|
1
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
2
|
7%
|
0
|
0%
|
|
2
|
A CANTICLE TO APOLLO
|
2
|
7%
|
0
|
0%
|
|
3
|
A Child's Grace
|
2
|
7%
|
0
|
0%
|
|
4
|
A Christmas Carol, Sung to the King in the Presence at White-Hall
|
1
|
3%
|
0
|
0%
|
|
5
|
A HYMN TO BACCHUS
|
4
|
14%
|
0
|
0%
|
|
6
|
A Hymn To Love
|
11
|
40%
|
0
|
0%
|
|
7
|
A HYMN TO THE GRACES
|
5
|
18%
|
0
|
0%
|
|
8
|
A HYMN TO VENUS AND CUPID
|
3
|
11%
|
0
|
0%
|
|
9
|
A Lyric to Mirth
|
1
|
3%
|
0
|
0%
|
|
10
|
A MEAN IN OUR MEANS
|
6
|
22%
|
0
|
0%
|
|
11
|
A MEDITATION FOR HIS MISTRESS
|
3
|
11%
|
0
|
0%
|
|
12
|
A PASTORAL SUNG TO THE KING
|
1
|
3%
|
0
|
0%
|
|
13
|
A REQUEST TO THE GRACES
|
3
|
11%
|
0
|
0%
|
|
14
|
A Ring Presented to Julia
|
2
|
7%
|
0
|
0%
|
|
15
|
A Thanksgiving to God for His House
|
1
|
3%
|
0
|
0%
|
|
16
|
A VOW TO VENUS
|
3
|
11%
|
0
|
0%
|
|
17
|
ALL THINGS DECAY AND DIE
|
3
|
11%
|
0
|
0%
|
|
18
|
AMBITION
|
3
|
11%
|
0
|
0%
|
|
19
|
AN EPITAPH UPON A CHILD
|
1
|
3%
|
0
|
0%
|
|
20
|
AN EPITAPH UPON A VIRGIN
|
3
|
11%
|
0
|
0%
|
|
21
|
AN HYMN TO THE MUSES
|
3
|
11%
|
0
|
0%
|
|
22
|
AN ODE FOR BEN JONSON
|
2
|
7%
|
0
|
0%
|
|
23
|
AN ODE OF THE BIRTH OF OUR SAVIOUR
|
1
|
3%
|
0
|
0%
|
|
24
|
An Ode to Master Endymion Porter, Upon His Brother's Death
|
1
|
3%
|
0
|
0%
|
|
25
|
AN ODE TO SIR CLIPSBY CREW
|
1
|
3%
|
0
|
0%
|
|
26
|
ART ABOVE NATURE: TO JULIA
|
1
|
3%
|
0
|
0%
|
|
27
|
BARLEY-BREAK; OR, LAST IN HELL
|
2
|
7%
|
0
|
0%
|
|
28
|
Be My Mistress Short or Tall
|
4
|
14%
|
0
|
0%
|
|
29
|
BURIAL
|
1
|
3%
|
0
|
0%
|
|
30
|
CHERRY RIPE
|
2
|
7%
|
0
|
0%
|
|
31
|
Cherry- Ripe
|
3
|
11%
|
0
|
0%
|
|
32
|
COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
|
3
|
11%
|
0
|
0%
|
|
33
|
DELIGHT IN DISORDER
|
1
|
3%
|
0
|
0%
|
|
34
|
Dreams
|
6
|
22%
|
0
|
0%
|
|
35
|
ETERNITY
|
1
|
3%
|
0
|
0%
|
|
36
|
FOUR THINGS MAKE US HAPPY HERE
|
2
|
7%
|
0
|
0%
|
|
37
|
HER BED
|
5
|
18%
|
0
|
0%
|
|
38
|
HIS DESIRE
|
2
|
7%
|
0
|
0%
|
|
39
|
HIS GRANGE, OR PRIVATE WEALTH
|
2
|
7%
|
0
|
0%
|
|
40
|
His Prayer To Ben Jonson
|
1
|
3%
|
0
|
0%
|
|
41
|
HIS REQUEST TO JULIA
|
1
|
3%
|
0
|
0%
|
|
42
|
HIS SAILING FROM JULIA
|
1
|
3%
|
0
|
0%
|
|
43
|
HIS WISH TO PRIVACY
|
2
|
7%
|
0
|
0%
|
|
44
|
HOW PANSIES OR HEARTS-EASE CAME FIRST
|
1
|
3%
|
0
|
0%
|
|
45
|
I CALL AND I CALL
|
3
|
11%
|
0
|
0%
|
|
46
|
IMPOSSIBILITIES: TO HIS FRIEND
|
2
|
7%
|
0
|
0%
|
|
47
|
LIFE IS THE BODY'S LIGHT
|
1
|
3%
|
0
|
0%
|
|
48
|
LOSS FROM THE LEAST
|
2
|
7%
|
0
|
0%
|
|
49
|
LOVE DISLIKES NOTHING
|
1
|
3%
|
0
|
0%
|
|
50
|
LOVE LIGHTLY PLEASED
|
4
|
14%
|
0
|
0%
|
|
51
|
LOVE, WHAT IT IS
|
7
|
25%
|
0
|
0%
|
|
52
|
LOVERS HOW THEY COME AND PART
|
1
|
3%
|
0
|
0%
|
|
53
|
MAN'S DYING-PLACE UNCERTAIN
|
3
|
11%
|
0
|
0%
|
|
54
|
MATINS, OR MORNING PRAYER
|
1
|
3%
|
0
|
0%
|
|
55
|
