|
1
|
A Child's Grace
|
5
|
23%
|
0
|
0%
|
|
2
|
A Christmas Carol, Sung to the King in the Presence at White-Hall
|
3
|
14%
|
0
|
0%
|
|
3
|
A Conjuration To Electra
|
1
|
4%
|
0
|
0%
|
|
4
|
A CONJURATION: TO ELECTRA
|
1
|
4%
|
0
|
0%
|
|
5
|
A HYMN TO BACCHUS
|
2
|
9%
|
0
|
0%
|
|
6
|
A Lyric to Mirth
|
1
|
4%
|
0
|
0%
|
|
7
|
A THANKSGIVING TO GOD, FOR HIS HOUSE
|
1
|
4%
|
0
|
0%
|
|
8
|
AMBITION
|
1
|
4%
|
0
|
0%
|
|
9
|
AN HYMN TO THE MUSES
|
1
|
4%
|
0
|
0%
|
|
10
|
CEREMONIES FOR CANDLEMAS EVE
|
1
|
4%
|
0
|
0%
|
|
11
|
CEREMONY UPON CANDLEMAS EVE
|
2
|
9%
|
0
|
0%
|
|
12
|
Corinna's Going A-Maying
|
1
|
4%
|
0
|
0%
|
|
13
|
DELIGHT IN DISORDER
|
6
|
28%
|
0
|
0%
|
|
14
|
Divination By A Daffodil
|
1
|
4%
|
0
|
0%
|
|
15
|
Dreams
|
7
|
33%
|
0
|
0%
|
|
16
|
HER BED
|
1
|
4%
|
0
|
0%
|
|
17
|
HIS REQUEST TO JULIA
|
1
|
4%
|
0
|
0%
|
|
18
|
HIS RETURN TO LONDON
|
1
|
4%
|
0
|
0%
|
|
19
|
HIS SAILING FROM JULIA
|
1
|
4%
|
0
|
0%
|
|
20
|
HIS WINDING-SHEET
|
1
|
4%
|
0
|
0%
|
|
21
|
His Wish To God
|
1
|
4%
|
0
|
0%
|
|
22
|
IMPOSSIBILITIES: TO HIS FRIEND
|
1
|
4%
|
0
|
0%
|
|
23
|
LOSS FROM THE LEAST
|
1
|
4%
|
0
|
0%
|
|
24
|
LOVE, WHAT IT IS
|
1
|
4%
|
0
|
0%
|
|
25
|
Miseries
|
1
|
4%
|
0
|
0%
|
|
26
|
OF LOVE: A SONNET
|
7
|
33%
|
0
|
0%
|
|
27
|
ORPHEUS
|
1
|
4%
|
0
|
0%
|
|
28
|
PURPOSES
|
1
|
4%
|
0
|
0%
|
|
29
|
Rewards
|
4
|
19%
|
0
|
0%
|
|
30
|
Sweet Disorder
|
2
|
9%
|
0
|
0%
|
|
31
|
THE DEFINITION OF BEAUTY
|
1
|
4%
|
0
|
0%
|
|
32
|
THE FAIRY TEMPLE; OR, OBERON'S CHAPEL
|
1
|
4%
|
0
|
0%
|
|
33
|
The Hour-glass
|
2
|
9%
|
0
|
0%
|
|
34
|
THE MAD MAID'S SONG
|
2
|
9%
|
0
|
0%
|
|
35
|
THE PARLIAMENT OF ROSES TO JULIA
|
1
|
4%
|
0
|
0%
|
|
36
|
THE PLAUDITE, OR END OF LIFE
|
1
|
4%
|
0
|
0%
|
|
37
|
THE PRESENT TIME BEST PLEASETH
|
1
|
4%
|
0
|
0%
|
|
38
|
THE PRESENT; OR, THE BAG OF THE BEE:
|
1
|
4%
|
0
|
0%
|
|
39
|
THE PRIMROSE
|
2
|
9%
|
0
|
0%
|
|
40
|
THE ROCK OF RUBIES, AND THE QUARRY OFPEARLS
|
1
|
4%
|
0
|
0%
|
|
41
|
The Rosary
|
1
|
4%
|
0
|
0%
|
|
42
|
THE SHOWER OF BLOSSOMS
|
1
|
4%
|
0
|
