|
1
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
3
|
23%
|
0
|
0%
|
|
2
|
A CANTICLE TO APOLLO
|
9
|
69%
|
0
|
0%
|
|
3
|
A Child's Grace
|
4
|
30%
|
0
|
0%
|
|
4
|
A Christmas Carol, Sung to the King in the Presence at White-Hall
|
3
|
23%
|
0
|
0%
|
|
5
|
A Conjuration To Electra
|
3
|
23%
|
0
|
0%
|
|
6
|
A CONJURATION: TO ELECTRA
|
2
|
15%
|
0
|
0%
|
|
7
|
A DIALOGUE BETWIXT HIMSELF AND MISTRESS ELIZAWHEELER, UNDER THE NAME OF AMARILLIS
|
1
|
7%
|
0
|
0%
|
|
8
|
A HYMN TO BACCHUS
|
2
|
15%
|
0
|
0%
|
|
9
|
A Hymn To Love
|
3
|
23%
|
0
|
0%
|
|
10
|
A HYMN TO THE GRACES
|
2
|
15%
|
0
|
0%
|
|
11
|
A HYMN TO VENUS AND CUPID
|
2
|
15%
|
0
|
0%
|
|
12
|
A Lyric to Mirth
|
2
|
15%
|
0
|
0%
|
|
13
|
A MEAN IN OUR MEANS
|
2
|
15%
|
0
|
0%
|
|
14
|
A MEDITATION FOR HIS MISTRESS
|
2
|
15%
|
0
|
0%
|
|
15
|
A NEW YEAR'S GIFT,SENT TO SIR SIMEON STEWARD
|
3
|
23%
|
0
|
0%
|
|
16
|
A PANEGYRIC TO SIR LEWIS PEMBERTON
|
1
|
7%
|
0
|
0%
|
|
17
|
A PARANAETICALL, OR ADVISIVE VERSETO HIS FRIEND, MR JOHN WICKS
|
1
|
7%
|
0
|
0%
|
|
18
|
A PASTORAL SUNG TO THE KING
|
1
|
7%
|
0
|
0%
|
|
19
|
A REQUEST TO THE GRACES
|
2
|
15%
|
0
|
0%
|
|
20
|
A Ring Presented to Julia
|
1
|
7%
|
0
|
0%
|
|
21
|
A Thanksgiving to God for His House
|
2
|
15%
|
0
|
0%
|
|
22
|
A THANKSGIVING TO GOD, FOR HIS HOUSE
|
3
|
23%
|
0
|
0%
|
|
23
|
A VOW TO VENUS
|
1
|
7%
|
0
|
0%
|
|
24
|
ALL THINGS DECAY AND DIE
|
4
|
30%
|
0
|
0%
|
|
25
|
AMBITION
|
4
|
30%
|
0
|
0%
|
|
26
|
AN EPITAPH UPON A CHILD
|
1
|
7%
|
0
|
0%
|
|
27
|
AN EPITAPH UPON A VIRGIN
|
1
|
7%
|
0
|
0%
|
|
28
|
AN HYMN TO THE MUSES
|
1
|
7%
|
0
|
0%
|
|
29
|
AN ODE FOR BEN JONSON
|
1
|
7%
|
0
|
0%
|
|
30
|
AN ODE OF THE BIRTH OF OUR SAVIOUR
|
1
|
7%
|
0
|
0%
|
|
31
|
An Ode to Master Endymion Porter, Upon His Brother's Death
|
2
|
15%
|
0
|
0%
|
|
32
|
AN ODE TO SIR CLIPSBY CREW
|
1
|
7%
|
0
|
0%
|
|
33
|
ANACREONTIC
|
1
|
7%
|
0
|
0%
|
|
34
|
Another
|
1
|
7%
|
