|
1
|
A Bridal Song
|
35
|
100%
|
0
|
0%
|
|
2
|
A Dialogue
|
22
|
62%
|
0
|
0%
|
|
3
|
A Dirge
|
15
|
42%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
9
|
25%
|
0
|
0%
|
|
5
|
A Hate-Song
|
11
|
31%
|
0
|
0%
|
|
6
|
A Lament
|
18
|
51%
|
0
|
0%
|
|
7
|
A New National Anthem
|
5
|
14%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
8
|
22%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
6
|
17%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
7
|
20%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
6
|
17%
|
0
|
0%
|
|
12
|
A Widow Bird Sate Mourning For Her Love
|
6
|
17%
|
0
|
0%
|
|
13
|
Adonais
|
19
|
54%
|
0
|
0%
|
|
14
|
Adonais: An Elegy on the Death of John Keats
|
8
|
22%
|
0
|
0%
|
|
15
|
Alastor: or, the Spirit of Solitude
|
7
|
20%
|
0
|
0%
|
|
16
|
An Allegory
|
8
|
22%
|
0
|
0%
|
|
17
|
An Exhortation
|
2
|
5%
|
0
|
0%
|
|
18
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
7
|
20%
|
0
|
0%
|
|
19
|
And like a Dying Lady, Lean and Pale
|
10
|
28%
|
0
|
0%
|
|
20
|
And That I Walk Thus Proudly Crowned Withal
|
5
|
14%
|
0
|
0%
|
|
21
|
Another Fragment to Music
|
1
|
2%
|
0
|
0%
|
|
22
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
1
|
2%
|
0
|
0%
|
|
23
|
Arethusa
|
3
|
8%
|
0
|
0%
|
|
24
|
Art Thou Pale For Weariness
|
3
|
8%
|
0
|
0%
|
|
25
|
Asia: From Prometheus Unbound
|
3
|
8%
|
0
|
0%
|
|
26
|
Autumn: A Dirge
|
3
|
8%
|
0
|
0%
|
|
27
|
Beauty's Halo
|
5
|
14%
|
0
|
0%
|
|
28
|
Bereavement
|
1
|
2%
|
0
|
0%
|
|
29
|
Bigotry's Victim
|
2
|
5%
|
0
|
0%
|
|
30
|
Buona Notte
|
1
|
2%
|
0
|
0%
|
|
31
|
Chorus from Hellas
|
2
|
5%
|
0
|
0%
|
|
32
|
Death
|
2
|
5%
|
0
|
0%
|
|
33
|
Death In Life
|
5
|
14%
|
0
|
0%
|
|
34
|
Death Is Here And Death Is There
|
6
|
17%
|
0
|
0%
|
|
35
|
Despair
|
3
|
8%
|
0
|
0%
|
|
36
|
Dirge For The Year
|
1
|
2%
|
0
|
0%
|
|
37
|
England in 1819
|
12
|
34%
|
0
|
0%
|
|
38
|
Epigram I: To Stella
|
2
|
5%
|
0
|
0%
|
|
39
|
Epigram II: Kissing Helena
|
4
|
11%
|
0
|
0%
|
|
40
|
Epigram III: Spirit of Plato
|
1
|
2%
|
0
|
0%
|
|
41
|
Epigram IV: Circumstance
|
1
|
2%
|
0
|
0%
|
|
42
|
Epipsychidion (excerpt)
|
2
|
5%
|
0
|
0%
|
|
43
|
Epitaph
|
2
|
5%
|
0
|
0%
|
|
44
|
Evening. To Harriet
|
1
|
2%
|
0
|
0%
|
|
45
|
Eyes : A Fragment
|
4
|
11%
|
0
|
0%
|
|
46
|
Faint With Love, The Lady Of The South
|
4
|
11%
|
0
|
0%
|
|
47
|
Fragment : What Mary Is When She A Little Smiles
|
1
|
2%
|
0
|
0%
|
|
48
|
Fragment Of A Ghost Story
|
1
|
2%
|
0
|
0%
|
|
49
|
Fragment Of A Satire On Satire
|
2
|
5%
|
0
|
0%
|
|
50
|
Fragment Of A Sonnet : To Harriet
|
1
|
2%
|
0
|
0%
|
|
51
|
fragment: "To the Moon"
|
2
|
5%
|
0
|
0%
|
|
52
|
Fragment: A Gentle Story Of Two Lovers Young
|
2
|
5%
|
0
|
0%
|
|
53
|
Fragment: A Wanderer
|
2
|
5%
|
0
|
0%
|
|
54
|
Fragment: Amor Aeternus
