|
1
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
2
|
13%
|
0
|
0%
|
|
2
|
A CANTICLE TO APOLLO
|
8
|
53%
|
0
|
0%
|
|
3
|
A Child's Grace
|
6
|
40%
|
0
|
0%
|
|
4
|
A Christmas Carol, Sung to the King in the Presence at White-Hall
|
6
|
40%
|
0
|
0%
|
|
5
|
A Conjuration To Electra
|
5
|
33%
|
0
|
0%
|
|
6
|
A CONJURATION: TO ELECTRA
|
5
|
33%
|
0
|
0%
|
|
7
|
A DIALOGUE BETWIXT HIMSELF AND MISTRESS ELIZAWHEELER, UNDER THE NAME OF AMARILLIS
|
2
|
13%
|
0
|
0%
|
|
8
|
A HYMN TO BACCHUS
|
6
|
40%
|
0
|
0%
|
|
9
|
A Hymn To Love
|
6
|
40%
|
0
|
0%
|
|
10
|
A HYMN TO THE GRACES
|
1
|
6%
|
0
|
0%
|
|
11
|
A HYMN TO VENUS AND CUPID
|
3
|
20%
|
0
|
0%
|
|
12
|
A Lyric to Mirth
|
3
|
20%
|
0
|
0%
|
|
13
|
A MEAN IN OUR MEANS
|
3
|
20%
|
0
|
0%
|
|
14
|
A MEDITATION FOR HIS MISTRESS
|
6
|
40%
|
0
|
0%
|
|
15
|
A NEW YEAR'S GIFT,SENT TO SIR SIMEON STEWARD
|
2
|
13%
|
0
|
0%
|
|
16
|
A PARANAETICALL, OR ADVISIVE VERSETO HIS FRIEND, MR JOHN WICKS
|
2
|
13%
|
0
|
0%
|
|
17
|
A PASTORAL SUNG TO THE KING
|
4
|
26%
|
0
|
0%
|
|
18
|
A Ring Presented to Julia
|
1
|
6%
|
0
|
0%
|
|
19
|
A THANKSGIVING TO GOD, FOR HIS HOUSE
|
5
|
33%
|
0
|
0%
|
|
20
|
ALL THINGS DECAY AND DIE
|
2
|
13%
|
0
|
0%
|
|
21
|
AMBITION
|
1
|
6%
|
0
|
0%
|
|
22
|
AN HYMN TO THE MUSES
|
7
|
46%
|
0
|
0%
|
|
23
|
AN ODE FOR BEN JONSON
|
1
|
6%
|
0
|
0%
|
|
24
|
AN ODE OF THE BIRTH OF OUR SAVIOUR
|
1
|
6%
|
0
|
0%
|
|
25
|
AN ODE TO SIR CLIPSBY CREW
|
1
|
6%
|
0
|
0%
|
|
26
|
ANACREONTIC
|
1
|
6%
|
0
|
0%
|
|
27
|
Another
|
1
|
6%
|
0
|
0%
|
|
28
|
Another Grace For A Child
|
1
|
6%
|
0
|
0%
|
|
29
|
ART ABOVE NATURE: TO JULIA
|
1
|
6%
|
0
|
0%
|
|
30
|
BARLEY-BREAK; OR, LAST IN HELL
|
1
|
6%
|
0
|
0%
|
|
31
|
Be My Mistress Short or Tall
|
1
|
6%
|
0
|
0%
|
|
32
|
CASUALTIES
|
1
|
6%
|
0
|
0%
|
|
33
|
CEREMONIES FOR CANDLEMAS EVE
|
3
|
20%
|
0
|
0%
|
|
34
|
CHERRY RIPE
|
1
|
6%
|
0
|
0%
|
|
35
|
Cherry- Ripe
|
1
|
6%
|
0
|
0%
|
|
36
|
COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
|
1
|
6%
|
0
|
0%
|
|
37
|
Corinna's Going A-Maying
|
1
|
6%
|
0
|
0%
|
|
38
|
CRUTCHES
|
3
|
20%
|
0
|
0%
|
|
39
|
DELIGHT IN DISORDER
|
11
|
73%
|
0
|
0%
|
|
40
|
Discontents In Devon
|
1
|
6%
|
0
|
0%
|
|
41
|
Draw-gloves
|
4
|
26%
|
0
|
0%
|
|
42
|
FAREWELL FROST, OR WELCOME SPRING
|
1
|
6%
|
0
|
0%
|
|
43
|
HIS GRANGE, OR PRIVATE WEALTH
|
2
|
13%
|
0
|
0%
|
|
44
|
His Litany to the Holy Spirit
|
1
|
6%
|
0
|
0%
|
|
45
|
HIS MISTRESS TO HIM AT HIS FAREWELL
|
1
|
6%
|
0
|
0%
|
|
46
|
HIS POETRY HIS PILLAR