0
|
0%
|
|
35
|
Another Grace For A Child
|
1
|
7%
|
0
|
0%
|
|
36
|
ANTHEA'S RETRACTATION
|
1
|
7%
|
0
|
0%
|
|
37
|
ART ABOVE NATURE: TO JULIA
|
1
|
7%
|
0
|
0%
|
|
38
|
BARLEY-BREAK; OR, LAST IN HELL
|
1
|
7%
|
0
|
0%
|
|
39
|
Be My Mistress Short or Tall
|
5
|
38%
|
0
|
0%
|
|
40
|
BURIAL
|
1
|
7%
|
0
|
0%
|
|
41
|
CASUALTIES
|
1
|
7%
|
0
|
0%
|
|
42
|
CEREMONIES FOR CANDLEMAS EVE
|
2
|
15%
|
0
|
0%
|
|
43
|
CEREMONY UPON CANDLEMAS EVE
|
1
|
7%
|
0
|
0%
|
|
44
|
CHERRY RIPE
|
1
|
7%
|
0
|
0%
|
|
45
|
Cherry- Ripe
|
2
|
15%
|
0
|
0%
|
|
46
|
COCK-CROW
|
1
|
7%
|
0
|
0%
|
|
47
|
COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
|
1
|
7%
|
0
|
0%
|
|
48
|
Corinna's Going A-Maying
|
1
|
7%
|
0
|
0%
|
|
49
|
CRUTCHES
|
1
|
7%
|
0
|
0%
|
|
50
|
DELIGHT IN DISORDER
|
13
|
100%
|
0
|
0%
|
|
51
|
Departure of the Good Daemon
|
1
|
7%
|
0
|
0%
|
|
52
|
Discontents In Devon
|
1
|
7%
|
0
|
0%
|
|
53
|
Divination By A Daffodil
|
1
|
7%
|
0
|
0%
|
|
54
|
Draw-gloves
|
3
|
23%
|
0
|
0%
|
|
55
|
Dreams
|
7
|
53%
|
0
|
0%
|
|
56
|
Epitaph upon a Child that died
|
1
|
7%
|
0
|
0%
|
|
57
|
ETERNITY
|
1
|
7%
|
0
|
0%
|
|
58
|
FAREWELL FROST, OR WELCOME SPRING
|
1
|
7%
|
0
|
0%
|
|
59
|
FELICITY QUICK OF FLIGHT
|
1
|
7%
|
0
|
0%
|
|
60
|
FOUR THINGS MAKE US HAPPY HERE
|
1
|
7%
|
0
|
0%
|
|
61
|
GOOD PRECEPTS, OR COUNSEL
|
1
|
7%
|
0
|
0%
|
|
62
|
GRACE FOR A CHILD
|
1
|
7%
|
0
|
0%
|
|
63
|
HER BED
|
1
|
7%
|
0
|
0%
|
|
64
|
HIS AGE:DEDICATED TO HIS PECULIAR FRIEND,MR JOHN WICKES, UNDER THE NAME OFPOSTUMUS
|
1
|
7%
|
0
|
0%
|
|
65
|
HIS CONTENT IN THE COUNTRY
|
1
|
7%
|
0
|
0%
|
|
66
|
HIS COVENANT OR PROTESTATION TO JULIA
|
1
|
7%
|
0
|
0%
|
|
67
|
HIS DESIRE
|
1
|
7%
|
0
|
0%
|
|
68
|
HIS GRANGE, OR PRIVATE WEALTH
|
1
|
7%
|
0
|
0%
|
|
69
|
HIS LAST REQUEST TO JULIA
|
1
|
7%
|
0
|
0%
|
|
70
|
His Litany to the Holy Spirit
|
1
|
7%
|
0
|
0%
|
|
71
|
HIS LITANY, TO THE HOLY SPIRIT
|
1
|
7%
|
0
|
0%
|
|
72