|
5
|
14%
|
0
|
0%
|
|
55
|
Fragment: Apostrophe To Silence
|
1
|
2%
|
0
|
0%
|
|
56
|
Fragment: Follow To The Deep Wood's Weeds
|
2
|
5%
|
0
|
0%
|
|
57
|
Fragment: Great Spirit
|
3
|
8%
|
0
|
0%
|
|
58
|
Fragment: Home
|
2
|
5%
|
0
|
0%
|
|
59
|
Fragment: Igniculus Desiderii
|
1
|
2%
|
0
|
0%
|
|
60
|
Fragment: Is It That In Some Brighter Sphere
|
1
|
2%
|
0
|
0%
|
|
61
|
Fragment: Love The Universe To-Day
|
3
|
8%
|
0
|
0%
|
|
62
|
Fragment: My Head Is Wild With Weeping
|
2
|
5%
|
0
|
0%
|
|
63
|
Fragment: Omens
|
1
|
2%
|
0
|
0%
|
|
64
|
Fragment: Satan Broken Loose
|
1
|
2%
|
0
|
0%
|
|
65
|
Fragment: Such Hope, As Is The Sick Despair Of Good
|
1
|
2%
|
0
|
0%
|
|
66
|
Fragment: Sufficient Unto The Day
|
3
|
8%
|
0
|
0%
|
|
67
|
Fragment: The Vine-Shroud
|
1
|
2%
|
0
|
0%
|
|
68
|
Fragment: Wedded Souls
|
1
|
2%
|
0
|
0%
|
|
69
|
Fragment: Yes! All Is Past
|
1
|
2%
|
0
|
0%
|
|
70
|
From "Adonais," 49-52
|
1
|
2%
|
0
|
0%
|
|
71
|
From the Arabic, an Imitation
|
1
|
2%
|
0
|
0%
|
|
72
|
Ginevra
|
1
|
2%
|
0
|
0%
|
|
73
|
Good-Night
|
13
|
37%
|
0
|
0%
|
|
74
|
Here I sit with my paper…
|
1
|
2%
|
0
|
0%
|
|
75
|
Homer's Hymn To The Moon
|
1
|
2%
|
0
|
0%
|
|
76
|
Hymn of Apollo
|
2
|
5%
|
0
|
0%
|
|
77
|
Hymn to Intellectual Beauty
|
8
|
22%
|
0
|
0%
|
|
78
|
I Arise from Dreams of Thee
|
4
|
11%
|
0
|
0%
|
|
79
|
I Would Not Be A King
|
4
|
11%
|
0
|
0%
|
|
80
|
In Horologium
|
3
|
8%
|
0
|
0%
|
|
81
|
Invocation
|
1
|
2%
|
0
|
0%
|
|
82
|
Liberty
|
2
|
5%
|
0
|
0%
|
|
83
|
Lift Not The Painted Veil Which Those Who Live
|
4
|
11%
|
0
|
0%
|
|
84
|
Lines -- Far, Far Away, O Ye
|
2
|
5%
|
0
|
0%
|
|
85
|
Lines Written Among The Euganean Hills
|
1
|
2%
|
0
|
0%
|
|
86
|
Lines Written On Hearing The News Of The Death Of Napoleon
|
1
|
2%
|
0
|
0%
|
|
87
|
Lines: We Meet Not As We Parted
|
1
|
2%
|
0
|
0%
|
|
88
|
Love
|
6
|
17%
|
0
|
0%
|
|
89
|
Love, Hope, Desire, And Fear
|
5
|
14%
|
0
|
0%
|
|
90
|
Love's Philosophy
|
25
|
71%
|
0
|
0%
|
|
91
|
Love's Rose
|
7
|
20%
|
0
|
0%
|
|
92
|
Marenghi
|
1
|
2%
|
0
|
0%
|
|
93
|
Melody To A Scene Of Former Times
|
1
|
2%
|
0
|
0%
|
|
94
|
Mont Blanc: Lines Written in the Vale of Chamouni
|
2
|
5%
|
0
|
0%
|
|
95
|
Music, when soft voices die
|
2
|
5%
|
0
|
0%
|
|
96
|
Mutability
|
4
|
11%
|
0
|
0%
|
|
97
|
Ode To Liberty
|
2
|
5%
|
0
|
0%
|
|
98
|
Ode to the West Wind
|
31
|
88%
|
0
|
0%
|
|
99
|
On Keats, Who Desired That On His Tomb Should Be Inscribed--
|
1
|
2%
|
0
|
0%
|
|
100
|
One Word Is Too Often Profaned
|
9
|
25%
|
0
|
0%
|
|
101
|
Ozymandias
|
22
|
62%
|
0
|
0%
|
|
102
|
Revenge
|
3
|
8%
|
0
|
0%
|
|
103
|
Rome And Nature
|
1
|
2%
|
0
|
0%
|
|
104
|
Rosalind and Helen: a Modern Eclogue
|
1
|
2%
|
0
|
0%
|
|
105
|
Song. Translated From The Italian
|
3
|
8%
|
0
|
0%
|
|
106
|
