|
1
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
6
|
50%
|
0
|
0%
|
|
2
|
A CANTICLE TO APOLLO
|
9
|
75%
|
0
|
0%
|
|
3
|
A Child's Grace
|
5
|
41%
|
0
|
0%
|
|
4
|
A Christmas Carol, Sung to the King in the Presence at White-Hall
|
2
|
16%
|
0
|
0%
|
|
5
|
A Conjuration To Electra
|
7
|
58%
|
0
|
0%
|
|
6
|
A CONJURATION: TO ELECTRA
|
4
|
33%
|
0
|
0%
|
|
7
|
A DIALOGUE BETWIXT HIMSELF AND MISTRESS ELIZAWHEELER, UNDER THE NAME OF AMARILLIS
|
6
|
50%
|
0
|
0%
|
|
8
|
A HYMN TO BACCHUS
|
6
|
50%
|
0
|
0%
|
|
9
|
A Hymn To Love
|
12
|
100%
|
0
|
0%
|
|
10
|
A HYMN TO THE GRACES
|
5
|
41%
|
0
|
0%
|
|
11
|
A HYMN TO VENUS AND CUPID
|
3
|
25%
|
0
|
0%
|
|
12
|
A Lyric to Mirth
|
4
|
33%
|
0
|
0%
|
|
13
|
A MEAN IN OUR MEANS
|
3
|
25%
|
0
|
0%
|
|
14
|
A MEDITATION FOR HIS MISTRESS
|
11
|
91%
|
0
|
0%
|
|
15
|
A NEW YEAR'S GIFT,SENT TO SIR SIMEON STEWARD
|
4
|
33%
|
0
|
0%
|
|
16
|
A PANEGYRIC TO SIR LEWIS PEMBERTON
|
5
|
41%
|
0
|
0%
|
|
17
|
A PARANAETICALL, OR ADVISIVE VERSETO HIS FRIEND, MR JOHN WICKS
|
2
|
16%
|
0
|
0%
|
|
18
|
A PASTORAL SUNG TO THE KING
|
3
|
25%
|
0
|
0%
|
|
19
|
A THANKSGIVING TO GOD, FOR HIS HOUSE
|
2
|
16%
|
0
|
0%
|
|
20
|
A VOW TO VENUS
|
2
|
16%
|
0
|
0%
|
|
21
|
ALL THINGS DECAY AND DIE
|
1
|
8%
|
0
|
0%
|
|
22
|
AMBITION
|
6
|
50%
|
0
|
0%
|
|
23
|
AN ODE TO SIR CLIPSBY CREW
|
2
|
16%
|
0
|
0%
|
|
24
|
Another Grace For A Child
|
1
|
8%
|
0
|
0%
|
|
25
|
ANTHEA'S RETRACTATION
|
3
|
25%
|
0
|
0%
|
|
26
|
BARLEY-BREAK; OR, LAST IN HELL
|
1
|
8%
|
0
|
0%
|
|
27
|
Be My Mistress Short or Tall
|
1
|
8%
|
0
|
0%
|
|
28
|
CASUALTIES
|
1
|
8%
|
0
|
0%
|
|
29
|
CEREMONIES FOR CANDLEMAS EVE
|
2
|
16%
|
0
|
0%
|
|
30
|
CEREMONY UPON CANDLEMAS EVE
|
2
|
16%
|
0
|
0%
|
|
31
|
Cherry- Ripe
|
3
|
25%
|
0
|
0%
|
|
32
|
COCK-CROW
|
1
|
8%
|
0
|
0%
|
|
33
|
COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
|
4
|
33%
|
0
|
0%
|
|
34
|
DELIGHT IN DISORDER
|
5
|
41%
|
0
|
0%
|
|
35
|
Departure of the Good Daemon
|
4
|
33%
|
0
|
0%
|
|
36
|
Discontents In Devon
|
2
|
16%
|
0
|
0%
|
|
37
|
Divination By A Daffodil
|
2
|
16%
|
0
|
0%
|
|
38
|
Draw-gloves
|
4
|
33%
|
0
|
0%
|
|
39
|
Dreams
|
4
|
33%
|
0
|
0%
|
|
40
|
FAREWELL FROST, OR WELCOME SPRING
|
1
|
8%
|
0
|
0%
|
|
41
|
FOUR THINGS MAKE US HAPPY HERE
|
2
|
16%
|
0
|
0%
|
|
42
|
GRACE FOR A CHILD
|
2
|
16%
|
0
|
0%
|
|
43
|
HIS GRANGE, OR PRIVATE WEALTH
