Quotations About / On: DANCE
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41.
yes, set fire to frostbitten crops,
(Denise Levertov (b. 1923), Anglo-U.S. poet. "A Walk through the Notebooks.")
drag out forgotten fruit
to dance the flame-tango,
the smoke-gavotte,
to live after all.... -
42.
The deft white-stockinged dance in thick-soled
(Marianne Moore (1887-1972), U.S. poet. A Carriage from Sweden (l. 34-35). . . The Complete Poems of Marianne Moore. (1981) Penguin Books.)
shoes! Denmark's sanctuaried Jews! -
43.
Harvey, Jr.: Dad?
(Tom Waldman (d. 1985), screenwriter, and Frank Waldman (d. 1990), U.S. screenwriter. Harvey, Jr. (Angus Duncan), Harvey (Bing Crosby), High Time, when Harvey, Jr., discovers his father in drag at a ball (1960).)
Harvey: Shut up and dance. -
44.
Don't forget the Dance Halls
(Gwendolyn Brooks (b. 1917), U.S. poet. "Of De Witt Williams on his way to Lincoln Cemetery.")
Warwick and Savoy,
Where he picked his women, where
He drank his liquid joy. -
45.
Morality measured in centimeters: all mothers believe that only their daughters dance decently.
(José Bergamín (1895-1983), Spanish writer. El cohete y la estrella (The Rocket and the Star), p. 41, Madrid, Biblioteca de Indice (1923).) -
46.
We dance round in a ring and suppose,
(Robert Frost (1874-1963), U.S. poet. The Secret Sits, The Witness Tree (1942).)
But the Secret sits in the middle and knows. -
47.
Come to me, Jenny, let's dance a bit tonight,
(Allen Tate (1899-1979), U.S. poet, critic. "Perimeters.")
The long small tremor's at my back again.... -
48.
Eroticism is like a dance: one always leads the other.
(Milan Kundera (b. 1929), Czechoslovakian author, critic. "The Cat," pt. 3, Immortality (1991).) -
49.
At the extreme north, the voyagers are obliged to dance and act plays for employment.
(Henry David Thoreau (1817-1862), U.S. philosopher, author, naturalist. "Chesuncook" (1858) in The Maine Woods (1864), in The Writings of Henry David Thoreau, vol. 3, p. 172, Houghton Mifflin (1906). Thoreau uses the term "employment" in the sense of "in order to have something to do.") -
50.
I consider a country-dance as an emblem of marriage. Fidelity and complaisance are the principle duties of both; and those men who do not choose to dance or to marry them selves, have no business with the partners or wives of the neighbors.
(Jane Austen (1775-1817), British novelist. Henry Tilney in Northanger Abbey, ch. 10 (1818).)
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