|
1
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
3
|
10%
|
0
|
0%
|
|
2
|
A CANTICLE TO APOLLO
|
5
|
17%
|
0
|
0%
|
|
3
|
A Child's Grace
|
25
|
89%
|
0
|
0%
|
|
4
|
A Christmas Carol, Sung to the King in the Presence at White-Hall
|
5
|
17%
|
0
|
0%
|
|
5
|
A Conjuration To Electra
|
4
|
14%
|
0
|
0%
|
|
6
|
A CONJURATION: TO ELECTRA
|
3
|
10%
|
0
|
0%
|
|
7
|
A DIALOGUE BETWIXT HIMSELF AND MISTRESS ELIZAWHEELER, UNDER THE NAME OF AMARILLIS
|
1
|
3%
|
0
|
0%
|
|
8
|
A HYMN TO BACCHUS
|
1
|
3%
|
0
|
0%
|
|
9
|
A Hymn To Love
|
9
|
32%
|
0
|
0%
|
|
10
|
A HYMN TO THE GRACES
|
2
|
7%
|
0
|
0%
|
|
11
|
A HYMN TO VENUS AND CUPID
|
1
|
3%
|
0
|
0%
|
|
12
|
A Lyric to Mirth
|
4
|
14%
|
0
|
0%
|
|
13
|
A MEAN IN OUR MEANS
|
3
|
10%
|
0
|
0%
|
|
14
|
A MEDITATION FOR HIS MISTRESS
|
3
|
10%
|
0
|
0%
|
|
15
|
A REQUEST TO THE GRACES
|
3
|
10%
|
0
|
0%
|
|
16
|
A Ring Presented to Julia
|
2
|
7%
|
0
|
0%
|
|
17
|
ALL THINGS DECAY AND DIE
|
2
|
7%
|
0
|
0%
|
|
18
|
AMBITION
|
1
|
3%
|
0
|
0%
|
|
19
|
AN EPITAPH UPON A CHILD
|
2
|
7%
|
0
|
0%
|
|
20
|
AN EPITAPH UPON A VIRGIN
|
2
|
7%
|
0
|
0%
|
|
21
|
AN HYMN TO THE MUSES
|
3
|
10%
|
0
|
0%
|
|
22
|
AN ODE FOR BEN JONSON
|
3
|
10%
|
0
|
0%
|
|
23
|
AN ODE OF THE BIRTH OF OUR SAVIOUR
|
2
|
7%
|
0
|
0%
|
|
24
|
An Ode to Master Endymion Porter, Upon His Brother's Death
|
2
|
7%
|
0
|
0%
|
|
25
|
AN ODE TO SIR CLIPSBY CREW
|
2
|
7%
|
0
|
0%
|
|
26
|
ANACREONTIC
|
2
|
7%
|
0
|
0%
|
|
27
|
Another
|
2
|
7%
|
0
|
0%
|
|
28
|
Another Grace For A Child
|
2
|
7%
|
0
|
0%
|
|
29
|
ANTHEA'S RETRACTATION
|
1
|
3%
|
0
|
0%
|
|
30
|
ART ABOVE NATURE: TO JULIA
|
3
|
10%
|
0
|
0%
|
|
31
|
BARLEY-BREAK; OR, LAST IN HELL
|
1
|
3%
|
0
|
0%
|
|
32
|
Be My Mistress Short or Tall
|
1
|
3%
|
0
|
0%
|
|
33
|
BURIAL
|
1
|
3%
|
0
|
0%
|
|
34
|
CASUALTIES
|
1
|
3%
|
0
|
0%
|
|
35
|
CEREMONIES FOR CANDLEMAS EVE
|
1
|
3%
|
0
|
0%
|
|
36
|
CEREMONY UPON CANDLEMAS EVE
|
1
|
3%
|
0
|
0%
|
|
37
|
CHERRY RIPE
|
1
|
3%
|
0
|
0%
|
|
38
|
Cherry- Ripe
|
1
|
3%
|
0
|
0%
|
|
39
|
COCK-CROW
|
1
|
3%
|
0
|
0%
|
|
40
|
COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
