The Boatman (In Hiroshige's ‘evening Shower At Ohashi Bridge, Atake') Poem by Deborah Cox

The Boatman (In Hiroshige's ‘evening Shower At Ohashi Bridge, Atake')

Rating: 5.0


Fissures fall as a deluge

straight from a pitch-black sky;

criss-crossing water is amplified

by the rain-drenched seeking refuge



when a sullen rush without a sound

- there is such a hush within -

seems to crash upon his hollowed head

this solitary din:



wood footsteps drum the wood;

shafts splash to their own width;

deep's cry to deep is understood

as the crossing becomes a bridge



between the line that glides, his raft,

the one within his hand

and the ones that guide his splintered craft

their splinters to expand.

Friday, December 20, 2013
Topic(s) of this poem: art
POET'S NOTES ABOUT THE POEM
Utagawa Hiroshige's woodblock print ‘Evening shower at Ohashi Bridge, Atake' in The Ashmolean Museum, University of Oxford.

Like Hiroshige, the boatman is alone using the wood and water to direct the course of his intent - the way he holds his oar is suggestive of the artist's own ink line drawing (which preceded the block-making process) . The boatman's relationship to the medium is active (he uses nature, gliding over the water) whereas the other characters depicted are subject to it.
• Washi (和紙) is a style of paper that was first made in Japan. Made using fibres from the bark of the gampi tree, the mitsumata shrub (Edgeworthia Chrysantha) , or the paper mulberry, it also can be made using bamboo, hemp, rice, and wheat. Washi comes from wa meaning Japanese and shi meaning paper, and the term is used to describe paper made by hand in the traditional manner.
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