Quotations About / On: DANCE

  • 51.
    At male strip shows, it is still the women that we watch, the audience of women and their eager faces. They are more obscene than if they were dancing naked themselves.
    (Jean Baudrillard (b. 1929), French semiologist. Cool Memories, ch. 2 (1987, trans. 1990).)
    More quotations from: Jean Baudrillard, women
  • 52.
    I say to you: we must still have chaos within us to be able to give birth to a dancing star. I say to you: you still have chaos within you.
    (Friedrich Nietzsche (1844-1900), German philosopher, classical scholar, critic of culture. Friedrich Nietzsche, Sämtliche Werke: Kritische Studienausgabe, vol. 4, p. 19, eds. Giorgio Colli and Mazzino Montinari, Berlin, de Gruyter (1980). Zarathustra, in Thus Spoke Zarathustra, First Part, "Prologue," section 5 (1883).)
  • 53.
    I can get dressed earlier in the evening with every intention of going to a dance at midnight, but somehow after the theatre the thing to do seems to be either to go to bed or sit around somewhere. It doesn't seem possible that somewhere people can be expecting you at an hour like that.
    (Robert Benchley (1889-1945), U.S. writer, humorist. The Treasurer's Report and Other Aspects of Community Singing, "One Minute Please," Grosset & Dunlap (1930).)
    More quotations from: Robert Benchley, dance, people
  • 54.
    I could dance yet—only had a good fiddle—I like music. A good fiddle always starts the Negro, even if he's old.
    (Sylvia Dubois (1788?-1889), African American slave and hog breeder. :As quoted in Silvia Dubois, a Biografy of the Slav Who Whipt Her Mistres and Gand Her Fredom, interview dated December 20, 1883, by C. W. Larison (1883).)
    More quotations from: Sylvia Dubois, dance, music
  • 55.
    I avoid talking before the youth of the age as I would dancing before them: for if one's tongue don't move in the steps of the day, and thinks to please by its old graces, it is only an object of ridicule.
    (Horace Walpole (1717-1797), British author. Letter, April 15, 1768.)
    More quotations from: Horace Walpole
  • 56.
    If I'm on skates, I feel at home no matter what I'm doing. If they wanted me to sing and dance I think I could do it just because I was on skates. When I'm not on skates, though, I feel very strange.
    (Dorothy Hamill (b. 1956), U.S. ice skater. As quoted in WomenSports magazine, p. 48 (June 1977). In the preceding year, Hamill had won the Olympic gold medal for women's figure skating.)
    More quotations from: Dorothy Hamill, dance, home
  • 57.
    "Do you like being a parent—you know, being a father, having children and all?" Linnet once asked me. "Yes," I said, after a moment. "It's like dancing with a partner. It takes a lot of effort to do it well. But when it's done well it's a beautiful thing to see."
    (Gerald Early (20th century), U.S. writer, specialist in African-American Studies. Daughters, preface (1994).)
  • 58.
    I do not know what the spirit of a philosopher could more wish to be than a good dancer. For the dance is his ideal, also his fine art, finally also the only kind of piety he knows, his "divine service."
    (Friedrich Nietzsche (1844-1900), German philosopher. The Gay Science, aph. 381 (rev. edition 1887).)
    More quotations from: Friedrich Nietzsche, dance
  • 59.
    The society girl meets more dangers than the girl on the stage. There is more danger at a tango tea than in the theatre. The actor is less dangerous than the dancing master.
    (Lillian Russell (1861-1922), U.S. actor. As quoted in Famous Actors and Actresses on the American Stage, vol. 2, by William C. Young (1975). From an article entitled, "Is the Stage a Perilous Place for a Young Girl?," first published in Theatre magazine in January 1916. Russell, a renowned beauty and very popular musical comedy star, was reacting to the "bad name" that the stage had at the time. She herself had been married four times and observed: "If a girl is pretty she will be tempted.")
    More quotations from: Lillian Russell, girl
  • 60.
    A million years of sensitive men dying for their dreams. For what? So you can swim and dance and play.
    (David Duncan (b.1913), U.S. screenwriter, and George Pal. George (Rod Taylor), The Time Machine, speaking to dissolute humans far in the future (1960).)
    More quotations from: David Duncan, dance, dying
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