|
1
|
Ozymandias
|
36
|
100%
|
0
|
0%
|
|
2
|
Love's Philosophy
|
34
|
94%
|
0
|
0%
|
|
3
|
Mutability
|
25
|
69%
|
0
|
0%
|
|
4
|
England in 1819
|
22
|
61%
|
0
|
0%
|
|
5
|
The Cloud
|
22
|
61%
|
0
|
0%
|
|
6
|
A Lament
|
10
|
27%
|
0
|
0%
|
|
7
|
Ode to the West Wind
|
9
|
25%
|
0
|
0%
|
|
8
|
Death Is Here And Death Is There
|
8
|
22%
|
0
|
0%
|
|
9
|
Good-Night
|
8
|
22%
|
0
|
0%
|
|
10
|
Time
|
7
|
19%
|
0
|
0%
|
|
11
|
A Dirge
|
5
|
13%
|
0
|
0%
|
|
12
|
Art Thou Pale For Weariness
|
5
|
13%
|
0
|
0%
|
|
13
|
Autumn: A Dirge
|
5
|
13%
|
0
|
0%
|
|
14
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
4
|
11%
|
0
|
0%
|
|
15
|
Adonais
|
4
|
11%
|
0
|
0%
|
|
16
|
Adonais: An Elegy on the Death of John Keats
|
4
|
11%
|
0
|
0%
|
|
17
|
Lift Not The Painted Veil Which Those Who Live
|
4
|
11%
|
0
|
0%
|
|
18
|
Music, When Soft Voices Die
|
4
|
11%
|
0
|
0%
|
|
19
|
The Wandering Jew's Soliloquy
|
4
|
11%
|
0
|
0%
|
|
20
|
A Dialogue
|
3
|
8%
|
0
|
0%
|
|
21
|
And like a Dying Lady, Lean and Pale
|
3
|
8%
|
0
|
0%
|
|
22
|
Hymn to Intellectual Beauty
|
3
|
8%
|
0
|
0%
|
|
23
|
I Arise from Dreams of Thee
|
3
|
8%
|
0
|
0%
|
|
24
|
Marianne's Dream
|
3
|
8%
|
0
|
0%
|
|
25
|
Song
|
3
|
8%
|
0
|
0%
|
|
26
|
Sonnet : To A Balloon Laden With Knowledge
|
3
|
8%
|
0
|
0%
|
|
27
|
The Sensitive Plant
|
3
|
8%
|
0
|
0%
|
|
28
|
To Jane
|
3
|
8%
|
0
|
0%
|
|
29
|
To The Queen Of My Heart
|
3
|
8%
|
0
|
0%
|
|
30
|
To Wordsworth
|
3
|
8%
|
0
|
0%
|
|
31
|
When The Lamp Is Shattered
|
3
|
8%
|
0
|
0%
|
|
32
|
A Fragment: To Music
|
2
|
5%
|
0
|
0%
|
|
33
|
A Roman's Chamber
|
2
|
5%
|
0
|
0%
|
|
34
|
A Widow Bird Sate Mourning For Her Love
|
2
|
5%
|
0
|
0%
|
|
35
|
Epipsychidion (excerpt)
|
2
|
5%
|
0
|
0%
|
|
36
|
Faint With Love, The Lady Of The South
|
2
|
5%
|
0
|
0%
|
|
37
|
fragment: "To the Moon"
|
2
|
5%
|
0
|
0%
|
|
38
|
Homer's Hymn To The Earth: Mother Of All
|
2
|
5%
|
0
|
0%
|
|
39
|
I Would Not Be A King
|
2
|
5%
|
0
|
0%
|
|
40
|
On A Dead Violet
|
2
|
5%
|
0
|
0%
|
|
41
|
The Magnetic Lady To Her Patient
|
2
|
5%
|
0
|
0%
|
|
42
|
The Two Spirits: An Allegory
|
2
|
5%
|
0
|
0%
|
|
43
|
To A Lady, With A Guitar
|
2
|
5%
|
0
|
0%
|
|
44
|
To A Skylark
|
2
|
5%
|
0
|
0%
|
|
45
|
To-- Music, when soft voices die
|
2
|
5%
|
0
|
0%
|
|
46
|
To The Men Of England
|
2
|
5%
|
0
|
0%
|
|
47
|
When Soft Winds And Sunny Skies
|
2
|
5%
|
0
|
0%
|
|
48
|
With A Guitar, To Jane
|
2
|
5%
|
0
|
0%
|
|
49
|
An Allegory
|
1
|
2%
|
0
|
0%
|
|
50
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
1
|
2%
|
0
|
0%
|
|
51
|
Fragment Of A Ghost Story
|
1
|
2%
|
0
|
0%
|
|
52
|
Fragments Of An Unfinished Drama
|
1
|
2%
|
0
|
0%
|
|
53
|
From The Greek Of Moschus : Pan Loved His Neighbour Echo
|
1
|
2%
|
0
|
0%
|
|
54
|
From The Original Draft Of The Poem To William Shelley
|
1
|
2%
|
0
|
0%
|
|
55
|
From Vergil's Tenth Eclogue
|
1
|
2%
|
0
|
0%
|
|
56
|
FromThe Arabic: An Imitation
|
1
|
2%
|
0
|
0%
|
|
57
|
Lines Written in the Bay of Lerici
|
1
|
2%
|
0
|
0%
|
|
58
|
Lines: The cold earth slept below
|
1
|
2%
|
0
|
0%
|
|
59
|
Lines: We Meet Not As We Parted
|
1
|
2%
|
0
|
0%
|
|
60
|
Love
|
1
|
2%
|
0
|
0%
|
|
61
|
Marenghi
|
1
|
2%
|
0
|
0%
|
|
62
|
Ode To Liberty
|
1
|
2%
|
0
|
0%
|
|
63
|
On Death
|
1
|
2%
|
0
|
0%
|
|
64
|
Orpheus
|
1
|
2%
|
0
|
0%
|
|
65
|
Queen Mab: Part III.
|
1
|
2%
|
0
|
0%
|
|
66
|
Queen Mab: Part IX.
|
1
|
2%
|
0
|
0%
|
|
67
|
Remorse
|
1
|
2%
|
0
|
0%
|
|
68
|
Rosalind and Helen: a Modern Eclogue
|
1
|
2%
|
0
|
0%
|
|
69
|
Stanza
|
1
|
2%
|
0
|
0%
|
|
70
|
Summer And Winter
|
1
|
2%
|
0
|
0%
|
|
71
|
The Moon
|
1
|
2%
|
0
|
0%
|
|
72
|
The Triumph of Life
|
1
|
2%
|
0
|
0%
|
|
73
|
The Witch Of Atlas
|
1
|
2%
|
0
|
0%
|
|
74
|
To Jane: The Keen Stars Were Twinkling
|
1
|
2%
|
0
|
0%
|
|
75
|
To Jane: The Recollection
|
1
|
2%
|
0
|
0%
|
|
76
|
To Mary Wollstonecraft Godwin
|
1
|
2%
|
0
|
0%
|