|
1
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
11
|
61%
|
0
|
0%
|
|
2
|
A CANTICLE TO APOLLO
|
15
|
83%
|
0
|
0%
|
|
3
|
A Child's Grace
|
9
|
50%
|
0
|
0%
|
|
4
|
A Christmas Carol, Sung to the King in the Presence at White-Hall
|
10
|
55%
|
0
|
0%
|
|
5
|
A Conjuration To Electra
|
9
|
50%
|
0
|
0%
|
|
6
|
A CONJURATION: TO ELECTRA
|
6
|
33%
|
0
|
0%
|
|
7
|
A DIALOGUE BETWIXT HIMSELF AND MISTRESS ELIZAWHEELER, UNDER THE NAME OF AMARILLIS
|
5
|
27%
|
0
|
0%
|
|
8
|
A HYMN TO BACCHUS
|
5
|
27%
|
0
|
0%
|
|
9
|
A Hymn To Love
|
9
|
50%
|
0
|
0%
|
|
10
|
A HYMN TO THE GRACES
|
9
|
50%
|
0
|
0%
|
|
11
|
A HYMN TO VENUS AND CUPID
|
4
|
22%
|
0
|
0%
|
|
12
|
A Lyric to Mirth
|
4
|
22%
|
0
|
0%
|
|
13
|
A MEAN IN OUR MEANS
|
5
|
27%
|
0
|
0%
|
|
14
|
A MEDITATION FOR HIS MISTRESS
|
4
|
22%
|
0
|
0%
|
|
15
|
A NEW YEAR'S GIFT,SENT TO SIR SIMEON STEWARD
|
3
|
16%
|
0
|
0%
|
|
16
|
A PANEGYRIC TO SIR LEWIS PEMBERTON
|
3
|
16%
|
0
|
0%
|
|
17
|
A PARANAETICALL, OR ADVISIVE VERSETO HIS FRIEND, MR JOHN WICKS
|
4
|
22%
|
0
|
0%
|
|
18
|
A PASTORAL SUNG TO THE KING
|
6
|
33%
|
0
|
0%
|
|
19
|
A THANKSGIVING TO GOD, FOR HIS HOUSE
|
3
|
16%
|
0
|
0%
|
|
20
|
ALL THINGS DECAY AND DIE
|
5
|
27%
|
0
|
0%
|
|
21
|
AMBITION
|
2
|
11%
|
0
|
0%
|
|
22
|
AN ODE OF THE BIRTH OF OUR SAVIOUR
|
1
|
5%
|
0
|
0%
|
|
23
|
BARLEY-BREAK; OR, LAST IN HELL
|
2
|
11%
|
0
|
0%
|
|
24
|
Be My Mistress Short or Tall
|
1
|
5%
|
0
|
0%
|
|
25
|
CASUALTIES
|
1
|
5%
|
0
|
0%
|
|
26
|
CEREMONIES FOR CANDLEMAS EVE
|
2
|
11%
|
0
|
0%
|
|
27
|
CEREMONY UPON CANDLEMAS EVE
|
1
|
5%
|
0
|
0%
|
|
28
|
CHERRY RIPE
|
4
|
22%
|
0
|
0%
|
|
29
|
Cherry- Ripe
|
1
|
5%
|
0
|
0%
|
|
30
|
COCK-CROW
|
1
|
5%
|
0
|
0%
|
|
31
|
COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
|
2
|
11%
|
0
|
0%
|
|
32
|
DELIGHT IN DISORDER
|
12
|
66%
|
0
|
0%
|
|
33
|
Dreams
|
1
|
5%
|
0
|
0%
|
|
34
|
Epitaph upon a Child that died
|
1
|
5%
|
0
|
0%
|
|
35
|
ETERNITY
|
1
|
5%
|
0
|
0%
|
|
36
|
FOUR THINGS MAKE US HAPPY HERE
|
1
|
5%
|
0
|
0%
|
|
37
|
HER BED
|
1
|
5%
|
0
|
0%
|
|
38
|
HIS COVENANT OR PROTESTATION TO JULIA
|
2
|
11%
|
0
|
0%
|
|
39
|
HIS DESIRE
|
2
|
11%
|
0
|
0%
|
|
40
|
HIS GRANGE, OR PRIVATE WEALTH
|
1
|
5%
|
0
|
0%
|
|
41
|
HIS LAST REQUEST TO JULIA
|
1
|
5%
|
0
|
0%
|
|
42
|
His Meditation Upon Death
|
3
|
16%
|
0
|
0%
|
|
43
|
HIS POETRY HIS PILLAR
|
1
|
5%
|
0
|
0%
|
|
44
|
His Prayer For Absolution
|
2