|
HIS LOSS
|
3
|
23%
|
0
|
0%
|
|
73
|
His Meditation Upon Death
|
1
|
7%
|
0
|
0%
|
|
74
|
HIS MISTRESS TO HIM AT HIS FAREWELL
|
1
|
7%
|
0
|
0%
|
|
75
|
HIS POETRY HIS PILLAR
|
1
|
7%
|
0
|
0%
|
|
76
|
His Prayer For Absolution
|
1
|
7%
|
0
|
0%
|
|
77
|
His Prayer To Ben Jonson
|
2
|
15%
|
0
|
0%
|
|
78
|
HIS REQUEST TO JULIA
|
1
|
7%
|
0
|
0%
|
|
79
|
HIS RETURN TO LONDON
|
2
|
15%
|
0
|
0%
|
|
80
|
HIS SAILING FROM JULIA
|
1
|
7%
|
0
|
0%
|
|
81
|
HIS WINDING-SHEET
|
1
|
7%
|
0
|
0%
|
|
82
|
His Wish To God
|
1
|
7%
|
0
|
0%
|
|
83
|
HIS WISH TO PRIVACY
|
1
|
7%
|
0
|
0%
|
|
84
|
HOW HIS SOUL CAME ENSNARED
|
1
|
7%
|
0
|
0%
|
|
85
|
HOW PANSIES OR HEARTS-EASE CAME FIRST
|
1
|
7%
|
0
|
0%
|
|
86
|
HOW SPRINGS CAME FIRST
|
1
|
7%
|
0
|
0%
|
|
87
|
I CALL AND I CALL
|
1
|
7%
|
0
|
0%
|
|
88
|
IMPOSSIBILITIES: TO HIS FRIEND
|
1
|
7%
|
0
|
0%
|
|
89
|
KISSING USURY
|
1
|
7%
|
0
|
0%
|
|
90
|
LIFE IS THE BODY'S LIGHT
|
1
|
7%
|
0
|
0%
|
|
91
|
Litany to the Holy Spirit
|
1
|
7%
|
0
|
0%
|
|
92
|
LOSS FROM THE LEAST
|
1
|
7%
|
0
|
0%
|
|
93
|
LOVE DISLIKES NOTHING
|
2
|
15%
|
0
|
0%
|
|
94
|
LOVE LIGHTLY PLEASED
|
1
|
7%
|
0
|
0%
|
|
95
|
LOVE, WHAT IT IS
|
1
|
7%
|
0
|
0%
|
|
96
|
LOVERS HOW THEY COME AND PART
|
1
|
7%
|
0
|
0%
|
|
97
|
MAN'S DYING-PLACE UNCERTAIN
|
1
|
7%
|
0
|
0%
|
|
98
|
MATINS, OR MORNING PRAYER
|
1
|
7%
|
0
|
0%
|
|
99
|
MEN MIND NO STATE IN SICKNESS
|
1
|
7%
|
0
|
0%
|
|
100
|
MIRTH
|
1
|
7%
|
0
|
0%
|
|
101
|
Miseries
|
1
|
7%
|
0
|
0%
|
|
102
|
MONEY MAKES THE MIRTH
|
1
|
7%
|
0
|
0%
|
|
103
|
MRS ELIZ: WHEELER, UNDER THE NAME OF THELOST SHEPHERDESS
|
1
|
7%
|
0
|
0%
|
|
104
|
NO FAULT IN WOMEN
|
1
|
7%
|
0
|
0%
|
|
105
|
NO MAN WITHOUT MONEY
|
2
|
15%
|
0
|
0%
|
|
106
|
NO PAINS, NO GAINS
|
1
|
7%
|
0
|
0%
|
|
107
|
NOT EVERY DAY FIT FOR VERSE
|
1
|
7%
|
0
|
0%
|
|
108
|
NOTHING FREE-COST
|
1
|
7%
|
0
|
0%
|
|
109
|
Oberon's Feast
|
1
|
7%
|
0
|
0%
|
|
110
|
OF LOVE: A SONNET
