|
1
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
2
|
20%
|
0
|
0%
|
|
2
|
A CANTICLE TO APOLLO
|
2
|
20%
|
0
|
0%
|
|
3
|
A Child's Grace
|
9
|
90%
|
0
|
0%
|
|
4
|
A Christmas Carol, Sung to the King in the Presence at White-Hall
|
6
|
60%
|
0
|
0%
|
|
5
|
A Conjuration To Electra
|
2
|
20%
|
0
|
0%
|
|
6
|
A CONJURATION: TO ELECTRA
|
2
|
20%
|
0
|
0%
|
|
7
|
A DIALOGUE BETWIXT HIMSELF AND MISTRESS ELIZAWHEELER, UNDER THE NAME OF AMARILLIS
|
1
|
10%
|
0
|
0%
|
|
8
|
A HYMN TO BACCHUS
|
3
|
30%
|
0
|
0%
|
|
9
|
A Hymn To Love
|
8
|
80%
|
0
|
0%
|
|
10
|
A HYMN TO THE GRACES
|
1
|
10%
|
0
|
0%
|
|
11
|
A HYMN TO VENUS AND CUPID
|
2
|
20%
|
0
|
0%
|
|
12
|
A Lyric to Mirth
|
3
|
30%
|
0
|
0%
|
|
13
|
A MEAN IN OUR MEANS
|
1
|
10%
|
0
|
0%
|
|
14
|
A MEDITATION FOR HIS MISTRESS
|
2
|
20%
|
0
|
0%
|
|
15
|
A NEW YEAR'S GIFT,SENT TO SIR SIMEON STEWARD
|
1
|
10%
|
0
|
0%
|
|
16
|
A PANEGYRIC TO SIR LEWIS PEMBERTON
|
1
|
10%
|
0
|
0%
|
|
17
|
A PARANAETICALL, OR ADVISIVE VERSETO HIS FRIEND, MR JOHN WICKS
|
4
|
40%
|
0
|
0%
|
|
18
|
A PASTORAL SUNG TO THE KING
|
1
|
10%
|
0
|
0%
|
|
19
|
A Ring Presented to Julia
|
3
|
30%
|
0
|
0%
|
|
20
|
A THANKSGIVING TO GOD, FOR HIS HOUSE
|
2
|
20%
|
0
|
0%
|
|
21
|
An Ode to Master Endymion Porter, Upon His Brother's Death
|
1
|
10%
|
0
|
0%
|
|
22
|
AN ODE TO SIR CLIPSBY CREW
|
1
|
10%
|
0
|
0%
|
|
23
|
Another Grace For A Child
|
1
|
10%
|
0
|
0%
|
|
24
|
ART ABOVE NATURE: TO JULIA
|
4
|
40%
|
0
|
0%
|
|
25
|
BURIAL
|
4
|
40%
|
0
|
0%
|
|
26
|
CEREMONIES FOR CANDLEMAS EVE
|
1
|
10%
|
0
|
0%
|
|
27
|
CHERRY RIPE
|
1
|
10%
|
0
|
0%
|
|
28
|
Cherry- Ripe
|
1
|
10%
|
0
|
0%
|
|
29
|
COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
|
1
|
10%
|
0
|
0%
|
|
30
|
CRUTCHES
|
2
|
20%
|
0
|
0%
|
|
31
|
DELIGHT IN DISORDER
|
3
|
30%
|
0
|
0%
|
|
32
|
Departure of the Good Daemon
|
1
|
10%
|
0
|
0%
|
|
33
|
Divination By A Daffodil
|
2
|
20%
|
0
|
0%
|
|
34
|
Dreams
|
3
|
30%
|
0
|
0%
|
|
35
|
Epitaph upon a Child that died
|
6
|
60%
|
0
|
0%
|
|
36
|
ETERNITY
|
1
|
10%
|
0
|
0%
|
|
37
|
FAREWELL FROST, OR WELCOME SPRING
|
3
|
30%
|
0
|
0%
|
|
38
|
HIS GRANGE, OR PRIVATE WEALTH
|
1
|
10%
|
0
|
0%
|
|
39
|
His Litany to the Holy Spirit
|
3
|
30%
|
0
|
0%
|
|
40
|
HIS REQUEST TO JULIA
|
6
|
60%
|
0
|
0%
|
|
41
|
HIS RETURN TO LONDON
|
1
|
10%
|
0
|
0%
|
|
42
|
HIS SAILING FROM JULIA
|
2
|
20%
|
0
|
0%
|
|
43
|
HIS WISH TO PRIVACY
|
3
|
30%
|
0
|
0%
|
|
44
|
HOW PANSIES OR HEARTS-EASE CAME FIRST
|
9
|
90%
|
0
|
0%
|
|
45
|
HOW SPRINGS CAME FIRST
|
1
|
10%
|
0
|
0%
|
|
46
|
KISSING USURY
|
1
|
10%
|
0
|
0%
|
|
47
|
Litany to the Holy Spirit
|
2
|
20%
|
0
|
0%
|
|
48
|
LOVE DISLIKES NOTHING
|
3
|
30%
|
0
|
0%
|
|
49
|
LOVE, WHAT IT IS
|
1
|
10%
|
0
|
0%
|
|
50
|
Miseries
