|
1
|
A Bridal Song
|
37
|
100%
|
0
|
0%
|
|
2
|
A Dialogue
|
15
|
40%
|
0
|
0%
|
|
3
|
A Dirge
|
10
|
27%
|
0
|
0%
|
|
4
|
A Fragment: To Music
|
12
|
32%
|
0
|
0%
|
|
5
|
A Hate-Song
|
12
|
32%
|
0
|
0%
|
|
6
|
A Lament
|
18
|
48%
|
0
|
0%
|
|
7
|
A New National Anthem
|
16
|
43%
|
0
|
0%
|
|
8
|
A Roman's Chamber
|
11
|
29%
|
0
|
0%
|
|
9
|
A Serpent-Face
|
6
|
16%
|
0
|
0%
|
|
10
|
A Summer Evening Churchyard, Lechlade, Gloucestershire
|
8
|
21%
|
0
|
0%
|
|
11
|
A Tale Of Society As It Is: From Facts, 1811
|
4
|
10%
|
0
|
0%
|
|
12
|
A Widow Bird Sate Mourning For Her Love
|
7
|
18%
|
0
|
0%
|
|
13
|
Adonais
|
13
|
35%
|
0
|
0%
|
|
14
|
Adonais: An Elegy on the Death of John Keats
|
5
|
13%
|
0
|
0%
|
|
15
|
Alastor: or, the Spirit of Solitude
|
3
|
8%
|
0
|
0%
|
|
16
|
An Allegory
|
9
|
24%
|
0
|
0%
|
|
17
|
An Exhortation
|
2
|
5%
|
0
|
0%
|
|
18
|
An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
|
3
|
8%
|
0
|
0%
|
|
19
|
And like a Dying Lady, Lean and Pale
|
9
|
24%
|
0
|
0%
|
|
20
|
And That I Walk Thus Proudly Crowned Withal
|
4
|
10%
|
0
|
0%
|
|
21
|
Another Fragment to Music
|
7
|
18%
|
0
|
0%
|
|
22
|
Archy's Song from Charles the First (A Widow Bird Sate Mourning For Her Love)
|
2
|
5%
|
0
|
0%
|
|
23
|
Arethusa
|
3
|
8%
|
0
|
0%
|
|
24
|
Art Thou Pale For Weariness
|
3
|
8%
|
0
|
0%
|
|
25
|
Asia: From Prometheus Unbound
|
3
|
8%
|
0
|
0%
|
|
26
|
Autumn: A Dirge
|
3
|
8%
|
0
|
0%
|
|
27
|
Beauty's Halo
|
4
|
10%
|
0
|
0%
|
|
28
|
Bereavement
|
6
|
16%
|
0
|
0%
|
|
29
|
Bigotry's Victim
|
1
|
2%
|
0
|
0%
|
|
30
|
Buona Notte
|
2
|
5%
|
0
|
0%
|
|
31
|
Death
|
6
|
16%
|
0
|
0%
|
|
32
|
Death In Life
|
5
|
13%
|
0
|
0%
|
|
33
|
Death Is Here And Death Is There
|
4
|
10%
|
0
|
0%
|
|
34
|
Despair
|
4
|
10%
|
0
|
0%
|
|
35
|
Dirge For The Year
|
1
|
2%
|
0
|
0%
|
|
36
|
England in 1819
|
26
|
70%
|
0
|
0%
|
|
37
|
English In 1819
|
3
|
8%
|
0
|
0%
|
|
38
|
Epigram I: To Stella
|
2
|
5%
|
0
|
0%
|
|
39
|
Epigram II: Kissing Helena
|
3
|
8%
|
0
|
0%
|
|
40
|
Epigram III: Spirit of Plato
|
2
|
5%
|
0
|
0%
|
|
41
|
Epipsychidion: Passages Of The Poem, Or Connected Therewith
|
1
|
2%
|
0
|
0%
|
|
42
|
Epitaph
|
2
|
5%
|
0
|
0%
|
|
43
|
Evening. To Harriet
|
1
|
2%
|
0
|
0%
|
|
44
|
Eyes : A Fragment
|
1
|
2%
|
0
|
0%
|
|
45
|
Faint With Love, The Lady Of The South
|
3
|
8%
|
0
|
0%
|
|
46
|
Fiordispina
|
3
|
8%
|
0
|
0%
|
|
47
|
Fragment : What Mary Is When She A Little Smiles
|
1
|
2%
|
0
|
0%
|
|
48
|
Fragment Of A Ghost Story
|
1
|
2%
|
0
|
0%
|
|
49
|
Fragment Of A Sonnet : To Harriet
|
2
|
5%
|
0
|
0%
|
|
50
|
Fragment Of A Sonnet. Farewell To North Devon
|
1
|
2%
|
0
|
0%
|
|
51
|
fragment: "To the Moon"
|
6
|
16%
|
0
|
0%
|
|
52
|
Fragment: A Gentle Story Of Two Lovers Young
|
4
|
10%
|
0
|
0%
|
|
53
|
Fragment: Follow To The Deep Wood's Weeds
|
1
|
2%
|
0
|
0%
|
|
54
|
Fragment: Love The Universe To-Day
|
2
|
5%
|
0
|
0%
|
|
55
|
Fragment: Omens
|
1
|
2%
|
0
|
0%
|
|
56
|
Fragment: To A Friend Released From Prison
|
2
|
5%
|
0
|
0%
|
|
57
|
Fragment: To One Singing
|
2
|
5%
|
0
|
0%
|
|
58
|
Fragment: Wedded Souls
|
1
|
2%
|
0
|
0%
|
|
59
|
From the Arabic, an Imitation
|
2
|
5%
|
0
|
0%
|
|
60
|
Good-Night
|
4
|
10%
|
0
|
0%
|
|
61
|
Here I sit with my paper…
|
1
|
2%
|
0
|
0%
|
|
62
|
Homer's Hymn To Minerva
|
1
|
2%
|
0
|
0%
|
|
63
|
Hymn to Intellectual Beauty
|
3
|
8%
|
0
|
0%
|
|
64
|
I Arise from Dreams of Thee
|
9
|
24%
|
0
|
0%
|
|
65
|
I Faint, I Perish With My Love!
