To the sick, indeed, nature is sick, but to the well, a fountain of health.
(Henry David Thoreau (1817-1862), U.S. philosopher, author, naturalist. "Natural History of Massachusetts (1842), in The Writings of Henry David Thoreau, vol. 5, p. 104, Houghton Mifflin (1906).)
A woman's pity, which is talkative, carries the sick person's bed to the public marketplace.
(Friedrich Nietzsche (1844-1900), German philosopher, classical scholar, critic of culture. Friedrich Nietzsche, Sämtliche Werke: Kritische Studienausgabe, vol. 2, p. 497, eds. Giorgio Colli and Mazzino Montinari, Berlin, de Gruyter (1980). Mixed Opinions and Maxims, aphorism 282, "Sympathetic Women," (1879).)
(Mildred Augustus Wirt Benson (b. c. 1906), U.S. author. As quoted in the New York Times, sect. 4, p. 7 (May 9, 1993).
On the heroine of the extremely popular mystery series for teenage girls that she initiated in 1930, using the pseudonym "Carolyn Keene," with publication of The Secret of the Old Clock.)
She remembered home as a place where there were always too many children, a cross man and work piling up around a sick woman.
(Willa Cather (1873-1947), U.S. novelist. Jim Burden, in My Antonia, book III, ch. IV (1918; rev. 1926).
The narrator sums up Lina Lingard's critique of home and family.)
It's a tragic irony. The sick stayed well and the healthy became blind.
(Philip Yordan (b. 1913), U.S. screenwriter, and Steve Sekely. Christine Durrant (Nicole Maurey), Day of the Triffids, discussing the triffids' attack on England, which left their victims blind (1963).)