|
1
|
10%
|
0
|
0%
|
|
51
|
MONEY MAKES THE MIRTH
|
2
|
20%
|
0
|
0%
|
|
52
|
MRS ELIZ: WHEELER, UNDER THE NAME OF THELOST SHEPHERDESS
|
2
|
20%
|
0
|
0%
|
|
53
|
NO FAULT IN WOMEN
|
2
|
20%
|
0
|
0%
|
|
54
|
NO MAN WITHOUT MONEY
|
1
|
10%
|
0
|
0%
|
|
55
|
NO PAINS, NO GAINS
|
1
|
10%
|
0
|
0%
|
|
56
|
NOT EVERY DAY FIT FOR VERSE
|
1
|
10%
|
0
|
0%
|
|
57
|
OF LOVE: A SONNET
|
1
|
10%
|
0
|
0%
|
|
58
|
On Julia's Voice
|
5
|
50%
|
0
|
0%
|
|
59
|
ON LOVE
|
3
|
30%
|
0
|
0%
|
|
60
|
PARDONS
|
1
|
10%
|
0
|
0%
|
|
61
|
PEACE NOT PERMANENT
|
1
|
10%
|
0
|
0%
|
|
62
|
POVERTY AND RICHES
|
1
|
10%
|
0
|
0%
|
|
63
|
PRAY AND PROSPER
|
2
|
20%
|
0
|
0%
|
|
64
|
SATISFACTION FOR SUFFERINGS
|
1
|
10%
|
0
|
0%
|
|
65
|
Sweet Disorder
|
4
|
40%
|
0
|
0%
|
|
66
|
THE APPARITION OF HIS, MISTRESS,CALLING HIM TO ELYSIUM
|
1
|
10%
|
0
|
0%
|
|
67
|
THE APRON OF FLOWERS
|
2
|
20%
|
0
|
0%
|
|
68
|
The Argument Of His Book
|
4
|
40%
|
0
|
0%
|
|
69
|
THE BAG OF THE BEE
|
2
|
20%
|
0
|
0%
|
|
70
|
THE BEGGAR TO MAB, THE FAIRY QUEEN
|
4
|
40%
|
0
|
0%
|
|
71
|
The Bellman
|
1
|
10%
|
0
|
0%
|
|
72
|
The Bracelet: To Julia
|
1
|
10%
|
0
|
0%
|
|
73
|
THE BUBBLE: A SONG
|
2
|
20%
|
0
|
0%
|
|
74
|
THE CEREMONIES FOR CANDLEMAS DAY
|
2
|
20%
|
0
|
0%
|
|
75
|
THE COMING OF GOOD LUCK
|
3
|
30%
|
0
|
0%
|
|
76
|
THE COUNTRY LIFE:
|
2
|
20%
|
0
|
0%
|
|
77
|
THE CRUEL MAID
|
1
|
10%
|
0
|
0%
|
|
78
|
THE HEART
|
2
|
20%
|
0
|
0%
|
|
79
|
The Hour-glass
|
6
|
60%
|
0
|
0%
|
|
80
|
THE MAD MAID'S SONG
|
1
|
10%
|
0
|
0%
|
|
81
|
THE MAYPOLE
|
2
|
20%
|
0
|
0%
|
|
82
|
The Night Piece, to Julia
|
1
|
10%
|
0
|
0%
|
|
83
|
THE OLIVE BRANCH
|
2
|
20%
|
0
|
0%
|
|
84
|
THE PARCAE; OR, THREE DAINTY DESTINIES:THE ARMILET
|
1
|
10%
|
0
|
0%
|
|
85
|
THE PRESENT TIME BEST PLEASETH
|
1
|
10%
|
0
|
0%
|
|
86
|
THE WASSAIL
|
1
|
10%
|
0
|
0%
|
|
87
|
The Wounded Cupid
|
1
|
10%
|
0
|
0%
|
|
88
|
TO A GENTLEWOMAN, OBJECTING TO HIM HISGRAY HAIRS
|
1
|
10%
|
0
|
0%
|
|
89
|
TO ANTHEA
|
2
|
20%
|
0
|
0%
|
|
90
|
To Anthea, who may command him Anything
|
1
|
10%
|
0
|
0%
|
|
91
|
To Daffodils
|
1
|
10%
|
0
|
0%
|
|
92
|
TO JULIA
|
2
|
20%
|
0
|
0%
|
|
93
|
TO PANSIES
|
1
|
10%
|
0
|
0%
|
|
94
|
TO PERlLLA
|
2
|
20%
|
0
|
0%
|
|
95
|
TO ROBIN RED-BREAST
|
1
|
10%
|
0
|
0%
|
|
96
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
10
|
100%
|
0
|
0%
|
|
97
|
UPON HER FEET
|
1
|
10%
|
0
|
0%
|
|
98
|
Upon Julia's Clothes
|
2
|
20%
|
0
|
0%
|
|
99
|
UPON LOVE
|
1
|
10%
|
0
|
0%
|
|
100
|
UPON LOVE:BY WAY OF QUESTION AND ANSWER
|
3
|
30%
|
0
|
0%
|
|
101
|
UPON TEARS
|
1
|
10%
|
0
|
0%
|
|
102
|
Upon The Nipples Of Julia's Breast
|
6
|
60%
|
0
|
0%
|
|
103
|
WHY FLOWERS CHANGE COLOUR
|
2
|
20%
|
0
|
0%
|
|
104
|
WRITING
|
3
|
30%
|
0
|
0%
|