Who dreamed that beauty passes like a dream?
For these red lips, with all their mournful pride,
Mournful that no new wonder may betide,
Troy passed away in one high funeral gleam,
And Usna's children died.
(William Butler Yeats (1865-1939), Irish poet. The Rose of the World (l. 1-5). . .
The Collected Poems of W. B. Yeats. Richard J. Finneran, ed. (1989) Macmillan.)
This is the village where the funeral
Stilted its dusty march over deep ruts
Up the hillside covered with queen's lace
To the patch of weeds known finally to all.
(Allen Tate (1899-1979), U.S. poet, critic. "Stranger.")
On the whole, it was not so impressive a scene as I might have expected. If I had found one body cast upon the beach in some lonely place, it would have affected me more. I sympathized rather with the winds and waves, as if to toss and mangle these poor human bodies was the order of the day. If this was the law of Nature, why waste any time in awe or pity? If the last day were come, we should not think so much about the separation of friends or the blighted prospects of individuals. I saw that corpses might be multiplied, as on the field of battle, till they no longer affected us in any degree as exceptions to the common lot of humanity. Take all the graveyards together, they are always the majority. It is the individual and private that demands our sympathy. A man can attend but one funeral in the course of this life, can behold but one corpse.
(Henry David Thoreau (1817-1862), U.S. philosopher, author, naturalist. Cape Cod (1855-1865), in The Writings of Henry David Thoreau, vol. 4, pp. 11-12, Houghton Mifflin (1906).)
That poor little thing was a good woman, Judge. But she just sort of let life get the upper hand. She was born here and she wanted to be buried here. I promised her on her deathbed she'd have a funeral in a church with flowers. And the sun streamin' through a pretty window on her coffin. And a hearse with plumes and some hacks. And a preacher to read the Bible. And folks there in church to pray for her soul.
(Laurence Stallings (1804-1968), U.S. screenwriter, and John Ford. Mallie Cramp (Eve March), The Sun Shines Bright, telling Judge Priest (Charles Winniger) about the deathbed promise she made to a prostitute who died shortly after returning home to see the illegitimate daughter she gave up years before (1953).
Based on stories "The Sun Shines Bright," "The Mob from Massac," "The Lord Provides" by Irwin S. Cobb.)
"Michael Henchard's Will
"That Elizabeth-Jane Farfrae be not told of my death, or made to grieve on account of me.
"& that I be not bury'd in consecrated ground.
"& that no sexton be asked to toll the bell.
"& that nobody is wished to see my dead body.
"& that no murners walk behind me at my funeral.
"& that no flours be planted on my grave.
"& that no man remember me.
"To this I put my name.
"Michael Henchard"
(Thomas Hardy (1840-1928), British novelist, poet. The Mayor of Casterbridge, ch. XLV (1886).)
A man's death makes everything certain about him. Of course, secrets may die with him. And of course, a hundred years later somebody looking through some papers may discover a fact which throws a totally different light on his life and of which all the people who attended his funeral were ignorant. Death changes the facts qualitatively but not quantitatively. One does not know more facts about a man because he is dead. But what one already knows hardens and becomes definite. We cannot hope for ambiguities to be clarified, we cannot hope for further change, we cannot hope for more. We are now the protagonists and we have to make up our minds.
(John Berger (b. 1926), British author, critic. A Fortunate Man, p. 160 (1967, repr. 1976).)