|
6
|
16%
|
0
|
0%
|
|
66
|
I Would Not Be A King
|
3
|
8%
|
0
|
0%
|
|
67
|
Letter To Maria Gisborne
|
2
|
5%
|
0
|
0%
|
|
68
|
Lift Not The Painted Veil Which Those Who Live
|
2
|
5%
|
0
|
0%
|
|
69
|
Lines: We Meet Not As We Parted
|
1
|
2%
|
0
|
0%
|
|
70
|
Love
|
3
|
8%
|
0
|
0%
|
|
71
|
Love, Hope, Desire, And Fear
|
4
|
10%
|
0
|
0%
|
|
72
|
Love's Philosophy
|
23
|
62%
|
0
|
0%
|
|
73
|
Love's Rose
|
3
|
8%
|
0
|
0%
|
|
74
|
Mont Blanc: Lines Written in the Vale of Chamouni
|
1
|
2%
|
0
|
0%
|
|
75
|
Music And Sweet Poetry
|
1
|
2%
|
0
|
0%
|
|
76
|
Music, When Soft Voices Die
|
2
|
5%
|
0
|
0%
|
|
77
|
Music, when soft voices die
|
2
|
5%
|
0
|
0%
|
|
78
|
Mutability
|
3
|
8%
|
0
|
0%
|
|
79
|
Mutability - II.
|
1
|
2%
|
0
|
0%
|
|
80
|
Night
|
2
|
5%
|
0
|
0%
|
|
81
|
O Thou Immortal Deity
|
2
|
5%
|
0
|
0%
|
|
82
|
Ode To Heaven
|
1
|
2%
|
0
|
0%
|
|
83
|
Ode to the West Wind
|
6
|
16%
|
0
|
0%
|
|
84
|
On A Dead Violet
|
3
|
8%
|
0
|
0%
|
|
85
|
Orpheus
|
1
|
2%
|
0
|
0%
|
|
86
|
Otho
|
1
|
2%
|
0
|
0%
|
|
87
|
Ozymandias
|
32
|
86%
|
0
|
0%
|
|
88
|
Passage Of The Apennines
|
3
|
8%
|
0
|
0%
|
|
89
|
Remembrance
|
1
|
2%
|
0
|
0%
|
|
90
|
Remorse
|
1
|
2%
|
0
|
0%
|
|
91
|
Revenge
|
4
|
10%
|
0
|
0%
|
|
92
|
Song. -- Fierce Roars The Midnight Storm
|
1
|
2%
|
0
|
0%
|
|
93
|
Song. Hope
|
1
|
2%
|
0
|
0%
|
|
94
|
Song. Sorrow
|
1
|
2%
|
0
|
0%
|
|
95
|
Stanza
|
3
|
8%
|
0
|
0%
|
|
96
|
The Cloud
|
15
|
40%
|
0
|
0%
|
|
97
|
The Indian Serenade
|
1
|
2%
|
0
|
0%
|
|
98
|
The Invitation
|
1
|
2%
|
0
|
0%
|
|
99
|
The Magnetic Lady To Her Patient
|
1
|
2%
|
0
|
0%
|
|
100
|
The Moon
|
3
|
8%
|
0
|
0%
|
|
101
|
The Sensitive Plant
|
2
|
5%
|
0
|
0%
|
|
102
|
The Sunset
|
6
|
16%
|
0
|
0%
|
|
103
|
The Triumph of Life
|
4
|
10%
|
0
|
0%
|
|
104
|
The Woodman And The Nightingale
|
1
|
2%
|
0
|
0%
|
|
105
|
The World's Wanderers
|
1
|
2%
|
0
|
0%
|
|
106
|
To ----
|
3
|
8%
|
0
|
0%
|
|
107
|
To A Lady, With A Guitar
|
1
|
2%
|
0
|
0%
|
|
108
|
To A Skylark
|
4
|
10%
|
0
|
0%
|
|
109
|
To Ianthe
|
1
|
2%
|
0
|
0%
|
|
110
|
To Italy
|
2
|
5%
|
0
|
0%
|
|
111
|
To Mary ----
|
2
|
5%
|
0
|
0%
|
|
112
|
To-- One word is too often profaned
|
1
|
2%
|
0
|
0%
|
|
113
|
To The Lord Chancellor
|
4
|
10%
|
0
|
0%
|
|
114
|
To The Men Of England
|
2
|
5%
|
0
|
0%
|
|
115
|
To the Moon
|
1
|
2%
|
0
|
0%
|
|
116
|
To..
|
1
|
2%
|
0
|
0%
|
|
117
|
To...
|
1
|
2%
|
0
|
0%
|
|
118
|
To-morrow
|
1
|
2%
|
0
|
0%
|
|
119
|
Verses On A Cat
|
1
|
2%
|
0
|
0%
|
|
120
|
Wine Of The Fairies
|
1
|
2%
|
0
|
0%
|
|
121
|
With A Guitar, To Jane
|
2
|
5%
|
0
|
0%
|
|
122
|
Zephyrus The Awakener
|
1
|
2%
|
0
|
0%
|