|
1
|
A Bridal Song
|
42
|
100%
|
0
|
0%
|
|
2
|
A Dialogue
|
14
|
33%
|
0
|
0%
|
|
3
|
A Dirge
|
7
|
16%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
8
|
19%
|
0
|
0%
|
|
5
|
A Hate-Song
|
12
|
28%
|
0
|
0%
|
|
6
|
A Lament
|
16
|
38%
|
0
|
0%
|
|
7
|
A New National Anthem
|
9
|
21%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
10
|
23%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
6
|
14%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
14
|
33%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
11
|
26%
|
0
|
0%
|
|
12
|
A Widow Bird Sate Mourning For Her Love
|
10
|
23%
|
0
|
0%
|
|
13
|
Adonais
|
18
|
42%
|
0
|
0%
|
|
14
|
Adonais: An Elegy on the Death of John Keats
|
13
|
30%
|
0
|
0%
|
|
15
|
Alastor: or, the Spirit of Solitude
|
11
|
26%
|
0
|
0%
|
|
16
|
An Allegory
|
4
|
9%
|
0
|
0%
|
|
17
|
An Exhortation
|
7
|
16%
|
0
|
0%
|
|
18
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
6
|
14%
|
0
|
0%
|
|
19
|
And like a Dying Lady, Lean and Pale
|
17
|
40%
|
0
|
0%
|
|
20
|
And That I Walk Thus Proudly Crowned Withal
|
5
|
11%
|
0
|
0%
|
|
21
|
Another Fragment to Music
|
2
|
4%
|
0
|
0%
|
|
22
|
Autumn: A Dirge
|
3
|
7%
|
0
|
0%
|
|
23
|
Beauty's Halo
|
3
|
7%
|
0
|
0%
|
|
24
|
Bereavement
|
4
|
9%
|
0
|
0%
|
|
25
|
Bigotry's Victim
|
2
|
4%
|
0
|
0%
|
|
26
|
Buona Notte
|
1
|
2%
|
0
|
0%
|
|
27
|
Death
|
1
|
2%
|
0
|
0%
|
|
28
|
Death In Life
|
5
|
11%
|
0
|
0%
|
|
29
|
Death Is Here And Death Is There
|
2
|
4%
|
0
|
0%
|
|
30
|
Despair
|
1
|
2%
|
0
|
0%
|
|
31
|
Dirge For The Year
|
2
|
4%
|
0
|
0%
|
|
32
|
England in 1819
|
34
|
80%
|
0
|
0%
|
|
33
|
English In 1819
|
2
|
4%
|
0
|
0%
|
|
34
|
Epigram II: Kissing Helena
|
2
|
4%
|
0
|
0%
|
|
35
|
Epithalamium
|
1
|
2%
|
0
|
0%
|
|
36
|
Eyes : A Fragment
|
3
|
7%
|
0
|
0%
|
|
37
|
Faint With Love, The Lady Of The South
|
1
|
2%
|
0
|
0%
|
|
38
|
Feelings Of A Republican On The Fall Of Bonaparte
|
1
|
2%
|
0
|
0%
|
|
39
|
Fiordispina
|
1
|
2%
|
0
|
0%
|
|
40
|
Fragment Of A Ghost Story
|
1
|
2%
|
0
|
0%
|
|
41
|
fragment: "To the Moon"
|
4
|
9%
|
0
|
0%
|
|
42
|
Fragment: A Gentle Story Of Two Lovers Young
|
1
|
2%
|
0
|
0%
|
|
43
|
Fragment: Apostrophe To Silence
|
1
|
2%
|
0
|
0%
|
|
44
|
Fragment: Great Spirit
|
2
|
4%
|
0
|
0%
|
|
45
|
Fragment: Love The Universe To-Day
|
1
|
2%
|
0
|
0%
|
|
46
|
Fragment: My Head Is Wild With Weeping
|
1
|
2%
|
0
|
0%
|
|
47
|
Fragment: There Is A Warm And Gentle Atmosphere
|
1
|
2%
|
0
|
0%
|
|
48
|
Fragment: Wedded Souls
|
3
|
7%
|
0
|
0%
|
|
49
|
Fragment: Yes! All Is Past
|
2
|
4%
|
0
|
0%
|
|
50
|
From the Arabic, an Imitation
|
1
|
2%
|
0
|
0%
|
|
51
|
From The Original Draft Of The Poem To William Shelley
|
1
|
2%
|
0
|
0%
|
|
52
|
Ginevra
|
1
|
2%
|
0
|
0%
|
|
53
|
Good-Night
|
11
|
26%
|
0
|
0%
|
|
54
|
Homer's Hymn To Castor And Pollux
|
1
|
2%
|
0
|
0%
|
|
55
|
Homer's Hymn To The Earth: Mother Of All
|
1
|
2%
|
0
|
0%
|
|
56
|
Hymn Of Pan
|
1
|
2%
|
0
|
0%
|
|
57
|
Hymn to Intellectual Beauty
|
2
|
4%
|
0
|
0%
|
|
58
|
I Arise from Dreams of Thee
|
4
|
9%
|
0
|
0%
|
|
59
|
I Faint, I Perish With My Love!
