If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.
(Henry David Thoreau (1817-1862), U.S. philosopher, author, naturalist. Walden, "Conclusion," (1854).
The expression, "music of a different drummer" has entered general usage, for example, Vice President Hubert Humphrey's address to the United States Junior Chamber of Commerce, Detroit, Michigan, June 29, 1966: "The great challenge which faces us is to assure that, in our society of big-ness, we do not strangle the voice of creativity, that the rules of the game do not come to overshadow its purpose, that the grand orchestration of society leaves ample room for the man who marches to the music of another drummer.")
Ere long, not only these banks, but on every hill and plain and in every hollow, the frost comes out of the ground like a dormant quadruped from its burrow, and seeks the sea with music, or migrates to other climes in clouds.
(Henry David Thoreau (1817-1862), U.S. philosopher, author, naturalist. Walden (1854), in The Writings of Henry David Thoreau, vol. 2, p. 341, Houghton Mifflin (1906).)
We are not concerned about the historical truth of this, but rather a higher poetical truth. We seem to hear the music of a thought, and care not if the understanding be not gratified.
(Henry David Thoreau (1817-1862), U.S. philosopher, author, naturalist. A Week on the Concord and Merrimack Rivers (1849), in The Writings of Henry David Thoreau, vol. 1, p. 58, Houghton Mifflin (1906).)
The intellectual man requires a fine bait; the sots are easily amused. But everybody is drugged with his own frenzy, and the pageant marches at all hours, with music and banner and badge.
(Ralph Waldo Emerson (1803-1882), U.S. essayist, poet, philosopher. "Illusions," The Conduct of Life (1860).)
Whatever has made, or does make, or may make music, should be held sacred as the golden bridle-bit of the Shah of Persia's horse, and the golden hammer, with which his hoofs are shod.
(Herman Melville (1819-1891), U.S. author. Redburn (1849), ch. 49, The Writings of Herman Melville, vol. 4, eds. Harrison Hayford, Hershel Parker, and G. Thomas Tanselle (1969).)
I am fond of music I think because it is so amoral. Everything else is moral and I am after something that isn't. I have always found moralizing intolerable.
(Hermann Hesse (1877-1962), German novelist, poet. Sinclair, in Demian, ch. 5 (1960).)
As one knows the poet by his fine music, so one can recognise the liar by his rich rhythmic utterance, and in neither case will the casual inspiration of the moment suffice. Here, as elsewhere, practice must precede perfection.
(Oscar Wilde (1854-1900), Anglo-Irish playwright, author. Vivian, in "The Decay of Lying," published in Intentions (1891).)
Electric flesh-arrows ... traversing the body. A rainbow of color strikes the eyelids. A foam of music falls over the ears. It is the gong of the orgasm.
(Anaïs Nin (1903-1977), Franco-American novelist, diarist. The Diary of Anaïs Nin, vol. 2, entry for Oct. 1937 (1967).)
I think sometimes, could I only have music on my own terms; could I live in a great city and know where I could go whenever I wished the ablution and inundation of musical waves,that were a bath and a medicine.
(Ralph Waldo Emerson (1803-1882), U.S. essayist, poet, philosopher. "Wealth," The Conduct of Life (1860).)