|
1
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
1
|
14%
|
0
|
0%
|
|
2
|
A CANTICLE TO APOLLO
|
1
|
14%
|
0
|
0%
|
|
3
|
A Child's Grace
|
5
|
71%
|
0
|
0%
|
|
4
|
A Conjuration To Electra
|
3
|
42%
|
0
|
0%
|
|
5
|
A CONJURATION: TO ELECTRA
|
2
|
28%
|
0
|
0%
|
|
6
|
A DIALOGUE BETWIXT HIMSELF AND MISTRESS ELIZAWHEELER, UNDER THE NAME OF AMARILLIS
|
1
|
14%
|
0
|
0%
|
|
7
|
A HYMN TO BACCHUS
|
6
|
85%
|
0
|
0%
|
|
8
|
A Hymn To Love
|
6
|
85%
|
0
|
0%
|
|
9
|
A MEAN IN OUR MEANS
|
1
|
14%
|
0
|
0%
|
|
10
|
A MEDITATION FOR HIS MISTRESS
|
4
|
57%
|
0
|
0%
|
|
11
|
A PANEGYRIC TO SIR LEWIS PEMBERTON
|
1
|
14%
|
0
|
0%
|
|
12
|
A Ring Presented to Julia
|
4
|
57%
|
0
|
0%
|
|
13
|
A Thanksgiving to God for His House
|
3
|
42%
|
0
|
0%
|
|
14
|
A THANKSGIVING TO GOD, FOR HIS HOUSE
|
3
|
42%
|
0
|
0%
|
|
15
|
A VOW TO VENUS
|
2
|
28%
|
0
|
0%
|
|
16
|
ALL THINGS DECAY AND DIE
|
2
|
28%
|
0
|
0%
|
|
17
|
AMBITION
|
1
|
14%
|
0
|
0%
|
|
18
|
AN EPITAPH UPON A CHILD
|
2
|
28%
|
0
|
0%
|
|
19
|
AN EPITAPH UPON A VIRGIN
|
2
|
28%
|
0
|
0%
|
|
20
|
AN HYMN TO THE MUSES
|
1
|
14%
|
0
|
0%
|
|
21
|
AN ODE FOR BEN JONSON
|
2
|
28%
|
0
|
0%
|
|
22
|
AN ODE OF THE BIRTH OF OUR SAVIOUR
|
1
|
14%
|
0
|
0%
|
|
23
|
An Ode to Master Endymion Porter, Upon His Brother's Death
|
2
|
28%
|
0
|
0%
|
|
24
|
AN ODE TO SIR CLIPSBY CREW
|
2
|
28%
|
0
|
0%
|
|
25
|
ANACREONTIC
|
1
|
14%
|
0
|
0%
|
|
26
|
Another
|
1
|
14%
|
0
|
0%
|
|
27
|
Another Grace For A Child
|
2
|
28%
|
0
|
0%
|
|
28
|
ANTHEA'S RETRACTATION
|
3
|
42%
|
0
|
0%
|
|
29
|
ART ABOVE NATURE: TO JULIA
|
1
|
14%
|
0
|
0%
|
|
30
|
BARLEY-BREAK; OR, LAST IN HELL
|
2
|
28%
|
0
|
0%
|
|
31
|
Be My Mistress Short or Tall
|
2
|
28%
|
0
|
0%
|
|
32
|
BURIAL
|
2
|
28%
|
0
|
0%
|
|
33
|
CASUALTIES
|
2
|
28%
|
0
|
0%
|
|
34
|
CEREMONIES FOR CANDLEMAS EVE
|
1
|
14%
|
0
|
0%
|
|
35
|
CEREMONY UPON CANDLEMAS EVE
|
1
|
14%
|
0
|
0%
|
|
36
|
CHERRY RIPE
|
3
|
42%
|
0
|
0%
|
|
37
|
Cherry- Ripe
|
1
|
14%
|
0
|
0%
|
|
38
|
COCK-CROW
|
1
|
14%
|
0
|
0%
|
|
39
|
COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
|
2
|
28%
|
0
|
0%
|
|
40
|
Corinna's Going A-Maying
|
2
|
28%
|
0
|
0%
|
|
41
|
DELIGHT IN DISORDER
|
3
|
42%
|
0
|
0%
|
|
42
|
Dreams
|
1
|
14%
|
0
|
0%
|
|
43
|
FOUR THINGS MAKE US HAPPY HERE
|
1
|
14%
|
0
|
0%
|
|
44
|
HER BED
|
1
|
14%
|
0
|
0%
|
|
45
|
HIS COVENANT OR PROTESTATION TO JULIA
|
1
|
14%
|
0
|
0%
|
|
46
|
HIS LAST REQUEST TO JULIA
|
1
|
14%
|
0
|
0%
|
|
47
|
HIS MISTRESS TO HIM AT HIS FAREWELL
|
1
|
14%
|
0
|
0%
|
|
48
|
HIS REQUEST TO JULIA
|
1
|
14%
|
0
|
0%
|
|
49
|
IMPOSSIBILITIES: TO HIS FRIEND
|
1
|
14%
|
0
|
0%
|
|
50
|
LOVE, WHAT IT IS
|
1
|
14%
|
0
|
0%
|
|
51
|
LOVERS HOW THEY COME AND PART
|
1
|
14%
|
0
|
0%
|
|
52
|
