And so while dreams are the individual man's play with reality, the sculptor's art is (in a broader sense) the play with dreams.
(Friedrich Nietzsche (1844-1900), German philosopher, classical scholar, critic of culture. Friedrich Nietzsche, Sämtliche Werke: Kritische Studienausgabe, vol. 1, p. 554, eds. Giorgio Colli and Mazzino Montinari, Berlin, de Gruyter (1980). "The Dionysian Worldview," part 1 (1871).
An unpublished manuscript containing material later used in The Birth of Tragedy.)
Unlike Freud, Jung did not believe that a dream is a mask for a meaning already known but deceitfully withheld from the conscious mind. In his view, dreams were communication, ideas expressed not always straightforwardly, but in the best way possible within the limits of the medium. Dreaming, in Jung's psychology, is a constructive process.
(Jeremy Campbell (b. 1931), British journalist. Grammatical Man: Information, Entropy, Language, and Life, ch. 19, Simon & Schuster (1982).)