|
11%
|
0
|
0%
|
|
45
|
His Prayer To Ben Jonson
|
1
|
5%
|
0
|
0%
|
|
46
|
HIS RETURN TO LONDON
|
3
|
16%
|
0
|
0%
|
|
47
|
HIS SAILING FROM JULIA
|
1
|
5%
|
0
|
0%
|
|
48
|
His Wish To God
|
2
|
11%
|
0
|
0%
|
|
49
|
HOW HIS SOUL CAME ENSNARED
|
1
|
5%
|
0
|
0%
|
|
50
|
HOW PANSIES OR HEARTS-EASE CAME FIRST
|
3
|
16%
|
0
|
0%
|
|
51
|
HOW SPRINGS CAME FIRST
|
1
|
5%
|
0
|
0%
|
|
52
|
LOSS FROM THE LEAST
|
2
|
11%
|
0
|
0%
|
|
53
|
LOVE DISLIKES NOTHING
|
2
|
11%
|
0
|
0%
|
|
54
|
LOVERS HOW THEY COME AND PART
|
1
|
5%
|
0
|
0%
|
|
55
|
MATINS, OR MORNING PRAYER
|
2
|
11%
|
0
|
0%
|
|
56
|
MRS ELIZ: WHEELER, UNDER THE NAME OF THELOST SHEPHERDESS
|
2
|
11%
|
0
|
0%
|
|
57
|
NO MAN WITHOUT MONEY
|
3
|
16%
|
0
|
0%
|
|
58
|
NO PAINS, NO GAINS
|
1
|
5%
|
0
|
0%
|
|
59
|
ON HIMSELF
|
1
|
5%
|
0
|
0%
|
|
60
|
On Julia's Voice
|
1
|
5%
|
0
|
0%
|
|
61
|
ON LOVE
|
1
|
5%
|
0
|
0%
|
|
62
|
ORPHEUS
|
1
|
5%
|
0
|
0%
|
|
63
|
PEACE NOT PERMANENT
|
3
|
16%
|
0
|
0%
|
|
64
|
POVERTY AND RICHES
|
1
|
5%
|
0
|
0%
|
|
65
|
PRAY AND PROSPER
|
4
|
22%
|
0
|
0%
|
|
66
|
Proof to No Purpose
|
4
|
22%
|
0
|
0%
|
|
67
|
SOFT MUSIC
|
1
|
5%
|
0
|
0%
|
|
68
|
THE APPARITION OF HIS, MISTRESS,CALLING HIM TO ELYSIUM
|
1
|
5%
|
0
|
0%
|
|
69
|
THE APRON OF FLOWERS
|
2
|
11%
|
0
|
0%
|
|
70
|
The Argument Of His Book
|
1
|
5%
|
0
|
0%
|
|
71
|
THE BEGGAR TO MAB, THE FAIRY QUEEN
|
1
|
5%
|
0
|
0%
|
|
72
|
THE BELL-MAN
|
2
|
11%
|
0
|
0%
|
|
73
|
THE BLEEDING HAND; OR THE SPRIG OF EGLANTINE GIVEN TO A MAID
|
1
|
5%
|
0
|
0%
|
|
74
|
THE BRACELET TO JULIA
|
1
|
5%
|
0
|
0%
|
|
75
|
THE BRIDE-CAKE
|
1
|
5%
|
0
|
0%
|
|
76
|
THE CEREMONIES FOR CANDLEMAS DAY
|
1
|
5%
|
0
|
0%
|
|
77
|
THE COUNTRY LIFE:
|
1
|
5%
|
0
|
0%
|
|
78
|
THE CRUEL MAID
|
2
|
11%
|
0
|
0%
|
|
79
|
THE DIRGE OF JEPHTHAH'S DAUGHTER:SUNG BY THE VIRGINS
|
1
|
5%
|
0
|
0%
|
|
80
|
THE FAIRIES
|
1
|
5%
|
0
|
0%
|
|
81
|
THE FUNERAL RITES OF THE ROSE
|
1
|
5%
|
0
|
0%
|
|
82
|
The Good-night or Blessing
|
2
|
11%
|
0
|
0%
|
|
83
|
The Hock-cart, or Harvest Home
|
3
|
16%
|
0
|
0%
|
|
84
|
The Hour-glass
|
1
|
5%
|
0
|
0%
|
|
85
|
THE MAD MAID'S SONG
|
1
|
5%
|
0
|
0%
|
|
86
|
THE MAYPOLE
|
1
|
5%
|
0
|
0%
|
|
87
|
The Night Piece, to Julia
|
1
|
5%
|
0
|
0%
|
|
88
|
THE OLD WIVES' PRAYER
|
2
|
11%
|
0
|
0%
|
|
89
|
THE OLIVE BRANCH
|
2
|
11%
|
0
|
0%
|
|
90
|
THE PLAUDITE, OR END OF LIFE
|
1
|
5%
|
0
|
0%
|
|
91
|
THE PRIMROSE
|
2
|