|
2
|
7%
|
0
|
0%
|
|
41
|
Corinna's Going A-Maying
|
1
|
3%
|
0
|
0%
|
|
42
|
CRUTCHES
|
1
|
3%
|
0
|
0%
|
|
43
|
DELIGHT IN DISORDER
|
4
|
14%
|
0
|
0%
|
|
44
|
Departure of the Good Daemon
|
1
|
3%
|
0
|
0%
|
|
45
|
Discontents In Devon
|
2
|
7%
|
0
|
0%
|
|
46
|
Divination By A Daffodil
|
2
|
7%
|
0
|
0%
|
|
47
|
Draw-gloves
|
2
|
7%
|
0
|
0%
|
|
48
|
Dreams
|
5
|
17%
|
0
|
0%
|
|
49
|
Epitaph upon a Child that died
|
3
|
10%
|
0
|
0%
|
|
50
|
ETERNITY
|
2
|
7%
|
0
|
0%
|
|
51
|
FAREWELL FROST, OR WELCOME SPRING
|
2
|
7%
|
0
|
0%
|
|
52
|
FELICITY QUICK OF FLIGHT
|
2
|
7%
|
0
|
0%
|
|
53
|
FOUR THINGS MAKE US HAPPY HERE
|
2
|
7%
|
0
|
0%
|
|
54
|
GOOD PRECEPTS, OR COUNSEL
|
2
|
7%
|
0
|
0%
|
|
55
|
GRACE FOR A CHILD
|
3
|
10%
|
0
|
0%
|
|
56
|
HER BED
|
2
|
7%
|
0
|
0%
|
|
57
|
HIS AGE:DEDICATED TO HIS PECULIAR FRIEND,MR JOHN WICKES, UNDER THE NAME OFPOSTUMUS
|
2
|
7%
|
0
|
0%
|
|
58
|
HIS CONTENT IN THE COUNTRY
|
2
|
7%
|
0
|
0%
|
|
59
|
HIS COVENANT OR PROTESTATION TO JULIA
|
2
|
7%
|
0
|
0%
|
|
60
|
HIS DESIRE
|
2
|
7%
|
0
|
0%
|
|
61
|
HIS GRANGE, OR PRIVATE WEALTH
|
2
|
7%
|
0
|
0%
|
|
62
|
HIS LAST REQUEST TO JULIA
|
3
|
10%
|
0
|
0%
|
|
63
|
His Litany to the Holy Spirit
|
2
|
7%
|
0
|
0%
|
|
64
|
HIS LITANY, TO THE HOLY SPIRIT
|
2
|
7%
|
0
|
0%
|
|
65
|
HIS LOSS
|
2
|
7%
|
0
|
0%
|
|
66
|
His Meditation Upon Death
|
2
|
7%
|
0
|
0%
|
|
67
|
HIS MISTRESS TO HIM AT HIS FAREWELL
|
2
|
7%
|
0
|
0%
|
|
68
|
HIS POETRY HIS PILLAR
|
2
|
7%
|
0
|
0%
|
|
69
|
His Prayer For Absolution
|
2
|
7%
|
0
|
0%
|
|
70
|
His Prayer To Ben Jonson
|
2
|
7%
|
0
|
0%
|
|
71
|
HIS REQUEST TO JULIA
|
2
|
7%
|
0
|
0%
|
|
72
|
HIS RETURN TO LONDON
|
2
|
7%
|
0
|
0%
|
|
73
|
HIS SAILING FROM JULIA
|
2
|
7%
|
0
|
0%
|
|
74
|
HIS WINDING-SHEET
|
3
|
10%
|
0
|
0%
|
|
75
|
HOW PANSIES OR HEARTS-EASE CAME FIRST
|
1
|
3%
|
0
|
0%
|
|
76
|
KISSING USURY
|
2
|
7%
|
0
|
0%
|
|
77
|
LOSS FROM THE LEAST
|
1
|
3%
|
0
|
0%
|
|
78
|
LOVE DISLIKES NOTHING
|
2
|
7%
|
0
|
0%
|
|
79
|
LOVE LIGHTLY PLEASED
|
1
|
3%
|
0
|
0%
|
|
80
|
LOVE, WHAT IT IS
|
2
|
7%
|
0
|
0%
|
|
81
|
