Quotations About / On: OCEAN

  • 171.
    As the light increased, I discovered around me an ocean of mist, which by chance reached up exactly to the base of the tower, and shut out every vestige of the earth, while I was left floating on this fragment of the wreck of a world, on my carved plank, in cloudland; a situation which required no aid from the imagination to render it impressive. As the light in the east steadily increased, it revealed to me more clearly the new world into which I had risen in the night, the new terra firma perchance of my future life.... All around beneath me was spread for a hundred miles on every side, as far as the eye could reach, an undulating country of clouds, answering in the varied swell of its surface to the terrestrial world it veiled. It was such a country as we might see in dreams, with all the delights of paradise.
    (Henry David Thoreau (1817-1862), U.S. philosopher, author, naturalist. A Week on the Concord and Merrimack Rivers (1849), in The Writings of Henry David Thoreau, vol. 1, pp. 197-198, Houghton Mifflin (1906).)
    More quotations from: Henry David Thoreau, light, world
  • 172.
    The next summer I saw a sloop from Chatham dragging for anchors and chains just off this shore.... It is a singular employment, at which men are regularly hired and paid for their industry, to hunt to-day in pleasant weather for anchors which have been lost,—the sunken faith and hope of mariners, to which they trusted in vain; now, perchance,... if the roadsteads of the spiritual ocean could be thus dragged, what rusty flukes of hope deceived and parted chain cables of faith might again be windlassed aboard! enough to sink the finder's craft, or stock new navies to the end of time. The bottom of the sea is strewn with anchors, some deeper and some shallower, and alternately covered and uncovered by the sand, perchance with a small length of iron cable still attached,—to which where is the other end? So many unconcluded tales to be continued another time. So, if we had diving-bells adapted to the spiritual deeps, we should see anchors with their cables attached, as thick as eels in vinegar, all wriggling vainly toward their holding-ground. But that is not treasure for us which another man has lost; rather it is for us to seek what no other man has found or can find,—not be Chatham men, dragging for anchors.
    (Henry David Thoreau (1817-1862), U.S. philosopher, author, naturalist. Cape Cod (1855-1865), in The Writings of Henry David Thoreau, vol. 4, pp. 162-163, Houghton Mifflin (1906).)
  • 173.
    MR. BLAKE,—I received your letter just as I was rushing to Fire Island beach to recover what remained of Margaret Fuller, and read it on the way. That event and its train, as much as anything, have prevented my answering it before. It is wisest to speak when you are spoken to. I will now endeavor to reply, at the risk of having nothing to say.
    I find that actual events, notwithstanding the singular prominence which we all allow them, are far less real than the creations of my imagination. They are truly visionary and insignificant,—all that we commonly call life and death,—and affect me less than my dreams. This petty stream which from time to time swells and carries away the mills and bridges of our habitual life, and that mightier stream or ocean on which we securely float,—what makes the difference between them? I have in my pocket a button which I ripped off the coat of the Marquis of Ossoli, on the seashore, the other day. Held up, it intercepts the light,—an actual button,—and yet all the life that it is connected with is less substantial to me, and interests me less, than my faintest dream. Our thoughts are the epochs in our lives: all else is but as a journal of the winds that blew while we were here.
    (Henry David Thoreau (1817-1862), U.S. philosopher, author, naturalist. Letter, August 9, 1850, to Harrison Blake, in The Writings of Henry David Thoreau, vol. 6, pp. 185-186, Houghton Mifflin (1906). The Marquis of Ossoli was Margaret Fuller's newly wed husband who drowned along with her and their child in the shipwreck mentioned here.)
  • 174.
    Well, when you're up there and you're all alone, see, it's just you and your ship and the sky. And you don't want anybody up there with you, you don't want anybody to spoil it. Everything's kind of still, and you have a feeling that you're halfway to heaven. You don't even seem to hear the sound of your own motor, just a kind of a buzz, like the sky was calling you. Like the sky was singin' you a song.... Yeah. And somehow it's never eight o'clock up there, it's always now. And the earth is so far below you that it just doesn't matter anymore, the sky is the thing that's important. The sky is your pal. You feel like nudging it and saying, "Hiya sky, how are you today? And how was the old moon the last time you saw him?" The wind drift comes straight off the morning star and beautiful white clouds drift towards you. And they're like old friends. Friends you never want to say goodbye to. And you see a patch of clear air in between 'em and you duck in and out, like a porpoise rollin' in the ocean. And then you say to yourself, "Boy, oh boy, this is the only time a man is really ever alive. It's the only time he's really ever free." The old sky smiles back at you and says, "Boy, you're right. You're dead right."