Sonnet : From The Italian Of Cavalcanti
|
2
|
5%
|
0
|
0%
|
|
107
|
Sonnet To Byron
|
1
|
2%
|
0
|
0%
|
|
108
|
Sonnet: Lift Not The Painted Veil Which Those Who Live
|
2
|
5%
|
0
|
0%
|
|
109
|
St. Irvyne's Tower
|
2
|
5%
|
0
|
0%
|
|
110
|
Stanza From A Translation Of The Marseillaise Hymn
|
1
|
2%
|
0
|
0%
|
|
111
|
Stanzas Written In Dejection Near Naples
|
1
|
2%
|
0
|
0%
|
|
112
|
Stanzas Written in Dejection, Near Naples
|
2
|
5%
|
0
|
0%
|
|
113
|
Summer And Winter
|
1
|
2%
|
0
|
0%
|
|
114
|
The Birth Place of Pleasure
|
1
|
2%
|
0
|
0%
|
|
115
|
The Cloud
|
17
|
48%
|
0
|
0%
|
|
116
|
The Death Knell Is Ringing
|
1
|
2%
|
0
|
0%
|
|
117
|
The Indian Serenade
|
1
|
2%
|
0
|
0%
|
|
118
|
The Invitation
|
1
|
2%
|
0
|
0%
|
|
119
|
The Irishman's Song
|
2
|
5%
|
0
|
0%
|
|
120
|
The Magnetic Lady To Her Patient
|
3
|
8%
|
0
|
0%
|
|
121
|
The Moon
|
2
|
5%
|
0
|
0%
|
|
122
|
The Past
|
1
|
2%
|
0
|
0%
|
|
123
|
The Question
|
1
|
2%
|
0
|
0%
|
|
124
|
The Retrospect: CWM Elan, 1812
|
1
|
2%
|
0
|
0%
|
|
125
|
The Sensitive Plant
|
3
|
8%
|
0
|
0%
|
|
126
|
The Spectral Horseman
|
2
|
5%
|
0
|
0%
|
|
127
|
The Sunset
|
1
|
2%
|
0
|
0%
|
|
128
|
The Triumph of Life
|
1
|
2%
|
0
|
0%
|
|
129
|
The Wandering Jew's Soliloquy
|
1
|
2%
|
0
|
0%
|
|
130
|
The Woodman And The Nightingale
|
7
|
20%
|
0
|
0%
|
|
131
|
The World's Wanderers
|
8
|
22%
|
0
|
0%
|
|
132
|
The Zucca
|
3
|
8%
|
0
|
0%
|
|
133
|
Time
|
2
|
5%
|
0
|
0%
|
|
134
|
Time Long Past
|
2
|
5%
|
0
|
0%
|
|
135
|
To ----
|
2
|
5%
|
0
|
0%
|
|
136
|
To A Lady, With A Guitar
|
2
|
5%
|
0
|
0%
|
|
137
|
To A Skylark
|
10
|
28%
|
0
|
0%
|
|
138
|
To A Star
|
2
|
5%
|
0
|
0%
|
|
139
|
To Coleridge
|
3
|
8%
|
0
|
0%
|
|
140
|
To Constantia
|
1
|
2%
|
0
|
0%
|
|
141
|
To Death
|
3
|
8%
|
0
|
0%
|
|
142
|
To Edward Williams
|
2
|
5%
|
0
|
0%
|
|
143
|
To Emilia Viviani
|
2
|
5%
|
0
|
0%
|
|
144
|
To Harriet -- It Is Not Blasphemy To Hope That Heaven
|
1
|
2%
|
0
|
0%
|
|
145
|
To Ianthe
|
1
|
2%
|
0
|
0%
|
|
146
|
To Ireland
|
1
|
2%
|
0
|
0%
|
|
147
|
To Italy
|
3
|
8%
|
0
|
0%
|
|
148
|
To The Men Of England
|
2
|
5%
|
0
|
0%
|
|
149
|
To The Mind Of Man
|
2
|
5%
|
0
|
0%
|
|
150
|
To the Moon
|
1
|
2%
|
0
|
0%
|
|
151
|
To The Nile
|
2
|
5%
|
0
|
0%
|
|
152
|
To The Queen Of My Heart
|
5
|
14%
|
0
|
0%
|
|
153
|
To William Shelley
|
2
|
5%
|
0
|
0%
|
|
154
|
To William Shelley.
|
1
|
2%
|
0
|
0%
|
|
155
|
To-- Yet look on me
|
1
|
2%
|
0
|
0%
|
|
156
|
Unrisen Splendour Of The Brightest Sun
|
1
|
2%
|
0
|
0%
|
|
157
|
Verses On A Cat
|
3
|
8%
|
0
|
0%
|
|
158
|
Wake The Serpent Not
|
1
|
2%
|
0
|
0%
|
|
159
|
War
|
1
|
2%
|
0
|
0%
|
|
160
|
When The Lamp Is Shattered
|
1
|
2%
|
0
|
0%
|
|
161
|
With A Guitar, To Jane
|
3
|
8%
|
0
|
0%
|
|
162
|
Zephyrus The Awakener
|
1
|
2%
|
0
|
0%
|