|
1
|
2%
|
0
|
0%
|
|
60
|
Invocation To Misery
|
3
|
7%
|
0
|
0%
|
|
61
|
Liberty
|
1
|
2%
|
0
|
0%
|
|
62
|
Lift Not The Painted Veil Which Those Who Live
|
1
|
2%
|
0
|
0%
|
|
63
|
Lines To A Critic
|
2
|
4%
|
0
|
0%
|
|
64
|
Lines Written Among The Euganean Hills
|
1
|
2%
|
0
|
0%
|
|
65
|
Lines Written On Hearing The News Of The Death Of Napoleon
|
2
|
4%
|
0
|
0%
|
|
66
|
Lines: We Meet Not As We Parted
|
1
|
2%
|
0
|
0%
|
|
67
|
Love
|
7
|
16%
|
0
|
0%
|
|
68
|
Love, Hope, Desire, And Fear
|
4
|
9%
|
0
|
0%
|
|
69
|
Love's Philosophy
|
31
|
73%
|
0
|
0%
|
|
70
|
Love's Rose
|
4
|
9%
|
0
|
0%
|
|
71
|
Matilda Gathering Flowers
|
2
|
4%
|
0
|
0%
|
|
72
|
Music, when soft voices die
|
2
|
4%
|
0
|
0%
|
|
73
|
Mutability
|
5
|
11%
|
0
|
0%
|
|
74
|
Night
|
1
|
2%
|
0
|
0%
|
|
75
|
Ode To Heaven
|
1
|
2%
|
0
|
0%
|
|
76
|
Ode To Liberty
|
1
|
2%
|
0
|
0%
|
|
77
|
Ode to the West Wind
|
9
|
21%
|
0
|
0%
|
|
78
|
On Fanny Godwin
|
1
|
2%
|
0
|
0%
|
|
79
|
One Word Is Too Often Profaned
|
4
|
9%
|
0
|
0%
|
|
80
|
Orpheus
|
1
|
2%
|
0
|
0%
|
|
81
|
Ozymandias
|
41
|
97%
|
0
|
0%
|
|
82
|
Passage Of The Apennines
|
1
|
2%
|
0
|
0%
|
|
83
|
Pater Omnipotens
|
1
|
2%
|
0
|
0%
|
|
84
|
Peter Bell The Third
|
1
|
2%
|
0
|
0%
|
|
85
|
Prometheus Unbound: Act I (excerpt)
|
3
|
7%
|
0
|
0%
|
|
86
|
Remorse
|
2
|
4%
|
0
|
0%
|
|
87
|
Revenge
|
3
|
7%
|
0
|
0%
|
|
88
|
Rosalind and Helen: a Modern Eclogue
|
1
|
2%
|
0
|
0%
|
|
89
|
Song
|
1
|
2%
|
0
|
0%
|
|
90
|
Sonnet To Byron
|
1
|
2%
|
0
|
0%
|
|
91
|
Sonnet: Political Greatness
|
1
|
2%
|
0
|
0%
|
|
92
|
Stanza
|
5
|
11%
|
0
|
0%
|
|
93
|
Stanzas Written In Dejection Near Naples
|
1
|
2%
|
0
|
0%
|
|
94
|
The Cloud
|
5
|
11%
|
0
|
0%
|
|
95
|
The Magnetic Lady To Her Patient
|
1
|
2%
|
0
|
0%
|
|
96
|
The Mask Of Anarchy
|
3
|
7%
|
0
|
0%
|
|
97
|
The Moon
|
2
|
4%
|
0
|
0%
|
|
98
|
The Past
|
1
|
2%
|
0
|
0%
|
|
99
|
The Solitary
|
1
|
2%
|
0
|
0%
|
|
100
|
The Triumph of Life
|
12
|
28%
|
0
|
0%
|
|
101
|
The Waning Moon
|
1
|
2%
|
0
|
0%
|
|
102
|
The Witch Of Atlas
|
2
|
4%
|
0
|
0%
|
|
103
|
Time
|
6
|
14%
|
0
|
0%
|
|
104
|
Time Long Past
|
1
|
2%
|
0
|
0%
|
|
105
|
To ----
|
2
|
4%
|
0
|
0%
|
|
106
|
To A Skylark
|
6
|
14%
|
0
|
0%
|
|
107
|
To A Star
|
1
|
2%
|
0
|
0%
|
|
108
|
To Italy
|
2
|
4%
|
0
|
0%
|
|
109
|
To Mary Shelley
|
1
|
2%
|
0
|
0%
|
|
110
|
To Mary Wollstonecraft Godwin
|
1
|
2%
|
0
|
0%
|
|
111
|
To-- Music, when soft voices die
|
1
|
2%
|
0
|
0%
|
|
112
|
To-- Oh! there are spirits of the air
|
5
|
11%
|
0
|
0%
|
|
113
|
To-- One word is too often profaned
|
1
|
2%
|
0
|
0%
|
|
114
|
To Sophia (Miss Stacey)
|
1
|
2%
|
0
|
0%
|
|
115
|
To The Lord Chancellor
|
1
|
2%
|
0
|
0%
|
|
116
|
To The Men Of England
|
2
|
4%
|
0
|
0%
|
|
117
|
To the Moon
|
2
|
4%
|
0
|
0%
|
|
118
|
To The Nile
|
1
|
2%
|
0
|
0%
|
|
119
|
To Wordsworth
|
1
|
2%
|
0
|
0%
|
|
120
|
To-- Yet look on me
|
1
|
2%
|
0
|
0%
|
|
121
|
To..
|
1
|
2%
|
0
|
0%
|
|
122
|
To...
|
1
|
2%
|
0
|
0%
|
|
123
|
When The Lamp Is Shattered
|
1
|
2%
|
0
|
0%
|