|
1
|
7%
|
0
|
0%
|
|
111
|
ON A PERFUMED LADY
|
1
|
7%
|
0
|
0%
|
|
112
|
ON HIMSELF
|
2
|
15%
|
0
|
0%
|
|
113
|
On Julia's Voice
|
2
|
15%
|
0
|
0%
|
|
114
|
ON LOVE
|
1
|
7%
|
0
|
0%
|
|
115
|
ORPHEUS
|
1
|
7%
|
0
|
0%
|
|
116
|
PARDONS
|
1
|
7%
|
0
|
0%
|
|
117
|
PEACE NOT PERMANENT
|
1
|
7%
|
0
|
0%
|
|
118
|
POVERTY AND RICHES
|
1
|
7%
|
0
|
0%
|
|
119
|
PRAY AND PROSPER
|
1
|
7%
|
0
|
0%
|
|
120
|
Proof to No Purpose
|
1
|
7%
|
0
|
0%
|
|
121
|
PURPOSES
|
1
|
7%
|
0
|
0%
|
|
122
|
Rewards
|
1
|
7%
|
0
|
0%
|
|
123
|
SAFETY ON THE SHORE
|
1
|
7%
|
0
|
0%
|
|
124
|
SATISFACTION FOR SUFFERINGS
|
1
|
7%
|
0
|
0%
|
|
125
|
SOFT MUSIC
|
1
|
7%
|
0
|
0%
|
|
126
|
Sweet Disorder
|
2
|
15%
|
0
|
0%
|
|
127
|
TEARS AND LAUGHTER
|
1
|
7%
|
0
|
0%
|
|
128
|
THE APPARITION OF HIS, MISTRESS,CALLING HIM TO ELYSIUM
|
1
|
7%
|
0
|
0%
|
|
129
|
THE APRON OF FLOWERS
|
1
|
7%
|
0
|
0%
|
|
130
|
The Argument Of His Book
|
3
|
23%
|
0
|
0%
|
|
131
|
THE BAD SEASON MAKES THE POET SAD
|
1
|
7%
|
0
|
0%
|
|
132
|
THE BAG OF THE BEE
|
1
|
7%
|
0
|
0%
|
|
133
|
THE BEGGAR TO MAB, THE FAIRY QUEEN
|
1
|
7%
|
0
|
0%
|
|
134
|
The Bellman
|
1
|
7%
|
0
|
0%
|
|
135
|
THE BELL-MAN
|
2
|
15%
|
0
|
0%
|
|
136
|
THE BLEEDING HAND; OR THE SPRIG OF EGLANTINE GIVEN TO A MAID
|
1
|
7%
|
0
|
0%
|
|
137
|
THE BRACELET TO JULIA
|
1
|
7%
|
0
|
0%
|
|
138
|
The Bracelet: To Julia
|
1
|
7%
|
0
|
0%
|
|
139
|
THE BRIDE-CAKE
|
1
|
7%
|
0
|
0%
|
|
140
|
THE BUBBLE: A SONG
|
1
|
7%
|
0
|
0%
|
|
141
|
THE CEREMONIES FOR CANDLEMAS DAY
|
1
|
7%
|
0
|
0%
|
|
142
|
THE CHANGES: TO CORINNA
|
1
|
7%
|
0
|
0%
|
|
143
|
THE CHEAT OF CUPID; OR, THE UNGENTLE GUEST
|
1
|
7%
|
0
|
0%
|
|
144
|
THE COMING OF GOOD LUCK
|
1
|
7%
|
0
|
0%
|
|
145
|
THE COUNTRY LIFE:
|
1
|
7%
|
0
|
0%
|
|
146
|
THE CRUEL MAID
|
1
|
7%
|
0
|
0%
|
|
147
|
THE DEFINITION OF BEAUTY
|
2
|
15%
|
0
|
0%
|
|
148
|
THE DIRGE OF JEPHTHAH'S DAUGHTER:SUNG BY THE VIRGINS
|
1
|
7%