    (Dalton Trumbo (1905-1976), U.S. screenwriter. Victor Fleming. Pete Sandidge, A Guy Named Joe, explaining to the children what he feels when he's up in his plane (1943). Adaptation by Frederick Hazlitt Brennan from an original story by Chandler Sprague and David Boehm; original name, James Dalton Trumbo.)
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  • 175.
    At length, by mid-afternoon, after we had had two or three rainbows over the sea, the showers ceased, and the heavens gradually cleared up, though the wind still blowed as hard and the breakers ran as high as before. Keeping on, we soon after came to a charity-house, which we looked into to see how the shipwrecked mariners might fare. Far away in some desolate hollow by the seaside, just within the bank, stands a lonely building on piles driven into the sand, with a slight nail put through the staple, which a freezing man can bend, with some straw, perchance, on the floor on which he may lie, or which he may burn in the fireplace to keep him alive. Perhaps this hut has never been required to shelter a shipwrecked man, and the benevolent person who promised to inspect it annually, to see that the straw and matches are here, and that the boards will keep off the wind, has grown remiss and thinks that storms and shipwrecks are over; and this very night a perishing crew may pry open its door with their numbed fingers and leave half their number dead here by morning. When I thought what must be the condition of the families which alone would ever occupy or had occupied them, what must have been the tragedy of the winter evenings spent by human beings around their hearths, these houses, though they were meant for human dwellings, did not look cheerful to me. They appeared but a stage to the grave. The gulls flew around and screamed over them; the roar of the ocean in storms, and the lapse of its waves in calms, alone resounds through them, all dark and empty within, year in, year out, except, perchance, on one memorable night. Houses of entertainment for shipwrecked men! What kind of sailor's homes were they?
    (Henry David Thoreau (1817-1862), U.S. philosopher, author, naturalist. Cape Cod (1855-1865), in The Writings of Henry David Thoreau, vol. 4, pp. 74-75, Houghton Mifflin (1906).)
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  • 176.
    In the Second World War approximately the same European allies fought approximately the same adversaries as in the first. Though the tide of the battle swung more violently to and fro, the battle ended in much the same way—with the defeat of Germany. The link between the two wars went deeper. Germany fought specifically in the second war to reverse the verdict of the first and to destroy the settlement which followed it. Her opponents fought, though less consciously, to defend that settlement; and this they achieved—to their own surprise. There was much utopian projecting while the second war was on; but at the end virtually every frontier of Europe and the Near East was restored unchanged, with the exception—admittedly a large exception—of Poland and the Baltic. Leaving out this area of north-eastern Europe, the only serious change on the map between the English Channel and the Indian Ocean was the transference of Istria from Italy to Yugoslavia. The first war destroyed old Empires and brought new states into existence. The second war created no new states and destroyed only Estonia, Latvia, and Lithuania.
    (A.J.P. (Alan John Percivale) Taylor (b. 1906), British historian. The Origins of the Second World War, ch. 2, Atheneum (1961).)
  • 177.
    Once also it was my business to go in search of the relics of a human body, mangled by sharks, which had just been cast up, a week after a wreck, having got the direction from a lighthouse: I should find it a mile or two distant over the sand, a dozen rods from the water, covered with a cloth, by a stick stuck up. I expected that I must look very narrowly to find so small an object, but the sandy beach, half a mile wide, and stretching farther than the eye could reach, was so perfectly smooth and bare, and the mirage toward the sea so magnifying, that when I was half a mile distant the insignificant sliver which marked the spot looked like a bleached spar, and the relics were conspicuous as if they lay in state on that sandy plain, or a generation had labored to pile up their cairn there. Close at hand they were simply some bones with a little flesh adhering to them, in fact only a slight inequality in the sweep of the shore. There was nothing at all remarkable about them, and they were singularly inoffensive both to the senses and the imagination. But as I stood there they grew more and more imposing. They were alone with the beach and the sea, whose hollow roar seemed addressed to them, and I was impressed as if there was an understanding between them and the ocean which necessarily left me out, with my snivelling sympathies. That dead body had taken possession of the shore, and reigned over it as no living one could, in the name of a certain majesty which belonged to it.
    (Henry David Thoreau (1817-1862), U.S. philosopher, author, naturalist. Cape Cod (1855-1865), in The Writings of Henry David Thoreau, vol. 4, pp. 107-108, Houghton Mifflin (1906).)
    More quotations from: Henry David Thoreau, beach
  • 178.