|
1
|
8%
|
0
|
0%
|
|
44
|
HIS LAST REQUEST TO JULIA
|
1
|
8%
|
0
|
0%
|
|
45
|
His Litany to the Holy Spirit
|
1
|
8%
|
0
|
0%
|
|
46
|
HIS LITANY, TO THE HOLY SPIRIT
|
1
|
8%
|
0
|
0%
|
|
47
|
His Prayer For Absolution
|
1
|
8%
|
0
|
0%
|
|
48
|
His Prayer To Ben Jonson
|
2
|
16%
|
0
|
0%
|
|
49
|
HIS RETURN TO LONDON
|
2
|
16%
|
0
|
0%
|
|
50
|
HOW PANSIES OR HEARTS-EASE CAME FIRST
|
4
|
33%
|
0
|
0%
|
|
51
|
Litany to the Holy Spirit
|
1
|
8%
|
0
|
0%
|
|
52
|
LOSS FROM THE LEAST
|
1
|
8%
|
0
|
0%
|
|
53
|
LOVE DISLIKES NOTHING
|
3
|
25%
|
0
|
0%
|
|
54
|
LOVE LIGHTLY PLEASED
|
1
|
8%
|
0
|
0%
|
|
55
|
MATINS, OR MORNING PRAYER
|
3
|
25%
|
0
|
0%
|
|
56
|
Miseries
|
3
|
25%
|
0
|
0%
|
|
57
|
MONEY MAKES THE MIRTH
|
1
|
8%
|
0
|
0%
|
|
58
|
MRS ELIZ: WHEELER, UNDER THE NAME OF THELOST SHEPHERDESS
|
3
|
25%
|
0
|
0%
|
|
59
|
NO FAULT IN WOMEN
|
3
|
25%
|
0
|
0%
|
|
60
|
NO MAN WITHOUT MONEY
|
3
|
25%
|
0
|
0%
|
|
61
|
NO PAINS, NO GAINS
|
1
|
8%
|
0
|
0%
|
|
62
|
NOT EVERY DAY FIT FOR VERSE
|
1
|
8%
|
0
|
0%
|
|
63
|
NOTHING FREE-COST
|
2
|
16%
|
0
|
0%
|
|
64
|
Oberon's Feast
|
1
|
8%
|
0
|
0%
|
|
65
|
OF LOVE: A SONNET
|
1
|
8%
|
0
|
0%
|
|
66
|
ON A PERFUMED LADY
|
1
|
8%
|
0
|
0%
|
|
67
|
ON HIMSELF
|
1
|
8%
|
0
|
0%
|
|
68
|
ON LOVE
|
1
|
8%
|
0
|
0%
|
|
69
|
ORPHEUS
|
1
|
8%
|
0
|
0%
|
|
70
|
PARDONS
|
1
|
8%
|
0
|
0%
|
|
71
|
PEACE NOT PERMANENT
|
1
|
8%
|
0
|
0%
|
|
72
|
PRAY AND PROSPER
|
3
|
25%
|
0
|
0%
|
|
73
|
PURPOSES
|
1
|
8%
|
0
|
0%
|
|
74
|
Rewards
|
1
|
8%
|
0
|
0%
|
|
75
|
SOFT MUSIC
|
1
|
8%
|
0
|
0%
|
|
76
|
TEARS AND LAUGHTER
|
1
|
8%
|
0
|
0%
|
|
77
|
THE APPARITION OF HIS, MISTRESS,CALLING HIM TO ELYSIUM
|
1
|
8%
|
0
|
0%
|
|
78
|
THE BAD SEASON MAKES THE POET SAD
|
1
|
8%
|
0
|
0%
|
|
79
|
THE BELL-MAN
|
1
|
8%
|
0
|
0%
|
|
80
|
THE BLEEDING HAND; OR THE SPRIG OF EGLANTINE GIVEN TO A MAID
|
1
|
8%
|
0
|
0%
|
|
81
|
THE BRACELET TO JULIA
|
3
|
25%
|
0
|
0%
|
|
82
|
THE BRIDE-CAKE
|
1
|
8%
|
0
|
0%
|
|
83
|
THE CEREMONIES FOR CANDLEMAS DAY
|
2
|
16%
|
0
|
0%
|
|
84
|
THE COUNTRY LIFE:
|
3
|
25%
|
0
|
0%
|
|
85
|
THE CRUEL MAID
|
1
|
8%
|
0
|
0%
|
|
86
|
THE DIRGE OF JEPHTHAH'S DAUGHTER:SUNG BY THE VIRGINS
|
2
|
16%
|
0
|
0%
|
|
87
|
THE FAIRY TEMPLE; OR, OBERON'S CHAPEL
|
1
|
8%
|
0
|
0%
|
|
88
|
The Good-night or Blessing
|
3
|
25%
|
0
|
0%
|
|
89
|
THE HAG
|
1
|
8%
|
0
|
0%
|
