Philip Glenn Whalen

Philip Glenn Whalen Poems

Philip Glenn Whalen Biography

Philip Glenn Whalen (20 October 1923 – 26 June 2002) was an American poet, Zen Buddhist, and a key figure in the San Francisco Renaissance and close to the Beat generation. Born in Portland, Oregon, Whalen grew up in The Dalles from age four until he returned to Portland in 1941. He served in the US Army Air Forces during World War II. He attended Reed College on the GI Bill. There, he met Gary Snyder and Lew Welch, and graduated with a BA in 1951. He read at the famous Six Gallery reading in 1955 that marked the launch of the West Coast Beats into the public eye. He appears, in barely fictionalized form, as the character "Warren Coughlin" in Jack Kerouac's The Dharma Bums, which includes an account of that reading. In Big Sur he is called "Ben Fagan". Whalen's poetry was featured in Donald Allen's anthology The New American Poetry 1945-1960. Whalen's first interest in Eastern religions centered on Vedanta. Upon release from the army in 1946, he visited the Vedanta Society in Portland, but did not pursue this very far, because of the expense of attending their countryside ashram. Tibetan Buddhism also attracted him, but he found it "unnecessarily complicated." In 1952, Gary Snyder lent him books on Zen by D. T. Suzuki. With Snyder, Whalen attended a study group at the Jōdo Shinshū Berkley Buddhist Church. Ultimately, Zen became his chosen path. Whalen spent 1966 and 1967 in Kyoto, Japan, assisted by a grant from the American Academy of Arts and Letters and a job teaching English. There, he practiced zazen daily, and wrote some forty poems and a second novel. He moved into the San Francisco Zen Center and became a student of Zentatsu Richard Baker in 1972. The following year, he became a monk. He became head monk of Dharma Sangha, in Santa Fe, New Mexico in 1984. In 1987, he received transmission from Baker, and in 1991, he returned to San Francisco to lead the Hartford Street Zen Center until ill health forced him to retire.)

The Best Poem Of Philip Glenn Whalen

Sourdough Mountain Lookout

Tsung Ping (375—443): 'Now I am old and infirm. I fear I shall no more be able to roam among the beautiful mountains. Clarifying my mind, I meditate on the mountain trails and wander about only in dreams.'
-in The Spirit of the Brush, tr. by Shio Sakanishi, p. 34

for Kenneth Rexroth


I always say I won't go back to the mountains
I am too old and fat there are bugs mean mules
And pancakes every morning of the world

Mr. Edward Wyman (63)
Steams along the trail ahead of us all
Moaning, 'My poor feet ache, my back
Is tired and I've got a stiff prick'
Uprooting alder shoots in the rain

Then I'm alone in a glass house on a ridge
Encircled by chiming mountains
With one sun roaring through the house all day
& the others crashing through the glass all night
Conscious even while sleeping

Morning fog in the southern gorge
Gleaming foam restoring the old sea-level
The lakes in two lights green soap and indigo
The high cirque-lake black half-open eye

Ptarmigan hunt for bugs in the snow
Bear peers through the wall at noon
Deer crowd up to see the lamp
A mouse nearly drowns in the honey
I see my bootprints mingle with deer-foot
Bear-paw mule-shoe in the dusty path to the privy

Much later I write down:
'raging. Viking sunrise
The gorgeous death of summer in the east!'
(Influence of a Byronic landscape—
Bent pages exhibiting depravity of style.)

Outside the lookout I lay nude on the granite
Mountain hot September sun but inside my head
Calm dark night with all the other stars

HERACLITUS: 'The waking have one common world
But the sleeping turn aside
Each into a world of his own.'

I keep telling myself what I really like
Are music, books, certain land and sea-scapes
The way light falls across them, diffusion of
Light through agate, light itself . . . I suppose
I'm still afraid of the dark

'Remember smart-guy there's something
Bigger something smarter than you.'
Ireland's fear of unknown holies drives
My father's voice (a country neither he
Nor his great-grandfather ever saw)

A sparkly tomb a plated grave
A holy thumb beneath a wave

Everything else they hauled across Atlantic
Scattered and lost in the buffalo plains
Among these trees and mountains

From Duns Scotus to this page
A thousand years

('. . . a dog walking on this hind legs—
not that he does it well but that he
does it at all.')