LOVERS HOW THEY COME AND PART
|
2
|
7%
|
0
|
0%
|
|
82
|
Miseries
|
2
|
7%
|
0
|
0%
|
|
83
|
NO MAN WITHOUT MONEY
|
1
|
3%
|
0
|
0%
|
|
84
|
NO PAINS, NO GAINS
|
1
|
3%
|
0
|
0%
|
|
85
|
OF LOVE: A SONNET
|
7
|
25%
|
0
|
0%
|
|
86
|
ON LOVE
|
1
|
3%
|
0
|
0%
|
|
87
|
PEACE NOT PERMANENT
|
1
|
3%
|
0
|
0%
|
|
88
|
PURPOSES
|
1
|
3%
|
0
|
0%
|
|
89
|
Rewards
|
6
|
21%
|
0
|
0%
|
|
90
|
Sweet Disorder
|
1
|
3%
|
0
|
0%
|
|
91
|
TEARS AND LAUGHTER
|
1
|
3%
|
0
|
0%
|
|
92
|
THE COUNTRY LIFE:
|
1
|
3%
|
0
|
0%
|
|
93
|
THE DEFINITION OF BEAUTY
|
1
|
3%
|
0
|
0%
|
|
94
|
The Good-night or Blessing
|
1
|
3%
|
0
|
0%
|
|
95
|
The Hour-glass
|
1
|
3%
|
0
|
0%
|
|
96
|
THE KISS: A DIALOGUE
|
1
|
3%
|
0
|
0%
|
|
97
|
THE LILY IN A CRYSTAL
|
1
|
3%
|
0
|
0%
|
|
98
|
THE MAYPOLE
|
1
|
3%
|
0
|
0%
|
|
99
|
TO ANTHEA, WHO MAY COMMAND HIM ANY THING
|
1
|
3%
|
0
|
0%
|
|
100
|
To Anthea, who may command him Anything
|
1
|
3%
|
0
|
0%
|
|
101
|
TO BACCHUS: A CANTICLE
|
1
|
3%
|
0
|
0%
|
|
102
|
TO DAFFADILS
|
1
|
3%
|
0
|
0%
|
|
103
|
To Daffodils
|
5
|
17%
|
0
|
0%
|
|
104
|
TO ENJOY THE TIME
|
1
|
3%
|
0
|
0%
|
|
105
|
TO HIS DYING BROTHER, MASTER WILLIAM HERRICK
|
1
|
3%
|
0
|
0%
|
|
106
|
TO HIS SWEET SAVIOUR
|
2
|
7%
|
0
|
0%
|
|
107
|
TO PRIMROSES FILLED WITH MORNING DEW
|
1
|
3%
|
0
|
0%
|
|
108
|
TO THE MAIDS, TO WALK ABROAD
|
2
|
7%
|
0
|
0%
|
|
109
|
TO THE ROSE: SONG
|
1
|
3%
|
0
|
0%
|
|
110
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
28
|
100%
|
0
|
0%
|
|
111
|
TO THE WATER-NYMPHS DRINKING AT THEFOUNTAIN
|
1
|
3%
|
0
|
0%
|
|
112
|
TO THE WILLOW-TREE
|
3
|
10%
|
0
|
0%
|
|
113
|
TO VIOLETS
|
1
|
3%
|
0
|
0%
|
|
114
|
UPON A DELAYING LADY
|
1
|
3%
|
0
|
0%
|
|
115
|
UPON CUPID
|
1
|
3%
|
0
|
0%
|
|
116
|
UPON HIS SISTER-IN-LAW, MISTRESS ELIZABETHHERRICK
|
1
|
3%
|
0
|
0%
|
|
117
|
UPON JULIA'S HAIR FILLED WITH DEW
|
1
|
3%
|
0
|
0%
|
|
118
|
UPON LOVE:BY WAY OF QUESTION AND ANSWER
|
1
|
3%
|
0
|
0%
|
|
119
|
UPON ROSES
|
1
|
3%
|
0
|
0%
|
|
120
|
UPON THE LOSS OF HIS MISTRESSES
|
2
|
7%
|
0
|
0%
|
|
121
|
Upon The Nipples Of Julia's Breast
|
2
|
7%
|
0
|
0%
|