MEN MIND NO STATE IN SICKNESS
|
2
|
7%
|
0
|
0%
|
|
56
|
Miseries
|
3
|
11%
|
0
|
0%
|
|
57
|
NO FAULT IN WOMEN
|
3
|
11%
|
0
|
0%
|
|
58
|
NO PAINS, NO GAINS
|
2
|
7%
|
0
|
0%
|
|
59
|
NOTHING FREE-COST
|
2
|
7%
|
0
|
0%
|
|
60
|
Oberon's Feast
|
2
|
7%
|
0
|
0%
|
|
61
|
OF LOVE: A SONNET
|
3
|
11%
|
0
|
0%
|
|
62
|
ON LOVE
|
2
|
7%
|
0
|
0%
|
|
63
|
ORPHEUS
|
3
|
11%
|
0
|
0%
|
|
64
|
SATISFACTION FOR SUFFERINGS
|
1
|
3%
|
0
|
0%
|
|
65
|
Sweet Disorder
|
6
|
22%
|
0
|
0%
|
|
66
|
TEARS AND LAUGHTER
|
2
|
7%
|
0
|
0%
|
|
67
|
The Argument Of His Book
|
4
|
14%
|
0
|
0%
|
|
68
|
THE BAD SEASON MAKES THE POET SAD
|
1
|
3%
|
0
|
0%
|
|
69
|
THE BEGGAR TO MAB, THE FAIRY QUEEN
|
1
|
3%
|
0
|
0%
|
|
70
|
The Bracelet: To Julia
|
2
|
7%
|
0
|
0%
|
|
71
|
THE BUBBLE: A SONG
|
1
|
3%
|
0
|
0%
|
|
72
|
THE CHEAT OF CUPID; OR, THE UNGENTLE GUEST
|
2
|
7%
|
0
|
0%
|
|
73
|
THE COMING OF GOOD LUCK
|
1
|
3%
|
0
|
0%
|
|
74
|
THE CRUEL MAID
|
2
|
7%
|
0
|
0%
|
|
75
|
THE DEFINITION OF BEAUTY
|
3
|
11%
|
0
|
0%
|
|
76
|
THE FAIRIES
|
2
|
7%
|
0
|
0%
|
|
77
|
THE FUNERAL RITES OF THE ROSE
|
3
|
11%
|
0
|
0%
|
|
78
|
The Good-night or Blessing
|
4
|
14%
|
0
|
0%
|
|
79
|
THE HAG
|
2
|
7%
|
0
|
0%
|
|
80
|
THE HEART
|
2
|
7%
|
0
|
0%
|
|
81
|
The Hock-cart, or Harvest Home
|
1
|
3%
|
0
|
0%
|
|
82
|
The Hour-glass
|
7
|
25%
|
0
|
0%
|
|
83
|
THE KISS: A DIALOGUE
|
4
|
14%
|
0
|
0%
|
|
84
|
THE LILY IN A CRYSTAL
|
3
|
11%
|
0
|
0%
|
|
85
|
The Night Piece, To Julia
|
1
|
3%
|
0
|
0%
|
|
86
|
THE OLIVE BRANCH
|
2
|
7%
|
0
|
0%
|
|
87
|
The Vine
|
2
|
7%
|
0
|
0%
|
|
88
|
THE WHITE ISLAND:OR PLACE OF THE BLEST
|
2
|
7%
|
0
|
0%
|
|
89
|
The Wounded Cupid
|
4
|
14%
|
0
|
0%
|
|
90
|
THE WOUNDED HEART
|
5
|
18%
|
0
|
0%
|
|
91
|
THINGS MORTAL STILL MUTABLE
|
1
|
3%
|
0
|
0%
|
|
92
|
To Anthea, who may command him Anything
|
2
|
7%
|
0
|
0%
|
|
93
|
To Daffodils
|
7
|
25%
|
0
|
0%
|
|
94
|
TO DEATH
|
2
|
7%
|
0
|
0%
|
|
95
|
TO ELECTRA
|
2
|
7%
|
0
|
0%
|
|
96
|
TO ENJOY THE TIME
|
2
|
7%
|
0
|
0%
|
|
97
|
TO LIVE FREELY
|
4
|
14%
|
0
|
0%
|
|
98
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
27
|
100%
|
0
|
0%
|
|
99
|
TO THE WILLOW-TREE
|
2
|
7%
|
0
|
0%
|
|
100
|
To Virgins, to Make Much of Time
|
1
|
3%
|
0
|
0%
|
|
101
|
TRUTH AND ERROR
|
2
|
7%
|
0
|
0%
|
|
102
|
Truth and Falsehood
|
2
|
7%
|
0
|
0%
|
|
103
|
UPON CUPID
|
2
|
7%
|
0
|
0%
|
|
104
|
Upon Julia's Clothes
|
4
|
14%
|
0
|
0%
|
|
105
|
UPON LOVE
|
2
|
7%
|
0
|
0%
|
|
106
|
UPON LOVE:BY WAY OF QUESTION AND ANSWER
|
2
|
7%
|
0
|
0%
|
|
107
|
UPON TEARS
|
2
|
7%
|
0
|
0%
|
|
108
|
UPON THE LOSS OF HIS MISTRESSES
|
1
|
3%
|
0
|
0%
|
|
109
|
Upon The Nipples Of Julia's Breast
|
1
|
3%
|
0
|
0%
|
|
110
|
WANT
|
3
|
11%
|
0
|
0%
|
|
111
|
WHY FLOWERS CHANGE COLOUR
|
1
|
3%
|
0
|
0%
|
|
112
|
WRITING
|
2
|
7%
|
0
|
0%
|