2%
|
0
|
0%
|
|
216
|
To Night
|
4
|
4%
|
0
|
0%
|
|
217
|
To-- Oh! there are spirits of the air
|
1
|
1%
|
0
|
0%
|
|
218
|
To The Men Of England
|
6
|
6%
|
0
|
0%
|
|
219
|
To the Moon
|
1
|
1%
|
0
|
0%
|
|
220
|
To The Queen Of My Heart
|
2
|
2%
|
0
|
0%
|
|
221
|
To William Shelley.
|
1
|
1%
|
0
|
0%
|
|
222
|
To William Shelley. Thy Little Footsteps On The Sands
|
1
|
1%
|
0
|
0%
|
|
223
|
To Wordsworth
|
3
|
3%
|
0
|
0%
|
|
224
|
To..
|
1
|
1%
|
0
|
0%
|
|
225
|
To...
|
1
|
1%
|
0
|
0%
|
|
226
|
To-morrow
|
2
|
2%
|
0
|
0%
|
|
227
|
Ugolino
|
2
|
2%
|
0
|
0%
|
|
228
|
Unrisen Splendour Of The Brightest Sun
|
1
|
1%
|
0
|
0%
|
|
229
|
Verses On A Cat
|
3
|
3%
|
0
|
0%
|
|
230
|
Wake The Serpent Not
|
2
|
2%
|
0
|
0%
|
|
231
|
War
|
5
|
5%
|
0
|
0%
|
|
232
|
When A Lover Clasps His Fairest
|
4
|
4%
|
0
|
0%
|
|
233
|
When The Lamp Is Shattered
|
5
|
5%
|
0
|
0%
|
|
234
|
Wine Of The Fairies
|
2
|
2%
|
0
|
0%
|
|
235
|
Zephyrus The Awakener
|
1
|
1%
|
0
|
0%
|