Miseries
|
1
|
14%
|
0
|
0%
|
|
53
|
NO FAULT IN WOMEN
|
1
|
14%
|
0
|
0%
|
|
54
|
Oberon's Feast
|
1
|
14%
|
0
|
0%
|
|
55
|
OF LOVE: A SONNET
|
1
|
14%
|
0
|
0%
|
|
56
|
On Julia's Voice
|
1
|
14%
|
0
|
0%
|
|
57
|
ON LOVE
|
2
|
28%
|
0
|
0%
|
|
58
|
Sweet Disorder
|
1
|
14%
|
0
|
0%
|
|
59
|
THE APRON OF FLOWERS
|
1
|
14%
|
0
|
0%
|
|
60
|
THE BAD SEASON MAKES THE POET SAD
|
1
|
14%
|
0
|
0%
|
|
61
|
THE BEGGAR TO MAB, THE FAIRY QUEEN
|
1
|
14%
|
0
|
0%
|
|
62
|
THE BRACELET TO JULIA
|
1
|
14%
|
0
|
0%
|
|
63
|
THE CHANGES: TO CORINNA
|
1
|
14%
|
0
|
0%
|
|
64
|
THE FAIRY TEMPLE; OR, OBERON'S CHAPEL
|
1
|
14%
|
0
|
0%
|
|
65
|
The Good-night or Blessing
|
1
|
14%
|
0
|
0%
|
|
66
|
The Hock-cart, or Harvest Home
|
1
|
14%
|
0
|
0%
|
|
67
|
THE KISS: A DIALOGUE
|
1
|
14%
|
0
|
0%
|
|
68
|
The Night Piece, to Julia
|
1
|
14%
|
0
|
0%
|
|
69
|
The Night Piece, to Julia
|
1
|
14%
|
0
|
0%
|
|
70
|
THE PRIMROSE
|
1
|
14%
|
0
|
0%
|
|
71
|
TO ANTHEA
|
3
|
42%
|
0
|
0%
|
|
72
|
TO ANTHEA, WHO MAY COMMAND HIM ANY THING
|
3
|
42%
|
0
|
0%
|
|
73
|
To Anthea, who may command him Anything
|
1
|
14%
|
0
|
0%
|
|
74
|
TO BACCHUS: A CANTICLE
|
1
|
14%
|
0
|
0%
|
|
75
|
TO BE MERRY
|
1
|
14%
|
0
|
0%
|
|
76
|
TO BLOSSOMS
|
4
|
57%
|
0
|
0%
|
|
77
|
TO CARNATIONS: A SONG
|
1
|
14%
|
0
|
0%
|
|
78
|
TO DAFFADILS
|
1
|
14%
|
0
|
0%
|
|
79
|
To Daffodils
|
2
|
28%
|
0
|
0%
|
|
80
|
TO ELECTRA
|
1
|
14%
|
0
|
0%
|
|
81
|
TO HIS DYING BROTHER, MASTER WILLIAM HERRICK
|
1
|
14%
|
0
|
0%
|
|
82
|
TO HIS LOVELY MISTRESSES
|
1
|
14%
|
0
|
0%
|
|
83
|
TO JULIA
|
1
|
14%
|
0
|
0%
|
|
84
|
TO MUSIC
|
1
|
14%
|
0
|
0%
|
|
85
|
TO MUSIC, TO BECALM A SWEET SICK YOUTH
|
1
|
14%
|
0
|
0%
|
|
86
|
TO MUSIC, TO BECALM HIS FEVER
|
1
|
14%
|
0
|
0%
|
|
87
|
To Perilla
|
1
|
14%
|
0
|
0%
|
|
88
|
TO PHILLIS, TO LOVE AND LIVE WITH HIM
|
1
|
14%
|
0
|
0%
|
|
89
|
TO SILVIA
|
1
|
14%
|
0
|
0%
|
|
90
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
7
|
100%
|
0
|
0%
|
|
91
|
Upon Julia's Clothes
|
1
|
14%
|
0
|
0%
|
|
92
|
UPON JULIA'S HAIR FILLED WITH DEW
|
1
|
14%
|
0
|
0%
|
|
93
|
UPON JULIA'S RIBBON
|
1
|
14%
|
0
|
0%
|
|
94
|
Upon Julia's Unlacing Herself
|
1
|
14%
|
0
|
0%
|
|
95
|
UPON JULIA'S VOICE
|
1
|
14%
|
0
|
0%
|
|
96
|
UPON THE LOSS OF HIS MISTRESSES
|
1
|
14%
|
0
|
0%
|
|
97
|
Upon The Nipples Of Julia's Breast
|
3
|
42%
|
0
|
0%
|
|
98
|
UPON TIME
|
2
|
28%
|
0
|
0%
|
|
99
|
UPON WRINKLES
|
1
|
14%
|
0
|
0%
|
|
100
|
WANT
|
1
|
14%
|
0
|
0%
|
|
101
|
What Kind Of Mistress He Would Have
|
1
|
14%
|
0
|
0%
|
|
102
|
WHEN HE WOULD HAVE HIS VERSES READ
|
2
|
28%
|
0
|
0%
|
|
103
|
WHY FLOWERS CHANGE COLOUR
|
1
|
14%
|
0
|
0%
|
|
104
|
WlT PUNISHED PROSPERS MOST
|
1
|
14%
|
0
|
0%
|
|
105
|
WRITING
|
1
|
14%
|
0
|
0%
|