|
1
|
6%
|
0
|
0%
|
|
47
|
His Prayer For Absolution
|
1
|
6%
|
0
|
0%
|
|
48
|
HIS RETURN TO LONDON
|
2
|
13%
|
0
|
0%
|
|
49
|
HIS SAILING FROM JULIA
|
1
|
6%
|
0
|
0%
|
|
50
|
His Wish To God
|
1
|
6%
|
0
|
0%
|
|
51
|
HOW HIS SOUL CAME ENSNARED
|
2
|
13%
|
0
|
0%
|
|
52
|
HOW PANSIES OR HEARTS-EASE CAME FIRST
|
1
|
6%
|
0
|
0%
|
|
53
|
HOW SPRINGS CAME FIRST
|
1
|
6%
|
0
|
0%
|
|
54
|
I CALL AND I CALL
|
2
|
13%
|
0
|
0%
|
|
55
|
IMPOSSIBILITIES: TO HIS FRIEND
|
1
|
6%
|
0
|
0%
|
|
56
|
Litany to the Holy Spirit
|
1
|
6%
|
0
|
0%
|
|
57
|
LOSS FROM THE LEAST
|
2
|
13%
|
0
|
0%
|
|
58
|
LOVE DISLIKES NOTHING
|
3
|
20%
|
0
|
0%
|
|
59
|
LOVERS HOW THEY COME AND PART
|
1
|
6%
|
0
|
0%
|
|
60
|
MAN'S DYING-PLACE UNCERTAIN
|
5
|
33%
|
0
|
0%
|
|
61
|
MIRTH
|
1
|
6%
|
0
|
0%
|
|
62
|
Miseries
|
2
|
13%
|
0
|
0%
|
|
63
|
MONEY MAKES THE MIRTH
|
1
|
6%
|
0
|
0%
|
|
64
|
NO FAULT IN WOMEN
|
1
|
6%
|
0
|
0%
|
|
65
|
NO PAINS, NO GAINS
|
1
|
6%
|
0
|
0%
|
|
66
|
NOT EVERY DAY FIT FOR VERSE
|
1
|
6%
|
0
|
0%
|
|
67
|
Oberon's Feast
|
3
|
20%
|
0
|
0%
|
|
68
|
OF LOVE: A SONNET
|
3
|
20%
|
0
|
0%
|
|
69
|
ON HIMSELF
|
1
|
6%
|
0
|
0%
|
|
70
|
On Julia's Voice
|
1
|
6%
|
0
|
0%
|
|
71
|
ORPHEUS
|
2
|
13%
|
0
|
0%
|
|
72
|
PEACE NOT PERMANENT
|
1
|
6%
|
0
|
0%
|
|
73
|
POVERTY AND RICHES
|
3
|
20%
|
0
|
0%
|
|
74
|
PRAY AND PROSPER
|
1
|
6%
|
0
|
0%
|
|
75
|
Proof to No Purpose
|
2
|
13%
|
0
|
0%
|
|
76
|
PURPOSES
|
1
|
6%
|
0
|
0%
|
|
77
|
Rewards
|
1
|
6%
|
0
|
0%
|
|
78
|
SOFT MUSIC
|
1
|
6%
|
0
|
0%
|
|
79
|
Sweet Disorder
|
2
|
13%
|
0
|
0%
|
|
80
|
The Argument Of His Book
|
1
|
6%
|
0
|
0%
|
|
81
|
THE BAD SEASON MAKES THE POET SAD
|
2
|
13%
|
0
|
0%
|
|
82
|
THE BRACELET TO JULIA
|
1
|
6%
|
0
|
0%
|
|
83
|
The Bracelet: To Julia
|
1
|
6%
|
0
|
0%
|
|
84
|
THE BRIDE-CAKE
|
2
|
13%
|
0
|
0%
|
|
85
|
THE CEREMONIES FOR CANDLEMAS DAY
|
2
|
13%
|
0
|
0%
|
|
86
|
THE CHANGES: TO CORINNA
|
4
|
26%
|
0
|
0%
|
|
87
|
THE COUNTRY LIFE:
|
2
|
13%
|
0
|
0%
|
|
88
|
THE CRUEL MAID
|
3
|
20%
|
0
|
0%
|
|
89
|
THE DIRGE OF JEPHTHAH'S DAUGHTER:SUNG BY THE VIRGINS
|
1
|
6%
|
0
|
0%
|
|
90
|
THE FAIRY TEMPLE; OR, OBERON'S CHAPEL
|
2
|
13%
|
0
|
0%
|
|
91
|
THE FUNERAL RITES OF THE ROSE
|
1
|
6%
|
0
|
0%
|
|
92
|
The Good-night or Blessing
|
2
|
13%
|
0
|
0%
|
|
93
|
THE HAG
|
1
|
6%
|
0
|
0%
|
|
94
|
The Hock-cart, or Harvest Home
|
9
|
60%
|
0
|
0%
|
|
95
|
The Hour-glass
|
1
|
6%
|
0
|
0%
|
|
96
|
THE KISS: A DIALOGUE
|
2
|
13%
|
0
|
0%
|
|
97
|
THE LILY IN A CRYSTAL
|
1
|