    "Miss Dudley ... gives one the idea of a lightly-sparred yacht in mid- ocean; unexpected; you ask yourself what the devil she is doing there. She sails gaily along, though there is no land in sight and plenty of rough weather coming. She never read a book, I believe, in her life. She tries to paint, but she is only a second-rate amateur and will never be any thing more, though she has done one or two things which I give you my word I would like to have done myself. She picks up all she knows without an effort and knows nothing well, yet she seems to understand whatever is said. Her mind is as irregular as her face, and both have the same peculiarity. I notice that the lines of her eyebrows, nose and mouth all end with a slight upward curve like a yacht's sails, which gives a kind of hopefulness and self-confidence to her expression. Mind and face have the same curves."
    (Henry Brooks Adams (1838-1918), U.S. historian. Wharton in Esther, p. 200, Library of America (1983).)
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  • 179.
    The time must come when this coast will be a place of resort for those New-Englanders who really wish to visit the seaside. At present it is wholly unknown to the fashionable world, and probably it will never be agreeable to them. If it is merely a ten-pin alley, or a circular railway, or an ocean of mint-julep, that the visitor is in search of,—if he thinks more of the wine than the brine, as I suspect some do at Newport,—I trust that for a long time he will be disappointed here. But this shore will never more be more attractive than it is now. Such beaches as are fashionable are here made and unmade in a day, I may almost say, by the sea shifting its sands. Lynn and Nantasket! this bare and bended arm it is that makes the bay in which they lie so snugly. What are springs and waterfalls? Here is the spring of springs, the waterfall of waterfalls. A storm in the fall or winter is the time to visit it; a lighthouse or fisherman's hut, the true hotel. A man may stand there and put all America behind him.
    (Henry David Thoreau (1817-1862), U.S. philosopher, author, naturalist. Cape Cod (1855-1865), in The Writings of Henry David Thoreau, vol. 4, pp. 272-273, Houghton Mifflin (1906).)
    More quotations from: Henry David Thoreau, time
  • 180.
    This "charity-house," as the wrecker called it, this "Humane house," as some call it, that is, the one to which we first came, had neither window nor sliding shutter, nor clapboards, nor paint. As we have said, there was a rusty nail put through the staple. However, as we wished to get an idea of a Humane house, and we hoped that we should never have a better opportunity, we put our eyes, by turns, to a knot-hole in the door, and, after long looking, without seeing, into the dark,—not knowing how many shipwrecked men's bones we might see at last, looking with the eye of faith, knowing that, though to him that knocketh it may not always be opened, yet to him that looketh long enough through a knot-hole the inside shall be visible,—for we had had some practice at looking inward,—by steadily keeping our other ball covered from the light meanwhile, putting the outward world behind us, ocean and land, and the beach,—till the pupil became enlarged and collected the rays of light that were wandering in that dark (for the pupil shall be enlarged by looking; there was never so dark a night but a faithful and patient eye, however small, might at last prevail over it),—after all this, I say, things began to take shape to our vision,—if we may use this expression where there was nothing but emptiness,—and we obtained the long-wished-for insight. Though we thought at first that it was a hopeless case, after several minutes' steady exercise of the divine faculty, our prospects began steadily to brighten, and we were ready to exclaim with the blind bard of "Paradise Lost and Regained,"—
    "Hail, holy Light! offspring of Heaven first-born,
    Or of the Eternal coeternal beam
    May I express thee unblamed?"
    A little longer, and a chimney rushed red on our sight. In short, when our vision had grown familiar with the darkness, we discovered that there were some stones and some loose wads of wool on the floor, and an empty fireplace at the further end; but it was not supplied with matches, or straw, or hay, that we could see, nor "accommodated with a bench." Indeed, it was the wreck of all cosmical beauty there within.
    Turning our backs on the outward world, we thus looked through the knot-hole into the Humane house, into the very bowels of mercy; and for bread we found a stone. It was literally a great cry (of sea-mews outside), and a little wool. However, we were glad to sit outside, under the lee of the Humane house, to escape the piercing wind; and there we thought how cold is charity! how inhumane humanity! This, then, is what charity hides! Virtues antique and far away, with ever a rusty nail over the latch; and very difficult to keep in repair, withal, it is so uncertain whether any will ever gain the beach near you. So we shivered round about, not being able to get into it, ever and anon looking through the knot-hole into that night without a star, until we concluded that it was not a humane house at all, but a seaside box, now shut up, belonging to some of the family of Night or Chaos, where they spent their summers by the sea, for the sake of the sea-breeze, and that it was not proper for us to be prying into their concerns.
    (Henry David Thoreau (1817-1862), U.S. philosopher, author, naturalist. Cape Cod (1855-1865), in The Writings of Henry David Thoreau, vol. 4, pp. 76-78, Houghton Mifflin (1906).)
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