|
0
|
0%
|
|
149
|
THE FAIRIES
|
1
|
7%
|
0
|
0%
|
|
150
|
THE FAIRY TEMPLE; OR, OBERON'S CHAPEL
|
1
|
7%
|
0
|
0%
|
|
151
|
THE FUNERAL RITES OF THE ROSE
|
1
|
7%
|
0
|
0%
|
|
152
|
The Good-night or Blessing
|
1
|
7%
|
0
|
0%
|
|
153
|
THE HAG
|
1
|
7%
|
0
|
0%
|
|
154
|
THE HEART
|
1
|
7%
|
0
|
0%
|
|
155
|
The Hock-cart, or Harvest Home
|
4
|
30%
|
0
|
0%
|
|
156
|
THE HOCK-CART, OR HARVEST HOME:TO THE RIGHT HONOURABLE MILDMAY, EARL OF WESTMORLAND
|
3
|
23%
|
0
|
0%
|
|
157
|
The Hour-glass
|
3
|
23%
|
0
|
0%
|
|
158
|
THE KISS: A DIALOGUE
|
1
|
7%
|
0
|
0%
|
|
159
|
THE LILY IN A CRYSTAL
|
1
|
7%
|
0
|
0%
|
|
160
|
THE MAD MAID'S SONG
|
1
|
7%
|
0
|
0%
|
|
161
|
THE MAYPOLE
|
1
|
7%
|
0
|
0%
|
|
162
|
The Night Piece, To Julia
|
1
|
7%
|
0
|
0%
|
|
163
|
The Night Piece, to Julia
|
1
|
7%
|
0
|
0%
|
|
164
|
The Night Piece, to Julia
|
1
|
7%
|
0
|
0%
|
|
165
|
THE NIGHT PIECE: TO JULIA
|
1
|
7%
|
0
|
0%
|
|
166
|
THE OLD WIVES' PRAYER
|
1
|
7%
|
0
|
0%
|
|
167
|
THE OLIVE BRANCH
|
1
|
7%
|
0
|
0%
|
|
168
|
THE PARCAE; OR, THREE DAINTY DESTINIES:THE ARMILET
|
1
|
7%
|
0
|
0%
|
|
169
|
THE PARLIAMENT OF ROSES TO JULIA
|
1
|
7%
|
0
|
0%
|
|
170
|
THE PLAUDITE, OR END OF LIFE
|
1
|
7%
|
0
|
0%
|
|
171
|
THE PRESENT TIME BEST PLEASETH
|
1
|
7%
|
0
|
0%
|
|
172
|
THE PRESENT; OR, THE BAG OF THE BEE:
|
1
|
7%
|
0
|
0%
|
|
173
|
THE PRIMROSE
|
2
|
15%
|
0
|
0%
|
|
174
|
THE ROCK OF RUBIES, AND THE QUARRY OFPEARLS
|
2
|
15%
|
0
|
0%
|
|
175
|
The Rosary
|
2
|
15%
|
0
|
0%
|
|
176
|
THE SHOWER OF BLOSSOMS
|
1
|
7%
|
0
|
0%
|
|
177
|
THE SUCCESSION OF THE FOUR SWEET MONTHS
|
1
|
7%
|
0
|
0%
|
|
178
|
THE TRANSFIGURATION
|
1
|
7%
|
0
|
0%
|
|
179
|
The Vine
|
1
|
7%
|
0
|
0%
|
|
180
|
THE VOICE AND VIOL
|
1
|
7%
|
0
|
0%
|
|
181
|
THE WAKE
|
1
|
7%
|
0
|
0%
|
|
182
|
THE WASSAIL
|
1
|
7%
|
0
|
0%
|
|
183
|
THE WATCH
|
1
|
7%
|
0
|
0%
|
|
184
|
THE WHITE ISLAND:OR PLACE OF THE BLEST
|
2
|
15%
|
0
|
0%
|