6%
|
0
|
0%
|
|
98
|
THE MAYPOLE
|
2
|
13%
|
0
|
0%
|
|
99
|
The Night Piece, To Julia
|
1
|
6%
|
0
|
0%
|
|
100
|
THE PARLIAMENT OF ROSES TO JULIA
|
1
|
6%
|
0
|
0%
|
|
101
|
THE PRESENT; OR, THE BAG OF THE BEE:
|
1
|
6%
|
0
|
0%
|
|
102
|
THE PRIMROSE
|
1
|
6%
|
0
|
0%
|
|
103
|
THE TRANSFIGURATION
|
3
|
20%
|
0
|
0%
|
|
104
|
The Vine
|
4
|
26%
|
0
|
0%
|
|
105
|
THE VOICE AND VIOL
|
4
|
26%
|
0
|
0%
|
|
106
|
THE WAKE
|
3
|
20%
|
0
|
0%
|
|
107
|
THE WASSAIL
|
2
|
13%
|
0
|
0%
|
|
108
|
THE WIDOWS' TEARS; OR, DIRGE OF DORCAS
|
2
|
13%
|
0
|
0%
|
|
109
|
THE WOUNDED HEART
|
3
|
20%
|
0
|
0%
|
|
110
|
THINGS MORTAL STILL MUTABLE
|
1
|
6%
|
0
|
0%
|
|
111
|
TO ANTHEA
|
4
|
26%
|
0
|
0%
|
|
112
|
TO ANTHEA, WHO MAY COMMAND HIM ANY THING
|
2
|
13%
|
0
|
0%
|
|
113
|
To Anthea, who may command him Anything
|
4
|
26%
|
0
|
0%
|
|
114
|
TO BACCHUS: A CANTICLE
|
1
|
6%
|
0
|
0%
|
|
115
|
TO DAFFADILS
|
2
|
13%
|
0
|
0%
|
|
116
|
To Daffodils
|
2
|
13%
|
0
|
0%
|
|
117
|
TO DEATH
|
1
|
6%
|
0
|
0%
|
|
118
|
To His Honoured and Most Ingenious Friend Mr. Charles Cotton
|
1
|
6%
|
0
|
0%
|
|
119
|
TO HIS HONOURED AND MOST INGENIOUS FRIENDMR CHARLES COTTON
|
2
|
13%
|
0
|
0%
|
|
120
|
TO HIS KINSWOMAN, MISTRESS SUSANNA HERRICK
|
1
|
6%
|
0
|
0%
|
|
121
|
TO HIS SAVIOUR, A CHILD;A PRESENT, BY A CHILD
|
1
|
6%
|
0
|
0%
|
|
122
|
TO MISTRESS KATHARINE BRADSHAW, THE LOVELY, THAT CROWNED HIM WITH LAUREL
|
1
|
6%
|
0
|
0%
|
|
123
|
TO PERENNA
|
1
|
6%
|
0
|
0%
|
|
124
|
TO PERlLLA
|
1
|
6%
|
0
|
0%
|
|
125
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
15
|
100%
|
0
|
0%
|
|
126
|
To Virgins, to Make Much of Time
|
5
|
33%
|
0
|
0%
|
|
127
|
Truth and Falsehood
|
1
|
6%
|
0
|
0%
|
|
128
|
UPON A CHILD
|
2
|
13%
|
0
|
0%
|
|
129
|
UPON A PAINTED GENTLEWOMAN
|
1
|
6%
|
0
|
0%
|
|
130
|
UPON HIMSELF
|
1
|
6%
|
0
|
0%
|
|
131
|
Upon Julia's Clothes
|
3
|
20%
|
0
|
0%
|
|
132
|
UPON JULIA'S VOICE
|
3
|
20%
|
0
|
0%
|
|
133
|
UPON LOVE:BY WAY OF QUESTION AND ANSWER
|
1
|
6%
|
0
|
0%
|
|
134
|
UPON MRS ELIZ. WHEELER, UNDER THE NAME OFAMARILLIS
|
1
|
6%
|
0
|
0%
|
|
135
|
UPON THE DETRACTER
|
1
|
6%
|
0
|
0%
|
|
136
|
UPON THE LOSS OF HIS MISTRESSES
|
2
|
13%
|
0
|
0%
|
|
137
|
Upon The Nipples Of Julia's Breast
|
7
|
46%
|
0
|
0%
|
|
138
|
UPON TIME
|
1
|
6%
|
0
|
0%
|
|
139
|
WANT
|
2
|
13%
|
0
|
0%
|
|
140
|
What Kind Of Mistress He Would Have
|
1
|
6%
|
0
|
0%
|
|
141
|
WHY FLOWERS CHANGE COLOUR
|
2
|
13%
|
0
|
0%
|
|
142
|
WlT PUNISHED PROSPERS MOST
|
1
|
6%
|
0
|
0%
|