11%
|
0
|
0%
|
|
92
|
THE SUCCESSION OF THE FOUR SWEET MONTHS
|
1
|
5%
|
0
|
0%
|
|
93
|
THE TRANSFIGURATION
|
1
|
5%
|
0
|
0%
|
|
94
|
The Vine
|
1
|
5%
|
0
|
0%
|
|
95
|
THE WHITE ISLAND:OR PLACE OF THE BLEST
|
3
|
16%
|
0
|
0%
|
|
96
|
THE WIDOWS' TEARS; OR, DIRGE OF DORCAS
|
1
|
5%
|
0
|
0%
|
|
97
|
THE WOUNDED HEART
|
1
|
5%
|
0
|
0%
|
|
98
|
THINGS MORTAL STILL MUTABLE
|
2
|
11%
|
0
|
0%
|
|
99
|
TO ANTHEA
|
1
|
5%
|
0
|
0%
|
|
100
|
TO ANTHEA, WHO MAY COMMAND HIM ANY THING
|
1
|
5%
|
0
|
0%
|
|
101
|
To Anthea, who may command him Anything
|
3
|
16%
|
0
|
0%
|
|
102
|
TO BE MERRY
|
2
|
11%
|
0
|
0%
|
|
103
|
TO BLOSSOMS
|
2
|
11%
|
0
|
0%
|
|
104
|
TO DAFFADILS
|
3
|
16%
|
0
|
0%
|
|
105
|
To Daffodils
|
2
|
11%
|
0
|
0%
|
|
106
|
TO DEATH
|
1
|
5%
|
0
|
0%
|
|
107
|
TO ENJOY THE TIME
|
2
|
11%
|
0
|
0%
|
|
108
|
TO GROVES
|
1
|
5%
|
0
|
0%
|
|
109
|
To his Girls
|
1
|
5%
|
0
|
0%
|
|
110
|
TO HIS HONOURED AND MOST INGENIOUS FRIENDMR CHARLES COTTON
|
1
|
5%
|
0
|
0%
|
|
111
|
TO HIS KINSWOMAN, MISTRESS SUSANNA HERRICK
|
1
|
5%
|
0
|
0%
|
|
112
|
To his mistress, objecting to him neither toying or talking
|
1
|
5%
|
0
|
0%
|
|
113
|
TO HIS MUSE
|
1
|
5%
|
0
|
0%
|
|
114
|
TO OENONE.
|
1
|
5%
|
0
|
0%
|
|
115
|
TO ROBIN RED-BREAST
|
1
|
5%
|
0
|
0%
|
|
116
|
TO SILVIA
|
1
|
5%
|
0
|
0%
|
|
117
|
TO SIR CLIPSBY CREW
|
1
|
5%
|
0
|
0%
|
|
118
|
TO THE GENIUS OF HIS HOUSE
|
1
|
5%
|
0
|
0%
|
|
119
|
TO THE HANDSOME MISTRESS GRACE POTTER
|
1
|
5%
|
0
|
0%
|
|
120
|
TO THE MAIDS, TO WALK ABROAD
|
1
|
5%
|
0
|
0%
|
|
121
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
18
|
100%
|
0
|
0%
|
|
122
|
TO THE WATER-NYMPHS DRINKING AT THEFOUNTAIN
|
1
|
5%
|
0
|
0%
|
|
123
|
Truth and Falsehood
|
1
|
5%
|
0
|
0%
|
|
124
|
UPON A CHILD THAT DIED
|
2
|
11%
|
0
|
0%
|
|
125
|
UPON A MAID
|
1
|
5%
|
0
|
0%
|
|
126
|
UPON CUPID
|
3
|
16%
|
0
|
0%
|
|
127
|
UPON HER EYES
|
2
|
11%
|
0
|
0%
|
|
128
|
UPON HIS SISTER-IN-LAW, MISTRESS ELIZABETHHERRICK
|
4
|
22%
|
0
|
0%
|
|
129
|
Upon Julia's Clothes
|
1
|
5%
|
0
|
0%
|
|
130
|
UPON LOVE:BY WAY OF QUESTION AND ANSWER
|
1
|
5%
|
0
|
0%
|
|
131
|
UPON TEARS
|
1
|
5%
|
0
|
0%
|
|
132
|
UPON THE LOSS OF HIS MISTRESSES
|
1
|
5%
|
0
|
0%
|
|
133
|
Upon The Nipples Of Julia's Breast
|
2
|
11%
|
0
|
0%
|
|
134
|
UPON TIME
|
1
|
5%
|
0
|
0%
|
|
135
|
UPON WRINKLES
|
1
|
5%
|
0
|
0%
|
|
136
|
WHY FLOWERS CHANGE COLOUR
|
2
|
11%
|
0
|
0%
|