|
1
|
A CANTICLE TO APOLLO
|
2
|
33%
|
0
|
0%
|
|
2
|
A Child's Grace
|
6
|
100%
|
0
|
0%
|
|
3
|
A Hymn To Love
|
4
|
66%
|
0
|
0%
|
|
4
|
A HYMN TO THE GRACES
|
1
|
16%
|
0
|
0%
|
|
5
|
A HYMN TO VENUS AND CUPID
|
1
|
16%
|
0
|
0%
|
|
6
|
A PASTORAL SUNG TO THE KING
|
2
|
33%
|
0
|
0%
|
|
7
|
A REQUEST TO THE GRACES
|
2
|
33%
|
0
|
0%
|
|
8
|
A Ring Presented to Julia
|
3
|
50%
|
0
|
0%
|
|
9
|
A THANKSGIVING TO GOD, FOR HIS HOUSE
|
1
|
16%
|
0
|
0%
|
|
10
|
A VOW TO VENUS
|
4
|
66%
|
0
|
0%
|
|
11
|
ALL THINGS DECAY AND DIE
|
2
|
33%
|
0
|
0%
|
|
12
|
AMBITION
|
2
|
33%
|
0
|
0%
|
|
13
|
AN EPITAPH UPON A CHILD
|
1
|
16%
|
0
|
0%
|
|
14
|
AN EPITAPH UPON A VIRGIN
|
2
|
33%
|
0
|
0%
|
|
15
|
AN ODE FOR BEN JONSON
|
2
|
33%
|
0
|
0%
|
|
16
|
AN ODE OF THE BIRTH OF OUR SAVIOUR
|
1
|
16%
|
0
|
0%
|
|
17
|
An Ode to Master Endymion Porter, Upon His Brother's Death
|
4
|
66%
|
0
|
0%
|
|
18
|
AN ODE TO SIR CLIPSBY CREW
|
2
|
33%
|
0
|
0%
|
|
19
|
ANACREONTIC
|
1
|
16%
|
0
|
0%
|
|
20
|
Another
|
1
|
16%
|
0
|
0%
|
|
21
|
Another Grace For A Child
|
1
|
16%
|
0
|
0%
|
|
22
|
ANTHEA'S RETRACTATION
|
1
|
16%
|
0
|
0%
|
|
23
|
ART ABOVE NATURE: TO JULIA
|
1
|
16%
|
0
|
0%
|
|
24
|
BARLEY-BREAK; OR, LAST IN HELL
|
1
|
16%
|
0
|
0%
|
|
25
|
Be My Mistress Short or Tall
|
2
|
33%
|
0
|
0%
|
|
26
|
BURIAL
|
1
|
16%
|
0
|
0%
|
|
27
|
Cherry- Ripe
|
1
|
16%
|
0
|
0%
|
|
28
|
COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
|
1
|
16%
|
0
|
0%
|
|
29
|
Divination By A Daffodil
|
1
|
16%
|
0
|
0%
|
|
30
|
Draw-gloves
|
1
|
16%
|
0
|
0%
|
|
31
|
Dreams
|
1
|
16%
|
0
|
0%
|
|
32
|
ETERNITY
|
1
|
16%
|
0
|
0%
|
|
33
|
FAREWELL FROST, OR WELCOME SPRING
|
1
|
16%
|
0
|
0%
|
|
34
|
FOUR THINGS MAKE US HAPPY HERE
|
1
|
16%
|
0
|
0%
|
|
35
|
HIS DESIRE
|
1
|
16%
|
0
|
0%
|
|
36
|
HIS LAST REQUEST TO JULIA
|
1
|
16%
|
0
|
0%
|
|
37
|
HIS WINDING-SHEET
|
1
|
16%
|
0
|
0%
|
|
38
|
His Wish To God
|
1
|
16%
|
0
|
0%
|
|
39
|
HIS WISH TO PRIVACY
|
1
|
16%
|
0
|
0%
|
|
40
|
HOW HIS SOUL CAME ENSNARED
|
1
|
16%
|
0
|
0%
|
|
41
|
HOW PANSIES OR HEARTS-EASE CAME FIRST
|
1
|
16%
|
0
|
0%
|
|
42
|
HOW SPRINGS CAME FIRST
|
2
|
33%
|
0
|
0%
|
|
43
|
I CALL AND I CALL
|
1
|
16%
|
0
|
0%
|
|
44
|
IMPOSSIBILITIES: TO HIS FRIEND
|
1
|
16%
|
0
|
0%
|
|
45
|
KISSING USURY
|
1
|
16%
|
0
|
0%
|
|
46
|
LIFE IS THE BODY'S LIGHT
|
1
|
16%
|
0
|
0%
|
|
47
|
Litany to the Holy Spirit
|
1
|
16%
|
0
|
0%
|
|
48
|
LOSS FROM THE LEAST
|
2
|
33%
|
0
|
0%
|
|
49
|
LOVE DISLIKES NOTHING
|
2
|
33%
|
0
|
0%
|
|
50
|
LOVE LIGHTLY PLEASED
|
1
|
16%
|
0
|
0%
|
|
51
|
LOVE, WHAT IT IS
|
4
|
66%
|
0
|
0%
|
|
52
|
LOVERS HOW THEY COME AND PART
|
1
|
16%
|
0
|
0%
|
|
53
|
MAN'S DYING-PLACE UNCERTAIN
|
1
|
16%
|
0
|
0%
|
|
54
|
MATINS, OR MORNING PRAYER
|
1
|
16%
|
0
|
0%
|
|
55
|
MEN MIND NO STATE IN SICKNESS