|
90
|
THE HOCK-CART, OR HARVEST HOME:TO THE RIGHT HONOURABLE MILDMAY, EARL OF WESTMORLAND
|
2
|
16%
|
0
|
0%
|
|
91
|
THE KISS: A DIALOGUE
|
1
|
8%
|
0
|
0%
|
|
92
|
THE LILY IN A CRYSTAL
|
1
|
8%
|
0
|
0%
|
|
93
|
THE MAD MAID'S SONG
|
2
|
16%
|
0
|
0%
|
|
94
|
The Night Piece, To Julia
|
1
|
8%
|
0
|
0%
|
|
95
|
The Night Piece, to Julia
|
1
|
8%
|
0
|
0%
|
|
96
|
The Night Piece, to Julia
|
1
|
8%
|
0
|
0%
|
|
97
|
The Vine
|
1
|
8%
|
0
|
0%
|
|
98
|
THE VOICE AND VIOL
|
2
|
16%
|
0
|
0%
|
|
99
|
THE WAKE
|
3
|
25%
|
0
|
0%
|
|
100
|
THE WASSAIL
|
1
|
8%
|
0
|
0%
|
|
101
|
THE WATCH
|
2
|
16%
|
0
|
0%
|
|
102
|
THE WHITE ISLAND:OR PLACE OF THE BLEST
|
2
|
16%
|
0
|
0%
|
|
103
|
TO ANTHEA
|
4
|
33%
|
0
|
0%
|
|
104
|
TO ANTHEA, WHO MAY COMMAND HIM ANY THING
|
3
|
25%
|
0
|
0%
|
|
105
|
To Anthea, who may command him Anything
|
4
|
33%
|
0
|
0%
|
|
106
|
TO BACCHUS: A CANTICLE
|
2
|
16%
|
0
|
0%
|
|
107
|
TO DAFFADILS
|
3
|
25%
|
0
|
0%
|
|
108
|
To Daffodils
|
1
|
8%
|
0
|
0%
|
|
109
|
TO HIS BOOK
|
2
|
16%
|
0
|
0%
|
|
110
|
To His Honoured and Most Ingenious Friend Mr. Charles Cotton
|
2
|
16%
|
0
|
0%
|
|
111
|
TO HIS KINSWOMAN, MISTRESS SUSANNA HERRICK
|
1
|
8%
|
0
|
0%
|
|
112
|
TO HIS VERSES
|
1
|
8%
|
0
|
0%
|
|
113
|
TO MEADOWS
|
1
|
8%
|
0
|
0%
|
|
114
|
TO MISTRESS KATHARINE BRADSHAW, THE LOVELY, THAT CROWNED HIM WITH LAUREL
|
1
|
8%
|
0
|
0%
|
|
115
|
TO MUSIC: A SONG
|
1
|
8%
|
0
|
0%
|
|
116
|
TO PERlLLA
|
3
|
25%
|
0
|
0%
|
|
117
|
TO PHILLIS, TO LOVE AND LIVE WITH HIM
|
1
|
8%
|
0
|
0%
|
|
118
|
TO THE GENIUS OF HIS HOUSE
|
1
|
8%
|
0
|
0%
|
|
119
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
6
|
50%
|
0
|
0%
|
|
120
|
To Virgins, to Make Much of Time
|
2
|
16%
|
0
|
0%
|
|
121
|
Truth and Falsehood
|
2
|
16%
|
0
|
0%
|
|
122
|
UPON A PAINTED GENTLEWOMAN
|
1
|
8%
|
0
|
0%
|
|
123
|
UPON JULIA'S RIBBON
|
1
|
8%
|
0
|
0%
|
|
124
|
UPON JULIA'S VOICE
|
2
|
16%
|
0
|
0%
|
|
125
|
Upon Prew His Maid
|
2
|
16%
|
0
|
0%
|
|
126
|
UPON ROSES
|
1
|
8%
|
0
|
0%
|
|
127
|
UPON TEARS
|
1
|
8%
|
0
|
0%
|
|
128
|
UPON THE LOSS OF HIS MISTRESSES
|
2
|
16%
|
0
|
0%
|
|
129
|
Upon The Nipples Of Julia's Breast
|
1
|
8%
|
0
|
0%
|
|
130
|
UPON TIME
|
1
|
8%
|
0
|
0%
|
|
131
|
WANT
|
1
|
8%
|
0
|
0%
|
|
132
|
WHY FLOWERS CHANGE COLOUR
|
1
|
8%
|
0
|
0%
|
|
133
|
WlT PUNISHED PROSPERS MOST
|
1
|
8%
|
0
|
0%
|