Until I See Poem by Sadiqullah Khan

Until I See



Until I see, sculptor
Spread of fine light
Done in Carrara white,
Divine hand, O Mentor!

From your toil inspire
A conception, holy mother's.
Diana, Helen, Mary, aye virgin
A soft serenity, a plain memory.

My belief, onward,
Clasp of wings, a dove
As release to joy, or a Roman
Noble, with olives on forehead.

A turbaned statue,
Hats off, inscribed epithet,
Tolstoy's Helene, a fancy
Imitates nature, back-wards.

Caged emotion,
For you shall let it flow,
Give it a soul, walking amongst,
Such mortal step, languid.

The smile is from
Frozen lips, eye lids heavy
Flutter on blind eyes,
Outward in stone, bacchius breast.

Sadiqullah Khan
Peshawar
June 1,2014.

A Veiled Vestal Virgin
Marble; 1846 - 1847
Raffaelle Monti (1818 - 1881) Italy

Saturday, June 7, 2014
Topic(s) of this poem: love and art
POET'S NOTES ABOUT THE POEM
A Veiled Vestal Virgin
Marble; 1846 - 1847
Raffaelle Monti (1818 - 1881) Italy

The 6th Duke of Devonshire visited the sculptor's studio in Milan, Italy, on 12th October 1846 on his way to Naples. He ordered the marble sculpture on 18th October, placing a £60 deposit on the following day. The sculpture was ready to be dispatched to England in April 1847, and the Duke appears to have displayed it in Chiswick House, west of London. It first came to Chatsworth in 1999 and was shown in the Sculpture Gallery where it appeared in the 2005 film 'Pride and Prejudice', starring Kiera Knightly and Matthew Macfadyen.
In Ancient Rome the Vestals were virgin priestesses whose lives were dedicated to the goddess Vesta. They were tasked to look after the sacred fire burning on her altar in the temple of Vesta, and were regarded as fundamental to the safety of Rome. The discovery of a 'House of the Vestals' in Pompeii in the 18th century made Vestals a popular subject matter in art over the following 50 years.
Currently on display in the Dome Room @ CHATSWORTH
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