|
185
|
THE WIDOWS' TEARS; OR, DIRGE OF DORCAS
|
2
|
15%
|
0
|
0%
|
|
186
|
The Wounded Cupid
|
1
|
7%
|
0
|
0%
|
|
187
|
THE WOUNDED HEART
|
1
|
7%
|
0
|
0%
|
|
188
|
THINGS MORTAL STILL MUTABLE
|
1
|
7%
|
0
|
0%
|
|
189
|
TO A GENTLEWOMAN, OBJECTING TO HIM HISGRAY HAIRS
|
1
|
7%
|
0
|
0%
|
|
190
|
TO ANTHEA
|
1
|
7%
|
0
|
0%
|
|
191
|
TO ANTHEA, WHO MAY COMMAND HIM ANY THING
|
2
|
15%
|
0
|
0%
|
|
192
|
To Anthea, who may command him Anything
|
2
|
15%
|
0
|
0%
|
|
193
|
TO BACCHUS: A CANTICLE
|
1
|
7%
|
0
|
0%
|
|
194
|
TO BE MERRY
|
1
|
7%
|
0
|
0%
|
|
195
|
TO BLOSSOMS
|
1
|
7%
|
0
|
0%
|
|
196
|
TO CARNATIONS: A SONG
|
1
|
7%
|
0
|
0%
|
|
197
|
TO DAFFADILS
|
1
|
7%
|
0
|
0%
|
|
198
|
To Daffodils
|
7
|
53%
|
0
|
0%
|
|
199
|
TO DAISIES, NOT TO SHUT SO SOON
|
1
|
7%
|
0
|
0%
|
|
200
|
TO DEATH
|
1
|
7%
|
0
|
0%
|
|
201
|
TO ELECTRA
|
3
|
23%
|
0
|
0%
|
|
202
|
TO ENJOY THE TIME
|
1
|
7%
|
0
|
0%
|
|
203
|
TO GROVES
|
1
|
7%
|
0
|
0%
|
|
204
|
TO HEAVEN
|
1
|
7%
|
0
|
0%
|
|
205
|
TO HIS BOOK
|
1
|
7%
|
0
|
0%
|
|
206
|
TO HIS CONSCIENCE
|
1
|
7%
|
0
|
0%
|
|
207
|
TO HIS DYING BROTHER, MASTER WILLIAM HERRICK
|
1
|
7%
|
0
|
0%
|
|
208
|
To his Girls
|
1
|
7%
|
0
|
0%
|
|
209
|
To His Honoured and Most Ingenious Friend Mr. Charles Cotton
|
1
|
7%
|
0
|
0%
|
|
210
|
TO HIS HONOURED AND MOST INGENIOUS FRIENDMR CHARLES COTTON
|
1
|
7%
|
0
|
0%
|
|
211
|
TO HIS KINSWOMAN, MISTRESS SUSANNA HERRICK
|
1
|
7%
|
0
|
0%
|
|
212
|
TO HIS LOVELY MISTRESSES
|
1
|
7%
|
0
|
0%
|
|
213
|
To his mistress, objecting to him neither toying or talking
|
1
|
7%
|
0
|
0%
|
|
214
|
TO HIS MISTRESS, OBJECTING TO HIM NEITHERTOYING OR TALKING
|
1
|
7%
|
0
|
0%
|
|
215
|
TO HIS MUSE
|
1
|
7%
|
0
|
0%
|
|
216
|
TO HIS PATERNAL COUNTRY
|
1
|
7%
|
0
|
0%
|
|
217
|
TO HIS PECULIAR FRIEND, MR JOHN WICKS
|
1
|
7%
|
0
|
0%
|
|
218
|
TO HIS SAVIOUR, A CHILD;A PRESENT, BY A CHILD
|
1
|
7%
|
0
|
0%
|
|
219
|
TO HIS SWEET SAVIOUR
