Up, up you go, you must be introduced.
You must learn belonging to (no-one)
Drenched in the white veil (day)
The circle of minutes pushed gleaming onto your finger.
Gaps pocking the brightness where you try to see
Missing: corners, fields,
completeness: holes growing in it where the eye looks hardest.
Below, his chest, a sacred weightless place
and the small weight of your open hand on it.
And these legs, look, still yours, after all you've done with them.
Explain the six missing seeds.
Explain tongue breaks thin fire in eyes.
Learn what the great garden-(up, up you go)-exteriority,
the green never-the-less the green who-did-you-say-you-are
and how it seems to stare all the time, that green,
until night blinds it temporarily.
What is it searching for all the leaves turning towards you.
Breath the emptiest of the freedoms.
When will they notice the hole in your head (they won't).
When will they feel for the hole in your chest
Up, go. Let being-seen drift over you again, sticky kindness.
Those wet strangely unstill eyes filling their heads-
thinking or sight?-
all waiting for the true story-
your heart, beating its little song: explain. . .
Explain indeed the blood of your lives I will require
explain the strange weight of meanwhile
and there exists another death in regards to which
we are not immortal
variegated dappled spangled intricately wrought
complicated obstruse subtle devious
scintillating with change and ambiguity
Explain two are
Explain not one
(in theory) (and in practice)
blurry, my love, like a right quotation,
wanting so to sink back down,
you washing me in soil now, my shoulders dust, my rippling dust,
Look I'll scrub the dirt listen.
Up here how will I
(not) hold you.
Where is the dirt packed in again around us between us obliterating difference
Must one leave off Explain edges
(tongue breaks) (thin fire)
And bless. And blame.
Vase in the kitchen)
Explain duty to remain to the end.
Duty not to run away from the good.
(Beauty is not an issue.)
A wise man wants?
Oh my beloved I speak of the absolute jewels.
Dwelling in place for example.
In fluted listenings.
In panting waters human-skinned to the horizon.
Muzzled the deep.
Fermenting the surface.
Wrecks left at the bottom, yes.
Light on it a woman on her knees-her having kneeled everywhere
God's laughter unquenchable.
Back there its river ripped into pieces, length gone, buried in parts, in
Believe me I speak now for the sand.
Here at the front end, the narrator.
At the front end, the meanwhile: God's laughter.
Are you still waiting for the true story? (God's laughter)
The difference between what is and could be? (God's laughter)
In this dance the people do not move.
Deferred defied obstructed hungry,
organized around a radiant absence.
In His dance the people do not move.
Jorie Graham's Other Poems
Read this poem in other languages
This poem has not been translated into any other language yet.
Comments about this poem (Underneath (9) by Jorie Graham )
- Cuckold's Plea, Donal Mahoney
- Thrilling night, Sneha Celine
- Love Is Not A Feeling, Margaret Alice Second
- a symphony, Cee Bea
- one shouldn't, Neelapu Suresh
- Spring Wood, Knutsford: my place of play, Mark Heathcote
- Mrs. Ullrick, Akhtar Jawad
- See the Beauty of Heaven, Aftab Alam
- Changes after being In love, Sneha Celine
- The Tailor's Daughter - III (The Underw.., Chris Zachariou
Poem of the Day
- 04 Tongues Made Of Glass, Shaun Shane
- Still I Rise, Maya Angelou
- Do Not Go Gentle Into That Good Night, Dylan Thomas
- Fire and Ice, Robert Frost
- Daffodils, William Wordsworth
- Dreams, Langston Hughes
- A Poison Tree, William Blake
- If, Rudyard Kipling
- The Road Not Taken, Robert Frost
- Leisure, William Henry Davies
(1 February 1902 – 22 May 1967)
(March 26, 1874 – January 29, 1963)
(28 November 1757 – 12 August 1827)
(4 April 1928 - 28 May 2014)
(10 December 1830 – 15 May 1886)
(12 July 1904 – 23 September 1973)
(26 April 1564 - 23 April 1616)
(9 February 1874 – 12 May 1925)