Music is so much a part of their daily lives that if an Indian visits another reservation one of the first questions asked on his return is: "What new songs did you learn?"
(Federal Writers' Project Of The Wor, U.S. public relief program (1935-1943). Minnesota: A State Guide (The WPA Guide to Minnesota), p. 39, in "First Americans," Viking Press (1938).
On the modern Chippewa; drawn from Frances Densmore, Chippewa Music, Bulletin 45, Bureau of American Ethnology.)
Dylan is to me the perfect symbol of the anti-artist in our society. He is against everythingthe last resort of someone who doesn't really want to change the world.... Dylan's songs accept the world as it is.
(Ewan MacColl (1915-1989), British folk singer, songwriter. Also quoted in Robert Shelton, No Direction Home, ch. 8 (1986). Interview in Melody Maker (London, Sept. 1965).)
Here was a place where nothing was crystallized. There were no traditions, no customs, no college songs .... There were no rules and regulations. All would have to be thought of, planned, built up, createdwhat a magnificent opportunity!
(Mabel Smith Douglass (1877-1933), U.S. educator. The Early History of New Jersey College for Women (1929).
Recalling the early years of the New Jersey College for Women; Douglass became its first dean in 1918.)
I describe family values as responsibility towards others, increase of tolerance, compromise, support, flexibility. And essentially the things I call the silent song of lifethe continuous process of mutual accommodation without which life is impossible.
(Salvador Minuchin (20th century), U.S. family therapist. As quoted in "On Family Therapy: A Visit with Salvador Minuchin," Psychology Today (March-April 1993).)