Virtually a blank except for the hypothesis
That there is more to a man
Than the contents of his jock-strap

EMPEDOCLES: 'At one time all the limbs
Which are the body's portion are brought together
By Love in blooming life's high season; at another
Severed by cruel Strife, they wander each alone
By the breakers of life's sea.'

Fire and pressure from the sun bear down
Bear down centipede shadow of palm-frond
A limestone lithograph—oysters and clams of stone
Half a black rock bomb displaying brilliant crystals
Fire and pressure Love and Strife bear down
Brontosaurus, look away

My sweat runs down the rock

HERACLITUS: 'The transformations of fire
are, first of all, sea; and half of the sea
is earth, half whirlwind. . . .
It scatters and it gathers; it advances
and retires.'

I move out of a sweaty pool
(The sea!)
And sit up higher on the rock

Is anything burning?

The sun itself! Dying
Pooping out, exhausted
Having produced brontosaurus, Heraclitus
This rock, me,
To no purpose
I tell you anyway (as a kind of loving) . . .
Flies & other insects come from miles around
To listen
I also address the rock, the heather,
The alpine fir

BUDDHA: 'All the constituents of being are
Transitory: Work out your salvation with diligence.'

(And everything, as one eminent disciple of that master
Pointed out, had been tediously complex ever since.)

There was a bird
Lived in an egg
And by ingenious chemistry
Wrought molecules of albumen
To beak and eye
Gizzard and craw
Feather and claw

My grandmother said:
'Look at them poor bed-
raggled pigeons!'

And the sign in McAlister Street:

'IF YOU CAN'T COME IN
SMILE AS YOU GO BY
LOVE
THE BUTCHER

I destroy myself, the universe (an egg)
And time—to get an answer:
There are a smiler, a sleeper and a dancer

We repeat the conversation in the glittering dark
Floating beside the sleeper.
The child remarks, 'You knew it all the time.'
I: 'I keep forgetting that the smiler is
Sleeping; the sleeper, dancing.'

From Sauk Lookout two years before
Some of the view was down the Skagit
To Puget Sound: From above the lower ranges,
Deep in the forest—lighthouses on clear nights.

This year's rock is a spur from the main range
Cuts the valley in two and is broken
By the river; Ross Dam repairs the break,
Makes trolley buses run
Through the streets of dim Seattle far away.

I'm surrounded by mountains here
A circle of 108 beads, originally seeds
of ficus religiosa
Bo-Tree
A circle, continuous, one odd bead
Larger than the rest and bearing
A tassel (hair-tuft) (the man who sat
under the tree)
In the center of the circle,
a void, an empty figure containing
All that's multiplied;
Each bead a repetition, a world
Of ignorance and sleep.

Today is the day the goose gets cooked
Day of liberation for the crumbling flower
Knobcone pinecone in the flames
Brandy in the sun

Which, as I said, will disappear
Anyway it'll be invisible soon
Exchanging places with stars now in my head
To be growing rice in China through the night.
Magnetic storms across the solar plains
Make Aurora Borealis shimmy bright
Beyond the mountains to the north.

Closing the lookout in the morning
Thick ice on the shutters
Coyote almost whistling on a nearby ridge
The mountain is THERE (between two lakes)
I brought back a piece of its rock
Heavy dark-honey color
With a seam of crystal, some of the quartz
Stained by its matrix
Practically indestructible
A shift from opacity to brilliance
(The Zenbos say, 'Lightening-flash & flint-spark')
Like the mountains where it was made

What we see of the world is the mind's
Invention and the mind
Though stained by it, becoming
Rivers, sun, mule-dung, flies—
Can shift instantly
A dirty bird in a square time

Gone
Gone
REALLY gone
Into the cool
O MAMA!

Like they say, 'Four times up,
Three times down.' I'm still on the mountain.

Philip Glenn Whalen Comments