|
1
|
7%
|
0
|
0%
|
|
220
|
TO HIS VERSES
|
1
|
7%
|
0
|
0%
|
|
221
|
TO JULIA
|
1
|
7%
|
0
|
0%
|
|
222
|
TO LAURELS
|
1
|
7%
|
0
|
0%
|
|
223
|
TO LIVE FREELY
|
1
|
7%
|
0
|
0%
|
|
224
|
To Live Merrily, And To Trust To Good Verses
|
1
|
7%
|
0
|
0%
|
|
225
|
TO LIVE MERRILY,AND TO TRUST TO GOOD VERSES
|
1
|
7%
|
0
|
0%
|
|
226
|
TO MEADOWS
|
1
|
7%
|
0
|
0%
|
|
227
|
TO MISTRESS KATHARINE BRADSHAW, THE LOVELY, THAT CROWNED HIM WITH LAUREL
|
1
|
7%
|
0
|
0%
|
|
228
|
TO MUSIC
|
1
|
7%
|
0
|
0%
|
|
229
|
TO MUSIC, TO BECALM A SWEET SICK YOUTH
|
1
|
7%
|
0
|
0%
|
|
230
|
TO MUSIC, TO BECALM HIS FEVER
|
1
|
7%
|
0
|
0%
|
|
231
|
TO MUSIC: A SONG
|
1
|
7%
|
0
|
0%
|
|
232
|
To Music: a Song
|
1
|
7%
|
0
|
0%
|
|
233
|
To Oenone
|
1
|
7%
|
0
|
0%
|
|
234
|
TO OENONE.
|
1
|
7%
|
0
|
0%
|
|
235
|
TO PANSIES
|
1
|
7%
|
0
|
0%
|
|
236
|
TO PERENNA
|
1
|
7%
|
0
|
0%
|
|
237
|
To Perilla
|
1
|
7%
|
0
|
0%
|
|
238
|
TO PERlLLA
|
1
|
7%
|
0
|
0%
|
|
239
|
TO PHILLIS, TO LOVE AND LIVE WITH HIM
|
1
|
7%
|
0
|
0%
|
|
240
|
TO PRIMROSES FILLED WITH MORNING DEW
|
1
|
7%
|
0
|
0%
|
|
241
|
TO ROBIN RED-BREAST
|
1
|
7%
|
0
|
0%
|
|
242
|
TO SAPHO
|
1
|
7%
|
0
|
0%
|
|
243
|
TO SILVIA
|
1
|
7%
|
0
|
0%
|
|
244
|
TO SILVIA TO WED
|
1
|
7%
|
0
|
0%
|
|
245
|
TO SIR CLIPSBY CREW
|
1
|
7%
|
0
|
0%
|
|
246
|
TO THE GENIUS OF HIS HOUSE
|
1
|
7%
|
0
|
0%
|
|
247
|
TO THE HANDSOME MISTRESS GRACE POTTER
|
1
|
7%
|
0
|
0%
|
|
248
|
TO THE LADY CREWE, UPON THE DEATH OF HER CHILD
|
1
|
7%
|
0
|
0%
|
|
249
|
TO THE MAIDS, TO WALK ABROAD
|
1
|
7%
|
0
|
0%
|
|
250
|
TO THE ROSE: SONG
|
3
|
23%
|
0
|
0%
|
|
251
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
3
|
23%
|
0
|
0%
|
|
252
|
TO THE WATER-NYMPHS DRINKING AT THEFOUNTAIN
|
1
|
7%
|
0
|
0%
|
|
253
|
To the Western Wind
|
1
|
7%
|
0
|
0%
|
|
254
|
TO THE WILLOW-TREE
|
1
|
7%
|
0
|
0%
|
|
255
|
TO VIOLETS
|
1
|
7%
|
0
|
0%
|
|
256
|
To Virgins, to Make Much of Time
|
1