|
1
|
16%
|
0
|
0%
|
|
56
|
MIRTH
|
1
|
16%
|
0
|
0%
|
|
57
|
OF LOVE: A SONNET
|
2
|
33%
|
0
|
0%
|
|
58
|
PURPOSES
|
1
|
16%
|
0
|
0%
|
|
59
|
SAFETY ON THE SHORE
|
1
|
16%
|
0
|
0%
|
|
60
|
Sweet Disorder
|
1
|
16%
|
0
|
0%
|
|
61
|
TEARS AND LAUGHTER
|
1
|
16%
|
0
|
0%
|
|
62
|
THE APRON OF FLOWERS
|
2
|
33%
|
0
|
0%
|
|
63
|
THE BAG OF THE BEE
|
1
|
16%
|
0
|
0%
|
|
64
|
THE BLEEDING HAND; OR THE SPRIG OF EGLANTINE GIVEN TO A MAID
|
1
|
16%
|
0
|
0%
|
|
65
|
The Bracelet: To Julia
|
1
|
16%
|
0
|
0%
|
|
66
|
THE BRIDE-CAKE
|
1
|
16%
|
0
|
0%
|
|
67
|
THE BUBBLE: A SONG
|
1
|
16%
|
0
|
0%
|
|
68
|
THE CEREMONIES FOR CANDLEMAS DAY
|
1
|
16%
|
0
|
0%
|
|
69
|
THE CHANGES: TO CORINNA
|
1
|
16%
|
0
|
0%
|
|
70
|
THE CHEAT OF CUPID; OR, THE UNGENTLE GUEST
|
1
|
16%
|
0
|
0%
|
|
71
|
THE COMING OF GOOD LUCK
|
3
|
50%
|
0
|
0%
|
|
72
|
THE COUNTRY LIFE:
|
1
|
16%
|
0
|
0%
|
|
73
|
THE CRUEL MAID
|
1
|
16%
|
0
|
0%
|
|
74
|
THE DEFINITION OF BEAUTY
|
1
|
16%
|
0
|
0%
|
|
75
|
THE DIRGE OF JEPHTHAH'S DAUGHTER:SUNG BY THE VIRGINS
|
1
|
16%
|
0
|
0%
|
|
76
|
THE FAIRIES
|
1
|
16%
|
0
|
0%
|
|
77
|
THE FAIRY TEMPLE; OR, OBERON'S CHAPEL
|
1
|
16%
|
0
|
0%
|
|
78
|
THE FUNERAL RITES OF THE ROSE
|
2
|
33%
|
0
|
0%
|
|
79
|
The Good-night or Blessing
|
1
|
16%
|
0
|
0%
|
|
80
|
THE HAG
|
1
|
16%
|
0
|
0%
|
|
81
|
THE HEART
|
2
|
33%
|
0
|
0%
|
|
82
|
The Hock-cart, or Harvest Home
|
1
|
16%
|
0
|
0%
|
|
83
|
THE HOCK-CART, OR HARVEST HOME:TO THE RIGHT HONOURABLE MILDMAY, EARL OF WESTMORLAND
|
1
|
16%
|
0
|
0%
|
|
84
|
The Hour-glass
|
2
|
33%
|
0
|
0%
|
|
85
|
THE KISS: A DIALOGUE
|
2
|
33%
|
0
|
0%
|
|
86
|
THE LILY IN A CRYSTAL
|
1
|
16%
|
0
|
0%
|
|
87
|
THE PRESENT TIME BEST PLEASETH
|
1
|
16%
|
0
|
0%
|
|
88
|
THE SUCCESSION OF THE FOUR SWEET MONTHS
|
1
|
16%
|
0
|
0%
|
|
89
|
THE WASSAIL
|
1
|
16%
|
0
|
0%
|
|
90
|
To Daffodils
|
1
|
16%
|
0
|
0%
|
|
91
|
TO HEAVEN
|
1
|
16%
|
0
|
0%
|
|
92
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
2
|
33%
|
0
|
0%
|
|
93
|
UPON LOVE:BY WAY OF QUESTION AND ANSWER
|
2
|
33%
|
0
|
0%
|
|
94
|
Upon Parson Beanes
|
1
|
16%
|
0
|
0%
|
|
95
|
Upon Prew His Maid
|
1
|
16%
|
0
|
0%
|
|
96
|
UPON ROSES
|
1
|
16%
|
0
|
0%
|
|
97
|
UPON TEARS
|
1
|
16%
|
0
|
0%
|
|
98
|
UPON THE DETRACTER
|
2
|
33%
|
0
|
0%
|
|
99
|
UPON THE LOSS OF HIS MISTRESSES
|
1
|
16%
|
0
|
0%
|
|
100
|
Upon The Nipples Of Julia's Breast
|
1
|
16%
|
0
|
0%
|
|
101
|
UPON TIME
|
1
|
16%
|
0
|
0%
|
|
102
|
UPON WRINKLES
|
1
|
16%
|
0
|
0%
|
|
103
|
WANT
|
1
|
16%
|
0
|
0%
|
|
104
|
What Kind Of Mistress He Would Have
|
1
|
16%
|
0
|
0%
|
|
105
|
WHEN HE WOULD HAVE HIS VERSES READ
|
1
|
16%
|
0
|
0%
|
|
106
|
WHY FLOWERS CHANGE COLOUR
|
1
|
16%
|
0
|
0%
|
|
107
|
WlT PUNISHED PROSPERS MOST
|
2
|
33%
|
0
|
0%
|
|
108
|
WRITING
|
1
|
16%
|
0
|
0%
|