0%
|
|
43
|
THE SUCCESSION OF THE FOUR SWEET MONTHS
|
4
|
19%
|
0
|
0%
|
|
44
|
THE TRANSFIGURATION
|
1
|
4%
|
0
|
0%
|
|
45
|
THE WAKE
|
1
|
4%
|
0
|
0%
|
|
46
|
THE WOUNDED HEART
|
2
|
9%
|
0
|
0%
|
|
47
|
TO BLOSSOMS
|
1
|
4%
|
0
|
0%
|
|
48
|
TO CARNATIONS: A SONG
|
1
|
4%
|
0
|
0%
|
|
49
|
To Daffodils
|
10
|
47%
|
0
|
0%
|
|
50
|
TO DEATH
|
1
|
4%
|
0
|
0%
|
|
51
|
TO ENJOY THE TIME
|
1
|
4%
|
0
|
0%
|
|
52
|
TO HEAVEN
|
1
|
4%
|
0
|
0%
|
|
53
|
TO HIS DYING BROTHER, MASTER WILLIAM HERRICK
|
1
|
4%
|
0
|
0%
|
|
54
|
TO HIS MUSE
|
2
|
9%
|
0
|
0%
|
|
55
|
TO HIS SAVIOUR, A CHILD;A PRESENT, BY A CHILD
|
1
|
4%
|
0
|
0%
|
|
56
|
TO PRIMROSES FILLED WITH MORNING DEW
|
1
|
4%
|
0
|
0%
|
|
57
|
TO THE LADY CREWE, UPON THE DEATH OF HER CHILD
|
3
|
14%
|
0
|
0%
|
|
58
|
TO THE MAIDS, TO WALK ABROAD
|
1
|
4%
|
0
|
0%
|
|
59
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
21
|
100%
|
0
|
0%
|
|
60
|
TO THE WATER-NYMPHS DRINKING AT THEFOUNTAIN
|
1
|
4%
|
0
|
0%
|
|
61
|
TO VIOLETS
|
1
|
4%
|
0
|
0%
|
|
62
|
To Virgins, to Make Much of Time
|
3
|
14%
|
0
|
0%
|
|
63
|
Truth and Falsehood
|
1
|
4%
|
0
|
0%
|
|
64
|
UPON A CHILD
|
2
|
9%
|
0
|
0%
|
|
65
|
UPON HER EYES
|
1
|
4%
|
0
|
0%
|
|
66
|
UPON HIMSELF
|
1
|
4%
|
0
|
0%
|
|
67
|
UPON HIS SISTER-IN-LAW, MISTRESS ELIZABETHHERRICK
|
1
|
4%
|
0
|
0%
|
|
68
|
Upon Julia's Clothes
|
2
|
9%
|
0
|
0%
|
|
69
|
UPON JULIA'S VOICE
|
3
|
14%
|
0
|
0%
|
|
70
|
UPON LOVE
|
3
|
14%
|
0
|
0%
|
|
71
|
UPON LOVE:BY WAY OF QUESTION AND ANSWER
|
3
|
14%
|
0
|
0%
|
|
72
|
UPON MRS ELIZ. WHEELER, UNDER THE NAME OFAMARILLIS
|
1
|
4%
|
0
|
0%
|
|
73
|
UPON ROSES
|
1
|
4%
|
0
|
0%
|
|
74
|
UPON TEARS
|
1
|
4%
|
0
|
0%
|
|
75
|
Upon The Nipples Of Julia's Breast
|
7
|
33%
|
0
|
0%
|
|
76
|
UPON TIME
|
2
|
9%
|
0
|
0%
|
|
77
|
UPON WRINKLES
|
2
|
9%
|
0
|
0%
|
|
78
|
WANT
|
2
|
9%
|
0
|
0%
|
|
79
|
What Kind Of Mistress He Would Have
|
3
|
14%
|
0
|
0%
|
|
80
|
WHY FLOWERS CHANGE COLOUR
|
1
|
4%
|
0
|
0%
|
|
81
|
WlT PUNISHED PROSPERS MOST
|
1
|
4%
|
0
|
0%
|
|
82
|
WRITING
|
2
|
9%
|
0
|
0%
|