|
7%
|
0
|
0%
|
|
257
|
TO YOUTH
|
1
|
7%
|
0
|
0%
|
|
258
|
TRUTH AND ERROR
|
1
|
7%
|
0
|
0%
|
|
259
|
Truth and Falsehood
|
2
|
15%
|
0
|
0%
|
|
260
|
Up Scoble
|
1
|
7%
|
0
|
0%
|
|
261
|
UPON A CHILD
|
1
|
7%
|
0
|
0%
|
|
262
|
UPON A CHILD THAT DIED
|
1
|
7%
|
0
|
0%
|
|
263
|
UPON A DELAYING LADY
|
1
|
7%
|
0
|
0%
|
|
264
|
UPON A MAID
|
1
|
7%
|
0
|
0%
|
|
265
|
UPON A PAINTED GENTLEWOMAN
|
1
|
7%
|
0
|
0%
|
|
266
|
UPON CUPID
|
1
|
7%
|
0
|
0%
|
|
267
|
UPON HER EYES
|
1
|
7%
|
0
|
0%
|
|
268
|
UPON HER FEET
|
1
|
7%
|
0
|
0%
|
|
269
|
UPON HIMSELF
|
1
|
7%
|
0
|
0%
|
|
270
|
UPON HIS SISTER-IN-LAW, MISTRESS ELIZABETHHERRICK
|
1
|
7%
|
0
|
0%
|
|
271
|
Upon Julia's Clothes
|
3
|
23%
|
0
|
0%
|
|
272
|
UPON JULIA'S HAIR FILLED WITH DEW
|
1
|
7%
|
0
|
0%
|
|
273
|
UPON JULIA'S RECOVERY
|
1
|
7%
|
0
|
0%
|
|
274
|
UPON JULIA'S RIBBON
|
1
|
7%
|
0
|
0%
|
|
275
|
Upon Julia's Unlacing Herself
|
1
|
7%
|
0
|
0%
|
|
276
|
UPON JULIA'S VOICE
|
1
|
7%
|
0
|
0%
|
|
277
|
UPON LOVE
|
1
|
7%
|
0
|
0%
|
|
278
|
UPON LOVE:BY WAY OF QUESTION AND ANSWER
|
1
|
7%
|
0
|
0%
|
|
279
|
UPON MAN
|
1
|
7%
|
0
|
0%
|
|
280
|
UPON MRS ELIZ. WHEELER, UNDER THE NAME OFAMARILLIS
|
1
|
7%
|
0
|
0%
|
|
281
|
Upon Parson Beanes
|
1
|
7%
|
0
|
0%
|
|
282
|
Upon Prew His Maid
|
1
|
7%
|
0
|
0%
|
|
283
|
UPON ROSES
|
1
|
7%
|
0
|
0%
|
|
284
|
UPON TEARS
|
1
|
7%
|
0
|
0%
|
|
285
|
UPON THE DETRACTER
|
1
|
7%
|
0
|
0%
|
|
286
|
UPON THE LOSS OF HIS MISTRESSES
|
1
|
7%
|
0
|
0%
|
|
287
|
Upon The Nipples Of Julia's Breast
|
7
|
53%
|
0
|
0%
|
|
288
|
UPON TIME
|
2
|
15%
|
0
|
0%
|
|
289
|
UPON WRINKLES
|
1
|
7%
|
0
|
0%
|
|
290
|
WANT
|
1
|
7%
|
0
|
0%
|
|
291
|
What Kind Of Mistress He Would Have
|
1
|
7%
|
0
|
0%
|
|
292
|
WHEN HE WOULD HAVE HIS VERSES READ
|
1
|
7%
|
0
|
0%
|
|
293
|
WHY FLOWERS CHANGE COLOUR
|
1
|
7%
|
0
|
0%
|
|
294
|
WlT PUNISHED PROSPERS MOST
|
2
|
15%
|
0
|
0%
|
|
295
|
WRITING
|
1
|
7%
|
0
|
0%
|
